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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FC2DD it is the complementary color #603D22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FC2DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FC2DD shade: #A4C2D8, #B5D4EB, #C6E6FE, #D7F8FF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FC2DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FC2DD shade: #9FC2DD, #8EB0CA, #7D9EB7, #6C8CA4 and #5B7A91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FC2DD shade: #A1C3DE, #A1B3DE, #A1A2DE, #B0A1DE and #C0A1DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FC2DD shade: #A1C3DE, #A1B3DE, #A1A2DE and #A1A1DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FC2DD shade matches the following richer shades: #A1C3DE, #96C5E8, #8CC6F2 and #82C7FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FC2DD shade: #A1C3DE, #ABC2D4, #B5C1C9, #C0BFBF and #CABEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FC2DD shade: #A1DED8, #A1D4DE, #A1C3DE, #A1B3DE and #A1A3DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FC2DD shade: #649CC8, #82B0D3, #A1C3DE, #BFD7E9 and #DEEAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FC2DD shade: #9FC2DD, #C7A1DE and #DCDEA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FC2DD shade: #9FC2DD, #DEA1C3 and #C3DEA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FC2DD shade: #9FC2DD, #C7A1DE, #DEBBA1 and #B7DEA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FC2DD shade: #9FC2DD, #DAA1DE, #DEBBA1 and #A5DEA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 12 / 0 / 13

HEX #9FC2DD

RGB 159 194 221

HSL 206.13, 0.48%, 0.75%

LAB 76.78, -5.56, -17.3

 

Complementary color

CMYK 0 / 36 / 65 / 62

HEX #603D22

RGB 96 61 34

HSL 26.13, 0.48%, 0.25%

LAB 29.26, 12.29, 22.73

 

CMYK 24 / 10 / 0 / 15

HEX #A4C2D8

RGB 164 194 216

HSL 205.38, 0.4%, 0.75%

LAB 76.94, -5.23, -14.33

 

CMYK 23 / 10 / 0 / 8

HEX #B5D4EB

RGB 181 212 235

HSL 205.56, 0.57%, 0.82%

LAB 83.39, -5.32, -14.72

 

CMYK 22 / 9 / 0 / 0

HEX #C6E6FE

RGB 198 230 254

HSL 205.71, 0.97%, 0.89%

LAB 89.75, -5.4, -15.1

 

CMYK 16 / 3 / 0 / 0

HEX #D7F8FF

RGB 215 248 255

HSL 190.5, 1%, 0.92%

LAB 95.5, -9.21, -6.94

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 28 / 12 / 0 / 13

HEX #9FC2DD

RGB 159 194 221

HSL 206.13, 0.48%, 0.75%

LAB 76.78, -5.56, -17.3

 

CMYK 30 / 13 / 0 / 21

HEX #8EB0CA

RGB 142 176 202

HSL 206, 0.36%, 0.67%

LAB 70.22, -5.44, -16.97

 

CMYK 32 / 14 / 0 / 28

HEX #7D9EB7

RGB 125 158 183

HSL 205.86, 0.29%, 0.6%

LAB 63.53, -5.32, -16.64

 

CMYK 34 / 15 / 0 / 36

HEX #6C8CA4

RGB 108 140 164

HSL 205.71, 0.24%, 0.53%

LAB 56.71, -5.18, -16.31

 

CMYK 37 / 16 / 0 / 43

HEX #5B7A91

RGB 91 122 145

HSL 205.56, 0.23%, 0.46%

LAB 49.72, -5.02, -16

 

CMYK 27 / 12 / 0 / 13

HEX #A1C3DE

RGB 161 195 222

HSL 206.56, 0.48%, 0.75%

LAB 77.21, -5.27, -17.19

 

CMYK 27 / 19 / 0 / 13

HEX #A1B3DE

RGB 161 179 222

HSL 222.3, 0.48%, 0.75%

LAB 72.95, 3.38, -23.65

 

CMYK 27 / 27 / 0 / 13

HEX #A1A2DE

RGB 161 162 222

HSL 239.02, 0.48%, 0.75%

LAB 68.53, 12.84, -30.44

 

CMYK 21 / 27 / 0 / 13

HEX #B0A1DE

RGB 176 161 222

HSL 254.75, 0.48%, 0.75%

LAB 69.47, 17.92, -28.9

 

CMYK 14 / 27 / 0 / 13

HEX #C0A1DE

RGB 192 161 222

HSL 270.49, 0.48%, 0.75%

LAB 70.85, 22.9, -26.65

 

CMYK 27 / 12 / 0 / 13

HEX #A1C3DE

RGB 161 195 222

HSL 206.56, 0.48%, 0.75%

LAB 77.21, -5.27, -17.19

 

CMYK 27 / 19 / 0 / 13

HEX #A1B3DE

RGB 161 179 222

HSL 222.3, 0.48%, 0.75%

LAB 72.95, 3.38, -23.65

 

CMYK 27 / 27 / 0 / 13

HEX #A1A2DE

RGB 161 162 222

HSL 239.02, 0.48%, 0.75%

LAB 68.53, 12.84, -30.44

 

CMYK 27 / 27 / 0 / 13

HEX #A1A1DE

RGB 161 161 222

HSL 240, 0.48%, 0.75%

LAB 68.27, 13.41, -30.84

 

CMYK 27 / 12 / 0 / 13

HEX #A1C3DE

RGB 161 195 222

HSL 206.56, 0.48%, 0.75%

LAB 77.21, -5.27, -17.19

 

CMYK 35 / 15 / 0 / 9

HEX #96C5E8

RGB 150 197 232

HSL 205.61, 0.64%, 0.75%

LAB 77.43, -7, -22.31

 

CMYK 42 / 18 / 0 / 5

HEX #8CC6F2

RGB 140 198 242

HSL 205.88, 0.8%, 0.75%

LAB 77.5, -7.55, -27.61

 

CMYK 49 / 21 / 0 / 1

HEX #82C7FD

RGB 130 199 253

HSL 206.34, 0.97%, 0.75%

LAB 77.69, -7.44, -33.26

 

CMYK 27 / 12 / 0 / 13

HEX #A1C3DE

RGB 161 195 222

HSL 206.56, 0.48%, 0.75%

LAB 77.21, -5.27, -17.19

 

CMYK 19 / 8 / 0 / 17

HEX #ABC2D4

RGB 171 194 212

HSL 206.34, 0.32%, 0.75%

LAB 77.28, -3.97, -11.62

 

CMYK 10 / 4 / 0 / 21

HEX #B5C1C9

RGB 181 193 201

HSL 204, 0.16%, 0.75%

LAB 77.39, -2.53, -5.43

 

CMYK 0 / 1 / 1 / 25

HEX #C0BFBF

RGB 192 191 191

HSL 0, 0.01%, 0.75%

LAB 77.42, 0.35, 0.11

 

CMYK 0 / 6 / 10 / 21

HEX #CABEB5

RGB 202 190 181

HSL 25.71, 0.17%, 0.75%

LAB 77.71, 2.68, 6.04

 

CMYK 27 / 0 / 3 / 13

HEX #A1DED8

RGB 161 222 216

HSL 174.1, 0.48%, 0.75%

LAB 84.37, -20.53, -3.32

 

CMYK 27 / 5 / 0 / 13

HEX #A1D4DE

RGB 161 212 222

HSL 189.84, 0.48%, 0.75%

LAB 81.8, -14.14, -10.3

 

CMYK 27 / 12 / 0 / 13

HEX #A1C3DE

RGB 161 195 222

HSL 206.56, 0.48%, 0.75%

LAB 77.21, -5.27, -17.19

 

CMYK 27 / 19 / 0 / 13

HEX #A1B3DE

RGB 161 179 222

HSL 222.3, 0.48%, 0.75%

LAB 72.95, 3.38, -23.65

 

CMYK 27 / 27 / 0 / 13

HEX #A1A3DE

RGB 161 163 222

HSL 238.03, 0.48%, 0.75%

LAB 68.78, 12.28, -30.04

 

CMYK 50 / 22 / 0 / 22

HEX #649CC8

RGB 100 156 200

HSL 206.4, 0.48%, 0.59%

LAB 62.22, -6.16, -28.3

 

CMYK 38 / 17 / 0 / 17

HEX #82B0D3

RGB 130 176 211

HSL 205.93, 0.48%, 0.67%

LAB 69.82, -6.54, -22.58

 

CMYK 27 / 12 / 0 / 13

HEX #A1C3DE

RGB 161 195 222

HSL 206.56, 0.48%, 0.75%

LAB 77.21, -5.27, -17.19

 

CMYK 18 / 8 / 0 / 9

HEX #BFD7E9

RGB 191 215 233

HSL 205.71, 0.49%, 0.83%

LAB 84.77, -4.27, -11.53

 

CMYK 9 / 4 / 0 / 5

HEX #DEEAF3

RGB 222 234 243

HSL 205.71, 0.47%, 0.91%

LAB 92.06, -2.27, -5.73

 

CMYK 28 / 12 / 0 / 13

HEX #9FC2DD

RGB 159 194 221

HSL 206.13, 0.48%, 0.75%

LAB 76.78, -5.56, -17.3

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 1 / 0 / 27 / 13

HEX #DCDEA1

RGB 220 222 161

HSL 61.97, 0.48%, 0.75%

LAB 87.01, -10.22, 29.78

 

CMYK 28 / 12 / 0 / 13

HEX #9FC2DD

RGB 159 194 221

HSL 206.13, 0.48%, 0.75%

LAB 76.78, -5.56, -17.3

 

CMYK 0 / 27 / 12 / 13

HEX #DEA1C3

RGB 222 161 195

HSL 326.56, 0.48%, 0.75%

LAB 72.87, 27.78, -8.47

 

CMYK 12 / 0 / 27 / 13

HEX #C3DEA1

RGB 195 222 161

HSL 86.56, 0.48%, 0.75%

LAB 85.21, -19.44, 27.04

 

CMYK 28 / 12 / 0 / 13

HEX #9FC2DD

RGB 159 194 221

HSL 206.13, 0.48%, 0.75%

LAB 76.78, -5.56, -17.3

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 0 / 16 / 27 / 13

HEX #DEBBA1

RGB 222 187 161

HSL 25.57, 0.48%, 0.75%

LAB 78.25, 8.69, 17.84

 

CMYK 18 / 0 / 27 / 13

HEX #B7DEA1

RGB 183 222 161

HSL 98.36, 0.48%, 0.75%

LAB 84.42, -23.7, 25.85

 

CMYK 28 / 12 / 0 / 13

HEX #9FC2DD

RGB 159 194 221

HSL 206.13, 0.48%, 0.75%

LAB 76.78, -5.56, -17.3

 

CMYK 2 / 27 / 0 / 13

HEX #DAA1DE

RGB 218 161 222

HSL 296.07, 0.48%, 0.75%

LAB 73.33, 31.22, -22.64

 

CMYK 0 / 16 / 27 / 13

HEX #DEBBA1

RGB 222 187 161

HSL 25.57, 0.48%, 0.75%

LAB 78.25, 8.69, 17.84

 

CMYK 26 / 0 / 27 / 13

HEX #A5DEA1

RGB 165 222 161

HSL 116.07, 0.48%, 0.75%

LAB 83.34, -29.84, 24.2

 

Description

Color code: HEX #9FC2DD | qconv.com Color code: HEX #9FC2DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 194 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 194 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 12 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 12% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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