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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F90D9 it is the complementary color #606F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F90D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F90D9 shade: #A490D4, #B5A2E7, #C6B4FA, #D7C6FF and #E8D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F90D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F90D9 shade: #9F90D9, #8E7EC6, #7D6CB3, #6C5AA0 and #5B488D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F90D9 shade: #A091D9, #B391D9, #C791D9, #D991D8 and #D991C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F90D9 shade: #A091D9 and #9191D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F90D9 shade matches the following richer shades: #A091D9, #9985E5, #9279F1 and #8B6DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F90D9 shade: #A091D9, #A79DCD, #AEA9C1, #B5B5B5 and #BCC1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F90D9 shade: #91A9D9, #9196D9, #9F91D9, #B391D9 and #C691D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F90D9 shade: #6B53C4, #8572CF, #A091D9, #BAB0E4 and #D5CEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F90D9 shade: #9F90D9, #D991BC and #9FD991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F90D9 shade: #9F90D9, #D99F91 and #91D99F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F90D9 shade: #9F90D9, #D991BC, #CBD991 and #91D9AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F90D9 shade: #9F90D9, #D991A7, #CBD991 and #91D9C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 34 / 0 / 15

HEX #9F90D9

RGB 159 144 217

HSL 252.33, 0.49%, 0.71%

LAB 63.61, 21.25, -35.31

 

Complementary color

CMYK 14 / 0 / 66 / 56

HEX #606F26

RGB 96 111 38

HSL 72.33, 0.49%, 0.29%

LAB 44.23, -16.99, 37.56

 

CMYK 23 / 32 / 0 / 17

HEX #A490D4

RGB 164 144 212

HSL 257.65, 0.44%, 0.7%

LAB 63.83, 21.54, -32.15

 

CMYK 22 / 30 / 0 / 9

HEX #B5A2E7

RGB 181 162 231

HSL 256.52, 0.59%, 0.77%

LAB 70.48, 20.94, -32.23

 

CMYK 21 / 28 / 0 / 2

HEX #C6B4FA

RGB 198 180 250

HSL 255.43, 0.88%, 0.84%

LAB 77.01, 20.4, -32.34

 

CMYK 16 / 22 / 0 / 0

HEX #D7C6FF

RGB 215 198 255

HSL 257.89, 1%, 0.89%

LAB 82.94, 16.89, -25.8

 

CMYK 9 / 15 / 0 / 0

HEX #E8D8FF

RGB 232 216 255

HSL 264.62, 1%, 0.92%

LAB 88.68, 12.64, -16.98

 

CMYK 27 / 34 / 0 / 15

HEX #9F90D9

RGB 159 144 217

HSL 252.33, 0.49%, 0.71%

LAB 63.61, 21.25, -35.31

 

CMYK 28 / 36 / 0 / 22

HEX #8E7EC6

RGB 142 126 198

HSL 253.33, 0.39%, 0.64%

LAB 56.83, 21.94, -35.32

 

CMYK 30 / 40 / 0 / 30

HEX #7D6CB3

RGB 125 108 179

HSL 254.37, 0.32%, 0.56%

LAB 49.91, 22.72, -35.38

 

CMYK 33 / 44 / 0 / 37

HEX #6C5AA0

RGB 108 90 160

HSL 255.43, 0.28%, 0.49%

LAB 42.82, 23.6, -35.49

 

CMYK 35 / 49 / 0 / 45

HEX #5B488D

RGB 91 72 141

HSL 256.52, 0.32%, 0.42%

LAB 35.56, 24.62, -35.64

 

CMYK 26 / 33 / 0 / 15

HEX #A091D9

RGB 160 145 217

HSL 252.5, 0.49%, 0.71%

LAB 63.95, 20.97, -34.78

 

CMYK 18 / 33 / 0 / 15

HEX #B391D9

RGB 179 145 217

HSL 268.33, 0.49%, 0.71%

LAB 65.63, 26.69, -32.04

 

CMYK 8 / 33 / 0 / 15

HEX #C791D9

RGB 199 145 217

HSL 285, 0.49%, 0.71%

LAB 67.58, 32.89, -28.87

 

CMYK 0 / 33 / 0 / 15

HEX #D991D8

RGB 217 145 216

HSL 300.83, 0.49%, 0.71%

LAB 69.44, 38.38, -25.29

 

CMYK 0 / 33 / 9 / 15

HEX #D991C5

RGB 217 145 197

HSL 316.67, 0.49%, 0.71%

LAB 68.78, 35.01, -15.76

 

CMYK 26 / 33 / 0 / 15

HEX #A091D9

RGB 160 145 217

HSL 252.5, 0.49%, 0.71%

LAB 63.95, 20.97, -34.78

 

CMYK 33 / 33 / 0 / 15

HEX #9191D9

RGB 145 145 217

HSL 240, 0.49%, 0.71%

LAB 62.74, 16.66, -36.75

 

CMYK 26 / 33 / 0 / 15

HEX #A091D9

RGB 160 145 217

HSL 252.5, 0.49%, 0.71%

LAB 63.95, 20.97, -34.78

 

CMYK 33 / 42 / 0 / 10

HEX #9985E5

RGB 153 133 229

HSL 252.5, 0.65%, 0.71%

LAB 60.96, 28.91, -46.17

 

CMYK 39 / 50 / 0 / 5

HEX #9279F1

RGB 146 121 241

HSL 252.5, 0.81%, 0.71%

LAB 58.17, 37.22, -57.32

 

CMYK 45 / 57 / 0 / 1

HEX #8B6DFD

RGB 139 109 253

HSL 252.5, 0.97%, 0.71%

LAB 55.6, 45.77, -68.12

 

CMYK 26 / 33 / 0 / 15

HEX #A091D9

RGB 160 145 217

HSL 252.5, 0.49%, 0.71%

LAB 63.95, 20.97, -34.78

 

CMYK 19 / 23 / 0 / 20

HEX #A79DCD

RGB 167 157 205

HSL 252.5, 0.32%, 0.71%

LAB 67.08, 13.49, -23.23

 

CMYK 10 / 12 / 0 / 24

HEX #AEA9C1

RGB 174 169 193

HSL 252.5, 0.16%, 0.71%

LAB 70.33, 6.49, -11.61

 

CMYK 0 / 0 / 0 / 29

HEX #B5B5B5

RGB 181 181 181

HSL 0, 0%, 0.71%

LAB 73.68, 0, -0.01

 

CMYK 3 / 0 / 12 / 24

HEX #BCC1A9

RGB 188 193 169

HSL 72.5, 0.16%, 0.71%

LAB 77.1, -5.98, 11.5

 

CMYK 33 / 22 / 0 / 15

HEX #91A9D9

RGB 145 169 217

HSL 220, 0.49%, 0.71%

LAB 69.04, 3.03, -26.99

 

CMYK 33 / 31 / 0 / 15

HEX #9196D9

RGB 145 150 217

HSL 235.83, 0.49%, 0.71%

LAB 64.03, 13.78, -34.74

 

CMYK 27 / 33 / 0 / 15

HEX #9F91D9

RGB 159 145 217

HSL 251.67, 0.49%, 0.71%

LAB 63.86, 20.68, -34.92

 

CMYK 18 / 33 / 0 / 15

HEX #B391D9

RGB 179 145 217

HSL 268.33, 0.49%, 0.71%

LAB 65.63, 26.69, -32.04

 

CMYK 9 / 33 / 0 / 15

HEX #C691D9

RGB 198 145 217

HSL 284.17, 0.49%, 0.71%

LAB 67.48, 32.58, -29.03

 

CMYK 45 / 58 / 0 / 23

HEX #6B53C4

RGB 107 83 196

HSL 252.74, 0.49%, 0.55%

LAB 43.21, 37.76, -56.01

 

CMYK 36 / 45 / 0 / 19

HEX #8572CF

RGB 133 114 207

HSL 252.26, 0.49%, 0.63%

LAB 53.52, 28.83, -45.7

 

CMYK 26 / 33 / 0 / 15

HEX #A091D9

RGB 160 145 217

HSL 252.5, 0.49%, 0.71%

LAB 63.95, 20.97, -34.78

 

CMYK 18 / 23 / 0 / 11

HEX #BAB0E4

RGB 186 176 228

HSL 251.54, 0.49%, 0.79%

LAB 74.25, 14.03, -24.77

 

CMYK 11 / 13 / 0 / 7

HEX #D5CEEE

RGB 213 206 238

HSL 253.13, 0.48%, 0.87%

LAB 84.21, 8.47, -14.86

 

CMYK 27 / 34 / 0 / 15

HEX #9F90D9

RGB 159 144 217

HSL 252.33, 0.49%, 0.71%

LAB 63.61, 21.25, -35.31

 

CMYK 0 / 33 / 13 / 15

HEX #D991BC

RGB 217 145 188

HSL 324.17, 0.49%, 0.71%

LAB 68.48, 33.51, -11.18

 

CMYK 27 / 0 / 33 / 15

HEX #9FD991

RGB 159 217 145

HSL 108.33, 0.49%, 0.71%

LAB 81.31, -32.02, 29.67

 

CMYK 27 / 34 / 0 / 15

HEX #9F90D9

RGB 159 144 217

HSL 252.33, 0.49%, 0.71%

LAB 63.61, 21.25, -35.31

 

CMYK 0 / 27 / 33 / 15

HEX #D99F91

RGB 217 159 145

HSL 11.67, 0.49%, 0.71%

LAB 70.59, 19.69, 15.79

 

CMYK 33 / 0 / 27 / 15

HEX #91D99F

RGB 145 217 159

HSL 131.67, 0.49%, 0.71%

LAB 80.82, -34.25, 21.61

 

CMYK 27 / 34 / 0 / 15

HEX #9F90D9

RGB 159 144 217

HSL 252.33, 0.49%, 0.71%

LAB 63.61, 21.25, -35.31

 

CMYK 0 / 33 / 13 / 15

HEX #D991BC

RGB 217 145 188

HSL 324.17, 0.49%, 0.71%

LAB 68.48, 33.51, -11.18

 

CMYK 6 / 0 / 33 / 15

HEX #CBD991

RGB 203 217 145

HSL 71.67, 0.49%, 0.71%

LAB 84.16, -16.19, 33.96

 

CMYK 33 / 0 / 20 / 15

HEX #91D9AE

RGB 145 217 174

HSL 144.17, 0.49%, 0.71%

LAB 81.13, -31.48, 14.14

 

CMYK 27 / 34 / 0 / 15

HEX #9F90D9

RGB 159 144 217

HSL 252.33, 0.49%, 0.71%

LAB 63.61, 21.25, -35.31

 

CMYK 0 / 33 / 23 / 15

HEX #D991A7

RGB 217 145 167

HSL 341.67, 0.49%, 0.71%

LAB 67.87, 30.26, -0.34

 

CMYK 6 / 0 / 33 / 15

HEX #CBD991

RGB 203 217 145

HSL 71.67, 0.49%, 0.71%

LAB 84.16, -16.19, 33.96

 

CMYK 33 / 0 / 10 / 15

HEX #91D9C4

RGB 145 217 196

HSL 162.5, 0.49%, 0.71%

LAB 81.64, -27, 3.21

 

Description

Color code: HEX #9F90D9 | qconv.com Color code: HEX #9F90D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 144 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 144 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 34 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 34% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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