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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FC53C it is the complementary color #603AC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FC53C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FC53C shade: #A4C537, #B5D74A, #C6E95D, #D7FB70 and #E8FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FC53C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FC53C shade: #9FC53C, #8EB329, #7DA116, #6C8F03 and #5B7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FC53C shade: #9EC43B, #C3C43B, #C4A03B, #C47B3B and #C4563B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FC53C shade: #9EC43B, #79C43B, #54C43B, #3BC447 and #3BC46C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FC53C shade matches the following richer shades: #9EC43B, #A7D926 and #B1EE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FC53C shade: #9EC43B, #95B04F, #8C9B64, #838679 and #79728D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FC53C shade: #C4A03B, #C4C43B, #A0C43B, #7BC43B and #56C43B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FC53C shade: #6B8528, #85A531, #9EC43B, #AECE5A and #BDD77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FC53C shade: #9FC53C, #3BC47B and #B23BC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FC53C shade: #9FC53C, #3BA0C4 and #C43BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FC53C shade: #9FC53C, #3BC47B, #5F3BC4 and #C43B84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FC53C shade: #9FC53C, #3BC4A4, #5F3BC4 and #C43B5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 70 / 23

HEX #9FC53C

RGB 159 197 60

HSL 76.64, 0.54%, 0.5%

LAB 74.59, -31.82, 61.33

 

Complementary color

CMYK 51 / 70 / 0 / 24

HEX #603AC3

RGB 96 58 195

HSL 256.64, 0.54%, 0.5%

LAB 36.84, 49.38, -65.82

 

CMYK 17 / 0 / 72 / 23

HEX #A4C537

RGB 164 197 55

HSL 73.94, 0.56%, 0.49%

LAB 74.89, -30.11, 63.55

 

CMYK 16 / 0 / 66 / 16

HEX #B5D74A

RGB 181 215 74

HSL 74.47, 0.64%, 0.57%

LAB 81.25, -30.65, 63.24

 

CMYK 15 / 0 / 60 / 9

HEX #C6E95D

RGB 198 233 93

HSL 75, 0.76%, 0.64%

LAB 87.52, -31.07, 62.55

 

CMYK 14 / 0 / 55 / 2

HEX #D7FB70

RGB 215 251 112

HSL 75.54, 0.95%, 0.71%

LAB 93.72, -31.39, 61.66

 

CMYK 9 / 0 / 49 / 0

HEX #E8FF83

RGB 232 255 131

HSL 71.13, 1%, 0.76%

LAB 96.13, -25.13, 56.25

 

CMYK 19 / 0 / 70 / 23

HEX #9FC53C

RGB 159 197 60

HSL 76.64, 0.54%, 0.5%

LAB 74.59, -31.82, 61.33

 

CMYK 21 / 0 / 77 / 30

HEX #8EB329

RGB 142 179 41

HSL 76.09, 0.63%, 0.43%

LAB 68.13, -31.23, 61.28

 

CMYK 22 / 0 / 86 / 37

HEX #7DA116

RGB 125 161 22

HSL 75.54, 0.76%, 0.36%

LAB 61.57, -30.44, 60.24

 

CMYK 24 / 0 / 98 / 44

HEX #6C8F03

RGB 108 143 3

HSL 75, 0.96%, 0.29%

LAB 54.91, -29.42, 57.77

 

CMYK 27 / 0 / 100 / 51

HEX #5B7D00

RGB 91 125 0

HSL 76.32, 1%, 0.25%

LAB 48.12, -28.04, 52.62

 

CMYK 19 / 0 / 70 / 23

HEX #9EC43B

RGB 158 196 59

HSL 76.64, 0.54%, 0.5%

LAB 74.23, -31.81, 61.32

 

CMYK 1 / 0 / 70 / 23

HEX #C3C43B

RGB 195 196 59

HSL 60.44, 0.54%, 0.5%

LAB 76.92, -16.57, 64.88

 

CMYK 0 / 18 / 70 / 23

HEX #C4A03B

RGB 196 160 59

HSL 44.23, 0.54%, 0.5%

LAB 67.42, 2.61, 55.4

 

CMYK 0 / 37 / 70 / 23

HEX #C47B3B

RGB 196 123 59

HSL 28.03, 0.54%, 0.5%

LAB 58.24, 22.81, 45.72

 

CMYK 0 / 56 / 70 / 23

HEX #C4563B

RGB 196 86 59

HSL 11.82, 0.54%, 0.5%

LAB 50.34, 42.24, 36.9

 

CMYK 19 / 0 / 70 / 23

HEX #9EC43B

RGB 158 196 59

HSL 76.64, 0.54%, 0.5%

LAB 74.23, -31.81, 61.32

 

CMYK 38 / 0 / 70 / 23

HEX #79C43B

RGB 121 196 59

HSL 92.85, 0.54%, 0.5%

LAB 72.14, -45.57, 58.51

 

CMYK 57 / 0 / 70 / 23

HEX #54C43B

RGB 84 196 59

HSL 109.05, 0.54%, 0.5%

LAB 70.65, -56.65, 56.51

 

CMYK 70 / 0 / 64 / 23

HEX #3BC447

RGB 59 196 71

HSL 125.26, 0.54%, 0.5%

LAB 70.08, -60.91, 50.82

 

CMYK 70 / 0 / 45 / 23

HEX #3BC46C

RGB 59 196 108

HSL 141.46, 0.54%, 0.5%

LAB 70.52, -55.8, 33.77

 

CMYK 19 / 0 / 70 / 23

HEX #9EC43B

RGB 158 196 59

HSL 76.64, 0.54%, 0.5%

LAB 74.23, -31.81, 61.32

 

CMYK 23 / 0 / 82 / 15

HEX #A7D926

RGB 167 217 38

HSL 76.76, 0.7%, 0.5%

LAB 80.73, -38.84, 74.02

 

CMYK 26 / 0 / 93 / 7

HEX #B1EE11

RGB 177 238 17

HSL 76.56, 0.87%, 0.5%

LAB 87.26, -44.69, 83.3

 

CMYK 19 / 0 / 70 / 23

HEX #9EC43B

RGB 158 196 59

HSL 76.64, 0.54%, 0.5%

LAB 74.23, -31.81, 61.32

 

CMYK 15 / 0 / 55 / 31

HEX #95B04F

RGB 149 176 79

HSL 76.7, 0.38%, 0.5%

LAB 68.02, -24.29, 45.92

 

CMYK 10 / 0 / 35 / 39

HEX #8C9B64

RGB 140 155 100

HSL 76.36, 0.22%, 0.5%

LAB 61.6, -14.83, 27.11

 

CMYK 2 / 0 / 10 / 47

HEX #838679

RGB 131 134 121

HSL 73.85, 0.05%, 0.5%

LAB 55.34, -3.6, 6.61

 

CMYK 14 / 19 / 0 / 45

HEX #79728D

RGB 121 114 141

HSL 255.56, 0.11%, 0.5%

LAB 49.52, 8.43, -13.74

 

CMYK 0 / 18 / 70 / 23

HEX #C4A03B

RGB 196 160 59

HSL 44.23, 0.54%, 0.5%

LAB 67.42, 2.61, 55.4

 

CMYK 0 / 0 / 70 / 23

HEX #C4C43B

RGB 196 196 59

HSL 60, 0.54%, 0.5%

LAB 77, -16.15, 64.98

 

CMYK 18 / 0 / 70 / 23

HEX #A0C43B

RGB 160 196 59

HSL 75.77, 0.54%, 0.5%

LAB 74.36, -31.02, 61.49

 

CMYK 37 / 0 / 70 / 23

HEX #7BC43B

RGB 123 196 59

HSL 91.97, 0.54%, 0.5%

LAB 72.23, -44.88, 58.64

 

CMYK 56 / 0 / 70 / 23

HEX #56C43B

RGB 86 196 59

HSL 108.18, 0.54%, 0.5%

LAB 70.71, -56.14, 56.6

 

CMYK 20 / 0 / 70 / 48

HEX #6B8528

RGB 107 133 40

HSL 76.77, 0.54%, 0.34%

LAB 51.9, -23.46, 44.99

 

CMYK 19 / 0 / 70 / 35

HEX #85A531

RGB 133 165 49

HSL 76.55, 0.54%, 0.42%

LAB 63.44, -27.79, 53.7

 

CMYK 19 / 0 / 70 / 23

HEX #9EC43B

RGB 158 196 59

HSL 76.64, 0.54%, 0.5%

LAB 74.23, -31.81, 61.32

 

CMYK 16 / 0 / 56 / 19

HEX #AECE5A

RGB 174 206 90

HSL 76.55, 0.54%, 0.58%

LAB 78.39, -27.93, 53.2

 

CMYK 12 / 0 / 43 / 16

HEX #BDD77A

RGB 189 215 122

HSL 76.77, 0.54%, 0.66%

LAB 82.28, -23.27, 42.91

 

CMYK 19 / 0 / 70 / 23

HEX #9FC53C

RGB 159 197 60

HSL 76.64, 0.54%, 0.5%

LAB 74.59, -31.82, 61.33

 

CMYK 70 / 0 / 37 / 23

HEX #3BC47B

RGB 59 196 123

HSL 148.03, 0.54%, 0.5%

LAB 70.76, -53.1, 26.32

 

CMYK 9 / 70 / 0 / 23

HEX #B23BC4

RGB 178 59 196

HSL 292.12, 0.54%, 0.5%

LAB 47.72, 65.33, -48.29

 

CMYK 19 / 0 / 70 / 23

HEX #9FC53C

RGB 159 197 60

HSL 76.64, 0.54%, 0.5%

LAB 74.59, -31.82, 61.33

 

CMYK 70 / 18 / 0 / 23

HEX #3BA0C4

RGB 59 160 196

HSL 195.77, 0.54%, 0.5%

LAB 61.7, -17.42, -26.98

 

CMYK 0 / 70 / 18 / 23

HEX #C43BA0

RGB 196 59 160

HSL 315.77, 0.54%, 0.5%

LAB 48.76, 63.82, -25.34

 

CMYK 19 / 0 / 70 / 23

HEX #9FC53C

RGB 159 197 60

HSL 76.64, 0.54%, 0.5%

LAB 74.59, -31.82, 61.33

 

CMYK 70 / 0 / 37 / 23

HEX #3BC47B

RGB 59 196 123

HSL 148.03, 0.54%, 0.5%

LAB 70.76, -53.1, 26.32

 

CMYK 52 / 70 / 0 / 23

HEX #5F3BC4

RGB 95 59 196

HSL 255.77, 0.54%, 0.5%

LAB 37.02, 48.98, -66.13

 

CMYK 0 / 70 / 33 / 23

HEX #C43B84

RGB 196 59 132

HSL 328.03, 0.54%, 0.5%

LAB 47.66, 60.23, -10.24

 

CMYK 19 / 0 / 70 / 23

HEX #9FC53C

RGB 159 197 60

HSL 76.64, 0.54%, 0.5%

LAB 74.59, -31.82, 61.33

 

CMYK 70 / 0 / 16 / 23

HEX #3BC4A4

RGB 59 196 164

HSL 165.99, 0.54%, 0.5%

LAB 71.62, -44, 5.53

 

CMYK 52 / 70 / 0 / 23

HEX #5F3BC4

RGB 95 59 196

HSL 255.77, 0.54%, 0.5%

LAB 37.02, 48.98, -66.13

 

CMYK 0 / 70 / 54 / 23

HEX #C43B5B

RGB 196 59 91

HSL 345.99, 0.54%, 0.5%

LAB 46.47, 56.21, 13.09

 

Description

Color code: HEX #9FC53C | qconv.com Color code: HEX #9FC53C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 197 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 197 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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