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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FAC0C it is the complementary color #6053F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FAC0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FAC0C shade: #A4AC07, #B5BE1A, #C6D02D, #D7E240 and #E8F453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FAC0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FAC0C shade: #9FAC0C, #8E9A00, #7D8800, #6C7600 and #5B6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FAC0C shade: #9FAC0C, #AC8E0C, #AC630C, #AC370C and #AC0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FAC0C shade: #9FAC0C, #74AC0C, #49AC0C, #1DAC0C and #0CAC25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FAC0C shade matches the following richer shades: #9FAC0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FAC0C shade: #9FAC0C, #929D1B, #868E2A, #797F38 and #6D7047

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FAC0C shade: #AC610C, #AC8C0C, #A1AC0C, #76AC0C and #4CAC0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FAC0C shade: #575F07, #7B8509, #9FAC0C, #C2D20F and #DEEF1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FAC0C shade: #9FAC0C, #0CAC37 and #760CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FAC0C shade: #9FAC0C, #0CA1AC and #AC0CA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FAC0C shade: #9FAC0C, #0CAC37, #170CAC and #AC0C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FAC0C shade: #9FAC0C, #0CAC66, #170CAC and #AC0C51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

Complementary color

CMYK 60 / 66 / 0 / 5

HEX #6053F3

RGB 96 83 243

HSL 244.88, 0.87%, 0.64%

LAB 45.83, 49.93, -78.59

 

CMYK 5 / 0 / 96 / 33

HEX #A4AC07

RGB 164 172 7

HSL 62.91, 0.92%, 0.35%

LAB 67.59, -19.47, 68.71

 

CMYK 5 / 0 / 86 / 25

HEX #B5BE1A

RGB 181 190 26

HSL 63.29, 0.76%, 0.42%

LAB 74.01, -20.76, 71.39

 

CMYK 5 / 0 / 78 / 18

HEX #C6D02D

RGB 198 208 45

HSL 63.68, 0.64%, 0.5%

LAB 80.35, -21.84, 72.69

 

CMYK 5 / 0 / 72 / 11

HEX #D7E240

RGB 215 226 64

HSL 64.07, 0.74%, 0.57%

LAB 86.61, -22.74, 73.05

 

CMYK 5 / 0 / 66 / 4

HEX #E8F453

RGB 232 244 83

HSL 64.47, 0.88%, 0.64%

LAB 92.79, -23.5, 72.82

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 8 / 0 / 100 / 40

HEX #8E9A00

RGB 142 154 0

HSL 64.68, 1%, 0.3%

LAB 60.66, -20.16, 63.68

 

CMYK 8 / 0 / 100 / 47

HEX #7D8800

RGB 125 136 0

HSL 64.85, 1%, 0.27%

LAB 53.99, -18.54, 58.13

 

CMYK 8 / 0 / 100 / 54

HEX #6C7600

RGB 108 118 0

HSL 65.08, 1%, 0.23%

LAB 47.16, -16.89, 52.45

 

CMYK 9 / 0 / 100 / 61

HEX #5B6400

RGB 91 100 0

HSL 65.4, 1%, 0.2%

LAB 40.14, -15.2, 46.61

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 0 / 17 / 93 / 33

HEX #AC8E0C

RGB 172 142 12

HSL 48.75, 0.87%, 0.36%

LAB 60.02, 0.01, 62.59

 

CMYK 0 / 42 / 93 / 33

HEX #AC630C

RGB 172 99 12

HSL 32.63, 0.87%, 0.36%

LAB 49.16, 24, 54.5

 

CMYK 0 / 68 / 93 / 33

HEX #AC370C

RGB 172 55 12

HSL 16.13, 0.87%, 0.36%

LAB 40.46, 46.13, 48.34

 

CMYK 0 / 93 / 93 / 33

HEX #AC0C0C

RGB 172 12 12

HSL 0, 0.87%, 0.36%

LAB 36.1, 58.31, 45.45

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 33 / 0 / 93 / 33

HEX #74AC0C

RGB 116 172 12

HSL 81, 0.87%, 0.36%

LAB 64.36, -39.28, 64.15

 

CMYK 58 / 0 / 93 / 33

HEX #49AC0C

RGB 73 172 12

HSL 97.13, 0.87%, 0.36%

LAB 62.46, -53.4, 61.82

 

CMYK 83 / 0 / 93 / 33

HEX #1DAC0C

RGB 29 172 12

HSL 113.63, 0.87%, 0.36%

LAB 61.48, -61.8, 60.6

 

CMYK 93 / 0 / 78 / 33

HEX #0CAC25

RGB 12 172 37

HSL 129.38, 0.87%, 0.36%

LAB 61.41, -62.04, 54.57

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 7 / 0 / 83 / 38

HEX #929D1B

RGB 146 157 27

HSL 65.08, 0.71%, 0.36%

LAB 61.92, -19.34, 59.89

 

CMYK 6 / 0 / 70 / 44

HEX #868E2A

RGB 134 142 42

HSL 64.8, 0.54%, 0.36%

LAB 56.67, -16.2, 49.67

 

CMYK 5 / 0 / 56 / 50

HEX #797F38

RGB 121 127 56

HSL 65.07, 0.39%, 0.36%

LAB 51.3, -12.93, 37.24

 

CMYK 3 / 0 / 37 / 56

HEX #6D7047

RGB 109 112 71

HSL 64.39, 0.22%, 0.36%

LAB 46.03, -8.21, 22.44

 

CMYK 0 / 44 / 93 / 33

HEX #AC610C

RGB 172 97 12

HSL 31.88, 0.87%, 0.36%

LAB 48.69, 25.11, 54.17

 

CMYK 0 / 19 / 93 / 33

HEX #AC8C0C

RGB 172 140 12

HSL 48, 0.87%, 0.36%

LAB 59.48, 1.11, 62.18

 

CMYK 6 / 0 / 93 / 33

HEX #A1AC0C

RGB 161 172 12

HSL 64.13, 0.87%, 0.36%

LAB 67.36, -20.71, 67.81

 

CMYK 31 / 0 / 93 / 33

HEX #76AC0C

RGB 118 172 12

HSL 80.25, 0.87%, 0.36%

LAB 64.47, -38.51, 64.29

 

CMYK 56 / 0 / 93 / 33

HEX #4CAC0C

RGB 76 172 12

HSL 96, 0.87%, 0.36%

LAB 62.57, -52.58, 61.95

 

CMYK 8 / 0 / 93 / 63

HEX #575F07

RGB 87 95 7

HSL 65.45, 0.86%, 0.2%

LAB 38.25, -14.14, 43.05

 

CMYK 8 / 0 / 93 / 48

HEX #7B8509

RGB 123 133 9

HSL 64.84, 0.87%, 0.28%

LAB 52.96, -17.71, 55.68

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 8 / 0 / 93 / 18

HEX #C2D20F

RGB 194 210 15

HSL 64.92, 0.87%, 0.44%

LAB 80.51, -25.22, 78.71

 

CMYK 7 / 0 / 89 / 6

HEX #DEEF1B

RGB 222 239 27

HSL 64.81, 0.87%, 0.52%

LAB 90.48, -27.23, 85.76

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 93 / 0 / 68 / 33

HEX #0CAC37

RGB 12 172 55

HSL 136.13, 0.87%, 0.36%

LAB 61.53, -60.47, 48.01

 

CMYK 31 / 93 / 0 / 33

HEX #760CAC

RGB 118 12 172

HSL 279.75, 0.87%, 0.36%

LAB 32.02, 63.52, -59.98

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 93 / 6 / 0 / 33

HEX #0CA1AC

RGB 12 161 172

HSL 184.13, 0.87%, 0.36%

LAB 60.38, -30.14, -15.58

 

CMYK 0 / 93 / 6 / 33

HEX #AC0CA1

RGB 172 12 161

HSL 304.13, 0.87%, 0.36%

LAB 40.58, 70.27, -39.07

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 93 / 0 / 68 / 33

HEX #0CAC37

RGB 12 172 55

HSL 136.13, 0.87%, 0.36%

LAB 61.53, -60.47, 48.01

 

CMYK 87 / 93 / 0 / 33

HEX #170CAC

RGB 23 12 172

HSL 244.13, 0.87%, 0.36%

LAB 21.67, 56.14, -77.42

 

CMYK 0 / 93 / 25 / 33

HEX #AC0C81

RGB 172 12 129

HSL 316.13, 0.87%, 0.36%

LAB 38.93, 66.02, -22.13

 

CMYK 8 / 0 / 93 / 33

HEX #9FAC0C

RGB 159 172 12

HSL 64.88, 0.87%, 0.36%

LAB 67.2, -21.58, 67.62

 

CMYK 93 / 0 / 41 / 33

HEX #0CAC66

RGB 12 172 102

HSL 153.75, 0.87%, 0.36%

LAB 62.12, -53.35, 25.84

 

CMYK 87 / 93 / 0 / 33

HEX #170CAC

RGB 23 12 172

HSL 244.13, 0.87%, 0.36%

LAB 21.67, 56.14, -77.42

 

CMYK 0 / 93 / 53 / 33

HEX #AC0C51

RGB 172 12 81

HSL 334.13, 0.87%, 0.36%

LAB 37.17, 61.28, 5.65

 

Description

Color code: HEX #9FAC0C | qconv.com Color code: HEX #9FAC0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 172 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 172 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 93 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 93% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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