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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F8C05 it is the complementary color #6073FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F8C05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F8C05 shade: #A48C00, #B59E13, #C6B026, #D7C239 and #E8D44C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F8C05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F8C05 shade: #9F8C05, #8E7A00, #7D6800, #6C5600 and #5B4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F8C05 shade: #9E8B05, #9E6205, #9E3905, #9E0F05 and #9E0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F8C05 shade: #9E8B05, #889E05, #5E9E05, #359E05 and #0C9E05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F8C05 shade matches the following richer shades: #9E8B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F8C05 shade: #9E8B05, #918112, #84771F, #776E2D and #69643A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F8C05 shade: #9E3805, #9E6105, #9E8A05, #8A9E05 and #619E05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F8C05 shade: #4E4502, #766804, #9E8B05, #C6AF06 and #EED207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F8C05 shade: #9F8C05, #059E0F and #4C059E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F8C05 shade: #9F8C05, #059E8A and #8A059E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F8C05 shade: #9F8C05, #059E0F, #05199E and #9E0594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F8C05 shade: #9F8C05, #059E3D, #05199E and #9E0566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 97 / 38

HEX #9F8C05

RGB 159 140 5

HSL 52.6, 0.94%, 0.32%

LAB 58.17, -4.97, 61.73

 

Complementary color

CMYK 62 / 54 / 0 / 2

HEX #6073FA

RGB 96 115 250

HSL 232.6, 0.94%, 0.68%

LAB 53.65, 33.29, -69.76

 

CMYK 0 / 15 / 100 / 36

HEX #A48C00

RGB 164 140 0

HSL 51.22, 1%, 0.32%

LAB 58.65, -2.74, 63.1

 

CMYK 0 / 13 / 90 / 29

HEX #B59E13

RGB 181 158 19

HSL 51.48, 0.81%, 0.39%

LAB 65.22, -4.43, 65.72

 

CMYK 0 / 11 / 81 / 22

HEX #C6B026

RGB 198 176 38

HSL 51.75, 0.68%, 0.46%

LAB 71.69, -5.9, 67.05

 

CMYK 0 / 10 / 73 / 16

HEX #D7C239

RGB 215 194 57

HSL 52.03, 0.66%, 0.53%

LAB 78.07, -7.14, 67.29

 

CMYK 0 / 9 / 67 / 9

HEX #E8D44C

RGB 232 212 76

HSL 52.31, 0.77%, 0.6%

LAB 84.36, -8.19, 66.9

 

CMYK 0 / 12 / 97 / 38

HEX #9F8C05

RGB 159 140 5

HSL 52.6, 0.94%, 0.32%

LAB 58.17, -4.97, 61.73

 

CMYK 0 / 14 / 100 / 44

HEX #8E7A00

RGB 142 122 0

HSL 51.55, 1%, 0.28%

LAB 51.46, -3.04, 56.99

 

CMYK 0 / 17 / 100 / 51

HEX #7D6800

RGB 125 104 0

HSL 49.92, 1%, 0.25%

LAB 44.6, -0.94, 51.32

 

CMYK 0 / 20 / 100 / 58

HEX #6C5600

RGB 108 86 0

HSL 47.78, 1%, 0.21%

LAB 37.56, 1.28, 45.51

 

CMYK 0 / 25 / 100 / 64

HEX #5B4400

RGB 91 68 0

HSL 44.84, 1%, 0.18%

LAB 30.3, 3.65, 39.5

 

CMYK 0 / 12 / 97 / 38

HEX #9E8B05

RGB 158 139 5

HSL 52.55, 0.94%, 0.32%

LAB 57.79, -4.88, 61.41

 

CMYK 0 / 38 / 97 / 38

HEX #9E6205

RGB 158 98 5

HSL 36.47, 0.94%, 0.32%

LAB 46.99, 18.21, 53.65

 

CMYK 0 / 64 / 97 / 38

HEX #9E3905

RGB 158 57 5

HSL 20.39, 0.94%, 0.32%

LAB 38.21, 40.04, 47.85

 

CMYK 0 / 91 / 97 / 38

HEX #9E0F05

RGB 158 15 5

HSL 3.92, 0.94%, 0.32%

LAB 33.18, 53.93, 44.89

 

CMYK 0 / 97 / 97 / 38

HEX #9E0505

RGB 158 5 5

HSL 0, 0.94%, 0.32%

LAB 32.68, 55.39, 44.58

 

CMYK 0 / 12 / 97 / 38

HEX #9E8B05

RGB 158 139 5

HSL 52.55, 0.94%, 0.32%

LAB 57.79, -4.88, 61.41

 

CMYK 14 / 0 / 97 / 38

HEX #889E05

RGB 136 158 5

HSL 68.63, 0.94%, 0.32%

LAB 61.39, -24.71, 63.3

 

CMYK 41 / 0 / 97 / 38

HEX #5E9E05

RGB 94 158 5

HSL 85.1, 0.94%, 0.32%

LAB 58.83, -41.55, 60.2

 

CMYK 66 / 0 / 97 / 38

HEX #359E05

RGB 53 158 5

HSL 101.18, 0.94%, 0.32%

LAB 57.29, -53.61, 58.32

 

CMYK 92 / 0 / 97 / 38

HEX #0C9E05

RGB 12 158 5

HSL 117.25, 0.94%, 0.32%

LAB 56.63, -59.42, 57.5

 

CMYK 0 / 12 / 97 / 38

HEX #9E8B05

RGB 158 139 5

HSL 52.55, 0.94%, 0.32%

LAB 57.79, -4.88, 61.41

 

CMYK 0 / 12 / 97 / 38

HEX #9E8B05

RGB 158 139 5

HSL 52.55, 0.94%, 0.32%

LAB 57.79, -4.88, 61.41

 

CMYK 0 / 11 / 88 / 43

HEX #918112

RGB 145 129 18

HSL 52.44, 0.78%, 0.32%

LAB 53.78, -5.17, 55.3

 

CMYK 0 / 10 / 77 / 48

HEX #84771F

RGB 132 119 31

HSL 52.28, 0.62%, 0.32%

LAB 49.74, -5.21, 47.15

 

CMYK 0 / 8 / 62 / 53

HEX #776E2D

RGB 119 110 45

HSL 52.7, 0.45%, 0.32%

LAB 45.99, -5.32, 36.68

 

CMYK 0 / 5 / 45 / 59

HEX #69643A

RGB 105 100 58

HSL 53.62, 0.29%, 0.32%

LAB 41.88, -4.75, 24.48

 

CMYK 0 / 65 / 97 / 38

HEX #9E3805

RGB 158 56 5

HSL 20, 0.94%, 0.32%

LAB 38.04, 40.5, 47.74

 

CMYK 0 / 39 / 97 / 38

HEX #9E6105

RGB 158 97 5

HSL 36.08, 0.94%, 0.32%

LAB 46.75, 18.78, 53.48

 

CMYK 0 / 13 / 97 / 38

HEX #9E8A05

RGB 158 138 5

HSL 52.16, 0.94%, 0.32%

LAB 57.52, -4.34, 61.2

 

CMYK 13 / 0 / 97 / 38

HEX #8A9E05

RGB 138 158 5

HSL 67.84, 0.94%, 0.32%

LAB 61.54, -23.85, 63.48

 

CMYK 39 / 0 / 97 / 38

HEX #619E05

RGB 97 158 5

HSL 83.92, 0.94%, 0.32%

LAB 58.98, -40.46, 60.38

 

CMYK 0 / 12 / 97 / 69

HEX #4E4502

RGB 78 69 2

HSL 52.89, 0.95%, 0.16%

LAB 29.11, -3.64, 37.11

 

CMYK 0 / 12 / 97 / 54

HEX #766804

RGB 118 104 4

HSL 52.63, 0.93%, 0.24%

LAB 43.89, -4.25, 49.49

 

CMYK 0 / 12 / 97 / 38

HEX #9E8B05

RGB 158 139 5

HSL 52.55, 0.94%, 0.32%

LAB 57.79, -4.88, 61.41

 

CMYK 0 / 12 / 97 / 22

HEX #C6AF06

RGB 198 175 6

HSL 52.81, 0.94%, 0.4%

LAB 71.34, -6.01, 72.93

 

CMYK 0 / 12 / 97 / 7

HEX #EED207

RGB 238 210 7

HSL 52.73, 0.94%, 0.48%

LAB 84.11, -6.59, 83.8

 

CMYK 0 / 12 / 97 / 38

HEX #9F8C05

RGB 159 140 5

HSL 52.6, 0.94%, 0.32%

LAB 58.17, -4.97, 61.73

 

CMYK 97 / 0 / 91 / 38

HEX #059E0F

RGB 5 158 15

HSL 123.92, 0.94%, 0.32%

LAB 56.61, -59.53, 55.87

 

CMYK 52 / 97 / 0 / 38

HEX #4C059E

RGB 76 5 158

HSL 267.84, 0.94%, 0.32%

LAB 24.04, 57.02, -64.83

 

CMYK 0 / 12 / 97 / 38

HEX #9F8C05

RGB 159 140 5

HSL 52.6, 0.94%, 0.32%

LAB 58.17, -4.97, 61.73

 

CMYK 97 / 0 / 13 / 38

HEX #059E8A

RGB 5 158 138

HSL 172.16, 0.94%, 0.32%

LAB 58.34, -39.4, 0.63

 

CMYK 13 / 97 / 0 / 38

HEX #8A059E

RGB 138 5 158

HSL 292.16, 0.94%, 0.32%

LAB 33.94, 64.82, -48.25

 

CMYK 0 / 12 / 97 / 38

HEX #9F8C05

RGB 159 140 5

HSL 52.6, 0.94%, 0.32%

LAB 58.17, -4.97, 61.73

 

CMYK 97 / 0 / 91 / 38

HEX #059E0F

RGB 5 158 15

HSL 123.92, 0.94%, 0.32%

LAB 56.61, -59.53, 55.87

 

CMYK 97 / 84 / 0 / 38

HEX #05199E

RGB 5 25 158

HSL 232.16, 0.94%, 0.32%

LAB 20.81, 46.65, -70.35

 

CMYK 0 / 97 / 6 / 38

HEX #9E0594

RGB 158 5 148

HSL 303.92, 0.94%, 0.32%

LAB 36.96, 66.63, -37.11

 

CMYK 0 / 12 / 97 / 38

HEX #9F8C05

RGB 159 140 5

HSL 52.6, 0.94%, 0.32%

LAB 58.17, -4.97, 61.73

 

CMYK 97 / 0 / 61 / 38

HEX #059E3D

RGB 5 158 61

HSL 141.96, 0.94%, 0.32%

LAB 56.9, -55.75, 40.17

 

CMYK 97 / 84 / 0 / 38

HEX #05199E

RGB 5 25 158

HSL 232.16, 0.94%, 0.32%

LAB 20.81, 46.65, -70.35

 

CMYK 0 / 97 / 35 / 38

HEX #9E0566

RGB 158 5 102

HSL 321.96, 0.94%, 0.32%

LAB 34.67, 60.8, -11.88

 

Description

Color code: HEX #9F8C05 | qconv.com Color code: HEX #9F8C05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 140 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 140 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 97 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 97% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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