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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBA39 it is the complementary color #6045C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBA39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBA39 shade: #A4BA34, #B5CC47, #C6DE5A, #D7F06D and #E8FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBA39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBA39 shade: #9FBA39, #8EA826, #7D9613, #6C8400 and #5B7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBA39 shade: #A0BB3A, #BBB33A, #BB903A, #BB6D3A and #BB4A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBA39 shade: #A0BB3A, #7DBB3A, #5ABB3A, #3ABB3C and #3ABB5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBA39 shade matches the following richer shades: #A0BB3A, #ACCF26 and #B7E312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBA39 shade: #A0BB3A, #95A74D, #899461, #7E8075 and #726C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBA39 shade: #BB903A, #BBB33A, #A1BB3A, #7FBB3A and #5CBB3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBA39 shade: #6A7C26, #859C30, #A0BB3A, #B2CA54 and #C0D473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBA39 shade: #9FBA39, #3ABB6D and #A13ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBA39 shade: #9FBA39, #3AA1BB and #BB3AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBA39 shade: #9FBA39, #3ABB6D, #533ABB and #BB3A87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBA39 shade: #9FBA39, #3ABB94, #533ABB and #BB3A60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 69 / 27

HEX #9FBA39

RGB 159 186 57

HSL 72.56, 0.53%, 0.48%

LAB 71.41, -26.78, 59.25

 

Complementary color

CMYK 52 / 65 / 0 / 22

HEX #6045C6

RGB 96 69 198

HSL 252.56, 0.53%, 0.52%

LAB 39.28, 44.25, -63.6

 

CMYK 12 / 0 / 72 / 27

HEX #A4BA34

RGB 164 186 52

HSL 69.85, 0.56%, 0.47%

LAB 71.73, -25, 61.53

 

CMYK 11 / 0 / 65 / 20

HEX #B5CC47

RGB 181 204 71

HSL 70.38, 0.57%, 0.54%

LAB 78.15, -25.62, 61.19

 

CMYK 11 / 0 / 59 / 13

HEX #C6DE5A

RGB 198 222 90

HSL 70.91, 0.67%, 0.61%

LAB 84.48, -26.11, 60.47

 

CMYK 10 / 0 / 55 / 6

HEX #D7F06D

RGB 215 240 109

HSL 71.45, 0.81%, 0.68%

LAB 90.72, -26.5, 59.55

 

CMYK 9 / 0 / 50 / 0

HEX #E8FF80

RGB 232 255 128

HSL 70.87, 1%, 0.75%

LAB 96.09, -25.41, 57.59

 

CMYK 15 / 0 / 69 / 27

HEX #9FBA39

RGB 159 186 57

HSL 72.56, 0.53%, 0.48%

LAB 71.41, -26.78, 59.25

 

CMYK 15 / 0 / 77 / 34

HEX #8EA826

RGB 142 168 38

HSL 72, 0.63%, 0.4%

LAB 64.88, -26.11, 59.21

 

CMYK 17 / 0 / 87 / 41

HEX #7D9613

RGB 125 150 19

HSL 71.45, 0.78%, 0.33%

LAB 58.24, -25.22, 58.1

 

CMYK 18 / 0 / 100 / 48

HEX #6C8400

RGB 108 132 0

HSL 70.91, 1%, 0.26%

LAB 51.49, -24.12, 55.68

 

CMYK 20 / 0 / 100 / 55

HEX #5B7200

RGB 91 114 0

HSL 72.11, 1%, 0.22%

LAB 44.6, -22.59, 49.95

 

CMYK 14 / 0 / 69 / 27

HEX #A0BB3A

RGB 160 187 58

HSL 72.56, 0.53%, 0.48%

LAB 71.77, -26.79, 59.26

 

CMYK 0 / 4 / 69 / 27

HEX #BBB33A

RGB 187 179 58

HSL 56.28, 0.53%, 0.48%

LAB 71.63, -11.4, 59.8

 

CMYK 0 / 23 / 69 / 27

HEX #BB903A

RGB 187 144 58

HSL 40, 0.53%, 0.48%

LAB 62.35, 7.3, 50.27

 

CMYK 0 / 42 / 69 / 27

HEX #BB6D3A

RGB 187 109 58

HSL 23.72, 0.53%, 0.48%

LAB 53.82, 26.61, 41.02

 

CMYK 0 / 60 / 69 / 27

HEX #BB4A3A

RGB 187 74 58

HSL 7.44, 0.53%, 0.48%

LAB 46.67, 44.61, 32.81

 

CMYK 14 / 0 / 69 / 27

HEX #A0BB3A

RGB 160 187 58

HSL 72.56, 0.53%, 0.48%

LAB 71.77, -26.79, 59.26

 

CMYK 33 / 0 / 69 / 27

HEX #7DBB3A

RGB 125 187 58

HSL 88.84, 0.53%, 0.48%

LAB 69.62, -40.39, 56.36

 

CMYK 52 / 0 / 69 / 27

HEX #5ABB3A

RGB 90 187 58

HSL 105.12, 0.53%, 0.48%

LAB 68.04, -51.77, 54.23

 

CMYK 69 / 0 / 68 / 27

HEX #3ABB3C

RGB 58 187 60

HSL 120.93, 0.53%, 0.48%

LAB 67.1, -59.17, 52.15

 

CMYK 69 / 0 / 49 / 27

HEX #3ABB5F

RGB 58 187 95

HSL 137.21, 0.53%, 0.48%

LAB 67.48, -54.78, 36.48

 

CMYK 14 / 0 / 69 / 27

HEX #A0BB3A

RGB 160 187 58

HSL 72.56, 0.53%, 0.48%

LAB 71.77, -26.79, 59.26

 

CMYK 17 / 0 / 82 / 19

HEX #ACCF26

RGB 172 207 38

HSL 72.43, 0.69%, 0.48%

LAB 78.19, -32.31, 71.93

 

CMYK 19 / 0 / 92 / 11

HEX #B7E312

RGB 183 227 18

HSL 72.63, 0.85%, 0.48%

LAB 84.51, -37.54, 81.16

 

CMYK 14 / 0 / 69 / 27

HEX #A0BB3A

RGB 160 187 58

HSL 72.56, 0.53%, 0.48%

LAB 71.77, -26.79, 59.26

 

CMYK 11 / 0 / 54 / 35

HEX #95A74D

RGB 149 167 77

HSL 72, 0.37%, 0.48%

LAB 65.41, -19.98, 43.83

 

CMYK 7 / 0 / 34 / 42

HEX #899461

RGB 137 148 97

HSL 72.94, 0.21%, 0.48%

LAB 59.31, -12.73, 25.69

 

CMYK 2 / 0 / 9 / 50

HEX #7E8075

RGB 126 128 117

HSL 70.91, 0.04%, 0.48%

LAB 53.12, -2.87, 5.71

 

CMYK 17 / 21 / 0 / 46

HEX #726C89

RGB 114 108 137

HSL 252.41, 0.12%, 0.48%

LAB 47.12, 8.65, -15.08

 

CMYK 0 / 23 / 69 / 27

HEX #BB903A

RGB 187 144 58

HSL 40, 0.53%, 0.48%

LAB 62.35, 7.3, 50.27

 

CMYK 0 / 4 / 69 / 27

HEX #BBB33A

RGB 187 179 58

HSL 56.28, 0.53%, 0.48%

LAB 71.63, -11.4, 59.8

 

CMYK 14 / 0 / 69 / 27

HEX #A1BB3A

RGB 161 187 58

HSL 72.09, 0.53%, 0.48%

LAB 71.84, -26.38, 59.35

 

CMYK 32 / 0 / 69 / 27

HEX #7FBB3A

RGB 127 187 58

HSL 87.91, 0.53%, 0.48%

LAB 69.72, -39.66, 56.51

 

CMYK 51 / 0 / 69 / 27

HEX #5CBB3A

RGB 92 187 58

HSL 104.19, 0.53%, 0.48%

LAB 68.11, -51.2, 54.33

 

CMYK 15 / 0 / 69 / 51

HEX #6A7C26

RGB 106 124 38

HSL 72.56, 0.53%, 0.32%

LAB 49.03, -19.42, 42.86

 

CMYK 15 / 0 / 69 / 39

HEX #859C30

RGB 133 156 48

HSL 72.78, 0.53%, 0.4%

LAB 60.76, -23.43, 51.38

 

CMYK 14 / 0 / 69 / 27

HEX #A0BB3A

RGB 160 187 58

HSL 72.56, 0.53%, 0.48%

LAB 71.77, -26.79, 59.26

 

CMYK 12 / 0 / 58 / 21

HEX #B2CA54

RGB 178 202 84

HSL 72.2, 0.53%, 0.56%

LAB 77.49, -24.92, 54.93

 

CMYK 9 / 0 / 46 / 17

HEX #C0D473

RGB 192 212 115

HSL 72.37, 0.53%, 0.64%

LAB 81.58, -21.41, 45.52

 

CMYK 15 / 0 / 69 / 27

HEX #9FBA39

RGB 159 186 57

HSL 72.56, 0.53%, 0.48%

LAB 71.41, -26.78, 59.25

 

CMYK 69 / 0 / 42 / 27

HEX #3ABB6D

RGB 58 187 109

HSL 143.72, 0.53%, 0.48%

LAB 67.68, -52.43, 29.58

 

CMYK 14 / 69 / 0 / 27

HEX #A13ABB

RGB 161 58 187

HSL 287.91, 0.53%, 0.48%

LAB 44.51, 60.33, -48.34

 

CMYK 15 / 0 / 69 / 27

HEX #9FBA39

RGB 159 186 57

HSL 72.56, 0.53%, 0.48%

LAB 71.41, -26.78, 59.25

 

CMYK 69 / 14 / 0 / 27

HEX #3AA1BB

RGB 58 161 187

HSL 192.09, 0.53%, 0.48%

LAB 61.63, -20.99, -22.04

 

CMYK 0 / 69 / 14 / 27

HEX #BB3AA1

RGB 187 58 161

HSL 312.09, 0.53%, 0.48%

LAB 47.19, 62.06, -28.5

 

CMYK 15 / 0 / 69 / 27

HEX #9FBA39

RGB 159 186 57

HSL 72.56, 0.53%, 0.48%

LAB 71.41, -26.78, 59.25

 

CMYK 69 / 0 / 42 / 27

HEX #3ABB6D

RGB 58 187 109

HSL 143.72, 0.53%, 0.48%

LAB 67.68, -52.43, 29.58

 

CMYK 56 / 69 / 0 / 27

HEX #533ABB

RGB 83 58 187

HSL 251.63, 0.53%, 0.48%

LAB 34.91, 44.94, -64.34

 

CMYK 0 / 69 / 28 / 27

HEX #BB3A87

RGB 187 58 135

HSL 324.19, 0.53%, 0.48%

LAB 46.1, 58.49, -14.57

 

CMYK 15 / 0 / 69 / 27

HEX #9FBA39

RGB 159 186 57

HSL 72.56, 0.53%, 0.48%

LAB 71.41, -26.78, 59.25

 

CMYK 69 / 0 / 21 / 27

HEX #3ABB94

RGB 58 187 148

HSL 161.86, 0.53%, 0.48%

LAB 68.44, -44.22, 9.7

 

CMYK 56 / 69 / 0 / 27

HEX #533ABB

RGB 83 58 187

HSL 251.63, 0.53%, 0.48%

LAB 34.91, 44.94, -64.34

 

CMYK 0 / 69 / 49 / 27

HEX #BB3A60

RGB 187 58 96

HSL 342.33, 0.53%, 0.48%

LAB 44.85, 54.26, 7.5

 

Description

Color code: HEX #9FBA39 | qconv.com Color code: HEX #9FBA39 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 186 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 186 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 69 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 69% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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