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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F93F14C it is the complementary color #606C0E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F93F14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F93F14C shade: #A493EC4C, #B5A5FF4C, #C6B7FF4C, #D7C9FF4C and #E8DBFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F93F14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F93F14C shade: #9F93F14C, #8E81DE4C, #7D6FCB4C, #6C5DB84C and #5B4BA54C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F93F14C shade: #9F93F1, #B893F1, #D293F1, #EB93F1 and #F193DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F93F14C shade: #9F93F1 and #9393F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F93F14C shade matches the following richer shades: #9F93F1 and #9789FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F93F14C shade: #9F93F1, #A69DE7, #ADA6DD, #B5B0D3 and #BCBAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F93F14C shade: #93BAF1, #93A1F1, #9E93F1, #B793F1 and #D093F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F93F14C shade: #5E4AE7, #7E6EEC, #9F93F1, #BFB7F6 and #E0DCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F93F14C shade: #9F93F1, #F193D3 and #ADF193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F93F14C shade: #9F93F1, #F19E93 and #93F19E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F93F14C shade: #9F93F1, #F193D3, #E6F193 and #93F1B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F93F14C shade: #9F93F1, #F193B7, #E6F193 and #93F1CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 12 / 0 / 2

HEX #9F93F14C

RGBA 159 147 241 0.3

HSLA 247.66, 0.77%, 0.76%, 0.3

LABA 65.43, 25.61, -45.73, 0.3

 

Complementary color

CMYK 3 / 0 / 26 / 17

HEX #606C0E4C

RGBA 96 108 14 0.3

HSLA 67.66, 0.77%, 0.24%, 0.3

LABA 43.13, -16.75, 45.63, 0.3

 

CMYK 9 / 11 / 0 / 2

HEX #A493EC4C

RGBA 164 147 236 0.3

HSLA 251.46, 0.7%, 0.75%, 0.3

LABA 65.61, 25.69, -42.67, 0.3

 

CMYK 9 / 11 / 0 / 0

HEX #B5A5FF4C

RGBA 181 165 255 0.3

HSLA 250.67, 1%, 0.82%, 0.3

LABA 72.2, 24.97, -42.62, 0.3

 

CMYK 7 / 8 / 0 / 0

HEX #C6B7FF4C

RGBA 198 183 255 0.3

HSLA 252.5, 1%, 0.86%, 0.3

LABA 77.93, 19.89, -33.61, 0.3

 

CMYK 5 / 6 / 0 / 0

HEX #D7C9FF4C

RGBA 215 201 255 0.3

HSLA 255.56, 1%, 0.89%, 0.3

LABA 83.67, 15.27, -24.69, 0.3

 

CMYK 3 / 4 / 0 / 0

HEX #E8DBFF4C

RGBA 232 219 255 0.3

HSLA 261.67, 1%, 0.93%, 0.3

LABA 89.41, 11.06, -15.88, 0.3

 

CMYK 10 / 12 / 0 / 2

HEX #9F93F14C

RGBA 159 147 241 0.3

HSLA 247.66, 0.77%, 0.76%, 0.3

LABA 65.43, 25.61, -45.73, 0.3

 

CMYK 11 / 13 / 0 / 4

HEX #8E81DE4C

RGBA 142 129 222 0.3

HSLA 248.39, 0.58%, 0.69%, 0.3

LABA 58.72, 26.46, -45.87, 0.3

 

CMYK 12 / 14 / 0 / 6

HEX #7D6FCB4C

RGBA 125 111 203 0.3

HSLA 249.13, 0.47%, 0.62%, 0.3

LABA 51.88, 27.42, -46.06, 0.3

 

CMYK 12 / 15 / 0 / 8

HEX #6C5DB84C

RGBA 108 93 184 0.3

HSLA 249.89, 0.39%, 0.54%, 0.3

LABA 44.91, 28.52, -46.3, 0.3

 

CMYK 13 / 16 / 0 / 11

HEX #5B4BA54C

RGBA 91 75 165 0.3

HSLA 250.67, 0.38%, 0.47%, 0.3

LABA 37.79, 29.79, -46.57, 0.3

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 24 / 39 / 0 / 5

HEX #B893F1

RGB 184 147 241

HSL 263.62, 0.77%, 0.76%

LAB 67.58, 32.52, -42.2

 

CMYK 13 / 39 / 0 / 5

HEX #D293F1

RGB 210 147 241

HSL 280.21, 0.77%, 0.76%

LAB 70.12, 40.05, -38.05

 

CMYK 2 / 39 / 0 / 5

HEX #EB93F1

RGB 235 147 241

HSL 296.17, 0.77%, 0.76%

LAB 72.81, 47.46, -33.66

 

CMYK 0 / 39 / 8 / 5

HEX #F193DD

RGB 241 147 221

HSL 312.77, 0.77%, 0.76%

LAB 72.75, 45.79, -22.74

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 39 / 39 / 0 / 5

HEX #9393F1

RGB 147 147 241

HSL 240, 0.77%, 0.76%

LAB 64.5, 22.46, -47.25

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 40 / 45 / 0 / 2

HEX #9789FB

RGB 151 137 251

HSL 247.37, 0.93%, 0.76%

LAB 62.87, 31.96, -55.3

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 28 / 32 / 0 / 9

HEX #A69DE7

RGB 166 157 231

HSL 247.3, 0.61%, 0.76%

LAB 68.01, 19.33, -36.15

 

CMYK 22 / 25 / 0 / 13

HEX #ADA6DD

RGB 173 166 221

HSL 247.64, 0.45%, 0.76%

LAB 70.44, 13.97, -26.87

 

CMYK 14 / 17 / 0 / 17

HEX #B5B0D3

RGB 181 176 211

HSL 248.57, 0.28%, 0.76%

LAB 73.27, 8.74, -17.03

 

CMYK 6 / 7 / 0 / 21

HEX #BCBAC9

RGB 188 186 201

HSL 248, 0.12%, 0.76%

LAB 76.09, 3.56, -7.31

 

CMYK 39 / 23 / 0 / 5

HEX #93BAF1

RGB 147 186 241

HSL 215.11, 0.77%, 0.76%

LAB 74.62, 0.45, -31.48

 

CMYK 39 / 33 / 0 / 5

HEX #93A1F1

RGB 147 161 241

HSL 231.06, 0.77%, 0.76%

LAB 68.05, 14.43, -41.67

 

CMYK 34 / 39 / 0 / 5

HEX #9E93F1

RGB 158 147 241

HSL 247.02, 0.77%, 0.76%

LAB 65.35, 25.34, -45.86

 

CMYK 24 / 39 / 0 / 5

HEX #B793F1

RGB 183 147 241

HSL 262.98, 0.77%, 0.76%

LAB 67.49, 32.23, -42.35

 

CMYK 14 / 39 / 0 / 5

HEX #D093F1

RGB 208 147 241

HSL 278.94, 0.77%, 0.76%

LAB 69.91, 39.46, -38.38

 

CMYK 59 / 68 / 0 / 9

HEX #5E4AE7

RGB 94 74 231

HSL 247.64, 0.77%, 0.6%

LAB 42.83, 51, -76.74

 

CMYK 47 / 53 / 0 / 7

HEX #7E6EEC

RGB 126 110 236

HSL 247.62, 0.77%, 0.68%

LAB 53.65, 37.64, -61.87

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 22 / 26 / 0 / 4

HEX #BFB7F6

RGB 191 183 246

HSL 247.62, 0.78%, 0.84%

LAB 77.04, 15.76, -30.19

 

CMYK 10 / 12 / 0 / 2

HEX #E0DCFA

RGB 224 220 250

HSL 248, 0.75%, 0.92%

LAB 88.89, 7, -14.1

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 0 / 39 / 12 / 5

HEX #F193D3

RGB 241 147 211

HSL 319.15, 0.77%, 0.76%

LAB 72.41, 44.16, -17.76

 

CMYK 28 / 0 / 39 / 5

HEX #ADF193

RGB 173 241 147

HSL 103.4, 0.77%, 0.76%

LAB 88.88, -38.05, 38.75

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 0 / 34 / 39 / 5

HEX #F19E93

RGB 241 158 147

HSL 7.02, 0.77%, 0.76%

LAB 73.06, 29.63, 18.53

 

CMYK 39 / 0 / 34 / 5

HEX #93F19E

RGB 147 241 158

HSL 127.02, 0.77%, 0.76%

LAB 87.77, -44.56, 31.55

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 0 / 39 / 12 / 5

HEX #F193D3

RGB 241 147 211

HSL 319.15, 0.77%, 0.76%

LAB 72.41, 44.16, -17.76

 

CMYK 5 / 0 / 39 / 5

HEX #E6F193

RGB 230 241 147

HSL 67.02, 0.77%, 0.76%

LAB 92.5, -17.55, 44.14

 

CMYK 39 / 0 / 27 / 5

HEX #93F1B1

RGB 147 241 177

HSL 139.15, 0.77%, 0.76%

LAB 88.11, -41.31, 22.33

 

CMYK 34 / 39 / 0 / 5

HEX #9F93F1

RGB 159 147 241

HSL 247.66, 0.77%, 0.76%

LAB 65.43, 25.61, -45.73

 

CMYK 0 / 39 / 24 / 5

HEX #F193B7

RGB 241 147 183

HSL 337.02, 0.77%, 0.76%

LAB 71.55, 39.95, -3.55

 

CMYK 5 / 0 / 39 / 5

HEX #E6F193

RGB 230 241 147

HSL 67.02, 0.77%, 0.76%

LAB 92.5, -17.55, 44.14

 

CMYK 39 / 0 / 15 / 5

HEX #93F1CD

RGB 147 241 205

HSL 157.02, 0.77%, 0.76%

LAB 88.7, -35.87, 8.66

 

Description

Color code: HEX #9F93F14C | qconv.com Color code: HEX #9F93F14C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 147 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 147 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 12 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 12% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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