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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FB258 it is the complementary color #604DA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FB258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FB258 shade: #A4B253, #B5C466, #C6D679, #D7E88C and #E8FA9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FB258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FB258 shade: #9FB258, #8EA045, #7D8E32, #6C7C1F and #5B6A0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FB258 shade: #9FB257, #B2AD57, #B29457, #B27C57 and #B26357

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FB258 shade: #9FB257, #86B257, #6EB257, #57B259 and #57B272

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FB258 shade matches the following richer shades: #9FB257, #AAC644, #B6D930 and #C1ED1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FB258 shade: #9FB257, #939E6B, #888A7F, #7C7693 and #7163A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FB258 shade: #B29457, #B2AC57, #A0B257, #88B257 and #6FB257

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FB258 shade: #6F7D3A, #889947, #9FB257, #AFBF74 and #BFCC90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FB258 shade: #9FB258, #57B27C and #A057B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FB258 shade: #9FB258, #57A0B2 and #B257A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FB258 shade: #9FB258, #57B27C, #6957B2 and #B2578E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FB258 shade: #9FB258, #57B297, #6957B2 and #B25772

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 51 / 30

HEX #9FB258

RGB 159 178 88

HSL 72.67, 0.37%, 0.52%

LAB 69.41, -20.38, 43.39

 

Complementary color

CMYK 43 / 54 / 0 / 35

HEX #604DA7

RGB 96 77 167

HSL 252.67, 0.37%, 0.48%

LAB 38.87, 30.36, -46.01

 

CMYK 8 / 0 / 53 / 30

HEX #A4B253

RGB 164 178 83

HSL 68.84, 0.38%, 0.51%

LAB 69.72, -18.82, 46.27

 

CMYK 8 / 0 / 48 / 23

HEX #B5C466

RGB 181 196 102

HSL 69.57, 0.44%, 0.58%

LAB 76.23, -19.16, 45.14

 

CMYK 7 / 0 / 43 / 16

HEX #C6D679

RGB 198 214 121

HSL 70.32, 0.53%, 0.66%

LAB 82.64, -19.42, 43.98

 

CMYK 7 / 0 / 40 / 9

HEX #D7E88C

RGB 215 232 140

HSL 71.09, 0.67%, 0.73%

LAB 88.95, -19.63, 42.83

 

CMYK 7 / 0 / 36 / 2

HEX #E8FA9F

RGB 232 250 159

HSL 71.87, 0.9%, 0.8%

LAB 95.17, -19.8, 41.71

 

CMYK 11 / 0 / 51 / 30

HEX #9FB258

RGB 159 178 88

HSL 72.67, 0.37%, 0.52%

LAB 69.41, -20.38, 43.39

 

CMYK 11 / 0 / 57 / 37

HEX #8EA045

RGB 142 160 69

HSL 71.87, 0.4%, 0.45%

LAB 62.78, -20.06, 44.49

 

CMYK 12 / 0 / 65 / 44

HEX #7D8E32

RGB 125 142 50

HSL 71.09, 0.48%, 0.38%

LAB 56.02, -19.61, 45.41

 

CMYK 13 / 0 / 75 / 51

HEX #6C7C1F

RGB 108 124 31

HSL 70.32, 0.6%, 0.3%

LAB 49.13, -18.98, 45.84

 

CMYK 14 / 0 / 89 / 58

HEX #5B6A0C

RGB 91 106 12

HSL 69.57, 0.8%, 0.23%

LAB 42.09, -18.07, 45.12

 

CMYK 11 / 0 / 51 / 30

HEX #9FB257

RGB 159 178 87

HSL 72.53, 0.37%, 0.52%

LAB 69.4, -20.48, 43.86

 

CMYK 0 / 3 / 51 / 30

HEX #B2AD57

RGB 178 173 87

HSL 56.7, 0.37%, 0.52%

LAB 69.5, -10.06, 44.35

 

CMYK 0 / 17 / 51 / 30

HEX #B29457

RGB 178 148 87

HSL 40.22, 0.37%, 0.52%

LAB 62.79, 3.35, 36.24

 

CMYK 0 / 30 / 51 / 30

HEX #B27C57

RGB 178 124 87

HSL 24.4, 0.37%, 0.52%

LAB 56.65, 16.69, 28.53

 

CMYK 0 / 44 / 51 / 30

HEX #B26357

RGB 178 99 87

HSL 7.91, 0.37%, 0.52%

LAB 50.78, 30.56, 20.85

 

CMYK 11 / 0 / 51 / 30

HEX #9FB257

RGB 159 178 87

HSL 72.53, 0.37%, 0.52%

LAB 69.4, -20.48, 43.86

 

CMYK 25 / 0 / 51 / 30

HEX #86B257

RGB 134 178 87

HSL 89.01, 0.37%, 0.52%

LAB 67.72, -30.28, 41.46

 

CMYK 38 / 0 / 51 / 30

HEX #6EB257

RGB 110 178 87

HSL 104.84, 0.37%, 0.52%

LAB 66.4, -38.83, 39.55

 

CMYK 51 / 0 / 50 / 30

HEX #57B259

RGB 87 178 89

HSL 121.32, 0.37%, 0.52%

LAB 65.43, -45.6, 37.13

 

CMYK 51 / 0 / 36 / 30

HEX #57B272

RGB 87 178 114

HSL 137.8, 0.37%, 0.52%

LAB 65.81, -41.57, 24.62

 

CMYK 11 / 0 / 51 / 30

HEX #9FB257

RGB 159 178 87

HSL 72.53, 0.37%, 0.52%

LAB 69.4, -20.48, 43.86

 

CMYK 14 / 0 / 66 / 22

HEX #AAC644

RGB 170 198 68

HSL 72.92, 0.53%, 0.52%

LAB 75.67, -27.38, 59.56

 

CMYK 16 / 0 / 78 / 15

HEX #B6D930

RGB 182 217 48

HSL 72.43, 0.69%, 0.52%

LAB 81.72, -32.56, 72.64

 

CMYK 19 / 0 / 88 / 7

HEX #C1ED1C

RGB 193 237 28

HSL 72.63, 0.85%, 0.52%

LAB 87.96, -37.91, 82.76

 

CMYK 11 / 0 / 51 / 30

HEX #9FB257

RGB 159 178 87

HSL 72.53, 0.37%, 0.52%

LAB 69.4, -20.48, 43.86

 

CMYK 7 / 0 / 32 / 38

HEX #939E6B

RGB 147 158 107

HSL 72.94, 0.21%, 0.52%

LAB 63.11, -12.66, 25.4

 

CMYK 1 / 0 / 8 / 46

HEX #888A7F

RGB 136 138 127

HSL 70.91, 0.04%, 0.52%

LAB 57.02, -2.84, 5.63

 

CMYK 16 / 20 / 0 / 42

HEX #7C7693

RGB 124 118 147

HSL 252.41, 0.12%, 0.52%

LAB 51.09, 8.49, -14.87

 

CMYK 32 / 41 / 0 / 35

HEX #7163A7

RGB 113 99 167

HSL 252.35, 0.28%, 0.52%

LAB 45.94, 21.46, -34.68

 

CMYK 0 / 17 / 51 / 30

HEX #B29457

RGB 178 148 87

HSL 40.22, 0.37%, 0.52%

LAB 62.79, 3.35, 36.24

 

CMYK 0 / 3 / 51 / 30

HEX #B2AC57

RGB 178 172 87

HSL 56.04, 0.37%, 0.52%

LAB 69.23, -9.54, 44.03

 

CMYK 10 / 0 / 51 / 30

HEX #A0B257

RGB 160 178 87

HSL 71.87, 0.37%, 0.52%

LAB 69.47, -20.08, 43.97

 

CMYK 24 / 0 / 51 / 30

HEX #88B257

RGB 136 178 87

HSL 87.69, 0.37%, 0.52%

LAB 67.85, -29.53, 41.63

 

CMYK 38 / 0 / 51 / 30

HEX #6FB257

RGB 111 178 87

HSL 104.18, 0.37%, 0.52%

LAB 66.45, -38.5, 39.62

 

CMYK 11 / 0 / 54 / 51

HEX #6F7D3A

RGB 111 125 58

HSL 72.54, 0.37%, 0.36%

LAB 49.92, -16.04, 34.41

 

CMYK 11 / 0 / 54 / 40

HEX #889947

RGB 136 153 71

HSL 72.44, 0.37%, 0.44%

LAB 60.31, -18.8, 40.56

 

CMYK 11 / 0 / 51 / 30

HEX #9FB257

RGB 159 178 87

HSL 72.53, 0.37%, 0.52%

LAB 69.4, -20.48, 43.86

 

CMYK 8 / 0 / 39 / 25

HEX #AFBF74

RGB 175 191 116

HSL 72.8, 0.37%, 0.6%

LAB 74.6, -17.49, 36

 

CMYK 6 / 0 / 29 / 20

HEX #BFCC90

RGB 191 204 144

HSL 73, 0.37%, 0.68%

LAB 79.77, -14.32, 28.49

 

CMYK 11 / 0 / 51 / 30

HEX #9FB258

RGB 159 178 88

HSL 72.67, 0.37%, 0.52%

LAB 69.41, -20.38, 43.39

 

CMYK 51 / 0 / 30 / 30

HEX #57B27C

RGB 87 178 124

HSL 144.4, 0.37%, 0.52%

LAB 66, -39.67, 19.49

 

CMYK 10 / 51 / 0 / 30

HEX #A057B2

RGB 160 87 178

HSL 288.13, 0.37%, 0.52%

LAB 48.89, 44.64, -36.13

 

CMYK 11 / 0 / 51 / 30

HEX #9FB258

RGB 159 178 88

HSL 72.67, 0.37%, 0.52%

LAB 69.41, -20.38, 43.39

 

CMYK 51 / 10 / 0 / 30

HEX #57A0B2

RGB 87 160 178

HSL 191.87, 0.37%, 0.52%

LAB 61.98, -17.76, -16.37

 

CMYK 0 / 51 / 10 / 30

HEX #B257A0

RGB 178 87 160

HSL 311.87, 0.37%, 0.52%

LAB 50.48, 46.61, -22.92

 

CMYK 11 / 0 / 51 / 30

HEX #9FB258

RGB 159 178 88

HSL 72.67, 0.37%, 0.52%

LAB 69.41, -20.38, 43.39

 

CMYK 51 / 0 / 30 / 30

HEX #57B27C

RGB 87 178 124

HSL 144.4, 0.37%, 0.52%

LAB 66, -39.67, 19.49

 

CMYK 41 / 51 / 0 / 30

HEX #6957B2

RGB 105 87 178

HSL 251.87, 0.37%, 0.52%

LAB 42.81, 29.68, -46.15

 

CMYK 0 / 51 / 20 / 30

HEX #B2578E

RGB 178 87 142

HSL 323.74, 0.37%, 0.52%

LAB 49.78, 43.73, -13.32

 

CMYK 11 / 0 / 51 / 30

HEX #9FB258

RGB 159 178 88

HSL 72.67, 0.37%, 0.52%

LAB 69.41, -20.38, 43.39

 

CMYK 51 / 0 / 15 / 30

HEX #57B297

RGB 87 178 151

HSL 162.2, 0.37%, 0.52%

LAB 66.6, -33.81, 5.53

 

CMYK 41 / 51 / 0 / 30

HEX #6957B2

RGB 105 87 178

HSL 251.87, 0.37%, 0.52%

LAB 42.81, 29.68, -46.15

 

CMYK 0 / 51 / 36 / 30

HEX #B25772

RGB 178 87 114

HSL 342.2, 0.37%, 0.52%

LAB 48.88, 39.87, 2.12

 

Description

Color code: HEX #9FB258 | qconv.com Color code: HEX #9FB258 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 178 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 178 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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