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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FCEDA it is the complementary color #603125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FCEDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FCEDA shade: #A4CED5, #B5E0E8, #C6F2FB, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FCEDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FCEDA shade: #9FCEDA, #8EBCC7, #7DAAB4, #6C98A1 and #5B868E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FCEDA shade: #9FCED9, #9FBED9, #9FAED9, #A09FD9 and #AF9FD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FCEDA shade: #9FCED9, #9FBED9, #9FAED9 and #9F9FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FCEDA shade matches the following richer shades: #9FCED9, #94D4E4, #8ADAEF and #7FE1FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FCEDA shade: #9FCED9, #AAC7CF, #B4C1C4, #BFBAB9 and #CAB4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FCEDA shade: #9FD9C6, #9FD9D5, #9FCED9, #9FBED9 and #9FAFD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FCEDA shade: #64AFC2, #81BECE, #9FCED9, #BDDDE5 and #DAECF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FCEDA shade: #9FCEDA, #B69FD9 and #D9CE9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FCEDA shade: #9FCEDA, #D99FCE and #CED99F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FCEDA shade: #9FCEDA, #B69FD9, #D9AB9F and #C2D99F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FCEDA shade: #9FCEDA, #C89FD9, #D9AB9F and #B1D99F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 6 / 0 / 15

HEX #9FCEDA

RGB 159 206 218

HSL 192.2, 0.44%, 0.74%

LAB 79.94, -12.55, -10.95

 

Complementary color

CMYK 0 / 49 / 61 / 62

HEX #603125

RGB 96 49 37

HSL 12.2, 0.44%, 0.26%

LAB 26.21, 19.95, 17.08

 

CMYK 23 / 3 / 0 / 16

HEX #A4CED5

RGB 164 206 213

HSL 188.57, 0.37%, 0.74%

LAB 80.09, -12.19, -8.02

 

CMYK 22 / 3 / 0 / 9

HEX #B5E0E8

RGB 181 224 232

HSL 189.41, 0.53%, 0.81%

LAB 86.48, -12.17, -8.52

 

CMYK 21 / 4 / 0 / 2

HEX #C6F2FB

RGB 198 242 251

HSL 190.19, 0.87%, 0.88%

LAB 92.78, -12.15, -9.01

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 27 / 6 / 0 / 15

HEX #9FCEDA

RGB 159 206 218

HSL 192.2, 0.44%, 0.74%

LAB 79.94, -12.55, -10.95

 

CMYK 29 / 6 / 0 / 22

HEX #8EBCC7

RGB 142 188 199

HSL 191.58, 0.34%, 0.67%

LAB 73.44, -12.57, -10.49

 

CMYK 31 / 6 / 0 / 29

HEX #7DAAB4

RGB 125 170 180

HSL 190.91, 0.27%, 0.6%

LAB 66.83, -12.58, -10.01

 

CMYK 33 / 6 / 0 / 37

HEX #6C98A1

RGB 108 152 161

HSL 190.19, 0.22%, 0.53%

LAB 60.09, -12.6, -9.52

 

CMYK 36 / 6 / 0 / 44

HEX #5B868E

RGB 91 134 142

HSL 189.41, 0.22%, 0.46%

LAB 53.2, -12.62, -9.01

 

CMYK 27 / 5 / 0 / 15

HEX #9FCED9

RGB 159 206 217

HSL 191.38, 0.43%, 0.74%

LAB 79.91, -12.78, -10.46

 

CMYK 27 / 12 / 0 / 15

HEX #9FBED9

RGB 159 190 217

HSL 207.93, 0.43%, 0.74%

LAB 75.58, -4.36, -16.96

 

CMYK 27 / 20 / 0 / 15

HEX #9FAED9

RGB 159 174 217

HSL 224.48, 0.43%, 0.74%

LAB 71.32, 4.34, -23.42

 

CMYK 26 / 27 / 0 / 15

HEX #A09FD9

RGB 160 159 217

HSL 241.03, 0.43%, 0.74%

LAB 67.49, 13.02, -29.3

 

CMYK 19 / 27 / 0 / 15

HEX #AF9FD9

RGB 175 159 217

HSL 256.55, 0.43%, 0.74%

LAB 68.69, 17.59, -27.34

 

CMYK 27 / 5 / 0 / 15

HEX #9FCED9

RGB 159 206 217

HSL 191.38, 0.43%, 0.74%

LAB 79.91, -12.78, -10.46

 

CMYK 27 / 12 / 0 / 15

HEX #9FBED9

RGB 159 190 217

HSL 207.93, 0.43%, 0.74%

LAB 75.58, -4.36, -16.96

 

CMYK 27 / 20 / 0 / 15

HEX #9FAED9

RGB 159 174 217

HSL 224.48, 0.43%, 0.74%

LAB 71.32, 4.34, -23.42

 

CMYK 27 / 27 / 0 / 15

HEX #9F9FD9

RGB 159 159 217

HSL 240, 0.43%, 0.74%

LAB 67.41, 12.72, -29.42

 

CMYK 27 / 5 / 0 / 15

HEX #9FCED9

RGB 159 206 217

HSL 191.38, 0.43%, 0.74%

LAB 79.91, -12.78, -10.46

 

CMYK 35 / 7 / 0 / 11

HEX #94D4E4

RGB 148 212 228

HSL 192, 0.6%, 0.74%

LAB 81.28, -16.34, -14.35

 

CMYK 42 / 9 / 0 / 6

HEX #8ADAEF

RGB 138 218 239

HSL 192.48, 0.76%, 0.74%

LAB 82.8, -19.19, -17.98

 

CMYK 49 / 10 / 0 / 2

HEX #7FE1FA

RGB 127 225 250

HSL 192.2, 0.92%, 0.74%

LAB 84.62, -22.34, -21.09

 

CMYK 27 / 5 / 0 / 15

HEX #9FCED9

RGB 159 206 217

HSL 191.38, 0.43%, 0.74%

LAB 79.91, -12.78, -10.46

 

CMYK 18 / 4 / 0 / 19

HEX #AAC7CF

RGB 170 199 207

HSL 192.97, 0.28%, 0.74%

LAB 78.4, -8.01, -7.26

 

CMYK 8 / 2 / 0 / 23

HEX #B4C1C4

RGB 180 193 196

HSL 191.25, 0.12%, 0.74%

LAB 77.18, -3.86, -3.05

 

CMYK 0 / 3 / 3 / 25

HEX #BFBAB9

RGB 191 186 185

HSL 10, 0.04%, 0.74%

LAB 75.88, 1.58, 1.12

 

CMYK 0 / 11 / 14 / 21

HEX #CAB4AE

RGB 202 180 174

HSL 12.86, 0.21%, 0.74%

LAB 74.99, 6.87, 5.92

 

CMYK 27 / 0 / 9 / 15

HEX #9FD9C6

RGB 159 217 198

HSL 160.34, 0.43%, 0.74%

LAB 82.42, -22.47, 3.37

 

CMYK 27 / 0 / 2 / 15

HEX #9FD9D5

RGB 159 217 213

HSL 175.86, 0.43%, 0.74%

LAB 82.81, -19.27, -4.03

 

CMYK 27 / 5 / 0 / 15

HEX #9FCED9

RGB 159 206 217

HSL 191.38, 0.43%, 0.74%

LAB 79.91, -12.78, -10.46

 

CMYK 27 / 12 / 0 / 15

HEX #9FBED9

RGB 159 190 217

HSL 207.93, 0.43%, 0.74%

LAB 75.58, -4.36, -16.96

 

CMYK 27 / 19 / 0 / 15

HEX #9FAFD9

RGB 159 175 217

HSL 223.45, 0.43%, 0.74%

LAB 71.58, 3.79, -23.02

 

CMYK 48 / 10 / 0 / 24

HEX #64AFC2

RGB 100 175 194

HSL 192.13, 0.44%, 0.58%

LAB 67.47, -18.16, -16.92

 

CMYK 37 / 8 / 0 / 19

HEX #81BECE

RGB 129 190 206

HSL 192.47, 0.44%, 0.66%

LAB 73.51, -15.54, -14.26

 

CMYK 27 / 5 / 0 / 15

HEX #9FCED9

RGB 159 206 217

HSL 191.38, 0.43%, 0.74%

LAB 79.91, -12.78, -10.46

 

CMYK 17 / 3 / 0 / 10

HEX #BDDDE5

RGB 189 221 229

HSL 192, 0.43%, 0.82%

LAB 86.1, -8.84, -7.45

 

CMYK 9 / 2 / 0 / 6

HEX #DAECF0

RGB 218 236 240

HSL 190.91, 0.42%, 0.9%

LAB 92.22, -5.15, -3.98

 

CMYK 27 / 6 / 0 / 15

HEX #9FCEDA

RGB 159 206 218

HSL 192.2, 0.44%, 0.74%

LAB 79.94, -12.55, -10.95

 

CMYK 16 / 27 / 0 / 15

HEX #B69FD9

RGB 182 159 217

HSL 263.79, 0.43%, 0.74%

LAB 69.29, 19.78, -26.37

 

CMYK 0 / 5 / 27 / 15

HEX #D9CE9F

RGB 217 206 159

HSL 48.62, 0.43%, 0.74%

LAB 82.59, -3.46, 24.8

 

CMYK 27 / 6 / 0 / 15

HEX #9FCEDA

RGB 159 206 218

HSL 192.2, 0.44%, 0.74%

LAB 79.94, -12.55, -10.95

 

CMYK 0 / 27 / 5 / 15

HEX #D99FCE

RGB 217 159 206

HSL 311.38, 0.43%, 0.74%

LAB 72.23, 29.03, -15.53

 

CMYK 5 / 0 / 27 / 15

HEX #CED99F

RGB 206 217 159

HSL 71.38, 0.43%, 0.74%

LAB 84.61, -13.2, 27.4

 

CMYK 27 / 6 / 0 / 15

HEX #9FCEDA

RGB 159 206 218

HSL 192.2, 0.44%, 0.74%

LAB 79.94, -12.55, -10.95

 

CMYK 16 / 27 / 0 / 15

HEX #B69FD9

RGB 182 159 217

HSL 263.79, 0.43%, 0.74%

LAB 69.29, 19.78, -26.37

 

CMYK 0 / 21 / 27 / 15

HEX #D9AB9F

RGB 217 171 159

HSL 12.41, 0.43%, 0.74%

LAB 73.79, 15.07, 12.6

 

CMYK 11 / 0 / 27 / 15

HEX #C2D99F

RGB 194 217 159

HSL 83.79, 0.43%, 0.74%

LAB 83.76, -17.62, 26.1

 

CMYK 27 / 6 / 0 / 15

HEX #9FCEDA

RGB 159 206 218

HSL 192.2, 0.44%, 0.74%

LAB 79.94, -12.55, -10.95

 

CMYK 8 / 27 / 0 / 15

HEX #C89FD9

RGB 200 159 217

HSL 282.41, 0.43%, 0.74%

LAB 70.93, 25.52, -23.72

 

CMYK 0 / 21 / 27 / 15

HEX #D9AB9F

RGB 217 171 159

HSL 12.41, 0.43%, 0.74%

LAB 73.79, 15.07, 12.6

 

CMYK 18 / 0 / 27 / 15

HEX #B1D99F

RGB 177 217 159

HSL 101.38, 0.43%, 0.74%

LAB 82.63, -23.68, 24.39

 

Description

Color code: HEX #9FCEDA | qconv.com Color code: HEX #9FCEDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 206 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 206 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 6 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 6% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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