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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FC3E2 it is the complementary color #603C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FC3E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FC3E2 shade: #A4C3DD, #B5D5F0, #C6E7FF, #D7F9FF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FC3E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FC3E2 shade: #9FC3E2, #8EB1CF, #7D9FBC, #6C8DA9 and #5B7B96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FC3E2 shade: #9CC1E1, #9CAFE1, #9C9CE1, #AF9CE1 and #C29CE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FC3E2 shade: #9CC1E1, #9CAFE1 and #9C9CE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FC3E2 shade matches the following richer shades: #9CC1E1, #92C2EB and #88C3F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FC3E2 shade: #9CC1E1, #A7C1D7, #B1C0CD, #BBBFC2 and #C6BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FC3E2 shade: #9CE1DB, #9CD5E1, #9CC2E1, #9CB0E1 and #9C9DE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FC3E2 shade: #5D9ACE, #7DAED8, #9CC1E1, #BCD5EB and #DCE9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FC3E2 shade: #9FC3E2, #C99CE1 and #DEE19C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FC3E2 shade: #9FC3E2, #E19CC2 and #C2E19C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FC3E2 shade: #9FC3E2, #C99CE1, #E1BB9C and #B4E19C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FC3E2 shade: #9FC3E2, #DE9CE1, #E1BB9C and #A0E19C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 14 / 0 / 11

HEX #9FC3E2

RGB 159 195 226

HSL 207.76, 0.54%, 0.75%

LAB 77.22, -4.9, -19.35

 

Complementary color

CMYK 0 / 38 / 70 / 62

HEX #603C1D

RGB 96 60 29

HSL 27.76, 0.54%, 0.25%

LAB 28.92, 12.52, 25.28

 

CMYK 26 / 12 / 0 / 13

HEX #A4C3DD

RGB 164 195 221

HSL 207.37, 0.46%, 0.75%

LAB 77.37, -4.61, -16.39

 

CMYK 25 / 11 / 0 / 6

HEX #B5D5F0

RGB 181 213 240

HSL 207.46, 0.66%, 0.83%

LAB 83.81, -4.72, -16.75

 

CMYK 22 / 9 / 0 / 0

HEX #C6E7FF

RGB 198 231 255

HSL 205.26, 1%, 0.89%

LAB 90.03, -5.69, -15.19

 

CMYK 16 / 2 / 0 / 0

HEX #D7F9FF

RGB 215 249 255

HSL 189, 1%, 0.92%

LAB 95.76, -9.72, -6.56

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 30 / 14 / 0 / 11

HEX #9FC3E2

RGB 159 195 226

HSL 207.76, 0.54%, 0.75%

LAB 77.22, -4.9, -19.35

 

CMYK 31 / 14 / 0 / 19

HEX #8EB1CF

RGB 142 177 207

HSL 207.69, 0.4%, 0.68%

LAB 70.66, -4.76, -19.04

 

CMYK 34 / 15 / 0 / 26

HEX #7D9FBC

RGB 125 159 188

HSL 207.62, 0.32%, 0.61%

LAB 63.99, -4.6, -18.75

 

CMYK 36 / 17 / 0 / 34

HEX #6C8DA9

RGB 108 141 169

HSL 207.54, 0.26%, 0.54%

LAB 57.18, -4.42, -18.47

 

CMYK 39 / 18 / 0 / 41

HEX #5B7B96

RGB 91 123 150

HSL 207.46, 0.24%, 0.47%

LAB 50.21, -4.2, -18.2

 

CMYK 31 / 14 / 0 / 12

HEX #9CC1E1

RGB 156 193 225

HSL 207.83, 0.53%, 0.75%

LAB 76.46, -4.93, -19.97

 

CMYK 31 / 22 / 0 / 12

HEX #9CAFE1

RGB 156 175 225

HSL 223.48, 0.53%, 0.75%

LAB 71.67, 4.86, -27.28

 

CMYK 31 / 31 / 0 / 12

HEX #9C9CE1

RGB 156 156 225

HSL 240, 0.53%, 0.75%

LAB 66.73, 15.53, -34.9

 

CMYK 22 / 31 / 0 / 12

HEX #AF9CE1

RGB 175 156 225

HSL 256.52, 0.53%, 0.75%

LAB 68.26, 21.11, -32.41

 

CMYK 14 / 31 / 0 / 12

HEX #C29CE1

RGB 194 156 225

HSL 273.04, 0.53%, 0.75%

LAB 69.95, 26.93, -29.66

 

CMYK 31 / 14 / 0 / 12

HEX #9CC1E1

RGB 156 193 225

HSL 207.83, 0.53%, 0.75%

LAB 76.46, -4.93, -19.97

 

CMYK 31 / 22 / 0 / 12

HEX #9CAFE1

RGB 156 175 225

HSL 223.48, 0.53%, 0.75%

LAB 71.67, 4.86, -27.28

 

CMYK 31 / 31 / 0 / 12

HEX #9C9CE1

RGB 156 156 225

HSL 240, 0.53%, 0.75%

LAB 66.73, 15.53, -34.9

 

CMYK 31 / 14 / 0 / 12

HEX #9CC1E1

RGB 156 193 225

HSL 207.83, 0.53%, 0.75%

LAB 76.46, -4.93, -19.97

 

CMYK 38 / 17 / 0 / 8

HEX #92C2EB

RGB 146 194 235

HSL 207.64, 0.69%, 0.75%

LAB 76.49, -5.71, -25.37

 

CMYK 45 / 21 / 0 / 4

HEX #88C3F6

RGB 136 195 246

HSL 207.82, 0.86%, 0.75%

LAB 76.63, -5.84, -31.12

 

CMYK 31 / 14 / 0 / 12

HEX #9CC1E1

RGB 156 193 225

HSL 207.83, 0.53%, 0.75%

LAB 76.46, -4.93, -19.97

 

CMYK 22 / 10 / 0 / 16

HEX #A7C1D7

RGB 167 193 215

HSL 207.5, 0.38%, 0.75%

LAB 76.84, -4.01, -13.93

 

CMYK 14 / 6 / 0 / 20

HEX #B1C0CD

RGB 177 192 205

HSL 207.86, 0.22%, 0.75%

LAB 76.95, -2.49, -8.28

 

CMYK 4 / 2 / 0 / 24

HEX #BBBFC2

RGB 187 191 194

HSL 205.71, 0.05%, 0.75%

LAB 77.11, -0.81, -2

 

CMYK 0 / 4 / 7 / 22

HEX #C6BEB8

RGB 198 190 184

HSL 25.71, 0.11%, 0.75%

LAB 77.46, 1.75, 4.02

 

CMYK 31 / 0 / 3 / 12

HEX #9CE1DB

RGB 156 225 219

HSL 174.78, 0.53%, 0.75%

LAB 85.01, -22.77, -3.99

 

CMYK 31 / 5 / 0 / 12

HEX #9CD5E1

RGB 156 213 225

HSL 190.43, 0.53%, 0.75%

LAB 81.89, -15.38, -11.8

 

CMYK 31 / 14 / 0 / 12

HEX #9CC2E1

RGB 156 194 225

HSL 206.96, 0.53%, 0.75%

LAB 76.73, -5.47, -19.56

 

CMYK 31 / 22 / 0 / 12

HEX #9CB0E1

RGB 156 176 225

HSL 222.61, 0.53%, 0.75%

LAB 71.93, 4.31, -26.88

 

CMYK 31 / 30 / 0 / 12

HEX #9C9DE1

RGB 156 157 225

HSL 239.13, 0.53%, 0.75%

LAB 66.99, 14.97, -34.5

 

CMYK 55 / 25 / 0 / 19

HEX #5D9ACE

RGB 93 154 206

HSL 207.61, 0.54%, 0.59%

LAB 61.56, -4.79, -32.69

 

CMYK 42 / 19 / 0 / 15

HEX #7DAED8

RGB 125 174 216

HSL 207.69, 0.54%, 0.67%

LAB 69.18, -5.42, -26.34

 

CMYK 31 / 14 / 0 / 12

HEX #9CC1E1

RGB 156 193 225

HSL 207.83, 0.53%, 0.75%

LAB 76.46, -4.93, -19.97

 

CMYK 20 / 9 / 0 / 8

HEX #BCD5EB

RGB 188 213 235

HSL 208.09, 0.54%, 0.83%

LAB 84.11, -3.72, -13.6

 

CMYK 10 / 5 / 0 / 4

HEX #DCE9F4

RGB 220 233 244

HSL 207.5, 0.52%, 0.91%

LAB 91.7, -2.2, -6.81

 

CMYK 30 / 14 / 0 / 11

HEX #9FC3E2

RGB 159 195 226

HSL 207.76, 0.54%, 0.75%

LAB 77.22, -4.9, -19.35

 

CMYK 11 / 31 / 0 / 12

HEX #C99CE1

RGB 201 156 225

HSL 279.13, 0.53%, 0.75%

LAB 70.62, 29.11, -28.58

 

CMYK 1 / 0 / 31 / 12

HEX #DEE19C

RGB 222 225 156

HSL 62.61, 0.53%, 0.75%

LAB 87.86, -11.62, 33.5

 

CMYK 30 / 14 / 0 / 11

HEX #9FC3E2

RGB 159 195 226

HSL 207.76, 0.54%, 0.75%

LAB 77.22, -4.9, -19.35

 

CMYK 0 / 31 / 14 / 12

HEX #E19CC2

RGB 225 156 194

HSL 326.96, 0.53%, 0.75%

LAB 72.01, 31.34, -9.15

 

CMYK 14 / 0 / 31 / 12

HEX #C2E19C

RGB 194 225 156

HSL 86.96, 0.53%, 0.75%

LAB 85.87, -21.98, 30.49

 

CMYK 30 / 14 / 0 / 11

HEX #9FC3E2

RGB 159 195 226

HSL 207.76, 0.54%, 0.75%

LAB 77.22, -4.9, -19.35

 

CMYK 11 / 31 / 0 / 12

HEX #C99CE1

RGB 201 156 225

HSL 279.13, 0.53%, 0.75%

LAB 70.62, 29.11, -28.58

 

CMYK 0 / 17 / 31 / 12

HEX #E1BB9C

RGB 225 187 156

HSL 26.96, 0.53%, 0.75%

LAB 78.43, 9.17, 20.81

 

CMYK 20 / 0 / 31 / 12

HEX #B4E19C

RGB 180 225 156

HSL 99.13, 0.53%, 0.75%

LAB 84.97, -26.95, 29.13

 

CMYK 30 / 14 / 0 / 11

HEX #9FC3E2

RGB 159 195 226

HSL 207.76, 0.54%, 0.75%

LAB 77.22, -4.9, -19.35

 

CMYK 1 / 31 / 0 / 12

HEX #DE9CE1

RGB 222 156 225

HSL 297.39, 0.53%, 0.75%

LAB 72.72, 35.75, -25.17

 

CMYK 0 / 17 / 31 / 12

HEX #E1BB9C

RGB 225 187 156

HSL 26.96, 0.53%, 0.75%

LAB 78.43, 9.17, 20.81

 

CMYK 29 / 0 / 31 / 12

HEX #A0E19C

RGB 160 225 156

HSL 116.52, 0.53%, 0.75%

LAB 83.82, -33.7, 27.39

 

Description

Color code: HEX #9FC3E2 | qconv.com Color code: HEX #9FC3E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 195 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 195 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 14 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 14% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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