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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBE1D it is the complementary color #6041E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBE1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBE1D shade: #A4BE18, #B5D02B, #C6E23E, #D7F451 and #E8FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBE1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBE1D shade: #9FBE1D, #8EAC0A, #7D9A00, #6C8800 and #5B7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBE1D shade: #A0BF1D, #BFB21D, #BF871D, #BF5B1D and #BF2F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBE1D shade: #A0BF1D, #74BF1D, #48BF1D, #1DBF1D and #1DBF49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBE1D shade matches the following richer shades: #A0BF1D and #AAD10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBE1D shade: #A0BF1D, #95AD2E, #8A9B40, #7F8A52 and #747863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBE1D shade: #BF861D, #BFB11D, #A1BF1D, #76BF1D and #4ABF1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBE1D shade: #647712, #829B17, #A0BF1D, #BBDF26 and #C6E44A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBE1D shade: #9FBE1D, #1DBF5B and #9C1DBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBE1D shade: #9FBE1D, #1DA1BF and #BF1DA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBE1D shade: #9FBE1D, #1DBF5B, #3A1DBF and #BF1D81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBE1D shade: #9FBE1D, #1DBF8B, #3A1DBF and #BF1D50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 85 / 25

HEX #9FBE1D

RGB 159 190 29

HSL 71.55, 0.74%, 0.43%

LAB 72.42, -29.93, 68.77

 

Complementary color

CMYK 58 / 71 / 0 / 11

HEX #6041E2

RGB 96 65 226

HSL 251.55, 0.74%, 0.57%

LAB 40.83, 54.61, -77.18

 

CMYK 14 / 0 / 87 / 25

HEX #A4BE18

RGB 164 190 24

HSL 69.4, 0.78%, 0.42%

LAB 72.75, -28, 70.23

 

CMYK 13 / 0 / 79 / 18

HEX #B5D02B

RGB 181 208 43

HSL 69.82, 0.66%, 0.49%

LAB 79.1, -28.95, 71.66

 

CMYK 12 / 0 / 73 / 11

HEX #C6E23E

RGB 198 226 62

HSL 70.24, 0.74%, 0.56%

LAB 85.38, -29.72, 72.11

 

CMYK 12 / 0 / 67 / 4

HEX #D7F451

RGB 215 244 81

HSL 70.67, 0.88%, 0.64%

LAB 91.57, -30.35, 71.93

 

CMYK 9 / 0 / 61 / 0

HEX #E8FF64

RGB 232 255 100

HSL 68.9, 1%, 0.7%

LAB 95.83, -27.63, 69.38

 

CMYK 16 / 0 / 85 / 25

HEX #9FBE1D

RGB 159 190 29

HSL 71.55, 0.74%, 0.43%

LAB 72.42, -29.93, 68.77

 

CMYK 17 / 0 / 94 / 33

HEX #8EAC0A

RGB 142 172 10

HSL 71.11, 0.89%, 0.36%

LAB 65.96, -28.88, 66.38

 

CMYK 19 / 0 / 100 / 40

HEX #7D9A00

RGB 125 154 0

HSL 71.3, 1%, 0.3%

LAB 59.41, -27.57, 62.18

 

CMYK 21 / 0 / 100 / 47

HEX #6C8800

RGB 108 136 0

HSL 72.35, 1%, 0.27%

LAB 52.73, -26.1, 56.62

 

CMYK 23 / 0 / 100 / 54

HEX #5B7600

RGB 91 118 0

HSL 73.73, 1%, 0.23%

LAB 45.88, -24.61, 50.92

 

CMYK 16 / 0 / 85 / 25

HEX #A0BF1D

RGB 160 191 29

HSL 71.48, 0.74%, 0.43%

LAB 72.78, -30, 69.1

 

CMYK 0 / 7 / 85 / 25

HEX #BFB21D

RGB 191 178 29

HSL 55.19, 0.74%, 0.43%

LAB 71.56, -10.27, 69.05

 

CMYK 0 / 29 / 85 / 25

HEX #BF871D

RGB 191 135 29

HSL 39.26, 0.74%, 0.43%

LAB 60.33, 12.82, 59.69

 

CMYK 0 / 52 / 85 / 25

HEX #BF5B1D

RGB 191 91 29

HSL 22.96, 0.74%, 0.43%

LAB 50.27, 36.61, 51.16

 

CMYK 0 / 75 / 85 / 25

HEX #BF2F1D

RGB 191 47 29

HSL 6.67, 0.74%, 0.43%

LAB 43.06, 55.76, 44.89

 

CMYK 16 / 0 / 85 / 25

HEX #A0BF1D

RGB 160 191 29

HSL 71.48, 0.74%, 0.43%

LAB 72.78, -30, 69.1

 

CMYK 39 / 0 / 85 / 25

HEX #74BF1D

RGB 116 191 29

HSL 87.78, 0.74%, 0.43%

LAB 70.22, -46.84, 65.89

 

CMYK 62 / 0 / 85 / 25

HEX #48BF1D

RGB 72 191 29

HSL 104.07, 0.74%, 0.43%

LAB 68.55, -59.69, 63.79

 

CMYK 85 / 0 / 85 / 25

HEX #1DBF1D

RGB 29 191 29

HSL 120, 0.74%, 0.43%

LAB 67.73, -66.73, 62.74

 

CMYK 85 / 0 / 62 / 25

HEX #1DBF49

RGB 29 191 73

HSL 136.3, 0.74%, 0.43%

LAB 68.02, -63.1, 47.49

 

CMYK 16 / 0 / 85 / 25

HEX #A0BF1D

RGB 160 191 29

HSL 71.48, 0.74%, 0.43%

LAB 72.78, -30, 69.1

 

CMYK 19 / 0 / 95 / 18

HEX #AAD10B

RGB 170 209 11

HSL 71.82, 0.9%, 0.43%

LAB 78.56, -34.66, 76.91

 

CMYK 16 / 0 / 85 / 25

HEX #A0BF1D

RGB 160 191 29

HSL 71.48, 0.74%, 0.43%

LAB 72.78, -30, 69.1

 

CMYK 14 / 0 / 73 / 32

HEX #95AD2E

RGB 149 173 46

HSL 71.34, 0.58%, 0.43%

LAB 66.88, -25.22, 58.58

 

CMYK 11 / 0 / 59 / 39

HEX #8A9B40

RGB 138 155 64

HSL 71.21, 0.42%, 0.43%

LAB 60.97, -19.62, 44.72

 

CMYK 8 / 0 / 41 / 46

HEX #7F8A52

RGB 127 138 82

HSL 71.79, 0.25%, 0.43%

LAB 55.38, -13.46, 28.64

 

CMYK 3 / 0 / 18 / 53

HEX #747863

RGB 116 120 99

HSL 71.43, 0.1%, 0.43%

LAB 49.55, -5.5, 11.04

 

CMYK 0 / 30 / 85 / 25

HEX #BF861D

RGB 191 134 29

HSL 38.89, 0.74%, 0.43%

LAB 60.08, 13.37, 59.49

 

CMYK 0 / 7 / 85 / 25

HEX #BFB11D

RGB 191 177 29

HSL 54.81, 0.74%, 0.43%

LAB 71.29, -9.76, 68.83

 

CMYK 16 / 0 / 85 / 25

HEX #A1BF1D

RGB 161 191 29

HSL 71.11, 0.74%, 0.43%

LAB 72.84, -29.58, 69.18

 

CMYK 38 / 0 / 85 / 25

HEX #76BF1D

RGB 118 191 29

HSL 87.04, 0.74%, 0.43%

LAB 70.32, -46.14, 66.02

 

CMYK 61 / 0 / 85 / 25

HEX #4ABF1D

RGB 74 191 29

HSL 103.33, 0.74%, 0.43%

LAB 68.61, -59.22, 63.86

 

CMYK 16 / 0 / 85 / 53

HEX #647712

RGB 100 119 18

HSL 71.29, 0.74%, 0.27%

LAB 46.9, -20.58, 47.92

 

CMYK 16 / 0 / 85 / 39

HEX #829B17

RGB 130 155 23

HSL 71.36, 0.74%, 0.35%

LAB 60.11, -25.41, 58.89

 

CMYK 16 / 0 / 85 / 25

HEX #A0BF1D

RGB 160 191 29

HSL 71.48, 0.74%, 0.43%

LAB 72.78, -30, 69.1

 

CMYK 16 / 0 / 83 / 13

HEX #BBDF26

RGB 187 223 38

HSL 71.68, 0.74%, 0.51%

LAB 83.69, -33.68, 77.08

 

CMYK 13 / 0 / 68 / 11

HEX #C6E44A

RGB 198 228 74

HSL 71.69, 0.74%, 0.59%

LAB 86, -30.01, 68.49

 

CMYK 16 / 0 / 85 / 25

HEX #9FBE1D

RGB 159 190 29

HSL 71.55, 0.74%, 0.43%

LAB 72.42, -29.93, 68.77

 

CMYK 85 / 0 / 52 / 25

HEX #1DBF5B

RGB 29 191 91

HSL 142.96, 0.74%, 0.43%

LAB 68.23, -60.64, 39.29

 

CMYK 18 / 85 / 0 / 25

HEX #9C1DBF

RGB 156 29 191

HSL 287.04, 0.74%, 0.43%

LAB 40.75, 69.45, -56.77

 

CMYK 16 / 0 / 85 / 25

HEX #9FBE1D

RGB 159 190 29

HSL 71.55, 0.74%, 0.43%

LAB 72.42, -29.93, 68.77

 

CMYK 85 / 16 / 0 / 25

HEX #1DA1BF

RGB 29 161 191

HSL 191.11, 0.74%, 0.43%

LAB 61.23, -22.88, -24.95

 

CMYK 0 / 85 / 16 / 25

HEX #BF1DA1

RGB 191 29 161

HSL 311.11, 0.74%, 0.43%

LAB 44.98, 71.26, -31.9

 

CMYK 16 / 0 / 85 / 25

HEX #9FBE1D

RGB 159 190 29

HSL 71.55, 0.74%, 0.43%

LAB 72.42, -29.93, 68.77

 

CMYK 85 / 0 / 52 / 25

HEX #1DBF5B

RGB 29 191 91

HSL 142.96, 0.74%, 0.43%

LAB 68.23, -60.64, 39.29

 

CMYK 70 / 85 / 0 / 25

HEX #3A1DBF

RGB 58 29 191

HSL 250.74, 0.74%, 0.43%

LAB 28.22, 57.32, -77.8

 

CMYK 0 / 85 / 32 / 25

HEX #BF1D81

RGB 191 29 129

HSL 322.96, 0.74%, 0.43%

LAB 43.57, 67.36, -14.69

 

CMYK 16 / 0 / 85 / 25

HEX #9FBE1D

RGB 159 190 29

HSL 71.55, 0.74%, 0.43%

LAB 72.42, -29.93, 68.77

 

CMYK 85 / 0 / 27 / 25

HEX #1DBF8B

RGB 29 191 139

HSL 160.74, 0.74%, 0.43%

LAB 69.03, -51.37, 15.35

 

CMYK 70 / 85 / 0 / 25

HEX #3A1DBF

RGB 58 29 191

HSL 250.74, 0.74%, 0.43%

LAB 28.22, 57.32, -77.8

 

CMYK 0 / 85 / 58 / 25

HEX #BF1D50

RGB 191 29 80

HSL 341.11, 0.74%, 0.43%

LAB 42.05, 63.03, 13.7

 

Description

Color code: HEX #9FBE1D | qconv.com Color code: HEX #9FBE1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 190 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 190 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 85 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 85% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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