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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBB09 it is the complementary color #6044F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBB09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBB09 shade: #A4BB04, #B5CD17, #C6DF2A, #D7F13D and #E8FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBB09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBB09 shade: #9FBB09, #8EA900, #7D9700, #6C8500 and #5B7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBB09 shade: #9DB909, #B9A509, #B97609, #B94609 and #B91709

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBB09 shade: #9DB909, #6EB909, #3EB909, #0FB909 and #09B932

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBB09 shade matches the following richer shades: #9DB909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBB09 shade: #9DB909, #93A918, #889A28, #7D8A38 and #727A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBB09 shade: #B97509, #B9A509, #9FB909, #70B909 and #41B909

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBB09 shade: #5A6A05, #7C9207, #9DB909, #BFE00B and #D3F420

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBB09 shade: #9FBB09, #09B946 and #8D09B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBB09 shade: #9FBB09, #099FB9 and #B9099F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBB09 shade: #9FBB09, #09B946, #2309B9 and #B9097B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBB09 shade: #9FBB09, #09B97B, #2309B9 and #B90946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 95 / 27

HEX #9FBB09

RGB 159 187 9

HSL 69.44, 0.91%, 0.38%

LAB 71.51, -28.93, 71.32

 

Complementary color

CMYK 61 / 72 / 0 / 4

HEX #6044F6

RGB 96 68 246

HSL 249.44, 0.91%, 0.62%

LAB 43.17, 58.87, -84.63

 

CMYK 12 / 0 / 98 / 27

HEX #A4BB04

RGB 164 187 4

HSL 67.54, 0.96%, 0.37%

LAB 71.85, -26.9, 72.3

 

CMYK 12 / 0 / 89 / 20

HEX #B5CD17

RGB 181 205 23

HSL 67.91, 0.8%, 0.45%

LAB 78.2, -28.1, 75.34

 

CMYK 11 / 0 / 81 / 13

HEX #C6DF2A

RGB 198 223 42

HSL 68.29, 0.74%, 0.52%

LAB 84.46, -29.12, 77.08

 

CMYK 11 / 0 / 75 / 5

HEX #D7F13D

RGB 215 241 61

HSL 68.67, 0.87%, 0.59%

LAB 90.64, -29.97, 77.81

 

CMYK 9 / 0 / 69 / 0

HEX #E8FF50

RGB 232 255 80

HSL 67.89, 1%, 0.66%

LAB 95.69, -28.83, 76.82

 

CMYK 15 / 0 / 95 / 27

HEX #9FBB09

RGB 159 187 9

HSL 69.44, 0.91%, 0.38%

LAB 71.51, -28.93, 71.32

 

CMYK 16 / 0 / 100 / 34

HEX #8EA900

RGB 142 169 0

HSL 69.59, 1%, 0.33%

LAB 65.06, -27.59, 66.96

 

CMYK 17 / 0 / 100 / 41

HEX #7D9700

RGB 125 151 0

HSL 70.33, 1%, 0.3%

LAB 58.5, -26.11, 61.5

 

CMYK 19 / 0 / 100 / 48

HEX #6C8500

RGB 108 133 0

HSL 71.28, 1%, 0.26%

LAB 51.8, -24.62, 55.92

 

CMYK 21 / 0 / 100 / 55

HEX #5B7300

RGB 91 115 0

HSL 72.52, 1%, 0.23%

LAB 44.92, -23.1, 50.19

 

CMYK 15 / 0 / 95 / 27

HEX #9DB909

RGB 157 185 9

HSL 69.55, 0.91%, 0.38%

LAB 70.79, -28.81, 70.71

 

CMYK 0 / 11 / 95 / 27

HEX #B9A509

RGB 185 165 9

HSL 53.18, 0.91%, 0.38%

LAB 67.46, -6.51, 69.16

 

CMYK 0 / 36 / 95 / 27

HEX #B97609

RGB 185 118 9

HSL 37.16, 0.91%, 0.38%

LAB 55.37, 19.16, 60.35

 

CMYK 0 / 62 / 95 / 27

HEX #B94609

RGB 185 70 9

HSL 20.8, 0.91%, 0.38%

LAB 45.24, 44.17, 53.48

 

CMYK 0 / 88 / 95 / 27

HEX #B91709

RGB 185 23 9

HSL 4.77, 0.91%, 0.38%

LAB 39.49, 60, 49.98

 

CMYK 15 / 0 / 95 / 27

HEX #9DB909

RGB 157 185 9

HSL 69.55, 0.91%, 0.38%

LAB 70.79, -28.81, 70.71

 

CMYK 41 / 0 / 95 / 27

HEX #6EB909

RGB 110 185 9

HSL 85.57, 0.91%, 0.38%

LAB 68.04, -46.99, 67.37

 

CMYK 66 / 0 / 95 / 27

HEX #3EB909

RGB 62 185 9

HSL 101.93, 0.91%, 0.38%

LAB 66.32, -60.52, 65.26

 

CMYK 92 / 0 / 95 / 27

HEX #0FB909

RGB 15 185 9

HSL 117.95, 0.91%, 0.38%

LAB 65.61, -66.79, 64.38

 

CMYK 95 / 0 / 73 / 27

HEX #09B932

RGB 9 185 50

HSL 133.98, 0.91%, 0.38%

LAB 65.74, -64.99, 54.39

 

CMYK 15 / 0 / 95 / 27

HEX #9DB909

RGB 157 185 9

HSL 69.55, 0.91%, 0.38%

LAB 70.79, -28.81, 70.71

 

CMYK 15 / 0 / 95 / 27

HEX #9DB909

RGB 157 185 9

HSL 69.55, 0.91%, 0.38%

LAB 70.79, -28.81, 70.71

 

CMYK 13 / 0 / 86 / 34

HEX #93A918

RGB 147 169 24

HSL 69.1, 0.75%, 0.38%

LAB 65.47, -25, 63.69

 

CMYK 12 / 0 / 74 / 40

HEX #889A28

RGB 136 154 40

HSL 69.47, 0.59%, 0.38%

LAB 60.34, -21.61, 54.08

 

CMYK 9 / 0 / 59 / 46

HEX #7D8A38

RGB 125 138 56

HSL 69.51, 0.42%, 0.38%

LAB 54.89, -17.05, 41.41

 

CMYK 7 / 0 / 42 / 52

HEX #727A47

RGB 114 122 71

HSL 69.41, 0.26%, 0.38%

LAB 49.44, -11.64, 26.9

 

CMYK 0 / 37 / 95 / 27

HEX #B97509

RGB 185 117 9

HSL 36.82, 0.91%, 0.38%

LAB 55.13, 19.71, 60.18

 

CMYK 0 / 11 / 95 / 27

HEX #B9A509

RGB 185 165 9

HSL 53.18, 0.91%, 0.38%

LAB 67.46, -6.51, 69.16

 

CMYK 14 / 0 / 95 / 27

HEX #9FB909

RGB 159 185 9

HSL 68.86, 0.91%, 0.38%

LAB 70.93, -27.97, 70.88

 

CMYK 39 / 0 / 95 / 27

HEX #70B909

RGB 112 185 9

HSL 84.89, 0.91%, 0.38%

LAB 68.14, -46.29, 67.49

 

CMYK 65 / 0 / 95 / 27

HEX #41B909

RGB 65 185 9

HSL 100.91, 0.91%, 0.38%

LAB 66.4, -59.88, 65.35

 

CMYK 15 / 0 / 95 / 58

HEX #5A6A05

RGB 90 106 5

HSL 69.5, 0.91%, 0.22%

LAB 41.99, -18.74, 46.69

 

CMYK 15 / 0 / 95 / 43

HEX #7C9207

RGB 124 146 7

HSL 69.5, 0.91%, 0.3%

LAB 56.94, -23.94, 59.17

 

CMYK 15 / 0 / 95 / 27

HEX #9DB909

RGB 157 185 9

HSL 69.55, 0.91%, 0.38%

LAB 70.79, -28.81, 70.71

 

CMYK 15 / 0 / 95 / 12

HEX #BFE00B

RGB 191 224 11

HSL 69.3, 0.91%, 0.46%

LAB 84.18, -33.08, 81.86

 

CMYK 14 / 0 / 87 / 4

HEX #D3F420

RGB 211 244 32

HSL 69.34, 0.91%, 0.54%

LAB 91.08, -33.88, 85.1

 

CMYK 15 / 0 / 95 / 27

HEX #9FBB09

RGB 159 187 9

HSL 69.44, 0.91%, 0.38%

LAB 71.51, -28.93, 71.32

 

CMYK 95 / 0 / 62 / 27

HEX #09B946

RGB 9 185 70

HSL 140.8, 0.91%, 0.38%

LAB 65.9, -62.91, 46.37

 

CMYK 24 / 95 / 0 / 27

HEX #8D09B9

RGB 141 9 185

HSL 285, 0.91%, 0.38%

LAB 36.67, 69.57, -59.97

 

CMYK 15 / 0 / 95 / 27

HEX #9FBB09

RGB 159 187 9

HSL 69.44, 0.91%, 0.38%

LAB 71.51, -28.93, 71.32

 

CMYK 95 / 14 / 0 / 27

HEX #099FB9

RGB 9 159 185

HSL 188.86, 0.91%, 0.38%

LAB 60.21, -24.94, -23.16

 

CMYK 0 / 95 / 14 / 27

HEX #B9099F

RGB 185 9 159

HSL 308.86, 0.91%, 0.38%

LAB 42.78, 72.71, -34.23

 

CMYK 15 / 0 / 95 / 27

HEX #9FBB09

RGB 159 187 9

HSL 69.44, 0.91%, 0.38%

LAB 71.51, -28.93, 71.32

 

CMYK 95 / 0 / 62 / 27

HEX #09B946

RGB 9 185 70

HSL 140.8, 0.91%, 0.38%

LAB 65.9, -62.91, 46.37

 

CMYK 81 / 95 / 0 / 27

HEX #2309B9

RGB 35 9 185

HSL 248.86, 0.91%, 0.38%

LAB 23.85, 60.64, -81.55

 

CMYK 0 / 95 / 34 / 27

HEX #B9097B

RGB 185 9 123

HSL 321.14, 0.91%, 0.38%

LAB 41.12, 68.41, -14.82

 

CMYK 15 / 0 / 95 / 27

HEX #9FBB09

RGB 159 187 9

HSL 69.44, 0.91%, 0.38%

LAB 71.51, -28.93, 71.32

 

CMYK 95 / 0 / 34 / 27

HEX #09B97B

RGB 9 185 123

HSL 158.86, 0.91%, 0.38%

LAB 66.66, -53.85, 20.68

 

CMYK 81 / 95 / 0 / 27

HEX #2309B9

RGB 35 9 185

HSL 248.86, 0.91%, 0.38%

LAB 23.85, 60.64, -81.55

 

CMYK 0 / 95 / 62 / 27

HEX #B90946

RGB 185 9 70

HSL 339.2, 0.91%, 0.38%

LAB 39.5, 64.06, 16.38

 

Description

Color code: HEX #9FBB09 | qconv.com Color code: HEX #9FBB09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 187 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 187 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 95 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 95% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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