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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FB010 it is the complementary color #604FEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FB010. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FB010 shade: #A4B00B, #B5C21E, #C6D431, #D7E644 and #E8F857

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FB010. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FB010 shade: #9FB010, #8E9E00, #7D8C00, #6C7A00 and #5B6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FB010 shade: #A0B110, #B19710, #B16C10, #B14010 and #B11510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FB010 shade: #A0B110, #75B110, #49B110, #1EB110 and #10B12E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FB010 shade matches the following richer shades: #A0B110 and #ADC101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FB010 shade: #A0B110, #94A220, #889230, #7B8240 and #6F734F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FB010 shade: #B16C10, #B19710, #A1B110, #76B110 and #4BB110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FB010 shade: #5C6609, #7E8C0D, #A0B110, #C2D714 and #D7EB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FB010 shade: #9FB010, #10B141 and #8110B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FB010 shade: #9FB010, #10A1B1 and #B110A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FB010 shade: #9FB010, #10B141, #2110B1 and #B11081

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FB010 shade: #9FB010, #10B171, #2110B1 and #B11051

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 91 / 31

HEX #9FB010

RGB 159 176 16

HSL 66.38, 0.83%, 0.38%

LAB 68.36, -23.49, 67.94

 

Complementary color

CMYK 60 / 67 / 0 / 6

HEX #604FEF

RGB 96 79 239

HSL 246.38, 0.83%, 0.62%

LAB 44.68, 50.95, -78.23

 

CMYK 7 / 0 / 94 / 31

HEX #A4B00B

RGB 164 176 11

HSL 64.36, 0.88%, 0.37%

LAB 68.73, -21.42, 69.1

 

CMYK 7 / 0 / 85 / 24

HEX #B5C21E

RGB 181 194 30

HSL 64.76, 0.73%, 0.44%

LAB 75.14, -22.63, 71.47

 

CMYK 7 / 0 / 77 / 17

HEX #C6D431

RGB 198 212 49

HSL 65.15, 0.65%, 0.51%

LAB 81.46, -23.64, 72.53

 

CMYK 7 / 0 / 70 / 10

HEX #D7E644

RGB 215 230 68

HSL 65.56, 0.76%, 0.58%

LAB 87.71, -24.47, 72.74

 

CMYK 6 / 0 / 65 / 3

HEX #E8F857

RGB 232 248 87

HSL 65.96, 0.92%, 0.66%

LAB 93.87, -25.16, 72.43

 

CMYK 10 / 0 / 91 / 31

HEX #9FB010

RGB 159 176 16

HSL 66.38, 0.83%, 0.38%

LAB 68.36, -23.49, 67.94

 

CMYK 10 / 0 / 100 / 38

HEX #8E9E00

RGB 142 158 0

HSL 66.08, 1%, 0.31%

LAB 61.83, -22.18, 64.55

 

CMYK 11 / 0 / 100 / 45

HEX #7D8C00

RGB 125 140 0

HSL 66.43, 1%, 0.27%

LAB 55.19, -20.61, 59.02

 

CMYK 11 / 0 / 100 / 52

HEX #6C7A00

RGB 108 122 0

HSL 66.89, 1%, 0.24%

LAB 48.39, -19, 53.36

 

CMYK 13 / 0 / 100 / 59

HEX #5B6800

RGB 91 104 0

HSL 67.5, 1%, 0.2%

LAB 41.41, -17.36, 47.55

 

CMYK 10 / 0 / 91 / 31

HEX #A0B110

RGB 160 177 16

HSL 66.34, 0.83%, 0.38%

LAB 68.72, -23.56, 68.26

 

CMYK 0 / 15 / 91 / 31

HEX #B19710

RGB 177 151 16

HSL 50.31, 0.83%, 0.38%

LAB 62.94, -2.54, 64.35

 

CMYK 0 / 39 / 91 / 31

HEX #B16C10

RGB 177 108 16

HSL 34.29, 0.83%, 0.38%

LAB 51.96, 21.27, 55.92

 

CMYK 0 / 64 / 91 / 31

HEX #B14010

RGB 177 64 16

HSL 17.89, 0.83%, 0.38%

LAB 42.84, 44.06, 49.1

 

CMYK 0 / 88 / 91 / 31

HEX #B11510

RGB 177 21 16

HSL 1.86, 0.83%, 0.38%

LAB 37.7, 58.26, 45.39

 

CMYK 10 / 0 / 91 / 31

HEX #A0B110

RGB 160 177 16

HSL 66.34, 0.83%, 0.38%

LAB 68.72, -23.56, 68.26

 

CMYK 34 / 0 / 91 / 31

HEX #75B110

RGB 117 177 16

HSL 82.36, 0.83%, 0.38%

LAB 65.95, -40.99, 64.87

 

CMYK 59 / 0 / 91 / 31

HEX #49B110

RGB 73 177 16

HSL 98.76, 0.83%, 0.38%

LAB 64.08, -55.07, 62.55

 

CMYK 83 / 0 / 91 / 31

HEX #1EB110

RGB 30 177 16

HSL 114.78, 0.83%, 0.38%

LAB 63.14, -63.05, 61.38

 

CMYK 91 / 0 / 74 / 31

HEX #10B12E

RGB 16 177 46

HSL 131.18, 0.83%, 0.38%

LAB 63.14, -62.59, 53.21

 

CMYK 10 / 0 / 91 / 31

HEX #A0B110

RGB 160 177 16

HSL 66.34, 0.83%, 0.38%

LAB 68.72, -23.56, 68.26

 

CMYK 10 / 0 / 99 / 24

HEX #ADC101

RGB 173 193 1

HSL 66.25, 0.99%, 0.38%

LAB 74.21, -26.03, 74.68

 

CMYK 10 / 0 / 91 / 31

HEX #A0B110

RGB 160 177 16

HSL 66.34, 0.83%, 0.38%

LAB 68.72, -23.56, 68.26

 

CMYK 9 / 0 / 80 / 36

HEX #94A220

RGB 148 162 32

HSL 66.46, 0.67%, 0.38%

LAB 63.54, -20.82, 59.99

 

CMYK 7 / 0 / 67 / 43

HEX #889230

RGB 136 146 48

HSL 66.12, 0.51%, 0.38%

LAB 58.04, -17.04, 48.66

 

CMYK 5 / 0 / 51 / 49

HEX #7B8240

RGB 123 130 64

HSL 66.36, 0.34%, 0.38%

LAB 52.45, -12.91, 34.54

 

CMYK 3 / 0 / 31 / 55

HEX #6F734F

RGB 111 115 79

HSL 66.67, 0.19%, 0.38%

LAB 47.24, -7.93, 19.46

 

CMYK 0 / 39 / 91 / 31

HEX #B16C10

RGB 177 108 16

HSL 34.29, 0.83%, 0.38%

LAB 51.96, 21.27, 55.92

 

CMYK 0 / 15 / 91 / 31

HEX #B19710

RGB 177 151 16

HSL 50.31, 0.83%, 0.38%

LAB 62.94, -2.54, 64.35

 

CMYK 9 / 0 / 91 / 31

HEX #A1B110

RGB 161 177 16

HSL 65.96, 0.83%, 0.38%

LAB 68.79, -23.13, 68.35

 

CMYK 33 / 0 / 91 / 31

HEX #76B110

RGB 118 177 16

HSL 81.99, 0.83%, 0.38%

LAB 66.01, -40.61, 64.94

 

CMYK 58 / 0 / 91 / 31

HEX #4BB110

RGB 75 177 16

HSL 98.01, 0.83%, 0.38%

LAB 64.14, -54.55, 62.63

 

CMYK 10 / 0 / 91 / 60

HEX #5C6609

RGB 92 102 9

HSL 66.45, 0.84%, 0.22%

LAB 40.89, -15.54, 44.89

 

CMYK 10 / 0 / 91 / 45

HEX #7E8C0D

RGB 126 140 13

HSL 66.61, 0.83%, 0.3%

LAB 55.3, -19.9, 56.94

 

CMYK 10 / 0 / 91 / 31

HEX #A0B110

RGB 160 177 16

HSL 66.34, 0.83%, 0.38%

LAB 68.72, -23.56, 68.26

 

CMYK 10 / 0 / 91 / 16

HEX #C2D714

RGB 194 215 20

HSL 66.46, 0.83%, 0.46%

LAB 81.9, -27.53, 79.15

 

CMYK 9 / 0 / 83 / 8

HEX #D7EB29

RGB 215 235 41

HSL 66.19, 0.83%, 0.54%

LAB 88.93, -27.88, 81.63

 

CMYK 10 / 0 / 91 / 31

HEX #9FB010

RGB 159 176 16

HSL 66.38, 0.83%, 0.38%

LAB 68.36, -23.49, 67.94

 

CMYK 91 / 0 / 63 / 31

HEX #10B141

RGB 16 177 65

HSL 138.26, 0.83%, 0.38%

LAB 63.29, -60.66, 45.65

 

CMYK 27 / 91 / 0 / 31

HEX #8110B1

RGB 129 16 177

HSL 282.11, 0.83%, 0.38%

LAB 34.42, 65.34, -58.97

 

CMYK 10 / 0 / 91 / 31

HEX #9FB010

RGB 159 176 16

HSL 66.38, 0.83%, 0.38%

LAB 68.36, -23.49, 67.94

 

CMYK 91 / 9 / 0 / 31

HEX #10A1B1

RGB 16 161 177

HSL 185.96, 0.83%, 0.38%

LAB 60.58, -28.33, -18.08

 

CMYK 0 / 91 / 9 / 31

HEX #B110A1

RGB 177 16 161

HSL 305.96, 0.83%, 0.38%

LAB 41.67, 70.69, -37.28

 

CMYK 10 / 0 / 91 / 31

HEX #9FB010

RGB 159 176 16

HSL 66.38, 0.83%, 0.38%

LAB 68.36, -23.49, 67.94

 

CMYK 91 / 0 / 63 / 31

HEX #10B141

RGB 16 177 65

HSL 138.26, 0.83%, 0.38%

LAB 63.29, -60.66, 45.65

 

CMYK 81 / 91 / 0 / 31

HEX #2110B1

RGB 33 16 177

HSL 246.34, 0.83%, 0.38%

LAB 23.23, 56.65, -77.81

 

CMYK 0 / 91 / 27 / 31

HEX #B11081

RGB 177 16 129

HSL 317.89, 0.83%, 0.38%

LAB 40.09, 66.54, -20.26

 

CMYK 10 / 0 / 91 / 31

HEX #9FB010

RGB 159 176 16

HSL 66.38, 0.83%, 0.38%

LAB 68.36, -23.49, 67.94

 

CMYK 91 / 0 / 36 / 31

HEX #10B171

RGB 16 177 113

HSL 156.15, 0.83%, 0.38%

LAB 63.96, -52.71, 22.4

 

CMYK 81 / 91 / 0 / 31

HEX #2110B1

RGB 33 16 177

HSL 246.34, 0.83%, 0.38%

LAB 23.23, 56.65, -77.81

 

CMYK 0 / 91 / 54 / 31

HEX #B11051

RGB 177 16 81

HSL 335.78, 0.83%, 0.38%

LAB 38.4, 61.94, 7.54

 

Description

Color code: HEX #9FB010 | qconv.com Color code: HEX #9FB010 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 176 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 176 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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