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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FD652 it is the complementary color #6029AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FD652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FD652 shade: #A4D64D, #B5E860, #C6FA73, #D7FF86 and #E8FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FD652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FD652 shade: #9FD652, #8EC43F, #7DB22C, #6CA019 and #5B8E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FD652 shade: #9FD651, #C3D651, #D6C651, #D6A251 and #D67E51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FD652 shade: #9FD651, #7BD651, #57D651, #51D66F and #51D693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FD652 shade matches the following richer shades: #9FD651, #A2E840 and #A5F92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FD652 shade: #9FD651, #9CC563, #99B474, #96A285 and #939197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FD652 shade: #D6C751, #C2D651, #9FD651, #7CD651 and #58D651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FD652 shade: #76AD29, #8CCE30, #9FD651, #B1DE73 and #C4E694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FD652 shade: #9FD652, #51D6A3 and #D651D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FD652 shade: #9FD652, #519FD6 and #D6519F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FD652 shade: #9FD652, #51D6A3, #8951D6 and #D65184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FD652 shade: #9FD652, #51D6CB, #8951D6 and #D6515D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 62 / 16

HEX #9FD652

RGB 159 214 82

HSL 85, 0.62%, 0.58%

LAB 79.66, -38.03, 57.86

 

Complementary color

CMYK 45 / 76 / 0 / 32

HEX #6029AD

RGB 96 41 173

HSL 265, 0.62%, 0.42%

LAB 32.01, 51.72, -60.71

 

CMYK 23 / 0 / 64 / 16

HEX #A4D64D

RGB 164 214 77

HSL 81.9, 0.63%, 0.57%

LAB 79.91, -36.55, 60.29

 

CMYK 22 / 0 / 59 / 9

HEX #B5E860

RGB 181 232 96

HSL 82.5, 0.75%, 0.64%

LAB 86.2, -36.81, 59.51

 

CMYK 21 / 0 / 54 / 2

HEX #C6FA73

RGB 198 250 115

HSL 83.11, 0.93%, 0.72%

LAB 92.4, -36.99, 58.55

 

CMYK 16 / 0 / 47 / 0

HEX #D7FF86

RGB 215 255 134

HSL 79.83, 1%, 0.76%

LAB 95.03, -31.19, 53.27

 

CMYK 9 / 0 / 40 / 0

HEX #E8FF99

RGB 232 255 153

HSL 73.53, 1%, 0.8%

LAB 96.4, -22.88, 46.2

 

CMYK 26 / 0 / 62 / 16

HEX #9FD652

RGB 159 214 82

HSL 85, 0.62%, 0.58%

LAB 79.66, -38.03, 57.86

 

CMYK 28 / 0 / 68 / 23

HEX #8EC43F

RGB 142 196 63

HSL 84.36, 0.53%, 0.51%

LAB 73.28, -37.74, 58.5

 

CMYK 30 / 0 / 75 / 30

HEX #7DB22C

RGB 125 178 44

HSL 83.73, 0.6%, 0.44%

LAB 66.81, -37.3, 58.68

 

CMYK 33 / 0 / 84 / 37

HEX #6CA019

RGB 108 160 25

HSL 83.11, 0.73%, 0.36%

LAB 60.25, -36.66, 57.97

 

CMYK 36 / 0 / 96 / 44

HEX #5B8E06

RGB 91 142 6

HSL 82.5, 0.92%, 0.29%

LAB 53.58, -35.74, 55.78

 

CMYK 26 / 0 / 62 / 16

HEX #9FD651

RGB 159 214 81

HSL 84.81, 0.62%, 0.58%

LAB 79.65, -38.11, 58.27

 

CMYK 9 / 0 / 62 / 16

HEX #C3D651

RGB 195 214 81

HSL 68.57, 0.62%, 0.58%

LAB 82, -24.12, 61.5

 

CMYK 0 / 7 / 62 / 16

HEX #D6C651

RGB 214 198 81

HSL 52.78, 0.62%, 0.58%

LAB 79.2, -8.31, 58.93

 

CMYK 0 / 24 / 62 / 16

HEX #D6A251

RGB 214 162 81

HSL 36.54, 0.62%, 0.58%

LAB 69.99, 10.62, 48.71

 

CMYK 0 / 41 / 62 / 16

HEX #D67E51

RGB 214 126 81

HSL 20.3, 0.62%, 0.58%

LAB 61.49, 30, 38.78

 

CMYK 26 / 0 / 62 / 16

HEX #9FD651

RGB 159 214 81

HSL 84.81, 0.62%, 0.58%

LAB 79.65, -38.11, 58.27

 

CMYK 43 / 0 / 62 / 16

HEX #7BD651

RGB 123 214 81

HSL 101.05, 0.62%, 0.58%

LAB 77.81, -50.48, 55.73

 

CMYK 59 / 0 / 62 / 16

HEX #57D651

RGB 87 214 81

HSL 117.29, 0.62%, 0.58%

LAB 76.51, -60.34, 53.91

 

CMYK 62 / 0 / 48 / 16

HEX #51D66F

RGB 81 214 111

HSL 133.53, 0.62%, 0.58%

LAB 76.67, -57.85, 40.18

 

CMYK 62 / 0 / 31 / 16

HEX #51D693

RGB 81 214 147

HSL 149.77, 0.62%, 0.58%

LAB 77.25, -51.56, 22.6

 

CMYK 26 / 0 / 62 / 16

HEX #9FD651

RGB 159 214 81

HSL 84.81, 0.62%, 0.58%

LAB 79.65, -38.11, 58.27

 

CMYK 30 / 0 / 72 / 9

HEX #A2E840

RGB 162 232 64

HSL 85, 0.79%, 0.58%

LAB 84.88, -46.03, 70.2

 

CMYK 34 / 0 / 81 / 2

HEX #A5F92F

RGB 165 249 47

HSL 84.95, 0.94%, 0.58%

LAB 89.84, -52.83, 79.83

 

CMYK 26 / 0 / 62 / 16

HEX #9FD651

RGB 159 214 81

HSL 84.81, 0.62%, 0.58%

LAB 79.65, -38.11, 58.27

 

CMYK 21 / 0 / 50 / 23

HEX #9CC563

RGB 156 197 99

HSL 85.1, 0.46%, 0.58%

LAB 74.76, -29.69, 44.42

 

CMYK 15 / 0 / 36 / 29

HEX #99B474

RGB 153 180 116

HSL 85.31, 0.3%, 0.58%

LAB 69.95, -20.43, 29.67

 

CMYK 7 / 0 / 18 / 36

HEX #96A285

RGB 150 162 133

HSL 84.83, 0.13%, 0.58%

LAB 64.98, -9.62, 13.67

 

CMYK 3 / 4 / 0 / 41

HEX #939197

RGB 147 145 151

HSL 260, 0.03%, 0.58%

LAB 60.51, 1.91, -2.91

 

CMYK 0 / 7 / 62 / 16

HEX #D6C751

RGB 214 199 81

HSL 53.23, 0.62%, 0.58%

LAB 79.46, -8.83, 59.21

 

CMYK 9 / 0 / 62 / 16

HEX #C2D651

RGB 194 214 81

HSL 69.02, 0.62%, 0.58%

LAB 81.92, -24.52, 61.4

 

CMYK 26 / 0 / 62 / 16

HEX #9FD651

RGB 159 214 81

HSL 84.81, 0.62%, 0.58%

LAB 79.65, -38.11, 58.27

 

CMYK 42 / 0 / 62 / 16

HEX #7CD651

RGB 124 214 81

HSL 100.6, 0.62%, 0.58%

LAB 77.86, -50.17, 55.79

 

CMYK 59 / 0 / 62 / 16

HEX #58D651

RGB 88 214 81

HSL 116.84, 0.62%, 0.58%

LAB 76.53, -60.11, 53.95

 

CMYK 32 / 0 / 76 / 32

HEX #76AD29

RGB 118 173 41

HSL 85, 0.62%, 0.42%

LAB 64.88, -37.89, 57.69

 

CMYK 32 / 0 / 77 / 19

HEX #8CCE30

RGB 140 206 48

HSL 85.06, 0.62%, 0.5%

LAB 76.03, -43.76, 66.45

 

CMYK 26 / 0 / 62 / 16

HEX #9FD651

RGB 159 214 81

HSL 84.81, 0.62%, 0.58%

LAB 79.65, -38.11, 58.27

 

CMYK 20 / 0 / 48 / 13

HEX #B1DE73

RGB 177 222 115

HSL 85.23, 0.62%, 0.66%

LAB 83.35, -31.88, 47.45

 

CMYK 15 / 0 / 36 / 10

HEX #C4E694

RGB 196 230 148

HSL 84.88, 0.62%, 0.74%

LAB 87.23, -24.76, 36.37

 

CMYK 26 / 0 / 62 / 16

HEX #9FD652

RGB 159 214 82

HSL 85, 0.62%, 0.58%

LAB 79.66, -38.03, 57.86

 

CMYK 62 / 0 / 24 / 16

HEX #51D6A3

RGB 81 214 163

HSL 156.99, 0.62%, 0.58%

LAB 77.57, -48.21, 14.61

 

CMYK 0 / 62 / 1 / 16

HEX #D651D4

RGB 214 81 212

HSL 300.9, 0.62%, 0.58%

LAB 57.01, 67.81, -42.4

 

CMYK 26 / 0 / 62 / 16

HEX #9FD652

RGB 159 214 82

HSL 85, 0.62%, 0.58%

LAB 79.66, -38.03, 57.86

 

CMYK 62 / 26 / 0 / 16

HEX #519FD6

RGB 81 159 214

HSL 204.81, 0.62%, 0.58%

LAB 62.84, -7.44, -35.19

 

CMYK 0 / 62 / 26 / 16

HEX #D6519F

RGB 214 81 159

HSL 324.81, 0.62%, 0.58%

LAB 54.75, 59.92, -15.33

 

CMYK 26 / 0 / 62 / 16

HEX #9FD652

RGB 159 214 82

HSL 85, 0.62%, 0.58%

LAB 79.66, -38.03, 57.86

 

CMYK 62 / 0 / 24 / 16

HEX #51D6A3

RGB 81 214 163

HSL 156.99, 0.62%, 0.58%

LAB 77.57, -48.21, 14.61

 

CMYK 36 / 62 / 0 / 16

HEX #8951D6

RGB 137 81 214

HSL 265.26, 0.62%, 0.58%

LAB 47.05, 50.27, -60.02

 

CMYK 0 / 62 / 38 / 16

HEX #D65184

RGB 214 81 132

HSL 336.99, 0.62%, 0.58%

LAB 53.86, 56.69, -0.71

 

CMYK 26 / 0 / 62 / 16

HEX #9FD652

RGB 159 214 82

HSL 85, 0.62%, 0.58%

LAB 79.66, -38.03, 57.86

 

CMYK 62 / 0 / 5 / 16

HEX #51D6CB

RGB 81 214 203

HSL 175.04, 0.62%, 0.58%

LAB 78.55, -38.5, -5.33

 

CMYK 36 / 62 / 0 / 16

HEX #8951D6

RGB 137 81 214

HSL 265.26, 0.62%, 0.58%

LAB 47.05, 50.27, -60.02

 

CMYK 0 / 62 / 57 / 16

HEX #D6515D

RGB 214 81 93

HSL 354.59, 0.62%, 0.58%

LAB 52.92, 53.11, 21.15

 

Description

Color code: HEX #9FD652 | qconv.com Color code: HEX #9FD652 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 214 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 214 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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