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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FA2D9CE it is the complementary color #605D26CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FA2D9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FA2D9CE shade: #A4A2D4CE, #B5B4E7CE, #C6C6FACE, #D7D8FFCE and #E8EAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FA2D9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FA2D9CE shade: #9FA2D9CE, #8E90C6CE, #7D7EB3CE, #6C6CA0CE and #5B5A8DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FA2D9CE shade: #A0A3D9, #ADA0D9, #BCA0D9, #CBA0D9 and #D9A0D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FA2D9CE shade: #A0A3D9 and #A0A0D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FA2D9CE shade matches the following richer shades: #A0A3D9, #959AE4, #8B90EF and #8086F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FA2D9CE shade: #A0A3D9, #ABADCE, #B6B6C4, #C0C0B9 and #CBCAAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FA2D9CE shade: #A0C2D9, #A0B3D9, #A0A4D9, #ACA0D9 and #BBA0D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FA2D9CE shade: #656AC2, #8387CD, #A0A3D9, #BEC0E5 and #DBDCF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FA2D9CE shade: #9FA2D9, #D9A0D2 and #BBD9A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FA2D9CE shade: #9FA2D9, #D9A0A4 and #A4D9A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FA2D9CE shade: #9FA2D9, #D9A0D2, #D9D5A0 and #A0D9A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FA2D9CE shade: #9FA2D9, #D9A0C1, #D9D5A0 and #A0D9B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 21 / 0 / 12

HEX #9FA2D9CE

RGBA 159 162 217 0.81

HSLA 236.9, 0.43%, 0.74%, 0.81

LABA 68.18, 11.03, -28.23, 0.81

 

Complementary color

CMYK 0 / 3 / 49 / 51

HEX #605D26CE

RGBA 96 93 38 0.81

HSLA 56.9, 0.43%, 0.26%, 0.81

LABA 38.65, -6.91, 31.41, 0.81

 

CMYK 18 / 19 / 0 / 14

HEX #A4A2D4CE

RGBA 164 162 212 0.81

HSLA 242.4, 0.37%, 0.73%, 0.81

LABA 68.38, 11.35, -25.14, 0.81

 

CMYK 18 / 18 / 0 / 8

HEX #B5B4E7CE

RGBA 181 180 231 0.81

HSLA 241.18, 0.52%, 0.81%, 0.81

LABA 74.97, 10.96, -25.32, 0.81

 

CMYK 17 / 17 / 0 / 2

HEX #C6C6FACE

RGBA 198 198 250 0.81

HSLA 240, 0.84%, 0.88%, 0.81

LABA 81.45, 10.61, -25.53, 0.81

 

CMYK 13 / 12 / 0 / 0

HEX #D7D8FFCE

RGBA 215 216 255 0.81

HSLA 238.5, 1%, 0.92%, 0.81

LABA 87.38, 7.29, -19.07, 0.81

 

CMYK 7 / 7 / 0 / 0

HEX #E8EAFFCE

RGBA 232 234 255 0.81

HSLA 234.78, 1%, 0.95%, 0.81

LABA 93.11, 3.25, -10.35, 0.81

 

CMYK 22 / 21 / 0 / 12

HEX #9FA2D9CE

RGBA 159 162 217 0.81

HSLA 236.9, 0.43%, 0.74%, 0.81

LABA 68.18, 11.03, -28.23, 0.81

 

CMYK 23 / 22 / 0 / 18

HEX #8E90C6CE

RGBA 142 144 198 0.81

HSLA 237.86, 0.33%, 0.67%, 0.81

LABA 61.46, 11.48, -28.13, 0.81

 

CMYK 24 / 24 / 0 / 24

HEX #7D7EB3CE

RGBA 125 126 179 0.81

HSLA 238.89, 0.26%, 0.6%, 0.81

LABA 54.59, 12, -28.07, 0.81

 

CMYK 26 / 26 / 0 / 30

HEX #6C6CA0CE

RGBA 108 108 160 0.81

HSLA 240, 0.21%, 0.53%, 0.81

LABA 47.56, 12.59, -28.05, 0.81

 

CMYK 29 / 29 / 0 / 36

HEX #5B5A8DCE

RGBA 91 90 141 0.81

HSLA 241.18, 0.22%, 0.45%, 0.81

LABA 40.34, 13.28, -28.1, 0.81

 

CMYK 26 / 25 / 0 / 15

HEX #A0A3D9

RGB 160 163 217

HSL 236.84, 0.43%, 0.74%

LAB 68.52, 10.77, -27.71

 

CMYK 20 / 26 / 0 / 15

HEX #ADA0D9

RGB 173 160 217

HSL 253.68, 0.43%, 0.74%

LAB 68.78, 16.41, -27.22

 

CMYK 13 / 26 / 0 / 15

HEX #BCA0D9

RGB 188 160 217

HSL 269.47, 0.43%, 0.74%

LAB 70.07, 21.12, -25.14

 

CMYK 6 / 26 / 0 / 15

HEX #CBA0D9

RGB 203 160 217

HSL 285.26, 0.43%, 0.74%

LAB 71.45, 25.94, -22.89

 

CMYK 0 / 26 / 0 / 15

HEX #D9A0D8

RGB 217 160 216

HSL 301.05, 0.43%, 0.74%

LAB 72.79, 30.31, -20.18

 

CMYK 26 / 25 / 0 / 15

HEX #A0A3D9

RGB 160 163 217

HSL 236.84, 0.43%, 0.74%

LAB 68.52, 10.77, -27.71

 

CMYK 26 / 26 / 0 / 15

HEX #A0A0D9

RGB 160 160 217

HSL 240, 0.43%, 0.74%

LAB 67.74, 12.45, -28.9

 

CMYK 26 / 25 / 0 / 15

HEX #A0A3D9

RGB 160 163 217

HSL 236.84, 0.43%, 0.74%

LAB 68.52, 10.77, -27.71

 

CMYK 35 / 32 / 0 / 11

HEX #959AE4

RGB 149 154 228

HSL 236.2, 0.59%, 0.74%

LAB 65.83, 15.48, -38

 

CMYK 42 / 40 / 0 / 6

HEX #8B90EF

RGB 139 144 239

HSL 237, 0.76%, 0.74%

LAB 63.07, 21.63, -48.46

 

CMYK 49 / 46 / 0 / 2

HEX #8086F9

RGB 128 134 249

HSL 237.02, 0.91%, 0.74%

LAB 60.32, 27.8, -58.38

 

CMYK 26 / 25 / 0 / 15

HEX #A0A3D9

RGB 160 163 217

HSL 236.84, 0.43%, 0.74%

LAB 68.52, 10.77, -27.71

 

CMYK 17 / 16 / 0 / 19

HEX #ABADCE

RGB 171 173 206

HSL 236.57, 0.26%, 0.74%

LAB 71.56, 6.08, -16.95

 

CMYK 7 / 7 / 0 / 23

HEX #B6B6C4

RGB 182 182 196

HSL 240, 0.11%, 0.74%

LAB 74.44, 2.7, -7.08

 

CMYK 0 / 0 / 4 / 25

HEX #C0C0B9

RGB 192 192 185

HSL 60, 0.05%, 0.74%

LAB 77.52, -1.27, 3.51

 

CMYK 0 / 0 / 14 / 20

HEX #CBCAAE

RGB 203 202 174

HSL 57.93, 0.22%, 0.74%

LAB 80.74, -4.41, 14.12

 

CMYK 26 / 11 / 0 / 15

HEX #A0C2D9

RGB 160 194 217

HSL 204.21, 0.43%, 0.74%

LAB 76.72, -6.2, -15.23

 

CMYK 26 / 18 / 0 / 15

HEX #A0B3D9

RGB 160 179 217

HSL 220, 0.43%, 0.74%

LAB 72.71, 1.89, -21.3

 

CMYK 26 / 24 / 0 / 15

HEX #A0A4D9

RGB 160 164 217

HSL 235.79, 0.43%, 0.74%

LAB 68.78, 10.21, -27.31

 

CMYK 21 / 26 / 0 / 15

HEX #ACA0D9

RGB 172 160 217

HSL 252.63, 0.43%, 0.74%

LAB 68.69, 16.1, -27.36

 

CMYK 14 / 26 / 0 / 15

HEX #BBA0D9

RGB 187 160 217

HSL 268.42, 0.43%, 0.74%

LAB 69.98, 20.8, -25.28

 

CMYK 48 / 45 / 0 / 24

HEX #656AC2

RGB 101 106 194

HSL 236.77, 0.43%, 0.58%

LAB 48.22, 21.85, -46.84

 

CMYK 36 / 34 / 0 / 20

HEX #8387CD

RGB 131 135 205

HSL 236.76, 0.43%, 0.66%

LAB 58.57, 15.37, -36.63

 

CMYK 26 / 25 / 0 / 15

HEX #A0A3D9

RGB 160 163 217

HSL 236.84, 0.43%, 0.74%

LAB 68.52, 10.77, -27.71

 

CMYK 17 / 16 / 0 / 10

HEX #BEC0E5

RGB 190 192 229

HSL 236.92, 0.43%, 0.82%

LAB 78.64, 6.77, -18.61

 

CMYK 9 / 9 / 0 / 5

HEX #DBDCF1

RGB 219 220 241

HSL 237.27, 0.44%, 0.9%

LAB 88.26, 3.62, -10.35

 

CMYK 27 / 25 / 0 / 15

HEX #9FA2D9

RGB 159 162 217

HSL 236.9, 0.43%, 0.74%

LAB 68.18, 11.03, -28.23

 

CMYK 0 / 26 / 3 / 15

HEX #D9A0D2

RGB 217 160 210

HSL 307.37, 0.43%, 0.74%

LAB 72.59, 29.21, -17.19

 

CMYK 14 / 0 / 26 / 15

HEX #BBD9A0

RGB 187 217 160

HSL 91.58, 0.43%, 0.74%

LAB 83.3, -19.99, 24.88

 

CMYK 27 / 25 / 0 / 15

HEX #9FA2D9

RGB 159 162 217

HSL 236.9, 0.43%, 0.74%

LAB 68.18, 11.03, -28.23

 

CMYK 0 / 26 / 24 / 15

HEX #D9A0A4

RGB 217 160 164

HSL 355.79, 0.43%, 0.74%

LAB 71.26, 21.72, 6.25

 

CMYK 24 / 0 / 26 / 15

HEX #A4D9A0

RGB 164 217 160

HSL 115.79, 0.43%, 0.74%

LAB 81.87, -27.96, 22.69

 

CMYK 27 / 25 / 0 / 15

HEX #9FA2D9

RGB 159 162 217

HSL 236.9, 0.43%, 0.74%

LAB 68.18, 11.03, -28.23

 

CMYK 0 / 26 / 3 / 15

HEX #D9A0D2

RGB 217 160 210

HSL 307.37, 0.43%, 0.74%

LAB 72.59, 29.21, -17.19

 

CMYK 0 / 2 / 26 / 15

HEX #D9D5A0

RGB 217 213 160

HSL 55.79, 0.43%, 0.74%

LAB 84.42, -6.92, 26.77

 

CMYK 26 / 0 / 23 / 15

HEX #A0D9A8

RGB 160 217 168

HSL 128.42, 0.43%, 0.74%

LAB 81.8, -27.91, 18.36

 

CMYK 27 / 25 / 0 / 15

HEX #9FA2D9

RGB 159 162 217

HSL 236.9, 0.43%, 0.74%

LAB 68.18, 11.03, -28.23

 

CMYK 0 / 26 / 11 / 15

HEX #D9A0C1

RGB 217 160 193

HSL 325.26, 0.43%, 0.74%

LAB 72.06, 26.24, -8.63

 

CMYK 0 / 2 / 26 / 15

HEX #D9D5A0

RGB 217 213 160

HSL 55.79, 0.43%, 0.74%

LAB 84.42, -6.92, 26.77

 

CMYK 26 / 0 / 15 / 15

HEX #A0D9B9

RGB 160 217 185

HSL 146.32, 0.43%, 0.74%

LAB 82.16, -24.76, 9.91

 

Description

Color code: HEX #9FA2D9CE | qconv.com Color code: HEX #9FA2D9CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 162 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 162 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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