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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBD2B it is the complementary color #6042D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBD2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBD2B shade: #A4BD26, #B5CF39, #C6E14C, #D7F35F and #E8FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBD2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBD2B shade: #9FBD2B, #8EAB18, #7D9905, #6C8700 and #5B7500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBD2B shade: #9DBB2A, #BBB12A, #BB8A2A, #BB632A and #BB3C2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBD2B shade: #9DBB2A, #76BB2A, #4FBB2A, #2ABB2C and #2ABB53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBD2B shade matches the following richer shades: #9DBB2A, #A8CD17 and #B3E005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBD2B shade: #9DBB2A, #92A83D, #87954F, #7C8362 and #717074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBD2B shade: #BB8A2A, #BBB12A, #9EBB2A, #77BB2A and #51BB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBD2B shade: #64771B, #819922, #9DBB2A, #B3D23C and #C0DA5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBD2B shade: #9FBD2B, #2ABB64 and #9E2ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBD2B shade: #9FBD2B, #2A9EBB and #BB2A9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBD2B shade: #9FBD2B, #2ABB64, #472ABB and #BB2A81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBD2B shade: #9FBD2B, #2ABB8F, #472ABB and #BB2A55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 77 / 26

HEX #9FBD2B

RGB 159 189 43

HSL 72.33, 0.63%, 0.45%

LAB 72.19, -28.94, 64.83

 

Complementary color

CMYK 55 / 69 / 0 / 17

HEX #6042D4

RGB 96 66 212

HSL 252.33, 0.63%, 0.55%

LAB 39.81, 50.02, -70.83

 

CMYK 13 / 0 / 80 / 26

HEX #A4BD26

RGB 164 189 38

HSL 69.93, 0.67%, 0.45%

LAB 72.51, -27.08, 66.72

 

CMYK 13 / 0 / 72 / 19

HEX #B5CF39

RGB 181 207 57

HSL 70.4, 0.61%, 0.52%

LAB 78.89, -27.86, 67.14

 

CMYK 12 / 0 / 66 / 12

HEX #C6E14C

RGB 198 225 76

HSL 70.87, 0.71%, 0.59%

LAB 85.19, -28.49, 66.91

 

CMYK 12 / 0 / 61 / 5

HEX #D7F35F

RGB 215 243 95

HSL 71.35, 0.86%, 0.66%

LAB 91.4, -28.99, 66.29

 

CMYK 9 / 0 / 55 / 0

HEX #E8FF72

RGB 232 255 114

HSL 69.79, 1%, 0.72%

LAB 95.95, -26.6, 63.65

 

CMYK 16 / 0 / 77 / 26

HEX #9FBD2B

RGB 159 189 43

HSL 72.33, 0.63%, 0.45%

LAB 72.19, -28.94, 64.83

 

CMYK 17 / 0 / 86 / 33

HEX #8EAB18

RGB 142 171 24

HSL 71.84, 0.75%, 0.38%

LAB 65.7, -28.08, 63.74

 

CMYK 18 / 0 / 97 / 40

HEX #7D9905

RGB 125 153 5

HSL 71.35, 0.94%, 0.31%

LAB 59.12, -27, 61.21

 

CMYK 20 / 0 / 100 / 47

HEX #6C8700

RGB 108 135 0

HSL 72, 1%, 0.26%

LAB 52.42, -25.61, 56.38

 

CMYK 22 / 0 / 100 / 54

HEX #5B7500

RGB 91 117 0

HSL 73.33, 1%, 0.23%

LAB 45.56, -24.11, 50.67

 

CMYK 16 / 0 / 78 / 27

HEX #9DBB2A

RGB 157 187 42

HSL 72.41, 0.63%, 0.45%

LAB 71.47, -28.86, 64.42

 

CMYK 0 / 5 / 78 / 27

HEX #BBB12A

RGB 187 177 42

HSL 55.86, 0.63%, 0.45%

LAB 70.99, -11.09, 64.84

 

CMYK 0 / 26 / 78 / 27

HEX #BB8A2A

RGB 187 138 42

HSL 39.72, 0.63%, 0.45%

LAB 60.7, 9.82, 55.34

 

CMYK 0 / 47 / 78 / 27

HEX #BB632A

RGB 187 99 42

HSL 23.59, 0.63%, 0.45%

LAB 51.45, 31.23, 46.39

 

CMYK 0 / 68 / 78 / 27

HEX #BB3C2A

RGB 187 60 42

HSL 7.45, 0.63%, 0.45%

LAB 44.18, 50.03, 38.99

 

CMYK 16 / 0 / 78 / 27

HEX #9DBB2A

RGB 157 187 42

HSL 72.41, 0.63%, 0.45%

LAB 71.47, -28.86, 64.42

 

CMYK 37 / 0 / 78 / 27

HEX #76BB2A

RGB 118 187 42

HSL 88.55, 0.63%, 0.45%

LAB 69.15, -43.89, 61.43

 

CMYK 58 / 0 / 78 / 27

HEX #4FBB2A

RGB 79 187 42

HSL 104.69, 0.63%, 0.45%

LAB 67.55, -55.91, 59.34

 

CMYK 78 / 0 / 76 / 27

HEX #2ABB2C

RGB 42 187 44

HSL 120.83, 0.63%, 0.45%

LAB 66.68, -63.12, 57.55

 

CMYK 78 / 0 / 56 / 27

HEX #2ABB53

RGB 42 187 83

HSL 136.97, 0.63%, 0.45%

LAB 67.02, -59.03, 41.74

 

CMYK 16 / 0 / 78 / 27

HEX #9DBB2A

RGB 157 187 42

HSL 72.41, 0.63%, 0.45%

LAB 71.47, -28.86, 64.42

 

CMYK 18 / 0 / 89 / 20

HEX #A8CD17

RGB 168 205 23

HSL 72.2, 0.8%, 0.45%

LAB 77.31, -33.42, 74.25

 

CMYK 20 / 0 / 98 / 12

HEX #B3E005

RGB 179 224 5

HSL 72.33, 0.96%, 0.45%

LAB 83.39, -37.93, 81.44

 

CMYK 16 / 0 / 78 / 27

HEX #9DBB2A

RGB 157 187 42

HSL 72.41, 0.63%, 0.45%

LAB 71.47, -28.86, 64.42

 

CMYK 13 / 0 / 64 / 34

HEX #92A83D

RGB 146 168 61

HSL 72.34, 0.47%, 0.45%

LAB 65.32, -23.06, 51.01

 

CMYK 9 / 0 / 47 / 42

HEX #87954F

RGB 135 149 79

HSL 72, 0.31%, 0.45%

LAB 59.17, -16.31, 35.11

 

CMYK 5 / 0 / 25 / 49

HEX #7C8362

RGB 124 131 98

HSL 72.73, 0.14%, 0.45%

LAB 53.38, -8.61, 17.02

 

CMYK 3 / 3 / 0 / 55

HEX #717074

RGB 113 112 116

HSL 255, 0.02%, 0.45%

LAB 47.44, 1.21, -2.08

 

CMYK 0 / 26 / 78 / 27

HEX #BB8A2A

RGB 187 138 42

HSL 39.72, 0.63%, 0.45%

LAB 60.7, 9.82, 55.34

 

CMYK 0 / 5 / 78 / 27

HEX #BBB12A

RGB 187 177 42

HSL 55.86, 0.63%, 0.45%

LAB 70.99, -11.09, 64.84

 

CMYK 16 / 0 / 78 / 27

HEX #9EBB2A

RGB 158 187 42

HSL 72, 0.63%, 0.45%

LAB 71.54, -28.45, 64.51

 

CMYK 36 / 0 / 78 / 27

HEX #77BB2A

RGB 119 187 42

HSL 88.14, 0.63%, 0.45%

LAB 69.21, -43.54, 61.49

 

CMYK 57 / 0 / 78 / 27

HEX #51BB2A

RGB 81 187 42

HSL 103.86, 0.63%, 0.45%

LAB 67.62, -55.39, 59.43

 

CMYK 16 / 0 / 77 / 53

HEX #64771B

RGB 100 119 27

HSL 72.39, 0.63%, 0.29%

LAB 46.95, -20.16, 45.03

 

CMYK 16 / 0 / 78 / 40

HEX #819922

RGB 129 153 34

HSL 72.1, 0.64%, 0.37%

LAB 59.49, -24.42, 55.16

 

CMYK 16 / 0 / 78 / 27

HEX #9DBB2A

RGB 157 187 42

HSL 72.41, 0.63%, 0.45%

LAB 71.47, -28.86, 64.42

 

CMYK 15 / 0 / 71 / 18

HEX #B3D23C

RGB 179 210 60

HSL 72.4, 0.63%, 0.53%

LAB 79.62, -29.94, 66.76

 

CMYK 12 / 0 / 57 / 15

HEX #C0DA5D

RGB 192 218 93

HSL 72.48, 0.63%, 0.61%

LAB 82.99, -26.34, 57.4

 

CMYK 16 / 0 / 77 / 26

HEX #9FBD2B

RGB 159 189 43

HSL 72.33, 0.63%, 0.45%

LAB 72.19, -28.94, 64.83

 

CMYK 78 / 0 / 47 / 27

HEX #2ABB64

RGB 42 187 100

HSL 144, 0.63%, 0.45%

LAB 67.24, -56.41, 33.59

 

CMYK 16 / 78 / 0 / 27

HEX #9E2ABB

RGB 158 42 187

HSL 288, 0.63%, 0.45%

LAB 42.02, 65.5, -52.36

 

CMYK 16 / 0 / 77 / 26

HEX #9FBD2B

RGB 159 189 43

HSL 72.33, 0.63%, 0.45%

LAB 72.19, -28.94, 64.83

 

CMYK 78 / 16 / 0 / 27

HEX #2A9EBB

RGB 42 158 187

HSL 192, 0.63%, 0.45%

LAB 60.37, -21.47, -24.01

 

CMYK 0 / 78 / 16 / 27

HEX #BB2A9E

RGB 187 42 158

HSL 312, 0.63%, 0.45%

LAB 45.21, 66.85, -29.8

 

CMYK 16 / 0 / 77 / 26

HEX #9FBD2B

RGB 159 189 43

HSL 72.33, 0.63%, 0.45%

LAB 72.19, -28.94, 64.83

 

CMYK 78 / 0 / 47 / 27

HEX #2ABB64

RGB 42 187 100

HSL 144, 0.63%, 0.45%

LAB 67.24, -56.41, 33.59

 

CMYK 62 / 78 / 0 / 27

HEX #472ABB

RGB 71 42 187

HSL 252, 0.63%, 0.45%

LAB 30.84, 51.67, -71.07

 

CMYK 0 / 78 / 31 / 27

HEX #BB2A81

RGB 187 42 129

HSL 324, 0.63%, 0.45%

LAB 43.95, 63.15, -14.17

 

CMYK 16 / 0 / 77 / 26

HEX #9FBD2B

RGB 159 189 43

HSL 72.33, 0.63%, 0.45%

LAB 72.19, -28.94, 64.83

 

CMYK 78 / 0 / 24 / 27

HEX #2ABB8F

RGB 42 187 143

HSL 161.79, 0.63%, 0.45%

LAB 68.03, -47.58, 11.81

 

CMYK 62 / 78 / 0 / 27

HEX #472ABB

RGB 71 42 187

HSL 252, 0.63%, 0.45%

LAB 30.84, 51.67, -71.07

 

CMYK 0 / 78 / 55 / 27

HEX #BB2A55

RGB 187 42 85

HSL 342.21, 0.63%, 0.45%

LAB 42.58, 58.92, 11.15

 

Description

Color code: HEX #9FBD2B | qconv.com Color code: HEX #9FBD2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 189 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 189 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 77 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 77% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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