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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F84F0 it is the complementary color #607B0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F84F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F84F0 shade: #A484EB, #B596FE, #C6A8FF, #D7BAFF and #E8CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F84F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F84F0 shade: #9F84F0, #8E72DD, #7D60CA, #6C4EB7 and #5B3CA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F84F0 shade: #9F84F0, #BC84F0, #D984F0, #F084EA and #F084CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F84F0 shade: #9F84F0 and #8484F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F84F0 shade matches the following richer shades: #9F84F0 and #9A79FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F84F0 shade: #9F84F0, #A590E5, #AA9BDA, #B0A6CE and #B6B1C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F84F0 shade: #84A3F0, #8486F0, #9F84F0, #BC84F0 and #D984F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F84F0 shade: #663BE7, #8360EB, #9F84F0, #BCA9F4 and #D9CEF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F84F0 shade: #9F84F0, #F084C0 and #95F084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F84F0 shade: #9F84F0, #F09F84 and #84F09F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F84F0 shade: #9F84F0, #F084C0, #D5F084 and #84F0B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F84F0 shade: #9F84F0, #F0849F, #D5F084 and #84F0D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

Complementary color

CMYK 22 / 0 / 88 / 52

HEX #607B0F

RGB 96 123 15

HSL 75, 0.78%, 0.27%

LAB 47.86, -24.49, 49.43

 

CMYK 30 / 44 / 0 / 8

HEX #A484EB

RGB 164 132 235

HSL 258.64, 0.72%, 0.72%

LAB 61.99, 33.96, -47.81

 

CMYK 29 / 41 / 0 / 0

HEX #B596FE

RGB 181 150 254

HSL 257.88, 0.98%, 0.79%

LAB 68.6, 33.1, -47.72

 

CMYK 22 / 34 / 0 / 0

HEX #C6A8FF

RGB 198 168 255

HSL 260.69, 1%, 0.83%

LAB 74.34, 28.13, -39.17

 

CMYK 16 / 27 / 0 / 0

HEX #D7BAFF

RGB 215 186 255

HSL 265.22, 1%, 0.86%

LAB 80.06, 23.36, -30.21

 

CMYK 9 / 20 / 0 / 0

HEX #E8CCFF

RGB 232 204 255

HSL 272.94, 1%, 0.9%

LAB 85.79, 18.99, -21.35

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 36 / 48 / 0 / 13

HEX #8E72DD

RGB 142 114 221

HSL 255.7, 0.61%, 0.66%

LAB 55.08, 34.9, -51.09

 

CMYK 38 / 52 / 0 / 21

HEX #7D60CA

RGB 125 96 202

HSL 256.42, 0.5%, 0.58%

LAB 48.25, 36, -51.29

 

CMYK 41 / 57 / 0 / 28

HEX #6C4EB7

RGB 108 78 183

HSL 257.14, 0.42%, 0.51%

LAB 41.3, 37.21, -51.49

 

CMYK 45 / 63 / 0 / 36

HEX #5B3CA4

RGB 91 60 164

HSL 257.88, 0.46%, 0.44%

LAB 34.26, 38.5, -51.67

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 22 / 45 / 0 / 6

HEX #BC84F0

RGB 188 132 240

HSL 271.11, 0.78%, 0.73%

LAB 64.55, 41.68, -46.38

 

CMYK 10 / 45 / 0 / 6

HEX #D984F0

RGB 217 132 240

HSL 287.22, 0.78%, 0.73%

LAB 67.68, 49.78, -41.24

 

CMYK 0 / 45 / 3 / 6

HEX #F084EA

RGB 240 132 234

HSL 303.33, 0.78%, 0.73%

LAB 70.15, 55.26, -33.89

 

CMYK 0 / 45 / 15 / 6

HEX #F084CD

RGB 240 132 205

HSL 319.44, 0.78%, 0.73%

LAB 69.07, 50.51, -19.51

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 45 / 45 / 0 / 6

HEX #8484F0

RGB 132 132 240

HSL 240, 0.78%, 0.73%

LAB 59.62, 27.24, -54.52

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 39 / 52 / 0 / 2

HEX #9A79FB

RGB 154 121 251

HSL 255.23, 0.94%, 0.73%

LAB 59.44, 41.78, -60.76

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 28 / 37 / 0 / 10

HEX #A590E5

RGB 165 144 229

HSL 254.82, 0.62%, 0.73%

LAB 64.65, 25.93, -40.31

 

CMYK 22 / 29 / 0 / 15

HEX #AA9BDA

RGB 170 155 218

HSL 254.29, 0.46%, 0.73%

LAB 67.32, 18.53, -30.05

 

CMYK 15 / 19 / 0 / 19

HEX #B0A6CE

RGB 176 166 206

HSL 255, 0.29%, 0.73%

LAB 70.15, 11.56, -19.05

 

CMYK 7 / 9 / 0 / 24

HEX #B6B1C3

RGB 182 177 195

HSL 256.67, 0.13%, 0.73%

LAB 73.11, 5.22, -8.5

 

CMYK 45 / 32 / 0 / 6

HEX #84A3F0

RGB 132 163 240

HSL 222.78, 0.78%, 0.73%

LAB 67.57, 9.23, -41.95

 

CMYK 45 / 44 / 0 / 6

HEX #8486F0

RGB 132 134 240

HSL 238.89, 0.78%, 0.73%

LAB 60.11, 26.06, -53.73

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 22 / 45 / 0 / 6

HEX #BC84F0

RGB 188 132 240

HSL 271.11, 0.78%, 0.73%

LAB 64.55, 41.68, -46.38

 

CMYK 10 / 45 / 0 / 6

HEX #D984F0

RGB 217 132 240

HSL 287.22, 0.78%, 0.73%

LAB 67.68, 49.78, -41.24

 

CMYK 56 / 74 / 0 / 9

HEX #663BE7

RGB 102 59 231

HSL 255, 0.78%, 0.57%

LAB 40.77, 59.79, -80.1

 

CMYK 44 / 59 / 0 / 8

HEX #8360EB

RGB 131 96 235

HSL 255.11, 0.78%, 0.65%

LAB 50.91, 46.42, -65.71

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 23 / 31 / 0 / 4

HEX #BCA9F4

RGB 188 169 244

HSL 255.2, 0.77%, 0.81%

LAB 73.28, 22.13, -34.92

 

CMYK 13 / 17 / 0 / 2

HEX #D9CEF9

RGB 217 206 249

HSL 255.35, 0.78%, 0.89%

LAB 84.86, 11.98, -19.69

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 0 / 45 / 20 / 6

HEX #F084C0

RGB 240 132 192

HSL 326.67, 0.78%, 0.73%

LAB 68.63, 48.56, -12.92

 

CMYK 38 / 0 / 45 / 6

HEX #95F084

RGB 149 240 132

HSL 110.56, 0.78%, 0.73%

LAB 87.18, -47.35, 43.69

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 0 / 34 / 45 / 6

HEX #F09F84

RGB 240 159 132

HSL 15, 0.78%, 0.73%

LAB 72.88, 27.12, 26.45

 

CMYK 45 / 0 / 34 / 6

HEX #84F09F

RGB 132 240 159

HSL 135, 0.78%, 0.73%

LAB 86.86, -48.18, 29.73

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 0 / 45 / 20 / 6

HEX #F084C0

RGB 240 132 192

HSL 326.67, 0.78%, 0.73%

LAB 68.63, 48.56, -12.92

 

CMYK 11 / 0 / 45 / 6

HEX #D5F084

RGB 213 240 132

HSL 75, 0.78%, 0.73%

LAB 90.84, -25.11, 49.05

 

CMYK 45 / 0 / 25 / 6

HEX #84F0B5

RGB 132 240 181

HSL 147.22, 0.78%, 0.73%

LAB 87.27, -44.17, 19.01

 

CMYK 34 / 45 / 0 / 6

HEX #9F84F0

RGB 159 132 240

HSL 255, 0.78%, 0.73%

LAB 61.8, 33.91, -50.92

 

CMYK 0 / 45 / 34 / 6

HEX #F0849F

RGB 240 132 159

HSL 345, 0.78%, 0.73%

LAB 67.67, 44.16, 4.22

 

CMYK 11 / 0 / 45 / 6

HEX #D5F084

RGB 213 240 132

HSL 75, 0.78%, 0.73%

LAB 90.84, -25.11, 49.05

 

CMYK 45 / 0 / 11 / 6

HEX #84F0D5

RGB 132 240 213

HSL 165, 0.78%, 0.73%

LAB 87.98, -37.47, 3.38

 

Description

Color code: HEX #9F84F0 | qconv.com Color code: HEX #9F84F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 132 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 132 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 45 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 45% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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