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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F86C0 it is the complementary color #60793F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F86C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F86C0 shade: #A486BB, #B598CE, #C6AAE1, #D7BCF4 and #E8CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F86C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F86C0 shade: #9F86C0, #8E74AD, #7D629A, #6C5087 and #5B3E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F86C0 shade: #9F85C0, #AE85C0, #BE85C0, #C085B2 and #C085A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F86C0 shade: #9F85C0, #8F85C0 and #8585C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F86C0 shade matches the following richer shades: #9F85C0, #9D76CF, #9B68DE, #9859ED and #964AFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F86C0 shade: #9F85C0, #A194B1, #A3A3A2, #A5B294 and #A7C185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F86C0 shade: #858CC0, #8E85C0, #9E85C0, #AD85C0 and #BD85C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F86C0 shade: #7452A0, #896AB2, #9F85C0, #B4A1CE and #CABCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F86C0 shade: #9F86C0, #C0859C and #85C086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F86C0 shade: #9F86C0, #C09E85 and #85C09E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F86C0 shade: #9F86C0, #C0859C, #A8C085 and #85C0AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F86C0 shade: #9F86C0, #C0858A, #A8C085 and #85C0BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 30 / 0 / 25

HEX #9F86C0

RGB 159 134 192

HSL 265.86, 0.32%, 0.64%

LAB 60.09, 21.07, -26.74

 

Complementary color

CMYK 21 / 0 / 48 / 53

HEX #60793F

RGB 96 121 63

HSL 85.86, 0.32%, 0.36%

LAB 47.65, -19.69, 28.75

 

CMYK 12 / 28 / 0 / 27

HEX #A486BB

RGB 164 134 187

HSL 273.96, 0.28%, 0.63%

LAB 60.37, 21.57, -23.45

 

CMYK 12 / 26 / 0 / 19

HEX #B598CE

RGB 181 152 206

HSL 272.22, 0.36%, 0.7%

LAB 67.08, 20.99, -23.68

 

CMYK 12 / 24 / 0 / 12

HEX #C6AAE1

RGB 198 170 225

HSL 270.55, 0.48%, 0.77%

LAB 73.67, 20.47, -23.93

 

CMYK 12 / 23 / 0 / 4

HEX #D7BCF4

RGB 215 188 244

HSL 268.93, 0.72%, 0.85%

LAB 80.15, 19.98, -24.19

 

CMYK 9 / 19 / 0 / 0

HEX #E8CEFF

RGB 232 206 255

HSL 271.84, 1%, 0.9%

LAB 86.27, 17.93, -20.62

 

CMYK 17 / 30 / 0 / 25

HEX #9F86C0

RGB 159 134 192

HSL 265.86, 0.32%, 0.64%

LAB 60.09, 21.07, -26.74

 

CMYK 18 / 33 / 0 / 32

HEX #8E74AD

RGB 142 116 173

HSL 267.37, 0.26%, 0.57%

LAB 53.23, 21.71, -26.6

 

CMYK 19 / 36 / 0 / 40

HEX #7D629A

RGB 125 98 154

HSL 268.93, 0.22%, 0.49%

LAB 46.22, 22.42, -26.48

 

CMYK 20 / 41 / 0 / 47

HEX #6C5087

RGB 108 80 135

HSL 270.55, 0.26%, 0.42%

LAB 39.03, 23.21, -26.4

 

CMYK 22 / 47 / 0 / 55

HEX #5B3E74

RGB 91 62 116

HSL 272.22, 0.3%, 0.35%

LAB 31.65, 24.11, -26.33

 

CMYK 17 / 31 / 0 / 25

HEX #9F85C0

RGB 159 133 192

HSL 266.44, 0.32%, 0.64%

LAB 59.85, 21.64, -27.12

 

CMYK 9 / 31 / 0 / 25

HEX #AE85C0

RGB 174 133 192

HSL 281.69, 0.32%, 0.64%

LAB 61.29, 26.45, -24.77

 

CMYK 1 / 31 / 0 / 25

HEX #BE85C0

RGB 190 133 192

HSL 297.97, 0.32%, 0.64%

LAB 62.95, 31.68, -22.08

 

CMYK 0 / 31 / 7 / 25

HEX #C085B2

RGB 192 133 178

HSL 314.24, 0.32%, 0.64%

LAB 62.67, 29.76, -14.57

 

CMYK 0 / 31 / 16 / 25

HEX #C085A2

RGB 192 133 162

HSL 330.51, 0.32%, 0.64%

LAB 62.16, 27.02, -6.24

 

CMYK 17 / 31 / 0 / 25

HEX #9F85C0

RGB 159 133 192

HSL 266.44, 0.32%, 0.64%

LAB 59.85, 21.64, -27.12

 

CMYK 26 / 31 / 0 / 25

HEX #8F85C0

RGB 143 133 192

HSL 250.17, 0.32%, 0.64%

LAB 58.43, 16.66, -29.41

 

CMYK 31 / 31 / 0 / 25

HEX #8585C0

RGB 133 133 192

HSL 240, 0.32%, 0.64%

LAB 57.62, 13.65, -30.73

 

CMYK 17 / 31 / 0 / 25

HEX #9F85C0

RGB 159 133 192

HSL 266.44, 0.32%, 0.64%

LAB 59.85, 21.64, -27.12

 

CMYK 24 / 43 / 0 / 19

HEX #9D76CF

RGB 157 118 207

HSL 266.29, 0.48%, 0.64%

LAB 56.71, 33.13, -40.51

 

CMYK 30 / 53 / 0 / 13

HEX #9B68DE

RGB 155 104 222

HSL 265.93, 0.64%, 0.64%

LAB 54.18, 44.08, -53.01

 

CMYK 36 / 62 / 0 / 7

HEX #9859ED

RGB 152 89 237

HSL 265.54, 0.8%, 0.64%

LAB 51.76, 55.05, -65.34

 

CMYK 40 / 71 / 0 / 2

HEX #964AFB

RGB 150 74 251

HSL 265.76, 0.96%, 0.64%

LAB 49.91, 65.31, -76.18

 

CMYK 17 / 31 / 0 / 25

HEX #9F85C0

RGB 159 133 192

HSL 266.44, 0.32%, 0.64%

LAB 59.85, 21.64, -27.12

 

CMYK 9 / 16 / 0 / 31

HEX #A194B1

RGB 161 148 177

HSL 266.9, 0.16%, 0.64%

LAB 63.29, 10.46, -13.38

 

CMYK 0 / 0 / 1 / 36

HEX #A3A3A2

RGB 163 163 162

HSL 60, 0.01%, 0.64%

LAB 66.97, -0.19, 0.51

 

CMYK 7 / 0 / 17 / 30

HEX #A5B294

RGB 165 178 148

HSL 86, 0.16%, 0.64%

LAB 70.86, -10.01, 13.82

 

CMYK 13 / 0 / 31 / 24

HEX #A7C185

RGB 167 193 133

HSL 86, 0.33%, 0.64%

LAB 74.86, -19.31, 27.38

 

CMYK 31 / 27 / 0 / 25

HEX #858CC0

RGB 133 140 192

HSL 232.88, 0.32%, 0.64%

LAB 59.48, 9.58, -27.86

 

CMYK 26 / 31 / 0 / 25

HEX #8E85C0

RGB 142 133 192

HSL 249.15, 0.32%, 0.64%

LAB 58.35, 16.35, -29.55

 

CMYK 18 / 31 / 0 / 25

HEX #9E85C0

RGB 158 133 192

HSL 265.42, 0.32%, 0.64%

LAB 59.75, 21.32, -27.27

 

CMYK 10 / 31 / 0 / 25

HEX #AD85C0

RGB 173 133 192

HSL 280.68, 0.32%, 0.64%

LAB 61.19, 26.13, -24.93

 

CMYK 2 / 31 / 0 / 25

HEX #BD85C0

RGB 189 133 192

HSL 296.95, 0.32%, 0.64%

LAB 62.84, 31.35, -22.26

 

CMYK 28 / 49 / 0 / 37

HEX #7452A0

RGB 116 82 160

HSL 266.15, 0.32%, 0.47%

LAB 41.67, 30.73, -37.26

 

CMYK 23 / 40 / 0 / 30

HEX #896AB2

RGB 137 106 178

HSL 265.83, 0.32%, 0.56%

LAB 50.5, 27.21, -33.78

 

CMYK 17 / 31 / 0 / 25

HEX #9F85C0

RGB 159 133 192

HSL 266.44, 0.32%, 0.64%

LAB 59.85, 21.64, -27.12

 

CMYK 13 / 22 / 0 / 19

HEX #B4A1CE

RGB 180 161 206

HSL 265.33, 0.31%, 0.72%

LAB 69.22, 15.64, -20.43

 

CMYK 8 / 15 / 0 / 14

HEX #CABCDC

RGB 202 188 220

HSL 266.25, 0.31%, 0.8%

LAB 78.28, 10.93, -14.2

 

CMYK 17 / 30 / 0 / 25

HEX #9F86C0

RGB 159 134 192

HSL 265.86, 0.32%, 0.64%

LAB 60.09, 21.07, -26.74

 

CMYK 0 / 31 / 19 / 25

HEX #C0859C

RGB 192 133 156

HSL 336.61, 0.32%, 0.64%

LAB 61.98, 26.06, -3.09

 

CMYK 31 / 0 / 30 / 25

HEX #85C086

RGB 133 192 134

HSL 121.02, 0.32%, 0.64%

LAB 72.5, -30.66, 23.32

 

CMYK 17 / 30 / 0 / 25

HEX #9F86C0

RGB 159 134 192

HSL 265.86, 0.32%, 0.64%

LAB 60.09, 21.07, -26.74

 

CMYK 0 / 18 / 31 / 25

HEX #C09E85

RGB 192 158 133

HSL 25.42, 0.32%, 0.64%

LAB 67.54, 8.89, 17.79

 

CMYK 31 / 0 / 18 / 25

HEX #85C09E

RGB 133 192 158

HSL 145.42, 0.32%, 0.64%

LAB 72.99, -26.26, 11.12

 

CMYK 17 / 30 / 0 / 25

HEX #9F86C0

RGB 159 134 192

HSL 265.86, 0.32%, 0.64%

LAB 60.09, 21.07, -26.74

 

CMYK 0 / 31 / 19 / 25

HEX #C0859C

RGB 192 133 156

HSL 336.61, 0.32%, 0.64%

LAB 61.98, 26.06, -3.09

 

CMYK 13 / 0 / 31 / 25

HEX #A8C085

RGB 168 192 133

HSL 84.41, 0.32%, 0.64%

LAB 74.65, -18.44, 27.12

 

CMYK 31 / 0 / 11 / 25

HEX #85C0AA

RGB 133 192 170

HSL 157.63, 0.32%, 0.64%

LAB 73.28, -23.8, 5.01

 

CMYK 17 / 30 / 0 / 25

HEX #9F86C0

RGB 159 134 192

HSL 265.86, 0.32%, 0.64%

LAB 60.09, 21.07, -26.74

 

CMYK 0 / 31 / 28 / 25

HEX #C0858A

RGB 192 133 138

HSL 354.92, 0.32%, 0.64%

LAB 61.5, 23.37, 6.47

 

CMYK 13 / 0 / 31 / 25

HEX #A8C085

RGB 168 192 133

HSL 84.41, 0.32%, 0.64%

LAB 74.65, -18.44, 27.12

 

CMYK 31 / 0 / 3 / 25

HEX #85C0BB

RGB 133 192 187

HSL 174.92, 0.32%, 0.64%

LAB 73.72, -20.04, -3.59

 

Description

Color code: HEX #9F86C0 | qconv.com Color code: HEX #9F86C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 134 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 134 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 30 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 30% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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