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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FA5DACE it is the complementary color #605A25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FA5DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FA5DACE shade: #A4A5D5CE, #B5B7E8CE, #C6C9FBCE, #D7DBFFCE and #E8EDFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FA5DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FA5DACE shade: #9FA5DACE, #8E93C7CE, #7D81B4CE, #6C6FA1CE and #5B5D8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FA5DACE shade: #A0A5DA, #A9A0DA, #B9A0DA, #C9A0DA and #D9A0DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FA5DACE shade: #A0A5DA and #A0A0DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FA5DACE shade matches the following richer shades: #A0A5DA, #959DE5, #8A94EF and #7F8CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FA5DACE shade: #A0A5DA, #AAAECF, #B5B7C4, #C0BFBA and #CAC8AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FA5DACE shade: #A0C5DA, #A0B6DA, #A0A6DA, #A8A0DA and #B8A0DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FA5DACE shade: #646EC3, #828ACE, #A0A5DA, #BDC1E5 and #DBDDF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FA5DACE shade: #9FA5DA, #DAA0D5 and #BEDAA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FA5DACE shade: #9FA5DA, #DAA0A6 and #A6DAA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FA5DACE shade: #9FA5DA, #DAA0D5, #DAD3A0 and #A0DAA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FA5DACE shade: #9FA5DA, #DAA0C4, #DAD3A0 and #A0DAB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 20 / 0 / 12

HEX #9FA5DACE

RGBA 159 165 218 0.81

HSLA 233.9, 0.44%, 0.74%, 0.81

LABA 69, 9.59, -27.53, 0.81

 

Complementary color

CMYK 0 / 5 / 50 / 51

HEX #605A25CE

RGBA 96 90 37 0.81

HSLA 53.9, 0.44%, 0.26%, 0.81

LABA 37.72, -5.24, 30.88, 0.81

 

CMYK 19 / 18 / 0 / 13

HEX #A4A5D5CE

RGBA 164 165 213 0.81

HSLA 238.78, 0.37%, 0.74%, 0.81

LABA 69.19, 9.91, -24.45, 0.81

 

CMYK 18 / 17 / 0 / 7

HEX #B5B7E8CE

RGBA 181 183 232 0.81

HSLA 237.65, 0.53%, 0.81%, 0.81

LABA 75.77, 9.55, -24.65, 0.81

 

CMYK 17 / 16 / 0 / 1

HEX #C6C9FBCE

RGBA 198 201 251 0.81

HSLA 236.6, 0.87%, 0.88%, 0.81

LABA 82.24, 9.22, -24.86, 0.81

 

CMYK 13 / 11 / 0 / 0

HEX #D7DBFFCE

RGBA 215 219 255 0.81

HSLA 234, 1%, 0.92%, 0.81

LABA 88.13, 5.71, -17.94, 0.81

 

CMYK 7 / 6 / 0 / 0

HEX #E8EDFFCE

RGBA 232 237 255 0.81

HSLA 226.96, 1%, 0.95%, 0.81

LABA 93.86, 1.71, -9.24, 0.81

 

CMYK 22 / 20 / 0 / 12

HEX #9FA5DACE

RGBA 159 165 218 0.81

HSLA 233.9, 0.44%, 0.74%, 0.81

LABA 69, 9.59, -27.53, 0.81

 

CMYK 23 / 21 / 0 / 18

HEX #8E93C7CE

RGBA 142 147 199 0.81

HSLA 234.74, 0.34%, 0.67%, 0.81

LABA 62.29, 10.01, -27.41, 0.81

 

CMYK 25 / 23 / 0 / 24

HEX #7D81B4CE

RGBA 125 129 180 0.81

HSLA 235.64, 0.27%, 0.6%, 0.81

LABA 55.44, 10.49, -27.33, 0.81

 

CMYK 27 / 25 / 0 / 30

HEX #6C6FA1CE

RGBA 108 111 161 0.81

HSLA 236.6, 0.22%, 0.53%, 0.81

LABA 48.42, 11.04, -27.3, 0.81

 

CMYK 29 / 28 / 0 / 36

HEX #5B5D8ECE

RGBA 91 93 142 0.81

HSLA 237.65, 0.22%, 0.46%, 0.81

LABA 41.23, 11.69, -27.32, 0.81

 

CMYK 27 / 24 / 0 / 15

HEX #A0A5DA

RGB 160 165 218

HSL 234.83, 0.44%, 0.74%

LAB 69.07, 9.89, -27.41

 

CMYK 22 / 27 / 0 / 15

HEX #A9A0DA

RGB 169 160 218

HSL 249.31, 0.44%, 0.74%

LAB 68.49, 15.41, -28.25

 

CMYK 15 / 27 / 0 / 15

HEX #B9A0DA

RGB 185 160 218

HSL 265.86, 0.44%, 0.74%

LAB 69.84, 20.38, -26.06

 

CMYK 8 / 27 / 0 / 15

HEX #C9A0DA

RGB 201 160 218

HSL 282.41, 0.44%, 0.74%

LAB 71.3, 25.49, -23.7

 

CMYK 0 / 27 / 0 / 15

HEX #D9A0DA

RGB 217 160 218

HSL 298.97, 0.44%, 0.74%

LAB 72.86, 30.68, -21.17

 

CMYK 27 / 24 / 0 / 15

HEX #A0A5DA

RGB 160 165 218

HSL 234.83, 0.44%, 0.74%

LAB 69.07, 9.89, -27.41

 

CMYK 27 / 27 / 0 / 15

HEX #A0A0DA

RGB 160 160 218

HSL 240, 0.44%, 0.74%

LAB 67.78, 12.7, -29.39

 

CMYK 27 / 24 / 0 / 15

HEX #A0A5DA

RGB 160 165 218

HSL 234.83, 0.44%, 0.74%

LAB 69.07, 9.89, -27.41

 

CMYK 35 / 31 / 0 / 10

HEX #959DE5

RGB 149 157 229

HSL 234, 0.61%, 0.74%

LAB 66.64, 14.03, -37.28

 

CMYK 42 / 38 / 0 / 6

HEX #8A94EF

RGB 138 148 239

HSL 234.06, 0.76%, 0.74%

LAB 64.01, 19.06, -46.97

 

CMYK 49 / 44 / 0 / 2

HEX #7F8CFA

RGB 127 140 250

HSL 233.66, 0.92%, 0.74%

LAB 61.8, 24.35, -56.57

 

CMYK 27 / 24 / 0 / 15

HEX #A0A5DA

RGB 160 165 218

HSL 234.83, 0.44%, 0.74%

LAB 69.07, 9.89, -27.41

 

CMYK 18 / 16 / 0 / 19

HEX #AAAECF

RGB 170 174 207

HSL 233.51, 0.28%, 0.74%

LAB 71.77, 5.43, -17.18

 

CMYK 8 / 7 / 0 / 23

HEX #B5B7C4

RGB 181 183 196

HSL 232, 0.11%, 0.74%

LAB 74.62, 1.83, -6.82

 

CMYK 0 / 1 / 3 / 25

HEX #C0BFBA

RGB 192 191 186

HSL 50, 0.05%, 0.74%

LAB 77.29, -0.56, 2.63

 

CMYK 0 / 1 / 13 / 21

HEX #CAC8AF

RGB 202 200 175

HSL 55.56, 0.2%, 0.74%

LAB 80.16, -3.58, 12.76

 

CMYK 27 / 10 / 0 / 15

HEX #A0C5DA

RGB 160 197 218

HSL 201.72, 0.44%, 0.74%

LAB 77.56, -7.56, -14.51

 

CMYK 27 / 17 / 0 / 15

HEX #A0B6DA

RGB 160 182 218

HSL 217.24, 0.44%, 0.74%

LAB 73.54, 0.49, -20.58

 

CMYK 27 / 24 / 0 / 15

HEX #A0A6DA

RGB 160 166 218

HSL 233.79, 0.44%, 0.74%

LAB 69.33, 9.33, -27.01

 

CMYK 23 / 27 / 0 / 15

HEX #A8A0DA

RGB 168 160 218

HSL 248.28, 0.44%, 0.74%

LAB 68.41, 15.11, -28.38

 

CMYK 16 / 27 / 0 / 15

HEX #B8A0DA

RGB 184 160 218

HSL 264.83, 0.44%, 0.74%

LAB 69.75, 20.07, -26.2

 

CMYK 49 / 44 / 0 / 24

HEX #646EC3

RGB 100 110 195

HSL 233.68, 0.44%, 0.58%

LAB 49.25, 19.47, -45.78

 

CMYK 37 / 33 / 0 / 19

HEX #828ACE

RGB 130 138 206

HSL 233.68, 0.44%, 0.66%

LAB 59.32, 13.61, -36.01

 

CMYK 27 / 24 / 0 / 15

HEX #A0A5DA

RGB 160 165 218

HSL 234.83, 0.44%, 0.74%

LAB 69.07, 9.89, -27.41

 

CMYK 17 / 16 / 0 / 10

HEX #BDC1E5

RGB 189 193 229

HSL 234, 0.43%, 0.82%

LAB 78.82, 5.92, -18.34

 

CMYK 9 / 8 / 0 / 5

HEX #DBDDF1

RGB 219 221 241

HSL 234.55, 0.44%, 0.9%

LAB 88.51, 3.1, -9.98

 

CMYK 27 / 24 / 0 / 15

HEX #9FA5DA

RGB 159 165 218

HSL 233.9, 0.44%, 0.74%

LAB 69, 9.59, -27.53

 

CMYK 0 / 27 / 2 / 15

HEX #DAA0D5

RGB 218 160 213

HSL 305.17, 0.44%, 0.74%

LAB 72.79, 30.09, -18.52

 

CMYK 13 / 0 / 27 / 15

HEX #BEDAA0

RGB 190 218 160

HSL 88.97, 0.44%, 0.74%

LAB 83.77, -19.41, 25.55

 

CMYK 27 / 24 / 0 / 15

HEX #9FA5DA

RGB 159 165 218

HSL 233.9, 0.44%, 0.74%

LAB 69, 9.59, -27.53

 

CMYK 0 / 27 / 24 / 15

HEX #DAA0A6

RGB 218 160 166

HSL 353.79, 0.44%, 0.74%

LAB 71.42, 22.38, 5.38

 

CMYK 24 / 0 / 27 / 15

HEX #A6DAA0

RGB 166 218 160

HSL 113.79, 0.44%, 0.74%

LAB 82.26, -27.77, 23.25

 

CMYK 27 / 24 / 0 / 15

HEX #9FA5DA

RGB 159 165 218

HSL 233.9, 0.44%, 0.74%

LAB 69, 9.59, -27.53

 

CMYK 0 / 27 / 2 / 15

HEX #DAA0D5

RGB 218 160 213

HSL 305.17, 0.44%, 0.74%

LAB 72.79, 30.09, -18.52

 

CMYK 0 / 3 / 27 / 15

HEX #DAD3A0

RGB 218 211 160

HSL 52.76, 0.44%, 0.74%

LAB 83.98, -5.52, 26.18

 

CMYK 27 / 0 / 25 / 15

HEX #A0DAA4

RGB 160 218 164

HSL 124.14, 0.44%, 0.74%

LAB 82, -29.08, 20.74

 

CMYK 27 / 24 / 0 / 15

HEX #9FA5DA

RGB 159 165 218

HSL 233.9, 0.44%, 0.74%

LAB 69, 9.59, -27.53

 

CMYK 0 / 27 / 10 / 15

HEX #DAA0C4

RGB 218 160 196

HSL 322.76, 0.44%, 0.74%

LAB 72.25, 27.1, -9.98

 

CMYK 0 / 3 / 27 / 15

HEX #DAD3A0

RGB 218 211 160

HSL 52.76, 0.44%, 0.74%

LAB 83.98, -5.52, 26.18

 

CMYK 27 / 0 / 17 / 15

HEX #A0DAB6

RGB 160 218 182

HSL 142.76, 0.44%, 0.74%

LAB 82.38, -25.83, 11.79

 

Description

Color code: HEX #9FA5DACE | qconv.com Color code: HEX #9FA5DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 165 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 165 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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