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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBCBC7F it is the complementary color #6043437F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBCBC7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBCBC7F shade: #A4BCB77F, #B5CECA7F, #C6E0DD7F, #D7F2F07F and #E8FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBCBC7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBCBC7F shade: #9FBCBC7F, #8EAAA97F, #7D98967F, #6C86837F and #5B74707F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBCBC7F shade: #9FBCBC, #9FBCB4, #9FBCAC, #9FBCA4 and #A1BC9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBCBC7F shade: #9FBCBC, #9FB4BC, #9FACBC, #9FA4BC and #9F9FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBCBC7F shade matches the following richer shades: #9FBCBC, #92C9C9, #84D6D6, #77E4E4 and #6AF1F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBCBC7F shade: #9FBCBC, #ACAFAF, #B9A2A2, #C69494 and #D48787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBCBC7F shade: #9FBCAC, #9FBCB4, #9FBCBC, #9FB4BC and #9FACBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBCBC7F shade: #6E9A9A, #86ABAB, #9FBCBC, #B7CDCD and #CFDEDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBCBC7F shade: #9FBCBC, #A59FBC and #BCB09F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBCBC7F shade: #9FBCBC, #BC9FBC and #BCBC9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBCBC7F shade: #9FBCBC, #A59FBC, #BC9F9F and #B6BC9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBCBC7F shade: #9FBCBC, #AD9FBC, #BC9F9F and #ADBC9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 0 / 13

HEX #9FBCBC7F

RGBA 159 188 188 0.5

HSLA 180, 0.18%, 0.68%, 0.5

LABA 74.17, -9.77, -3.3, 0.5

 

Complementary color

CMYK 0 / 15 / 15 / 31

HEX #6043437F

RGBA 96 67 67 0.5

HSLA 0, 0.18%, 0.32%, 0.5

LABA 31.59, 12.55, 4.99, 0.5

 

CMYK 6 / 0 / 1 / 13

HEX #A4BCB77F

RGBA 164 188 183 0.5

HSLA 167.5, 0.15%, 0.69%, 0.5

LABA 74.37, -9.16, -0.24, 0.5

 

CMYK 6 / 0 / 1 / 10

HEX #B5CECA7F

RGBA 181 206 202 0.5

HSLA 170.4, 0.2%, 0.76%, 0.5

LABA 80.87, -9.15, -0.86, 0.5

 

CMYK 6 / 0 / 1 / 6

HEX #C6E0DD7F

RGBA 198 224 221 0.5

HSLA 173.08, 0.3%, 0.83%, 0.5

LABA 87.26, -9.15, -1.45, 0.5

 

CMYK 6 / 0 / 0 / 3

HEX #D7F2F07F

RGBA 215 242 240 0.5

HSLA 175.56, 0.51%, 0.9%, 0.5

LABA 93.56, -9.15, -2.03, 0.5

 

CMYK 5 / 0 / 0 / 0

HEX #E8FFFF7F

RGBA 232 255 255 0.5

HSLA 180, 1%, 0.95%, 0.5

LABA 98.39, -7.43, -2.56, 0.5

 

CMYK 8 / 0 / 0 / 13

HEX #9FBCBC7F

RGBA 159 188 188 0.5

HSLA 180, 0.18%, 0.68%, 0.5

LABA 74.17, -9.77, -3.3, 0.5

 

CMYK 8 / 0 / 0 / 17

HEX #8EAAA97F

RGBA 142 170 169 0.5

HSLA 177.86, 0.14%, 0.61%, 0.5

LABA 67.55, -9.81, -2.71, 0.5

 

CMYK 9 / 0 / 1 / 20

HEX #7D98967F

RGBA 125 152 150 0.5

HSLA 175.56, 0.12%, 0.54%, 0.5

LABA 60.8, -9.85, -2.11, 0.5

 

CMYK 10 / 0 / 1 / 24

HEX #6C86837F

RGBA 108 134 131 0.5

HSLA 173.08, 0.11%, 0.47%, 0.5

LABA 53.9, -9.92, -1.47, 0.5

 

CMYK 11 / 0 / 2 / 27

HEX #5B74707F

RGBA 91 116 112 0.5

HSLA 170.4, 0.12%, 0.41%, 0.5

LABA 46.82, -10.01, -0.81, 0.5

 

CMYK 15 / 0 / 0 / 26

HEX #9FBCBC

RGB 159 188 188

HSL 180, 0.18%, 0.68%

LAB 74.17, -9.77, -3.3

 

CMYK 15 / 0 / 4 / 26

HEX #9FBCB4

RGB 159 188 180

HSL 163.45, 0.18%, 0.68%

LAB 73.95, -11.42, 0.75

 

CMYK 15 / 0 / 9 / 26

HEX #9FBCAC

RGB 159 188 172

HSL 146.9, 0.18%, 0.68%

LAB 73.75, -13.01, 4.81

 

CMYK 15 / 0 / 13 / 26

HEX #9FBCA4

RGB 159 188 164

HSL 130.34, 0.18%, 0.68%

LAB 73.56, -14.53, 8.88

 

CMYK 14 / 0 / 15 / 26

HEX #A1BC9F

RGB 161 188 159

HSL 115.86, 0.18%, 0.68%

LAB 73.58, -14.75, 11.64

 

CMYK 15 / 0 / 0 / 26

HEX #9FBCBC

RGB 159 188 188

HSL 180, 0.18%, 0.68%

LAB 74.17, -9.77, -3.3

 

CMYK 15 / 4 / 0 / 26

HEX #9FB4BC

RGB 159 180 188

HSL 196.55, 0.18%, 0.68%

LAB 71.99, -5.52, -6.51

 

CMYK 15 / 9 / 0 / 26

HEX #9FACBC

RGB 159 172 188

HSL 213.1, 0.18%, 0.68%

LAB 69.83, -1.2, -9.73

 

CMYK 15 / 13 / 0 / 26

HEX #9FA4BC

RGB 159 164 188

HSL 229.66, 0.18%, 0.68%

LAB 67.69, 3.2, -12.93

 

CMYK 15 / 15 / 0 / 26

HEX #9F9FBC

RGB 159 159 188

HSL 240, 0.18%, 0.68%

LAB 66.37, 5.98, -14.92

 

CMYK 15 / 0 / 0 / 26

HEX #9FBCBC

RGB 159 188 188

HSL 180, 0.18%, 0.68%

LAB 74.17, -9.77, -3.3

 

CMYK 27 / 0 / 0 / 21

HEX #92C9C9

RGB 146 201 201

HSL 180, 0.34%, 0.68%

LAB 77.34, -17.66, -5.75

 

CMYK 38 / 0 / 0 / 16

HEX #84D6D6

RGB 132 214 214

HSL 180, 0.5%, 0.68%

LAB 80.66, -24.92, -7.9

 

CMYK 48 / 0 / 0 / 11

HEX #77E4E4

RGB 119 228 228

HSL 180, 0.67%, 0.68%

LAB 84.49, -31.26, -9.7

 

CMYK 56 / 0 / 0 / 5

HEX #6AF1F1

RGB 106 241 241

HSL 180, 0.83%, 0.68%

LAB 88.13, -36.56, -11.16

 

CMYK 15 / 0 / 0 / 26

HEX #9FBCBC

RGB 159 188 188

HSL 180, 0.18%, 0.68%

LAB 74.17, -9.77, -3.3

 

CMYK 2 / 0 / 0 / 31

HEX #ACAFAF

RGB 172 175 175

HSL 180, 0.02%, 0.68%

LAB 71.23, -1.05, -0.38

 

CMYK 0 / 12 / 12 / 27

HEX #B9A2A2

RGB 185 162 162

HSL 0, 0.14%, 0.68%

LAB 68.58, 8.4, 3.08

 

CMYK 0 / 25 / 25 / 22

HEX #C69494

RGB 198 148 148

HSL 0, 0.3%, 0.68%

LAB 66, 18.81, 7.35

 

CMYK 0 / 36 / 36 / 17

HEX #D48787

RGB 212 135 135

HSL 0, 0.47%, 0.68%

LAB 64.22, 29.5, 12.37

 

CMYK 15 / 0 / 9 / 26

HEX #9FBCAC

RGB 159 188 172

HSL 146.9, 0.18%, 0.68%

LAB 73.75, -13.01, 4.81

 

CMYK 15 / 0 / 4 / 26

HEX #9FBCB4

RGB 159 188 180

HSL 163.45, 0.18%, 0.68%

LAB 73.95, -11.42, 0.75

 

CMYK 15 / 0 / 0 / 26

HEX #9FBCBC

RGB 159 188 188

HSL 180, 0.18%, 0.68%

LAB 74.17, -9.77, -3.3

 

CMYK 15 / 4 / 0 / 26

HEX #9FB4BC

RGB 159 180 188

HSL 196.55, 0.18%, 0.68%

LAB 71.99, -5.52, -6.51

 

CMYK 15 / 9 / 0 / 26

HEX #9FACBC

RGB 159 172 188

HSL 213.1, 0.18%, 0.68%

LAB 69.83, -1.2, -9.73

 

CMYK 29 / 0 / 0 / 40

HEX #6E9A9A

RGB 110 154 154

HSL 180, 0.18%, 0.52%

LAB 60.57, -14.81, -4.82

 

CMYK 22 / 0 / 0 / 33

HEX #86ABAB

RGB 134 171 171

HSL 180, 0.18%, 0.6%

LAB 67.38, -12.48, -4.13

 

CMYK 15 / 0 / 0 / 26

HEX #9FBCBC

RGB 159 188 188

HSL 180, 0.18%, 0.68%

LAB 74.17, -9.77, -3.3

 

CMYK 11 / 0 / 0 / 20

HEX #B7CDCD

RGB 183 205 205

HSL 180, 0.18%, 0.76%

LAB 80.82, -7.38, -2.53

 

CMYK 7 / 0 / 0 / 13

HEX #CFDEDE

RGB 207 222 222

HSL 180, 0.19%, 0.84%

LAB 87.38, -5, -1.73

 

Description

Color code: HEX #9FBCBC7F | qconv.com Color code: HEX #9FBCBC7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 188 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 188 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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