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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F92A8 it is the complementary color #606D57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F92A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F92A8 shade: #A492A3, #B5A4B6, #C6B6C9, #D7C8DC and #E8DAEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F92A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F92A8 shade: #9F92A8, #8E8095, #7D6E82, #6C5C6F and #5B4A5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F92A8 shade: #A093A9, #A693A9, #A993A6, #A993A0 and #A9939A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F92A8 shade: #A093A9, #9A93A9, #9593A9 and #9393A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F92A8 shade matches the following richer shades: #A093A9, #A384B8, #A674C8, #A964D8 and #AB55E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F92A8 shade: #A093A9, #9DA399, #9AB389, #97C27A and #95D26A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F92A8 shade: #9593A9, #9A93A9, #A093A9, #A693A9 and #A993A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F92A8 shade: #776882, #8C7D96, #A093A9, #B4AABB and #C8C1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F92A8 shade: #9F92A8, #A99398 and #93A997

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F92A8 shade: #9F92A8, #A9A093 and #93A9A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F92A8 shade: #9F92A8, #A99398, #9CA993 and #93A9A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F92A8 shade: #9F92A8, #A99593, #9CA993 and #93A7A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 13 / 0 / 34

HEX #9F92A8

RGB 159 146 168

HSL 275.45, 0.11%, 0.62%

LAB 62.3, 9.04, -9.79

 

Complementary color

CMYK 12 / 0 / 20 / 57

HEX #606D57

RGB 96 109 87

HSL 95.45, 0.11%, 0.38%

LAB 44.39, -9.39, 10.68

 

CMYK 0 / 11 / 1 / 36

HEX #A492A3

RGB 164 146 163

HSL 303.33, 0.09%, 0.61%

LAB 62.59, 9.82, -6.49

 

CMYK 1 / 10 / 0 / 29

HEX #B5A4B6

RGB 181 164 182

HSL 296.67, 0.11%, 0.68%

LAB 69.29, 9.46, -7.02

 

CMYK 1 / 9 / 0 / 21

HEX #C6B6C9

RGB 198 182 201

HSL 290.53, 0.15%, 0.75%

LAB 75.87, 9.13, -7.53

 

CMYK 2 / 9 / 0 / 14

HEX #D7C8DC

RGB 215 200 220

HSL 285, 0.22%, 0.82%

LAB 82.34, 8.82, -8.04

 

CMYK 3 / 9 / 0 / 6

HEX #E8DAEF

RGB 232 218 239

HSL 280, 0.4%, 0.9%

LAB 88.7, 8.54, -8.53

 

CMYK 5 / 13 / 0 / 34

HEX #9F92A8

RGB 159 146 168

HSL 275.45, 0.11%, 0.62%

LAB 62.3, 9.04, -9.79

 

CMYK 5 / 14 / 0 / 42

HEX #8E8095

RGB 142 128 149

HSL 280, 0.09%, 0.54%

LAB 55.44, 9.41, -9.33

 

CMYK 4 / 15 / 0 / 49

HEX #7D6E82

RGB 125 110 130

HSL 285, 0.08%, 0.47%

LAB 48.42, 9.81, -8.86

 

CMYK 3 / 17 / 0 / 56

HEX #6C5C6F

RGB 108 92 111

HSL 290.53, 0.09%, 0.4%

LAB 41.2, 10.27, -8.38

 

CMYK 1 / 20 / 0 / 64

HEX #5B4A5C

RGB 91 74 92

HSL 296.67, 0.11%, 0.33%

LAB 33.76, 10.8, -7.89

 

CMYK 5 / 13 / 0 / 34

HEX #A093A9

RGB 160 147 169

HSL 275.45, 0.11%, 0.62%

LAB 62.68, 9.03, -9.78

 

CMYK 2 / 13 / 0 / 34

HEX #A693A9

RGB 166 147 169

HSL 291.82, 0.11%, 0.62%

LAB 63.21, 11.14, -8.93

 

CMYK 0 / 13 / 2 / 34

HEX #A993A6

RGB 169 147 166

HSL 308.18, 0.11%, 0.62%

LAB 63.39, 11.62, -6.94

 

CMYK 0 / 13 / 5 / 34

HEX #A993A0

RGB 169 147 160

HSL 324.55, 0.11%, 0.62%

LAB 63.21, 10.5, -3.82

 

CMYK 0 / 13 / 9 / 34

HEX #A9939A

RGB 169 147 154

HSL 340.91, 0.11%, 0.62%

LAB 63.04, 9.41, -0.67

 

CMYK 5 / 13 / 0 / 34

HEX #A093A9

RGB 160 147 169

HSL 275.45, 0.11%, 0.62%

LAB 62.68, 9.03, -9.78

 

CMYK 9 / 13 / 0 / 34

HEX #9A93A9

RGB 154 147 169

HSL 259.09, 0.11%, 0.62%

LAB 62.17, 6.94, -10.6

 

CMYK 12 / 13 / 0 / 34

HEX #9593A9

RGB 149 147 169

HSL 245.45, 0.11%, 0.62%

LAB 61.76, 5.23, -11.25

 

CMYK 13 / 13 / 0 / 34

HEX #9393A9

RGB 147 147 169

HSL 240, 0.11%, 0.62%

LAB 61.6, 4.54, -11.51

 

CMYK 5 / 13 / 0 / 34

HEX #A093A9

RGB 160 147 169

HSL 275.45, 0.11%, 0.62%

LAB 62.68, 9.03, -9.78

 

CMYK 11 / 28 / 0 / 28

HEX #A384B8

RGB 163 132 184

HSL 275.77, 0.27%, 0.62%

LAB 59.66, 21.73, -22.83

 

CMYK 17 / 42 / 0 / 22

HEX #A674C8

RGB 166 116 200

HSL 275.71, 0.43%, 0.62%

LAB 56.85, 35.26, -36.26

 

CMYK 22 / 54 / 0 / 15

HEX #A964D8

RGB 169 100 216

HSL 275.69, 0.6%, 0.62%

LAB 54.56, 48.39, -48.92

 

CMYK 26 / 63 / 0 / 9

HEX #AB55E7

RGB 171 85 231

HSL 275.34, 0.75%, 0.62%

LAB 52.87, 59.71, -60.08

 

CMYK 5 / 13 / 0 / 34

HEX #A093A9

RGB 160 147 169

HSL 275.45, 0.11%, 0.62%

LAB 62.68, 9.03, -9.78

 

CMYK 4 / 0 / 6 / 36

HEX #9DA399

RGB 157 163 153

HSL 96, 0.05%, 0.62%

LAB 66.26, -4.04, 4.44

 

CMYK 14 / 0 / 23 / 30

HEX #9AB389

RGB 154 179 137

HSL 95.71, 0.22%, 0.62%

LAB 70.12, -16.39, 18.66

 

CMYK 22 / 0 / 37 / 24

HEX #97C27A

RGB 151 194 122

HSL 95.83, 0.37%, 0.62%

LAB 73.91, -27.25, 31.7

 

CMYK 29 / 0 / 50 / 18

HEX #95D26A

RGB 149 210 106

HSL 95.19, 0.54%, 0.62%

LAB 78.18, -37.48, 45.09

 

CMYK 12 / 13 / 0 / 34

HEX #9593A9

RGB 149 147 169

HSL 245.45, 0.11%, 0.62%

LAB 61.76, 5.23, -11.25

 

CMYK 9 / 13 / 0 / 34

HEX #9A93A9

RGB 154 147 169

HSL 259.09, 0.11%, 0.62%

LAB 62.17, 6.94, -10.6

 

CMYK 5 / 13 / 0 / 34

HEX #A093A9

RGB 160 147 169

HSL 275.45, 0.11%, 0.62%

LAB 62.68, 9.03, -9.78

 

CMYK 2 / 13 / 0 / 34

HEX #A693A9

RGB 166 147 169

HSL 291.82, 0.11%, 0.62%

LAB 63.21, 11.14, -8.93

 

CMYK 0 / 13 / 2 / 34

HEX #A993A6

RGB 169 147 166

HSL 308.18, 0.11%, 0.62%

LAB 63.39, 11.62, -6.94

 

CMYK 8 / 20 / 0 / 49

HEX #776882

RGB 119 104 130

HSL 274.62, 0.11%, 0.46%

LAB 46.22, 11.21, -12.21

 

CMYK 7 / 17 / 0 / 41

HEX #8C7D96

RGB 140 125 150

HSL 276, 0.11%, 0.54%

LAB 54.5, 10.64, -11.34

 

CMYK 5 / 13 / 0 / 34

HEX #A093A9

RGB 160 147 169

HSL 275.45, 0.11%, 0.62%

LAB 62.68, 9.03, -9.78

 

CMYK 4 / 9 / 0 / 27

HEX #B4AABB

RGB 180 170 187

HSL 275.29, 0.11%, 0.7%

LAB 70.9, 6.78, -7.41

 

CMYK 2 / 6 / 0 / 20

HEX #C8C1CD

RGB 200 193 205

HSL 275, 0.11%, 0.78%

LAB 78.94, 4.65, -5.14

 

CMYK 5 / 13 / 0 / 34

HEX #9F92A8

RGB 159 146 168

HSL 275.45, 0.11%, 0.62%

LAB 62.3, 9.04, -9.79

 

CMYK 0 / 13 / 10 / 34

HEX #A99398

RGB 169 147 152

HSL 346.36, 0.11%, 0.62%

LAB 62.99, 9.05, 0.38

 

CMYK 13 / 0 / 11 / 34

HEX #93A997

RGB 147 169 151

HSL 130.91, 0.11%, 0.62%

LAB 67.14, -11.22, 6.72

 

CMYK 5 / 13 / 0 / 34

HEX #9F92A8

RGB 159 146 168

HSL 275.45, 0.11%, 0.62%

LAB 62.3, 9.04, -9.79

 

CMYK 0 / 5 / 13 / 34

HEX #A9A093

RGB 169 160 147

HSL 35.45, 0.11%, 0.62%

LAB 66.28, 0.99, 7.94

 

CMYK 13 / 0 / 5 / 34

HEX #93A9A0

RGB 147 169 160

HSL 155.45, 0.11%, 0.62%

LAB 67.36, -9.46, 2.05

 

CMYK 5 / 13 / 0 / 34

HEX #9F92A8

RGB 159 146 168

HSL 275.45, 0.11%, 0.62%

LAB 62.3, 9.04, -9.79

 

CMYK 0 / 13 / 10 / 34

HEX #A99398

RGB 169 147 152

HSL 346.36, 0.11%, 0.62%

LAB 62.99, 9.05, 0.38

 

CMYK 8 / 0 / 13 / 34

HEX #9CA993

RGB 156 169 147

HSL 95.45, 0.11%, 0.62%

LAB 67.69, -8.72, 9.81

 

CMYK 13 / 0 / 3 / 34

HEX #93A9A4

RGB 147 169 164

HSL 166.36, 0.11%, 0.62%

LAB 67.47, -8.65, -0.01

 

CMYK 5 / 13 / 0 / 34

HEX #9F92A8

RGB 159 146 168

HSL 275.45, 0.11%, 0.62%

LAB 62.3, 9.04, -9.79

 

CMYK 0 / 12 / 13 / 34

HEX #A99593

RGB 169 149 147

HSL 5.45, 0.11%, 0.62%

LAB 63.37, 7.07, 3.77

 

CMYK 8 / 0 / 13 / 34

HEX #9CA993

RGB 156 169 147

HSL 95.45, 0.11%, 0.62%

LAB 67.69, -8.72, 9.81

 

CMYK 13 / 1 / 0 / 34

HEX #93A7A9

RGB 147 167 169

HSL 185.45, 0.11%, 0.62%

LAB 67.06, -6.53, -3.4

 

Description

Color code: HEX #9F92A8 | qconv.com Color code: HEX #9F92A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 146 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 146 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 13 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 13% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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