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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FCAD2CE it is the complementary color #60352DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FCAD2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FCAD2CE shade: #A4CACDCE, #B5DCE0CE, #C6EEF3CE, #D7FFFFCE and #E8FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FCAD2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FCAD2CE shade: #9FCAD2CE, #8EB8BFCE, #7DA6ACCE, #6C9499CE and #5B8286CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FCAD2CE shade: #9EC9D1, #9EBBD1, #9EAED1, #9EA0D1 and #AA9ED1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FCAD2CE shade: #9EC9D1, #9EBBD1, #9EAED1, #9EA0D1 and #9E9ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FCAD2CE shade matches the following richer shades: #9EC9D1, #92D1DD, #87D9E8 and #7BE1F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FCAD2CE shade: #9EC9D1, #A9C1C6, #B5B9BA, #C1B1AF and #CCAAA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FCAD2CE shade: #9ED1BE, #9ED1CB, #9ECAD1, #9EBCD1 and #9EAED1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FCAD2CE shade: #66AAB7, #82BAC4, #9EC9D1, #BAD9DF and #D6E8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FCAD2CE shade: #9FCAD2, #B09ED1 and #D1C49E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FCAD2CE shade: #9FCAD2, #D19ECA and #CAD19E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FCAD2CE shade: #9FCAD2, #B09ED1, #D1A69E and #BFD19E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FCAD2CE shade: #9FCAD2, #BF9ED1, #D1A69E and #B0D19E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 3 / 0 / 14

HEX #9FCAD2CE

RGBA 159 202 210 0.81

HSLA 189.41, 0.36%, 0.72%, 0.81

LABA 78.62, -12.3, -8.63, 0.81

 

Complementary color

CMYK 0 / 36 / 43 / 51

HEX #60352DCE

RGBA 96 53 45 0.81

HSLA 9.41, 0.36%, 0.28%, 0.81

LABA 27.36, 18.31, 13.4, 0.81

 

CMYK 16 / 1 / 0 / 16

HEX #A4CACDCE

RGBA 164 202 205 0.81

HSLA 184.39, 0.29%, 0.72%, 0.81

LABA 78.78, -11.87, -5.67, 0.81

 

CMYK 16 / 1 / 0 / 10

HEX #B5DCE0CE

RGBA 181 220 224 0.81

HSLA 185.58, 0.41%, 0.79%, 0.81

LABA 85.2, -11.84, -6.2, 0.81

 

CMYK 15 / 2 / 0 / 4

HEX #C6EEF3CE

RGBA 198 238 243 0.81

HSLA 186.67, 0.65%, 0.86%, 0.81

LABA 91.52, -11.81, -6.72, 0.81

 

CMYK 13 / 0 / 0 / 0

HEX #D7FFFFCE

RGBA 215 255 255 0.81

HSLA 180, 1%, 0.92%, 0.81

LABA 97.3, -12.71, -4.28, 0.81

 

CMYK 7 / 0 / 0 / 0

HEX #E8FFFFCE

RGBA 232 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.39, -7.43, -2.56, 0.81

 

CMYK 20 / 3 / 0 / 14

HEX #9FCAD2CE

RGBA 159 202 210 0.81

HSLA 189.41, 0.36%, 0.72%, 0.81

LABA 78.62, -12.3, -8.63, 0.81

 

CMYK 21 / 3 / 0 / 20

HEX #8EB8BFCE

RGBA 142 184 191 0.81

HSLA 188.57, 0.28%, 0.65%, 0.81

LABA 72.09, -12.33, -8.13, 0.81

 

CMYK 22 / 3 / 0 / 26

HEX #7DA6ACCE

RGBA 125 166 172 0.81

HSLA 187.66, 0.22%, 0.58%, 0.81

LABA 65.44, -12.37, -7.61, 0.81

 

CMYK 24 / 3 / 0 / 32

HEX #6C9499CE

RGBA 108 148 153 0.81

HSLA 186.67, 0.18%, 0.51%, 0.81

LABA 58.67, -12.42, -7.08, 0.81

 

CMYK 26 / 2 / 0 / 38

HEX #5B8286CE

RGBA 91 130 134 0.81

HSLA 185.58, 0.19%, 0.44%, 0.81

LABA 51.74, -12.48, -6.53, 0.81

 

CMYK 24 / 4 / 0 / 18

HEX #9EC9D1

RGB 158 201 209

HSL 189.41, 0.36%, 0.72%

LAB 78.25, -12.3, -8.63

 

CMYK 24 / 11 / 0 / 18

HEX #9EBBD1

RGB 158 187 209

HSL 205.88, 0.36%, 0.72%

LAB 74.45, -4.92, -14.32

 

CMYK 24 / 17 / 0 / 18

HEX #9EAED1

RGB 158 174 209

HSL 221.18, 0.36%, 0.72%

LAB 70.97, 2.13, -19.58

 

CMYK 24 / 23 / 0 / 18

HEX #9EA0D1

RGB 158 160 209

HSL 237.65, 0.36%, 0.72%

LAB 67.29, 9.92, -25.19

 

CMYK 19 / 24 / 0 / 18

HEX #AA9ED1

RGB 170 158 209

HSL 254.12, 0.36%, 0.72%

LAB 67.73, 14.78, -24.44

 

CMYK 24 / 4 / 0 / 18

HEX #9EC9D1

RGB 158 201 209

HSL 189.41, 0.36%, 0.72%

LAB 78.25, -12.3, -8.63

 

CMYK 24 / 11 / 0 / 18

HEX #9EBBD1

RGB 158 187 209

HSL 205.88, 0.36%, 0.72%

LAB 74.45, -4.92, -14.32

 

CMYK 24 / 17 / 0 / 18

HEX #9EAED1

RGB 158 174 209

HSL 221.18, 0.36%, 0.72%

LAB 70.97, 2.13, -19.58

 

CMYK 24 / 23 / 0 / 18

HEX #9EA0D1

RGB 158 160 209

HSL 237.65, 0.36%, 0.72%

LAB 67.29, 9.92, -25.19

 

CMYK 24 / 24 / 0 / 18

HEX #9E9ED1

RGB 158 158 209

HSL 240, 0.36%, 0.72%

LAB 66.77, 11.05, -25.99

 

CMYK 24 / 4 / 0 / 18

HEX #9EC9D1

RGB 158 201 209

HSL 189.41, 0.36%, 0.72%

LAB 78.25, -12.3, -8.63

 

CMYK 34 / 5 / 0 / 13

HEX #92D1DD

RGB 146 209 221

HSL 189.6, 0.52%, 0.72%

LAB 80.14, -17.05, -12.33

 

CMYK 42 / 6 / 0 / 9

HEX #87D9E8

RGB 135 217 232

HSL 189.28, 0.68%, 0.72%

LAB 82.16, -21.2, -15.22

 

CMYK 50 / 8 / 0 / 4

HEX #7BE1F4

RGB 123 225 244

HSL 189.42, 0.85%, 0.72%

LAB 84.27, -24.79, -18.46

 

CMYK 24 / 4 / 0 / 18

HEX #9EC9D1

RGB 158 201 209

HSL 189.41, 0.36%, 0.72%

LAB 78.25, -12.3, -8.63

 

CMYK 15 / 3 / 0 / 22

HEX #A9C1C6

RGB 169 193 198

HSL 190.34, 0.2%, 0.72%

LAB 76.47, -7.07, -5.27

 

CMYK 3 / 1 / 0 / 27

HEX #B5B9BA

RGB 181 185 186

HSL 192, 0.03%, 0.72%

LAB 74.87, -1.2, -1

 

CMYK 0 / 8 / 9 / 24

HEX #C1B1AF

RGB 193 177 175

HSL 6.67, 0.13%, 0.72%

LAB 73.47, 5.37, 3.08

 

CMYK 0 / 17 / 20 / 20

HEX #CCAAA3

RGB 204 170 163

HSL 10.24, 0.29%, 0.72%

LAB 72.38, 11.28, 8.23

 

CMYK 24 / 0 / 9 / 18

HEX #9ED1BE

RGB 158 209 190

HSL 157.65, 0.36%, 0.72%

LAB 79.95, -20.45, 4.05

 

CMYK 24 / 0 / 3 / 18

HEX #9ED1CB

RGB 158 209 203

HSL 172.94, 0.36%, 0.72%

LAB 80.28, -17.72, -2.42

 

CMYK 24 / 3 / 0 / 18

HEX #9ECAD1

RGB 158 202 209

HSL 188.24, 0.36%, 0.72%

LAB 78.53, -12.82, -8.23

 

CMYK 24 / 10 / 0 / 18

HEX #9EBCD1

RGB 158 188 209

HSL 204.71, 0.36%, 0.72%

LAB 74.72, -5.46, -13.91

 

CMYK 24 / 17 / 0 / 18

HEX #9EAED1

RGB 158 174 209

HSL 221.18, 0.36%, 0.72%

LAB 70.97, 2.13, -19.58

 

CMYK 44 / 7 / 0 / 28

HEX #66AAB7

RGB 102 170 183

HSL 189.63, 0.36%, 0.56%

LAB 65.74, -18.07, -13.42

 

CMYK 34 / 5 / 0 / 23

HEX #82BAC4

RGB 130 186 196

HSL 189.09, 0.36%, 0.64%

LAB 72.13, -15.67, -10.88

 

CMYK 24 / 4 / 0 / 18

HEX #9EC9D1

RGB 158 201 209

HSL 189.41, 0.36%, 0.72%

LAB 78.25, -12.3, -8.63

 

CMYK 17 / 3 / 0 / 13

HEX #BAD9DF

RGB 186 217 223

HSL 189.73, 0.37%, 0.8%

LAB 84.69, -8.96, -6.39

 

CMYK 9 / 2 / 0 / 7

HEX #D6E8EC

RGB 214 232 236

HSL 190.91, 0.37%, 0.88%

LAB 90.81, -5.17, -3.99

 

CMYK 24 / 4 / 0 / 18

HEX #9FCAD2

RGB 159 202 210

HSL 189.41, 0.36%, 0.72%

LAB 78.62, -12.3, -8.63

 

CMYK 16 / 24 / 0 / 18

HEX #B09ED1

RGB 176 158 209

HSL 261.18, 0.36%, 0.72%

LAB 68.23, 16.68, -23.62

 

CMYK 0 / 6 / 24 / 18

HEX #D1C49E

RGB 209 196 158

HSL 44.71, 0.36%, 0.72%

LAB 79.33, -1.43, 20.75

 

CMYK 24 / 4 / 0 / 18

HEX #9FCAD2

RGB 159 202 210

HSL 189.41, 0.36%, 0.72%

LAB 78.62, -12.3, -8.63

 

CMYK 0 / 24 / 3 / 18

HEX #D19ECA

RGB 209 158 202

HSL 308.24, 0.36%, 0.72%

LAB 71.06, 26.16, -15.17

 

CMYK 3 / 0 / 24 / 18

HEX #CAD19E

RGB 202 209 158

HSL 68.24, 0.36%, 0.72%

LAB 82.18, -10.78, 24.57

 

CMYK 24 / 4 / 0 / 18

HEX #9FCAD2

RGB 159 202 210

HSL 189.41, 0.36%, 0.72%

LAB 78.62, -12.3, -8.63

 

CMYK 16 / 24 / 0 / 18

HEX #B09ED1

RGB 176 158 209

HSL 261.18, 0.36%, 0.72%

LAB 68.23, 16.68, -23.62

 

CMYK 0 / 21 / 24 / 18

HEX #D1A69E

RGB 209 166 158

HSL 9.41, 0.36%, 0.72%

LAB 71.76, 14.6, 10.15

 

CMYK 9 / 0 / 24 / 18

HEX #BFD19E

RGB 191 209 158

HSL 81.18, 0.36%, 0.72%

LAB 81.37, -14.85, 23.34

 

CMYK 24 / 4 / 0 / 18

HEX #9FCAD2

RGB 159 202 210

HSL 189.41, 0.36%, 0.72%

LAB 78.62, -12.3, -8.63

 

CMYK 9 / 24 / 0 / 18

HEX #BF9ED1

RGB 191 158 209

HSL 278.82, 0.36%, 0.72%

LAB 69.56, 21.52, -21.47

 

CMYK 0 / 21 / 24 / 18

HEX #D1A69E

RGB 209 166 158

HSL 9.41, 0.36%, 0.72%

LAB 71.76, 14.6, 10.15

 

CMYK 16 / 0 / 24 / 18

HEX #B0D19E

RGB 176 209 158

HSL 98.82, 0.36%, 0.72%

LAB 80.35, -20.25, 21.77

 

Description

Color code: HEX #9FCAD2CE | qconv.com Color code: HEX #9FCAD2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 202 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 202 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 3 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 3% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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