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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F94F0 it is the complementary color #606B0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F94F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F94F0 shade: #A494EB, #B5A6FE, #C6B8FF, #D7CAFF and #E8DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F94F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F94F0 shade: #9F94F0, #8E82DD, #7D70CA, #6C5EB7 and #5B4CA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F94F0 shade: #9E93EF, #B793EF, #D093EF, #E993EF and #EF93DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F94F0 shade: #9E93EF and #9393EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F94F0 shade matches the following richer shades: #9E93EF and #9789F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F94F0 shade: #9E93EF, #A69DE5, #ADA7DB, #B5B1D1 and #BDBBC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F94F0 shade: #93BAEF, #93A1EF, #9E93EF, #B793EF and #CF93EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F94F0 shade: #5E4BE5, #7E6FEA, #9E93EF, #BFB8F4 and #DFDCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F94F0 shade: #9F94F0, #EF93D2 and #ADEF93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F94F0 shade: #9F94F0, #EF9E93 and #93EF9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F94F0 shade: #9F94F0, #EF93D2, #E4EF93 and #93EFB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F94F0 shade: #9F94F0, #EF93B7, #E4EF93 and #93EFCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 38 / 0 / 6

HEX #9F94F0

RGB 159 148 240

HSL 247.17, 0.75%, 0.76%

LAB 65.63, 24.77, -44.87

 

Complementary color

CMYK 10 / 0 / 86 / 58

HEX #606B0F

RGB 96 107 15

HSL 67.17, 0.75%, 0.24%

LAB 42.82, -16.17, 45.08

 

CMYK 30 / 37 / 0 / 8

HEX #A494EB

RGB 164 148 235

HSL 251.03, 0.69%, 0.75%

LAB 65.8, 24.87, -41.81

 

CMYK 29 / 35 / 0 / 0

HEX #B5A6FE

RGB 181 166 254

HSL 250.23, 0.98%, 0.82%

LAB 72.4, 24.17, -41.77

 

CMYK 22 / 28 / 0 / 0

HEX #C6B8FF

RGB 198 184 255

HSL 251.83, 1%, 0.86%

LAB 78.17, 19.34, -33.23

 

CMYK 16 / 21 / 0 / 0

HEX #D7CAFF

RGB 215 202 255

HSL 254.72, 1%, 0.9%

LAB 83.92, 14.74, -24.31

 

CMYK 9 / 14 / 0 / 0

HEX #E8DCFF

RGB 232 220 255

HSL 260.57, 1%, 0.93%

LAB 89.66, 10.54, -15.52

 

CMYK 34 / 38 / 0 / 6

HEX #9F94F0

RGB 159 148 240

HSL 247.17, 0.75%, 0.76%

LAB 65.63, 24.77, -44.87

 

CMYK 36 / 41 / 0 / 13

HEX #8E82DD

RGB 142 130 221

HSL 247.91, 0.57%, 0.69%

LAB 58.92, 25.61, -45

 

CMYK 38 / 45 / 0 / 21

HEX #7D70CA

RGB 125 112 202

HSL 248.67, 0.46%, 0.62%

LAB 52.08, 26.55, -45.18

 

CMYK 41 / 49 / 0 / 28

HEX #6C5EB7

RGB 108 94 183

HSL 249.44, 0.38%, 0.54%

LAB 45.1, 27.63, -45.41

 

CMYK 45 / 54 / 0 / 36

HEX #5B4CA4

RGB 91 76 164

HSL 250.23, 0.37%, 0.47%

LAB 37.97, 28.87, -45.68

 

CMYK 34 / 38 / 0 / 6

HEX #9E93EF

RGB 158 147 239

HSL 247.17, 0.74%, 0.76%

LAB 65.25, 24.82, -44.91

 

CMYK 23 / 38 / 0 / 6

HEX #B793EF

RGB 183 147 239

HSL 263.48, 0.74%, 0.76%

LAB 67.4, 31.77, -41.39

 

CMYK 13 / 38 / 0 / 6

HEX #D093EF

RGB 208 147 239

HSL 279.78, 0.74%, 0.76%

LAB 69.83, 39.05, -37.42

 

CMYK 3 / 38 / 0 / 6

HEX #E993EF

RGB 233 147 239

HSL 296.09, 0.74%, 0.76%

LAB 72.51, 46.5, -33.05

 

CMYK 0 / 38 / 8 / 6

HEX #EF93DD

RGB 239 147 221

HSL 311.74, 0.74%, 0.76%

LAB 72.52, 45.16, -23.12

 

CMYK 34 / 38 / 0 / 6

HEX #9E93EF

RGB 158 147 239

HSL 247.17, 0.74%, 0.76%

LAB 65.25, 24.82, -44.91

 

CMYK 38 / 38 / 0 / 6

HEX #9393EF

RGB 147 147 239

HSL 240, 0.74%, 0.76%

LAB 64.41, 21.92, -46.3

 

CMYK 34 / 38 / 0 / 6

HEX #9E93EF

RGB 158 147 239

HSL 247.17, 0.74%, 0.76%

LAB 65.25, 24.82, -44.91

 

CMYK 39 / 45 / 0 / 2

HEX #9789F9

RGB 151 137 249

HSL 247.5, 0.9%, 0.76%

LAB 62.77, 31.41, -54.37

 

CMYK 34 / 38 / 0 / 6

HEX #9E93EF

RGB 158 147 239

HSL 247.17, 0.74%, 0.76%

LAB 65.25, 24.82, -44.91

 

CMYK 28 / 31 / 0 / 10

HEX #A69DE5

RGB 166 157 229

HSL 247.5, 0.58%, 0.76%

LAB 67.93, 18.84, -35.18

 

CMYK 21 / 24 / 0 / 14

HEX #ADA7DB

RGB 173 167 219

HSL 246.92, 0.42%, 0.76%

LAB 70.62, 12.96, -25.5

 

CMYK 13 / 15 / 0 / 18

HEX #B5B1D1

RGB 181 177 209

HSL 247.5, 0.26%, 0.76%

LAB 73.46, 7.77, -15.64

 

CMYK 5 / 7 / 0 / 22

HEX #BDBBC8

RGB 189 187 200

HSL 249.23, 0.11%, 0.76%

LAB 76.39, 3.17, -6.3

 

CMYK 38 / 22 / 0 / 6

HEX #93BAEF

RGB 147 186 239

HSL 214.57, 0.74%, 0.76%

LAB 74.54, -0.07, -30.51

 

CMYK 38 / 33 / 0 / 6

HEX #93A1EF

RGB 147 161 239

HSL 230.87, 0.74%, 0.76%

LAB 67.97, 13.89, -40.72

 

CMYK 34 / 38 / 0 / 6

HEX #9E93EF

RGB 158 147 239

HSL 247.17, 0.74%, 0.76%

LAB 65.25, 24.82, -44.91

 

CMYK 23 / 38 / 0 / 6

HEX #B793EF

RGB 183 147 239

HSL 263.48, 0.74%, 0.76%

LAB 67.4, 31.77, -41.39

 

CMYK 13 / 38 / 0 / 6

HEX #CF93EF

RGB 207 147 239

HSL 279.13, 0.74%, 0.76%

LAB 69.73, 38.75, -37.58

 

CMYK 59 / 67 / 0 / 10

HEX #5E4BE5

RGB 94 75 229

HSL 247.4, 0.75%, 0.6%

LAB 42.87, 49.85, -75.55

 

CMYK 46 / 53 / 0 / 8

HEX #7E6FEA

RGB 126 111 234

HSL 247.32, 0.75%, 0.68%

LAB 53.76, 36.48, -60.58

 

CMYK 34 / 38 / 0 / 6

HEX #9E93EF

RGB 158 147 239

HSL 247.17, 0.74%, 0.76%

LAB 65.25, 24.82, -44.91

 

CMYK 22 / 25 / 0 / 4

HEX #BFB8F4

RGB 191 184 244

HSL 247, 0.73%, 0.84%

LAB 77.21, 14.76, -28.85

 

CMYK 11 / 12 / 0 / 2

HEX #DFDCFA

RGB 223 220 250

HSL 246, 0.75%, 0.92%

LAB 88.82, 6.68, -14.22

 

CMYK 34 / 38 / 0 / 6

HEX #9F94F0

RGB 159 148 240

HSL 247.17, 0.75%, 0.76%

LAB 65.63, 24.77, -44.87

 

CMYK 0 / 38 / 12 / 6

HEX #EF93D2

RGB 239 147 210

HSL 318.91, 0.74%, 0.76%

LAB 72.14, 43.35, -17.63

 

CMYK 28 / 0 / 38 / 6

HEX #ADEF93

RGB 173 239 147

HSL 103.04, 0.74%, 0.76%

LAB 88.32, -37.15, 38.03

 

CMYK 34 / 38 / 0 / 6

HEX #9F94F0

RGB 159 148 240

HSL 247.17, 0.75%, 0.76%

LAB 65.63, 24.77, -44.87

 

CMYK 0 / 34 / 38 / 6

HEX #EF9E93

RGB 239 158 147

HSL 7.17, 0.74%, 0.76%

LAB 72.83, 28.87, 18.18

 

CMYK 38 / 0 / 34 / 6

HEX #93EF9E

RGB 147 239 158

HSL 127.17, 0.74%, 0.76%

LAB 87.19, -43.69, 30.79

 

CMYK 34 / 38 / 0 / 6

HEX #9F94F0

RGB 159 148 240

HSL 247.17, 0.75%, 0.76%

LAB 65.63, 24.77, -44.87

 

CMYK 0 / 38 / 12 / 6

HEX #EF93D2

RGB 239 147 210

HSL 318.91, 0.74%, 0.76%

LAB 72.14, 43.35, -17.63

 

CMYK 5 / 0 / 38 / 6

HEX #E4EF93

RGB 228 239 147

HSL 67.17, 0.74%, 0.76%

LAB 91.83, -17.33, 43.26

 

CMYK 38 / 0 / 26 / 6

HEX #93EFB0

RGB 147 239 176

HSL 138.91, 0.74%, 0.76%

LAB 87.52, -40.61, 22.03

 

CMYK 34 / 38 / 0 / 6

HEX #9F94F0

RGB 159 148 240

HSL 247.17, 0.75%, 0.76%

LAB 65.63, 24.77, -44.87

 

CMYK 0 / 38 / 23 / 6

HEX #EF93B7

RGB 239 147 183

HSL 336.52, 0.74%, 0.76%

LAB 71.31, 39.26, -3.93

 

CMYK 5 / 0 / 38 / 6

HEX #E4EF93

RGB 228 239 147

HSL 67.17, 0.74%, 0.76%

LAB 91.83, -17.33, 43.26

 

CMYK 38 / 0 / 15 / 6

HEX #93EFCC

RGB 147 239 204

HSL 157.17, 0.74%, 0.76%

LAB 88.11, -35.15, 8.34

 

Description

Color code: HEX #9F94F0 | qconv.com Color code: HEX #9F94F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 148 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 148 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 38 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 38% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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