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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F89BF it is the complementary color #607640. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F89BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F89BF shade: #A489BA, #B59BCD, #C6ADE0, #D7BFF3 and #E8D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F89BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F89BF shade: #9F89BF, #8E77AC, #7D6599, #6C5386 and #5B4173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F89BF shade: #9E88BF, #AD88BF, #BC88BF, #BF88B3 and #BF88A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F89BF shade: #9E88BF, #8F88BF and #8888BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F89BF shade matches the following richer shades: #9E88BF, #9B79CE, #996ADC, #965BEB and #934CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F89BF shade: #9E88BF, #A197B0, #A4A5A1, #A6B492 and #A9C383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F89BF shade: #888FBF, #8F88BF, #9E88BF, #AC88BF and #BB88BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F89BF shade: #73559F, #886DB0, #9E88BF, #B4A2CD and #CABDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F89BF shade: #9F89BF, #BF889E and #88BF88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F89BF shade: #9F89BF, #BF9E88 and #88BF9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F89BF shade: #9F89BF, #BF889E, #A9BF88 and #88BFA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F89BF shade: #9F89BF, #BF888D, #A9BF88 and #88BFB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 28 / 0 / 25

HEX #9F89BF

RGB 159 137 191

HSL 264.44, 0.3%, 0.64%

LAB 60.8, 19.12, -25.08

 

Complementary color

CMYK 19 / 0 / 46 / 54

HEX #607640

RGB 96 118 64

HSL 84.44, 0.3%, 0.36%

LAB 46.73, -17.98, 27.06

 

CMYK 12 / 26 / 0 / 27

HEX #A489BA

RGB 164 137 186

HSL 273.06, 0.26%, 0.63%

LAB 61.07, 19.64, -21.8

 

CMYK 12 / 24 / 0 / 20

HEX #B59BCD

RGB 181 155 205

HSL 271.2, 0.33%, 0.71%

LAB 67.78, 19.1, -22.06

 

CMYK 12 / 23 / 0 / 12

HEX #C6ADE0

RGB 198 173 224

HSL 269.41, 0.45%, 0.78%

LAB 74.37, 18.61, -22.32

 

CMYK 12 / 21 / 0 / 5

HEX #D7BFF3

RGB 215 191 243

HSL 267.69, 0.68%, 0.85%

LAB 80.84, 18.16, -22.6

 

CMYK 9 / 18 / 0 / 0

HEX #E8D1FF

RGB 232 209 255

HSL 270, 1%, 0.91%

LAB 86.99, 16.34, -19.53

 

CMYK 17 / 28 / 0 / 25

HEX #9F89BF

RGB 159 137 191

HSL 264.44, 0.3%, 0.64%

LAB 60.8, 19.12, -25.08

 

CMYK 17 / 31 / 0 / 33

HEX #8E77AC

RGB 142 119 172

HSL 266.04, 0.24%, 0.57%

LAB 53.95, 19.72, -24.92

 

CMYK 18 / 34 / 0 / 40

HEX #7D6599

RGB 125 101 153

HSL 267.69, 0.2%, 0.5%

LAB 46.93, 20.38, -24.78

 

CMYK 19 / 38 / 0 / 47

HEX #6C5386

RGB 108 83 134

HSL 269.41, 0.24%, 0.43%

LAB 39.74, 21.13, -24.67

 

CMYK 21 / 43 / 0 / 55

HEX #5B4173

RGB 91 65 115

HSL 271.2, 0.28%, 0.35%

LAB 32.35, 21.98, -24.6

 

CMYK 17 / 29 / 0 / 25

HEX #9E88BF

RGB 158 136 191

HSL 264, 0.3%, 0.64%

LAB 60.46, 19.37, -25.61

 

CMYK 9 / 29 / 0 / 25

HEX #AD88BF

RGB 173 136 191

HSL 280.36, 0.3%, 0.64%

LAB 61.87, 24.22, -23.32

 

CMYK 2 / 29 / 0 / 25

HEX #BC88BF

RGB 188 136 191

HSL 296.73, 0.3%, 0.64%

LAB 63.39, 29.16, -20.86

 

CMYK 0 / 29 / 6 / 25

HEX #BF88B3

RGB 191 136 179

HSL 313.09, 0.3%, 0.64%

LAB 63.29, 27.94, -14.21

 

CMYK 0 / 29 / 14 / 25

HEX #BF88A4

RGB 191 136 164

HSL 329.45, 0.3%, 0.64%

LAB 62.81, 25.33, -6.42

 

CMYK 17 / 29 / 0 / 25

HEX #9E88BF

RGB 158 136 191

HSL 264, 0.3%, 0.64%

LAB 60.46, 19.37, -25.61

 

CMYK 25 / 29 / 0 / 25

HEX #8F88BF

RGB 143 136 191

HSL 247.64, 0.3%, 0.64%

LAB 59.17, 14.67, -27.71

 

CMYK 29 / 29 / 0 / 25

HEX #8888BF

RGB 136 136 191

HSL 240, 0.3%, 0.64%

LAB 58.61, 12.54, -28.63

 

CMYK 17 / 29 / 0 / 25

HEX #9E88BF

RGB 158 136 191

HSL 264, 0.3%, 0.64%

LAB 60.46, 19.37, -25.61

 

CMYK 25 / 41 / 0 / 19

HEX #9B79CE

RGB 155 121 206

HSL 264, 0.46%, 0.64%

LAB 57.17, 30.6, -39.23

 

CMYK 30 / 52 / 0 / 14

HEX #996ADC

RGB 153 106 220

HSL 264.74, 0.62%, 0.64%

LAB 54.29, 41.98, -51.72

 

CMYK 36 / 61 / 0 / 8

HEX #965BEB

RGB 150 91 235

HSL 264.58, 0.78%, 0.64%

LAB 51.8, 53.1, -64.18

 

CMYK 41 / 70 / 0 / 2

HEX #934CFA

RGB 147 76 250

HSL 264.48, 0.95%, 0.64%

LAB 49.83, 63.64, -75.78

 

CMYK 17 / 29 / 0 / 25

HEX #9E88BF

RGB 158 136 191

HSL 264, 0.3%, 0.64%

LAB 60.46, 19.37, -25.61

 

CMYK 9 / 14 / 0 / 31

HEX #A197B0

RGB 161 151 176

HSL 264, 0.14%, 0.64%

LAB 64.04, 8.56, -11.69

 

CMYK 1 / 0 / 2 / 35

HEX #A4A5A1

RGB 164 165 161

HSL 75, 0.02%, 0.64%

LAB 67.56, -1.11, 1.94

 

CMYK 8 / 0 / 19 / 29

HEX #A6B492

RGB 166 180 146

HSL 84.71, 0.18%, 0.64%

LAB 71.44, -11.02, 15.74

 

CMYK 13 / 0 / 33 / 24

HEX #A9C383

RGB 169 195 131

HSL 84.38, 0.35%, 0.64%

LAB 75.52, -19.85, 29.34

 

CMYK 29 / 25 / 0 / 25

HEX #888FBF

RGB 136 143 191

HSL 232.36, 0.3%, 0.64%

LAB 60.46, 8.49, -25.76

 

CMYK 25 / 29 / 0 / 25

HEX #8F88BF

RGB 143 136 191

HSL 247.64, 0.3%, 0.64%

LAB 59.17, 14.67, -27.71

 

CMYK 17 / 29 / 0 / 25

HEX #9E88BF

RGB 158 136 191

HSL 264, 0.3%, 0.64%

LAB 60.46, 19.37, -25.61

 

CMYK 10 / 29 / 0 / 25

HEX #AC88BF

RGB 172 136 191

HSL 279.27, 0.3%, 0.64%

LAB 61.78, 23.9, -23.48

 

CMYK 2 / 29 / 0 / 25

HEX #BB88BF

RGB 187 136 191

HSL 295.64, 0.3%, 0.64%

LAB 63.29, 28.83, -21.03

 

CMYK 28 / 47 / 0 / 38

HEX #73559F

RGB 115 85 159

HSL 264.32, 0.3%, 0.48%

LAB 42.22, 28.39, -35.79

 

CMYK 23 / 38 / 0 / 31

HEX #886DB0

RGB 136 109 176

HSL 264.18, 0.3%, 0.56%

LAB 51.04, 24.65, -31.78

 

CMYK 17 / 29 / 0 / 25

HEX #9E88BF

RGB 158 136 191

HSL 264, 0.3%, 0.64%

LAB 60.46, 19.37, -25.61

 

CMYK 12 / 21 / 0 / 20

HEX #B4A2CD

RGB 180 162 205

HSL 265.12, 0.3%, 0.72%

LAB 69.44, 14.87, -19.54

 

CMYK 8 / 14 / 0 / 14

HEX #CABDDC

RGB 202 189 220

HSL 265.16, 0.31%, 0.8%

LAB 78.53, 10.39, -13.83

 

CMYK 17 / 28 / 0 / 25

HEX #9F89BF

RGB 159 137 191

HSL 264.44, 0.3%, 0.64%

LAB 60.8, 19.12, -25.08

 

CMYK 0 / 29 / 17 / 25

HEX #BF889E

RGB 191 136 158

HSL 336, 0.3%, 0.64%

LAB 62.64, 24.35, -3.28

 

CMYK 29 / 0 / 29 / 25

HEX #88BF88

RGB 136 191 136

HSL 120, 0.3%, 0.64%

LAB 72.41, -28.85, 22.17

 

CMYK 17 / 28 / 0 / 25

HEX #9F89BF

RGB 159 137 191

HSL 264.44, 0.3%, 0.64%

LAB 60.8, 19.12, -25.08

 

CMYK 0 / 17 / 29 / 25

HEX #BF9E88

RGB 191 158 136

HSL 24, 0.3%, 0.64%

LAB 67.51, 8.9, 16.07

 

CMYK 29 / 0 / 17 / 25

HEX #88BF9E

RGB 136 191 158

HSL 144, 0.3%, 0.64%

LAB 72.87, -24.82, 10.96

 

CMYK 17 / 28 / 0 / 25

HEX #9F89BF

RGB 159 137 191

HSL 264.44, 0.3%, 0.64%

LAB 60.8, 19.12, -25.08

 

CMYK 0 / 29 / 17 / 25

HEX #BF889E

RGB 191 136 158

HSL 336, 0.3%, 0.64%

LAB 62.64, 24.35, -3.28

 

CMYK 12 / 0 / 29 / 25

HEX #A9BF88

RGB 169 191 136

HSL 84, 0.3%, 0.64%

LAB 74.49, -17.12, 25.34

 

CMYK 29 / 0 / 12 / 25

HEX #88BFA9

RGB 136 191 169

HSL 156, 0.3%, 0.64%

LAB 73.13, -22.59, 5.36

 

CMYK 17 / 28 / 0 / 25

HEX #9F89BF

RGB 159 137 191

HSL 264.44, 0.3%, 0.64%

LAB 60.8, 19.12, -25.08

 

CMYK 0 / 29 / 26 / 25

HEX #BF888D

RGB 191 136 141

HSL 354.55, 0.3%, 0.64%

LAB 62.18, 21.75, 5.73

 

CMYK 12 / 0 / 29 / 25

HEX #A9BF88

RGB 169 191 136

HSL 84, 0.3%, 0.64%

LAB 74.49, -17.12, 25.34

 

CMYK 29 / 0 / 3 / 25

HEX #88BFB9

RGB 136 191 185

HSL 173.45, 0.3%, 0.64%

LAB 73.54, -19.11, -2.74

 

Description

Color code: HEX #9F89BF | qconv.com Color code: HEX #9F89BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 137 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 137 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 28 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 28% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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