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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBA0D it is the complementary color #6045F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBA0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBA0D shade: #A4BA08, #B5CC1B, #C6DE2E, #D7F041 and #E8FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBA0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBA0D shade: #9FBA0D, #8EA800, #7D9600, #6C8400 and #5B7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBA0D shade: #9FBA0D, #BAA60D, #BA780D, #BA490D and #BA1A0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBA0D shade: #9FBA0D, #70BA0D, #42BA0D, #13BA0D and #0DBA36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBA0D shade matches the following richer shades: #9FBA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBA0D shade: #9FBA0D, #94AA1D, #899A2D, #7E8A3D and #737A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBA0D shade: #BA780D, #BAA60D, #A0BA0D, #72BA0D and #44BA0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBA0D shade: #5D6D08, #7E930A, #9FBA0D, #C0E110 and #D1F029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBA0D shade: #9FBA0D, #0DBA49 and #8F0DBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBA0D shade: #9FBA0D, #0DA0BA and #BA0DA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBA0D shade: #9FBA0D, #0DBA49, #270DBA and #BA0D7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBA0D shade: #9FBA0D, #0DBA7D, #270DBA and #BA0D49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

Complementary color

CMYK 60 / 71 / 0 / 5

HEX #6045F2

RGB 96 69 242

HSL 249.36, 0.87%, 0.61%

LAB 42.99, 57.2, -82.68

 

CMYK 12 / 0 / 96 / 27

HEX #A4BA08

RGB 164 186 8

HSL 67.42, 0.92%, 0.38%

LAB 71.57, -26.36, 71.64

 

CMYK 11 / 0 / 87 / 20

HEX #B5CC1B

RGB 181 204 27

HSL 67.8, 0.77%, 0.45%

LAB 77.93, -27.54, 74.4

 

CMYK 11 / 0 / 79 / 13

HEX #C6DE2E

RGB 198 222 46

HSL 68.18, 0.73%, 0.53%

LAB 84.2, -28.52, 75.83

 

CMYK 10 / 0 / 73 / 6

HEX #D7F041

RGB 215 240 65

HSL 68.57, 0.85%, 0.6%

LAB 90.39, -29.33, 76.33

 

CMYK 9 / 0 / 67 / 0

HEX #E8FF54

RGB 232 255 84

HSL 68.07, 1%, 0.66%

LAB 95.71, -28.62, 75.42

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 15 / 0 / 100 / 34

HEX #8EA800

RGB 142 168 0

HSL 69.29, 1%, 0.33%

LAB 64.77, -27.11, 66.74

 

CMYK 17 / 0 / 100 / 41

HEX #7D9600

RGB 125 150 0

HSL 70, 1%, 0.29%

LAB 58.2, -25.62, 61.27

 

CMYK 18 / 0 / 100 / 48

HEX #6C8400

RGB 108 132 0

HSL 70.91, 1%, 0.26%

LAB 51.49, -24.12, 55.68

 

CMYK 20 / 0 / 100 / 55

HEX #5B7200

RGB 91 114 0

HSL 72.11, 1%, 0.22%

LAB 44.6, -22.59, 49.95

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 0 / 11 / 93 / 27

HEX #BAA60D

RGB 186 166 13

HSL 53.06, 0.87%, 0.39%

LAB 67.83, -6.54, 68.95

 

CMYK 0 / 35 / 93 / 27

HEX #BA780D

RGB 186 120 13

HSL 37.11, 0.87%, 0.39%

LAB 55.99, 18.55, 60.11

 

CMYK 0 / 61 / 93 / 27

HEX #BA490D

RGB 186 73 13

HSL 20.81, 0.87%, 0.39%

LAB 45.95, 43.2, 52.97

 

CMYK 0 / 86 / 93 / 27

HEX #BA1A0D

RGB 186 26 13

HSL 4.51, 0.87%, 0.39%

LAB 39.93, 59.72, 48.98

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 40 / 0 / 93 / 27

HEX #70BA0D

RGB 112 186 13

HSL 85.66, 0.87%, 0.39%

LAB 68.45, -46.63, 67.25

 

CMYK 65 / 0 / 93 / 27

HEX #42BA0D

RGB 66 186 13

HSL 101.62, 0.87%, 0.39%

LAB 66.75, -59.9, 65.16

 

CMYK 90 / 0 / 93 / 27

HEX #13BA0D

RGB 19 186 13

HSL 117.92, 0.87%, 0.39%

LAB 65.97, -66.72, 64.19

 

CMYK 93 / 0 / 71 / 27

HEX #0DBA36

RGB 13 186 54

HSL 134.22, 0.87%, 0.39%

LAB 66.11, -64.74, 53.28

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 13 / 0 / 83 / 33

HEX #94AA1D

RGB 148 170 29

HSL 69.36, 0.71%, 0.39%

LAB 65.85, -24.91, 62.84

 

CMYK 11 / 0 / 71 / 40

HEX #899A2D

RGB 137 154 45

HSL 69.36, 0.55%, 0.39%

LAB 60.44, -20.9, 52.34

 

CMYK 9 / 0 / 56 / 46

HEX #7E8A3D

RGB 126 138 61

HSL 69.35, 0.39%, 0.39%

LAB 55.02, -16.17, 39.15

 

CMYK 6 / 0 / 37 / 52

HEX #737A4D

RGB 115 122 77

HSL 69.33, 0.23%, 0.39%

LAB 49.62, -10.43, 23.79

 

CMYK 0 / 35 / 93 / 27

HEX #BA780D

RGB 186 120 13

HSL 37.11, 0.87%, 0.39%

LAB 55.99, 18.55, 60.11

 

CMYK 0 / 11 / 93 / 27

HEX #BAA60D

RGB 186 166 13

HSL 53.06, 0.87%, 0.39%

LAB 67.83, -6.54, 68.95

 

CMYK 14 / 0 / 93 / 27

HEX #A0BA0D

RGB 160 186 13

HSL 69.02, 0.87%, 0.39%

LAB 71.3, -27.98, 70.72

 

CMYK 39 / 0 / 93 / 27

HEX #72BA0D

RGB 114 186 13

HSL 84.97, 0.87%, 0.39%

LAB 68.55, -45.93, 67.37

 

CMYK 63 / 0 / 93 / 27

HEX #44BA0D

RGB 68 186 13

HSL 100.92, 0.87%, 0.39%

LAB 66.81, -59.45, 65.22

 

CMYK 15 / 0 / 93 / 57

HEX #5D6D08

RGB 93 109 8

HSL 69.5, 0.86%, 0.23%

LAB 43.19, -18.86, 47.04

 

CMYK 14 / 0 / 93 / 42

HEX #7E930A

RGB 126 147 10

HSL 69.2, 0.87%, 0.31%

LAB 57.39, -23.51, 59.13

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 15 / 0 / 93 / 12

HEX #C0E110

RGB 192 225 16

HSL 69.47, 0.87%, 0.47%

LAB 84.53, -33.07, 81.66

 

CMYK 13 / 0 / 83 / 6

HEX #D1F029

RGB 209 240 41

HSL 69.35, 0.87%, 0.55%

LAB 89.88, -32.62, 82.26

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 93 / 0 / 61 / 27

HEX #0DBA49

RGB 13 186 73

HSL 140.81, 0.87%, 0.39%

LAB 66.28, -62.67, 45.46

 

CMYK 23 / 93 / 0 / 27

HEX #8F0DBA

RGB 143 13 186

HSL 285.09, 0.87%, 0.39%

LAB 37.25, 69.53, -59.61

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 93 / 14 / 0 / 27

HEX #0DA0BA

RGB 13 160 186

HSL 189.02, 0.87%, 0.39%

LAB 60.58, -24.97, -23.15

 

CMYK 0 / 93 / 14 / 27

HEX #BA0DA0

RGB 186 13 160

HSL 309.02, 0.87%, 0.39%

LAB 43.16, 72.62, -34.23

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 93 / 0 / 61 / 27

HEX #0DBA49

RGB 13 186 73

HSL 140.81, 0.87%, 0.39%

LAB 66.28, -62.67, 45.46

 

CMYK 79 / 93 / 0 / 27

HEX #270DBA

RGB 39 13 186

HSL 249.02, 0.87%, 0.39%

LAB 24.53, 60.12, -81.02

 

CMYK 0 / 93 / 33 / 27

HEX #BA0D7D

RGB 186 13 125

HSL 321.16, 0.87%, 0.39%

LAB 41.54, 68.41, -15.39

 

CMYK 15 / 0 / 93 / 27

HEX #9FBA0D

RGB 159 186 13

HSL 69.36, 0.87%, 0.39%

LAB 71.23, -28.4, 70.64

 

CMYK 93 / 0 / 33 / 27

HEX #0DBA7D

RGB 13 186 125

HSL 158.84, 0.87%, 0.39%

LAB 67.04, -53.62, 20.13

 

CMYK 79 / 93 / 0 / 27

HEX #270DBA

RGB 39 13 186

HSL 249.02, 0.87%, 0.39%

LAB 24.53, 60.12, -81.02

 

CMYK 0 / 93 / 61 / 27

HEX #BA0D49

RGB 186 13 73

HSL 339.19, 0.87%, 0.39%

LAB 39.93, 64.03, 15.07

 

Description

Color code: HEX #9FBA0D | qconv.com Color code: HEX #9FBA0D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 186 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 186 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 93 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 93% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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