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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FB90C it is the complementary color #6046F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FB90C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FB90C shade: #A4B907, #B5CB1A, #C6DD2D, #D7EF40 and #E8FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FB90C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FB90C shade: #9FB90C, #8EA700, #7D9500, #6C8300 and #5B7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FB90C shade: #A1BB0C, #BBA60C, #BB770C, #BB480C and #BB180C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FB90C shade: #A1BB0C, #71BB0C, #42BB0C, #13BB0C and #0CBB34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FB90C shade matches the following richer shades: #A1BB0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FB90C shade: #A1BB0C, #95AB1C, #8A9B2C, #7F8B3C and #747B4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FB90C shade: #BB780C, #BBA70C, #A1BB0C, #72BB0C and #43BB0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FB90C shade: #5E6D07, #7F9409, #A1BB0C, #C2E20E and #D3F128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FB90C shade: #9FB90C, #0CBB49 and #8F0CBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FB90C shade: #9FB90C, #0CA1BB and #BB0CA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FB90C shade: #9FB90C, #0CBB49, #260CBB and #BB0C7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FB90C shade: #9FB90C, #0CBB7E, #260CBB and #BB0C49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 94 / 27

HEX #9FB90C

RGB 159 185 12

HSL 69.02, 0.88%, 0.39%

LAB 70.94, -27.93, 70.53

 

Complementary color

CMYK 60 / 71 / 0 / 5

HEX #6046F3

RGB 96 70 243

HSL 249.02, 0.88%, 0.61%

LAB 43.27, 56.97, -82.79

 

CMYK 11 / 0 / 96 / 27

HEX #A4B907

RGB 164 185 7

HSL 67.08, 0.93%, 0.38%

LAB 71.29, -25.89, 71.53

 

CMYK 11 / 0 / 87 / 20

HEX #B5CB1A

RGB 181 203 26

HSL 67.46, 0.77%, 0.45%

LAB 77.64, -27.09, 74.36

 

CMYK 10 / 0 / 80 / 13

HEX #C6DD2D

RGB 198 221 45

HSL 67.84, 0.72%, 0.52%

LAB 83.92, -28.08, 75.85

 

CMYK 10 / 0 / 73 / 6

HEX #D7EF40

RGB 215 239 64

HSL 68.23, 0.85%, 0.59%

LAB 90.11, -28.91, 76.38

 

CMYK 9 / 0 / 67 / 0

HEX #E8FF53

RGB 232 255 83

HSL 68.02, 1%, 0.66%

LAB 95.71, -28.67, 75.77

 

CMYK 14 / 0 / 94 / 27

HEX #9FB90C

RGB 159 185 12

HSL 69.02, 0.88%, 0.39%

LAB 70.94, -27.93, 70.53

 

CMYK 15 / 0 / 100 / 35

HEX #8EA700

RGB 142 167 0

HSL 68.98, 1%, 0.33%

LAB 64.47, -26.62, 66.52

 

CMYK 16 / 0 / 100 / 42

HEX #7D9500

RGB 125 149 0

HSL 69.66, 1%, 0.29%

LAB 57.9, -25.13, 61.05

 

CMYK 18 / 0 / 100 / 49

HEX #6C8300

RGB 108 131 0

HSL 70.53, 1%, 0.26%

LAB 51.18, -23.62, 55.45

 

CMYK 19 / 0 / 100 / 56

HEX #5B7100

RGB 91 113 0

HSL 71.68, 1%, 0.22%

LAB 44.28, -22.08, 49.71

 

CMYK 14 / 0 / 94 / 27

HEX #A1BB0C

RGB 161 187 12

HSL 68.91, 0.88%, 0.39%

LAB 71.65, -28.05, 71.16

 

CMYK 0 / 11 / 94 / 27

HEX #BBA60C

RGB 187 166 12

HSL 52.8, 0.88%, 0.39%

LAB 67.92, -6.11, 69.21

 

CMYK 0 / 36 / 94 / 27

HEX #BB770C

RGB 187 119 12

HSL 36.69, 0.88%, 0.39%

LAB 55.87, 19.53, 60.28

 

CMYK 0 / 61 / 94 / 27

HEX #BB480C

RGB 187 72 12

HSL 20.57, 0.88%, 0.39%

LAB 45.94, 44.03, 53.32

 

CMYK 0 / 87 / 94 / 27

HEX #BB180C

RGB 187 24 12

HSL 4.11, 0.88%, 0.39%

LAB 39.99, 60.39, 49.49

 

CMYK 14 / 0 / 94 / 27

HEX #A1BB0C

RGB 161 187 12

HSL 68.91, 0.88%, 0.39%

LAB 71.65, -28.05, 71.16

 

CMYK 40 / 0 / 94 / 27

HEX #71BB0C

RGB 113 187 12

HSL 85.37, 0.88%, 0.39%

LAB 68.81, -46.71, 67.69

 

CMYK 65 / 0 / 94 / 27

HEX #42BB0C

RGB 66 187 12

HSL 101.49, 0.88%, 0.39%

LAB 67.07, -60.25, 65.55

 

CMYK 90 / 0 / 94 / 27

HEX #13BB0C

RGB 19 187 12

HSL 117.6, 0.88%, 0.39%

LAB 66.29, -67.03, 64.59

 

CMYK 94 / 0 / 72 / 27

HEX #0CBB34

RGB 12 187 52

HSL 133.71, 0.88%, 0.39%

LAB 66.42, -65.27, 54.36

 

CMYK 14 / 0 / 94 / 27

HEX #A1BB0C

RGB 161 187 12

HSL 68.91, 0.88%, 0.39%

LAB 71.65, -28.05, 71.16

 

CMYK 14 / 0 / 94 / 27

HEX #A1BB0C

RGB 161 187 12

HSL 68.91, 0.88%, 0.39%

LAB 71.65, -28.05, 71.16

 

CMYK 13 / 0 / 84 / 33

HEX #95AB1C

RGB 149 171 28

HSL 69.23, 0.72%, 0.39%

LAB 66.21, -25, 63.43

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2C

RGB 138 155 44

HSL 69.19, 0.56%, 0.39%

LAB 60.81, -21.04, 53.11

 

CMYK 9 / 0 / 57 / 45

HEX #7F8B3C

RGB 127 139 60

HSL 69.11, 0.4%, 0.39%

LAB 55.38, -16.36, 40.08

 

CMYK 6 / 0 / 38 / 52

HEX #747B4C

RGB 116 123 76

HSL 68.94, 0.24%, 0.39%

LAB 49.98, -10.69, 24.84

 

CMYK 0 / 36 / 94 / 27

HEX #BB780C

RGB 187 120 12

HSL 37.03, 0.88%, 0.39%

LAB 56.11, 18.97, 60.45

 

CMYK 0 / 11 / 94 / 27

HEX #BBA70C

RGB 187 167 12

HSL 53.14, 0.88%, 0.39%

LAB 68.19, -6.63, 69.41

 

CMYK 14 / 0 / 94 / 27

HEX #A1BB0C

RGB 161 187 12

HSL 68.91, 0.88%, 0.39%

LAB 71.65, -28.05, 71.16

 

CMYK 39 / 0 / 94 / 27

HEX #72BB0C

RGB 114 187 12

HSL 85.03, 0.88%, 0.39%

LAB 68.86, -46.36, 67.75

 

CMYK 64 / 0 / 94 / 27

HEX #43BB0C

RGB 67 187 12

HSL 101.14, 0.88%, 0.39%

LAB 67.1, -60.03, 65.58

 

CMYK 14 / 0 / 94 / 57

HEX #5E6D07

RGB 94 109 7

HSL 68.82, 0.88%, 0.23%

LAB 43.26, -18.42, 47.36

 

CMYK 14 / 0 / 94 / 42

HEX #7F9409

RGB 127 148 9

HSL 69.06, 0.89%, 0.31%

LAB 57.76, -23.59, 59.6

 

CMYK 14 / 0 / 94 / 27

HEX #A1BB0C

RGB 161 187 12

HSL 68.91, 0.88%, 0.39%

LAB 71.65, -28.05, 71.16

 

CMYK 14 / 0 / 94 / 11

HEX #C2E20E

RGB 194 226 14

HSL 69.06, 0.88%, 0.47%

LAB 84.94, -32.75, 82.25

 

CMYK 12 / 0 / 83 / 5

HEX #D3F128

RGB 211 241 40

HSL 68.96, 0.88%, 0.55%

LAB 90.28, -32.31, 82.88

 

CMYK 14 / 0 / 94 / 27

HEX #9FB90C

RGB 159 185 12

HSL 69.02, 0.88%, 0.39%

LAB 70.94, -27.93, 70.53

 

CMYK 94 / 0 / 61 / 27

HEX #0CBB49

RGB 12 187 73

HSL 140.91, 0.88%, 0.39%

LAB 66.6, -63.03, 45.82

 

CMYK 24 / 94 / 0 / 27

HEX #8F0CBB

RGB 143 12 187

HSL 284.91, 0.88%, 0.39%

LAB 37.28, 69.85, -60.15

 

CMYK 14 / 0 / 94 / 27

HEX #9FB90C

RGB 159 185 12

HSL 69.02, 0.88%, 0.39%

LAB 70.94, -27.93, 70.53

 

CMYK 94 / 14 / 0 / 27

HEX #0CA1BB

RGB 12 161 187

HSL 188.91, 0.88%, 0.39%

LAB 60.92, -25.18, -23.2

 

CMYK 0 / 94 / 14 / 27

HEX #BB0CA1

RGB 187 12 161

HSL 308.91, 0.88%, 0.39%

LAB 43.36, 73.05, -34.5

 

CMYK 14 / 0 / 94 / 27

HEX #9FB90C

RGB 159 185 12

HSL 69.02, 0.88%, 0.39%

LAB 70.94, -27.93, 70.53

 

CMYK 94 / 0 / 61 / 27

HEX #0CBB49

RGB 12 187 73

HSL 140.91, 0.88%, 0.39%

LAB 66.6, -63.03, 45.82

 

CMYK 80 / 94 / 0 / 27

HEX #260CBB

RGB 38 12 187

HSL 248.91, 0.88%, 0.39%

LAB 24.52, 60.59, -81.62

 

CMYK 0 / 94 / 33 / 27

HEX #BB0C7E

RGB 187 12 126

HSL 320.91, 0.88%, 0.39%

LAB 41.74, 68.85, -15.69

 

CMYK 14 / 0 / 94 / 27

HEX #9FB90C

RGB 159 185 12

HSL 69.02, 0.88%, 0.39%

LAB 70.94, -27.93, 70.53

 

CMYK 94 / 0 / 33 / 27

HEX #0CBB7E

RGB 12 187 126

HSL 159.09, 0.88%, 0.39%

LAB 67.37, -53.82, 20.04

 

CMYK 80 / 94 / 0 / 27

HEX #260CBB

RGB 38 12 187

HSL 248.91, 0.88%, 0.39%

LAB 24.52, 60.59, -81.62

 

CMYK 0 / 94 / 61 / 27

HEX #BB0C49

RGB 187 12 73

HSL 339.09, 0.88%, 0.39%

LAB 40.1, 64.4, 15.34

 

Description

Color code: HEX #9FB90C | qconv.com Color code: HEX #9FB90C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 185 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 185 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 94 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 94% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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