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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FD419 it is the complementary color #602BE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FD419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FD419 shade: #A4D414, #B5E627, #C6F83A, #D7FF4D and #E8FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FD419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FD419 shade: #9FD419, #8EC206, #7DB000, #6C9E00 and #5B8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FD419 shade: #9DD219, #CFD219, #D2A319, #D27119 and #D23F19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FD419 shade: #9DD219, #6BD219, #39D219, #19D22A and #19D25C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FD419 shade matches the following richer shades: #9DD219 and #A6E506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FD419 shade: #9DD219, #95BF2C, #8DAC3F, #859952 and #7D8665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FD419 shade: #D2A419, #CFD219, #9DD219, #6CD219 and #3BD219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FD419 shade: #668810, #82AD14, #9DD219, #B2E62D and #C0EB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FD419 shade: #9FD419, #19D272 and #BC19D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FD419 shade: #9FD419, #199DD2 and #D2199D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FD419 shade: #9FD419, #19D272, #4D19D2 and #D21978

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FD419 shade: #9FD419, #19D2AA, #4D19D2 and #D21941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 88 / 17

HEX #9FD419

RGB 159 212 25

HSL 77.01, 0.79%, 0.46%

LAB 78.77, -40.09, 74.87

 

Complementary color

CMYK 58 / 81 / 0 / 10

HEX #602BE6

RGB 96 43 230

HSL 257.01, 0.79%, 0.54%

LAB 37.71, 65.73, -84.59

 

CMYK 23 / 0 / 91 / 17

HEX #A4D414

RGB 164 212 20

HSL 75, 0.83%, 0.45%

LAB 79.06, -38.25, 76.04

 

CMYK 21 / 0 / 83 / 10

HEX #B5E627

RGB 181 230 39

HSL 75.39, 0.79%, 0.53%

LAB 85.28, -39.17, 78.07

 

CMYK 20 / 0 / 77 / 3

HEX #C6F83A

RGB 198 248 58

HSL 75.79, 0.93%, 0.6%

LAB 91.44, -39.92, 79.04

 

CMYK 16 / 0 / 70 / 0

HEX #D7FF4D

RGB 215 255 77

HSL 73.48, 1%, 0.65%

LAB 94.53, -35.61, 76.34

 

CMYK 9 / 0 / 62 / 0

HEX #E8FF60

RGB 232 255 96

HSL 68.68, 1%, 0.69%

LAB 95.8, -27.89, 70.95

 

CMYK 25 / 0 / 88 / 17

HEX #9FD419

RGB 159 212 25

HSL 77.01, 0.79%, 0.46%

LAB 78.77, -40.09, 74.87

 

CMYK 27 / 0 / 97 / 24

HEX #8EC206

RGB 142 194 6

HSL 76.6, 0.94%, 0.39%

LAB 72.46, -39.06, 71.92

 

CMYK 29 / 0 / 100 / 31

HEX #7DB000

RGB 125 176 0

HSL 77.39, 1%, 0.35%

LAB 66.07, -37.78, 67.25

 

CMYK 32 / 0 / 100 / 38

HEX #6C9E00

RGB 108 158 0

HSL 78.99, 1%, 0.31%

LAB 59.56, -36.4, 61.83

 

CMYK 35 / 0 / 100 / 45

HEX #5B8C00

RGB 91 140 0

HSL 81, 1%, 0.27%

LAB 52.93, -34.99, 56.31

 

CMYK 25 / 0 / 88 / 18

HEX #9DD219

RGB 157 210 25

HSL 77.19, 0.79%, 0.46%

LAB 78.07, -39.98, 74.25

 

CMYK 1 / 0 / 88 / 18

HEX #CFD219

RGB 207 210 25

HSL 60.97, 0.79%, 0.46%

LAB 81.53, -19.58, 78.49

 

CMYK 0 / 22 / 88 / 18

HEX #D2A319

RGB 210 163 25

HSL 44.76, 0.79%, 0.46%

LAB 69.45, 5.93, 69.02

 

CMYK 0 / 46 / 88 / 18

HEX #D27119

RGB 210 113 25

HSL 28.54, 0.79%, 0.46%

LAB 57.64, 32.8, 59.73

 

CMYK 0 / 70 / 88 / 18

HEX #D23F19

RGB 210 63 25

HSL 12.32, 0.79%, 0.46%

LAB 48.67, 56.04, 52.75

 

CMYK 25 / 0 / 88 / 18

HEX #9DD219

RGB 157 210 25

HSL 77.19, 0.79%, 0.46%

LAB 78.07, -39.98, 74.25

 

CMYK 49 / 0 / 88 / 18

HEX #6BD219

RGB 107 210 25

HSL 93.41, 0.79%, 0.46%

LAB 75.63, -57.25, 71.22

 

CMYK 73 / 0 / 88 / 18

HEX #39D219

RGB 57 210 25

HSL 109.62, 0.79%, 0.46%

LAB 74.21, -68.87, 69.44

 

CMYK 88 / 0 / 80 / 18

HEX #19D22A

RGB 25 210 42

HSL 125.51, 0.79%, 0.46%

LAB 73.85, -71.84, 64.97

 

CMYK 88 / 0 / 56 / 18

HEX #19D25C

RGB 25 210 92

HSL 141.73, 0.79%, 0.46%

LAB 74.24, -66.98, 46.07

 

CMYK 25 / 0 / 88 / 18

HEX #9DD219

RGB 157 210 25

HSL 77.19, 0.79%, 0.46%

LAB 78.07, -39.98, 74.25

 

CMYK 28 / 0 / 97 / 10

HEX #A6E506

RGB 166 229 6

HSL 76.95, 0.95%, 0.46%

LAB 84.05, -45.1, 81.52

 

CMYK 25 / 0 / 88 / 18

HEX #9DD219

RGB 157 210 25

HSL 77.19, 0.79%, 0.46%

LAB 78.07, -39.98, 74.25

 

CMYK 22 / 0 / 77 / 25

HEX #95BF2C

RGB 149 191 44

HSL 77.14, 0.63%, 0.46%

LAB 72.12, -33.87, 64.21

 

CMYK 18 / 0 / 63 / 33

HEX #8DAC3F

RGB 141 172 63

HSL 77.06, 0.46%, 0.46%

LAB 66.16, -26.93, 50.95

 

CMYK 13 / 0 / 46 / 40

HEX #859952

RGB 133 153 82

HSL 76.9, 0.3%, 0.46%

LAB 60.23, -18.87, 34.83

 

CMYK 7 / 0 / 25 / 47

HEX #7D8665

RGB 125 134 101

HSL 76.36, 0.14%, 0.46%

LAB 54.4, -9.39, 16.7

 

CMYK 0 / 22 / 88 / 18

HEX #D2A419

RGB 210 164 25

HSL 45.08, 0.79%, 0.46%

LAB 69.7, 5.39, 69.22

 

CMYK 1 / 0 / 88 / 18

HEX #CFD219

RGB 207 210 25

HSL 60.97, 0.79%, 0.46%

LAB 81.53, -19.58, 78.49

 

CMYK 25 / 0 / 88 / 18

HEX #9DD219

RGB 157 210 25

HSL 77.19, 0.79%, 0.46%

LAB 78.07, -39.98, 74.25

 

CMYK 49 / 0 / 88 / 18

HEX #6CD219

RGB 108 210 25

HSL 93.08, 0.79%, 0.46%

LAB 75.67, -56.95, 71.27

 

CMYK 72 / 0 / 88 / 18

HEX #3BD219

RGB 59 210 25

HSL 108.97, 0.79%, 0.46%

LAB 74.25, -68.54, 69.49

 

CMYK 25 / 0 / 88 / 47

HEX #668810

RGB 102 136 16

HSL 77, 0.79%, 0.3%

LAB 52.37, -28.27, 53.19

 

CMYK 25 / 0 / 88 / 32

HEX #82AD14

RGB 130 173 20

HSL 76.86, 0.79%, 0.38%

LAB 65.5, -34.06, 64.09

 

CMYK 25 / 0 / 88 / 18

HEX #9DD219

RGB 157 210 25

HSL 77.19, 0.79%, 0.46%

LAB 78.07, -39.98, 74.25

 

CMYK 23 / 0 / 80 / 10

HEX #B2E62D

RGB 178 230 45

HSL 76.86, 0.79%, 0.54%

LAB 85.12, -40.12, 76.41

 

CMYK 18 / 0 / 65 / 8

HEX #C0EB52

RGB 192 235 82

HSL 76.86, 0.79%, 0.62%

LAB 87.6, -35.08, 66.97

 

CMYK 25 / 0 / 88 / 17

HEX #9FD419

RGB 159 212 25

HSL 77.01, 0.79%, 0.46%

LAB 78.77, -40.09, 74.87

 

CMYK 88 / 0 / 46 / 18

HEX #19D272

RGB 25 210 114

HSL 148.86, 0.79%, 0.46%

LAB 74.52, -63.58, 35.77

 

CMYK 10 / 88 / 0 / 18

HEX #BC19D2

RGB 188 25 210

HSL 292.86, 0.79%, 0.46%

LAB 47.03, 78.76, -57.41

 

CMYK 25 / 0 / 88 / 17

HEX #9FD419

RGB 159 212 25

HSL 77.01, 0.79%, 0.46%

LAB 78.77, -40.09, 74.87

 

CMYK 88 / 25 / 0 / 18

HEX #199DD2

RGB 25 157 210

HSL 197.19, 0.79%, 0.46%

LAB 60.76, -14.43, -36.31

 

CMYK 0 / 88 / 25 / 18

HEX #D2199D

RGB 210 25 157

HSL 317.19, 0.79%, 0.46%

LAB 48.05, 75.4, -24.47

 

CMYK 25 / 0 / 88 / 17

HEX #9FD419

RGB 159 212 25

HSL 77.01, 0.79%, 0.46%

LAB 78.77, -40.09, 74.87

 

CMYK 88 / 0 / 46 / 18

HEX #19D272

RGB 25 210 114

HSL 148.86, 0.79%, 0.46%

LAB 74.52, -63.58, 35.77

 

CMYK 63 / 88 / 0 / 18

HEX #4D19D2

RGB 77 25 210

HSL 256.86, 0.79%, 0.46%

LAB 31.64, 65.11, -83.2

 

CMYK 0 / 88 / 43 / 18

HEX #D21978

RGB 210 25 120

HSL 329.19, 0.79%, 0.46%

LAB 46.65, 71.59, -4.16

 

CMYK 25 / 0 / 88 / 17

HEX #9FD419

RGB 159 212 25

HSL 77.01, 0.79%, 0.46%

LAB 78.77, -40.09, 74.87

 

CMYK 88 / 0 / 19 / 18

HEX #19D2AA

RGB 25 210 170

HSL 167.03, 0.79%, 0.46%

LAB 75.58, -51.66, 7.92

 

CMYK 63 / 88 / 0 / 18

HEX #4D19D2

RGB 77 25 210

HSL 256.86, 0.79%, 0.46%

LAB 31.64, 65.11, -83.2

 

CMYK 0 / 88 / 69 / 18

HEX #D21941

RGB 210 25 65

HSL 347.03, 0.79%, 0.46%

LAB 45.33, 67.87, 28.04

 

Description

Color code: HEX #9FD419 | qconv.com Color code: HEX #9FD419 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 212 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 212 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 88 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 88% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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