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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F9B06 it is the complementary color #6064F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F9B06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F9B06 shade: #A49B01, #B5AD14, #C6BF27, #D7D13A and #E8E34D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F9B06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F9B06 shade: #9F9B06, #8E8900, #7D7700, #6C6500 and #5B5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F9B06 shade: #9D9A06, #9D7106, #9D4806, #9D1F06 and #9D0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F9B06 shade: #9D9A06, #799D06, #509D06, #279D06 and #069D0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F9B06 shade matches the following richer shades: #9D9A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F9B06 shade: #9D9A06, #908D13, #838020, #76742D and #69673B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F9B06 shade: #9D4706, #9D7006, #9D9806, #7A9D06 and #529D06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F9B06 shade: #4E4C03, #767304, #9D9A06, #C5C007 and #EDE709

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F9B06 shade: #9F9B06, #069D1F and #5C069D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F9B06 shade: #9F9B06, #069D98 and #98069D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F9B06 shade: #9F9B06, #069D1F, #060B9D and #9D0684

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F9B06 shade: #9F9B06, #069D4D, #060B9D and #9D0657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 96 / 38

HEX #9F9B06

RGB 159 155 6

HSL 58.43, 0.93%, 0.32%

LAB 62.36, -12.97, 64.7

 

Complementary color

CMYK 61 / 60 / 0 / 2

HEX #6064F9

RGB 96 100 249

HSL 238.43, 0.93%, 0.68%

LAB 50.03, 41.96, -75.09

 

CMYK 0 / 5 / 99 / 36

HEX #A49B01

RGB 164 155 1

HSL 56.69, 0.99%, 0.32%

LAB 62.79, -10.79, 65.93

 

CMYK 0 / 4 / 89 / 29

HEX #B5AD14

RGB 181 173 20

HSL 57.02, 0.8%, 0.39%

LAB 69.3, -12.3, 68.75

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF27

RGB 198 191 39

HSL 57.36, 0.67%, 0.46%

LAB 75.71, -13.59, 70.26

 

CMYK 0 / 3 / 73 / 16

HEX #D7D13A

RGB 215 209 58

HSL 57.71, 0.66%, 0.54%

LAB 82.03, -14.69, 70.7

 

CMYK 0 / 2 / 67 / 9

HEX #E8E34D

RGB 232 227 77

HSL 58.06, 0.77%, 0.61%

LAB 88.27, -15.61, 70.49

 

CMYK 0 / 3 / 96 / 38

HEX #9F9B06

RGB 159 155 6

HSL 58.43, 0.93%, 0.32%

LAB 62.36, -12.97, 64.7

 

CMYK 0 / 4 / 100 / 44

HEX #8E8900

RGB 142 137 0

HSL 57.89, 1%, 0.28%

LAB 55.73, -11.28, 60.05

 

CMYK 0 / 5 / 100 / 51

HEX #7D7700

RGB 125 119 0

HSL 57.12, 1%, 0.25%

LAB 48.95, -9.43, 54.43

 

CMYK 0 / 6 / 100 / 58

HEX #6C6500

RGB 108 101 0

HSL 56.11, 1%, 0.21%

LAB 41.99, -7.51, 48.66

 

CMYK 0 / 9 / 100 / 64

HEX #5B5300

RGB 91 83 0

HSL 54.73, 1%, 0.18%

LAB 34.82, -5.49, 42.72

 

CMYK 0 / 2 / 96 / 38

HEX #9D9A06

RGB 157 154 6

HSL 58.81, 0.93%, 0.32%

LAB 61.91, -13.35, 64.28

 

CMYK 0 / 28 / 96 / 38

HEX #9D7106

RGB 157 113 6

HSL 42.52, 0.93%, 0.32%

LAB 50.68, 9.21, 55.98

 

CMYK 0 / 54 / 96 / 38

HEX #9D4806

RGB 157 72 6

HSL 26.23, 0.93%, 0.32%

LAB 40.92, 32.18, 49.19

 

CMYK 0 / 80 / 96 / 38

HEX #9D1F06

RGB 157 31 6

HSL 9.93, 0.93%, 0.32%

LAB 34.32, 49.84, 45.05

 

CMYK 0 / 96 / 96 / 38

HEX #9D0606

RGB 157 6 6

HSL 0, 0.93%, 0.32%

LAB 32.51, 55, 43.95

 

CMYK 0 / 2 / 96 / 38

HEX #9D9A06

RGB 157 154 6

HSL 58.81, 0.93%, 0.32%

LAB 61.91, -13.35, 64.28

 

CMYK 23 / 0 / 96 / 38

HEX #799D06

RGB 121 157 6

HSL 74.3, 0.93%, 0.32%

LAB 60.06, -30.58, 61.68

 

CMYK 49 / 0 / 96 / 38

HEX #509D06

RGB 80 157 6

HSL 90.6, 0.93%, 0.32%

LAB 57.88, -45.87, 59.02

 

CMYK 75 / 0 / 96 / 38

HEX #279D06

RGB 39 157 6

HSL 106.89, 0.93%, 0.32%

LAB 56.64, -55.99, 57.5

 

CMYK 96 / 0 / 91 / 38

HEX #069D0E

RGB 6 157 14

HSL 123.18, 0.93%, 0.32%

LAB 56.27, -59.22, 55.77

 

CMYK 0 / 2 / 96 / 38

HEX #9D9A06

RGB 157 154 6

HSL 58.81, 0.93%, 0.32%

LAB 61.91, -13.35, 64.28

 

CMYK 0 / 2 / 96 / 38

HEX #9D9A06

RGB 157 154 6

HSL 58.81, 0.93%, 0.32%

LAB 61.91, -13.35, 64.28

 

CMYK 0 / 2 / 87 / 44

HEX #908D13

RGB 144 141 19

HSL 58.56, 0.77%, 0.32%

LAB 57.1, -12.13, 57.76

 

CMYK 0 / 2 / 76 / 49

HEX #838020

RGB 131 128 32

HSL 58.18, 0.61%, 0.32%

LAB 52.25, -10.61, 49.12

 

CMYK 0 / 2 / 62 / 54

HEX #76742D

RGB 118 116 45

HSL 58.36, 0.45%, 0.32%

LAB 47.66, -9.17, 38.5

 

CMYK 0 / 2 / 44 / 59

HEX #69673B

RGB 105 103 59

HSL 57.39, 0.28%, 0.32%

LAB 42.79, -6.37, 25.06

 

CMYK 0 / 55 / 96 / 38

HEX #9D4706

RGB 157 71 6

HSL 25.83, 0.93%, 0.32%

LAB 40.72, 32.71, 49.06

 

CMYK 0 / 29 / 96 / 38

HEX #9D7006

RGB 157 112 6

HSL 42.12, 0.93%, 0.32%

LAB 50.42, 9.78, 55.79

 

CMYK 0 / 3 / 96 / 38

HEX #9D9806

RGB 157 152 6

HSL 58.01, 0.93%, 0.32%

LAB 61.34, -12.3, 63.86

 

CMYK 22 / 0 / 96 / 38

HEX #7A9D06

RGB 122 157 6

HSL 73.91, 0.93%, 0.32%

LAB 60.13, -30.17, 61.76

 

CMYK 48 / 0 / 96 / 38

HEX #529D06

RGB 82 157 6

HSL 89.8, 0.93%, 0.32%

LAB 57.96, -45.22, 59.12

 

CMYK 0 / 3 / 96 / 69

HEX #4E4C03

RGB 78 76 3

HSL 58.4, 0.93%, 0.16%

LAB 31.34, -7.83, 38.44

 

CMYK 0 / 3 / 97 / 54

HEX #767304

RGB 118 115 4

HSL 58.42, 0.93%, 0.24%

LAB 47.13, -10.46, 51.94

 

CMYK 0 / 2 / 96 / 38

HEX #9D9A06

RGB 157 154 6

HSL 58.81, 0.93%, 0.32%

LAB 61.91, -13.35, 64.28

 

CMYK 0 / 3 / 96 / 23

HEX #C5C007

RGB 197 192 7

HSL 58.42, 0.93%, 0.4%

LAB 75.81, -15.17, 76.09

 

CMYK 0 / 3 / 96 / 7

HEX #EDE709

RGB 237 231 9

HSL 58.42, 0.93%, 0.48%

LAB 89.48, -17.42, 87.54

 

CMYK 0 / 3 / 96 / 38

HEX #9F9B06

RGB 159 155 6

HSL 58.43, 0.93%, 0.32%

LAB 62.36, -12.97, 64.7

 

CMYK 96 / 0 / 80 / 38

HEX #069D1F

RGB 6 157 31

HSL 129.93, 0.93%, 0.32%

LAB 56.34, -58.36, 51.58

 

CMYK 41 / 96 / 0 / 38

HEX #5C069D

RGB 92 6 157

HSL 274.17, 0.93%, 0.32%

LAB 26.27, 58.19, -60.47

 

CMYK 0 / 3 / 96 / 38

HEX #9F9B06

RGB 159 155 6

HSL 58.43, 0.93%, 0.32%

LAB 62.36, -12.97, 64.7

 

CMYK 96 / 0 / 3 / 38

HEX #069D98

RGB 6 157 152

HSL 178.01, 0.93%, 0.32%

LAB 58.43, -34.77, -7.18

 

CMYK 3 / 96 / 0 / 38

HEX #98069D

RGB 152 6 157

HSL 298.01, 0.93%, 0.32%

LAB 36.44, 66.82, -43.48

 

CMYK 0 / 3 / 96 / 38

HEX #9F9B06

RGB 159 155 6

HSL 58.43, 0.93%, 0.32%

LAB 62.36, -12.97, 64.7

 

CMYK 96 / 0 / 80 / 38

HEX #069D1F

RGB 6 157 31

HSL 129.93, 0.93%, 0.32%

LAB 56.34, -58.36, 51.58

 

CMYK 96 / 93 / 0 / 38

HEX #060B9D

RGB 6 11 157

HSL 238.01, 0.93%, 0.32%

LAB 18.85, 51.91, -73.01

 

CMYK 0 / 96 / 16 / 38

HEX #9D0684

RGB 157 6 132

HSL 309.93, 0.93%, 0.32%

LAB 35.92, 64.07, -28.91

 

CMYK 0 / 3 / 96 / 38

HEX #9F9B06

RGB 159 155 6

HSL 58.43, 0.93%, 0.32%

LAB 62.36, -12.97, 64.7

 

CMYK 96 / 0 / 51 / 38

HEX #069D4D

RGB 6 157 77

HSL 148.21, 0.93%, 0.32%

LAB 56.77, -52.97, 32.1

 

CMYK 96 / 93 / 0 / 38

HEX #060B9D

RGB 6 11 157

HSL 238.01, 0.93%, 0.32%

LAB 18.85, 51.91, -73.01

 

CMYK 0 / 96 / 45 / 38

HEX #9D0657

RGB 157 6 87

HSL 327.81, 0.93%, 0.32%

LAB 33.95, 58.96, -3.29

 

Description

Color code: HEX #9F9B06 | qconv.com Color code: HEX #9F9B06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 155 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 155 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 96 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 96% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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