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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F846E it is the complementary color #607B91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F846E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F846E shade: #A48469, #B5967C, #C6A88F, #D7BAA2 and #E8CCB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F846E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F846E shade: #9F846E, #8E725B, #7D6048, #6C4E35 and #5B3C22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F846E shade: #9F846F, #9F776F and #9F6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F846E shade: #9F846F, #9F916F, #9F9E6F, #929F6F and #859F6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F846E shade matches the following richer shades: #9F846F, #B2825B, #C58048, #D97E35 and #EC7C21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F846E shade: #9F846F, #8B8682, #788895, #648AA9 and #518CBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F846E shade: #9F6F73, #9F776F, #9F836F, #9F906F and #9F9D6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F846E shade: #705B4B, #89705B, #9F846F, #AF9987 and #C0AEA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F846E shade: #9F846E, #809F6F and #706F9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F846E shade: #9F846E, #6F9F83 and #836F9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F846E shade: #9F846E, #809F6F, #6F8A9F and #8D6F9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F846E shade: #9F846E, #729F6F, #6F8A9F and #9B6F9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 31 / 38

HEX #9F846E

RGB 159 132 110

HSL 26.94, 0.2%, 0.53%

LAB 57.07, 6.93, 15.74

 

Complementary color

CMYK 34 / 15 / 0 / 43

HEX #607B91

RGB 96 123 145

HSL 206.94, 0.2%, 0.47%

LAB 50.33, -4.1, -15.05

 

CMYK 0 / 20 / 36 / 36

HEX #A48469

RGB 164 132 105

HSL 27.46, 0.24%, 0.53%

LAB 57.48, 8.32, 19.22

 

CMYK 0 / 17 / 31 / 29

HEX #B5967C

RGB 181 150 124

HSL 27.37, 0.28%, 0.6%

LAB 64.24, 7.7, 18.05

 

CMYK 0 / 15 / 28 / 22

HEX #C6A88F

RGB 198 168 143

HSL 27.27, 0.33%, 0.67%

LAB 70.87, 7.16, 16.99

 

CMYK 0 / 13 / 25 / 16

HEX #D7BAA2

RGB 215 186 162

HSL 27.17, 0.4%, 0.74%

LAB 77.38, 6.69, 15.99

 

CMYK 0 / 12 / 22 / 9

HEX #E8CCB5

RGB 232 204 181

HSL 27.06, 0.53%, 0.81%

LAB 83.8, 6.28, 15.06

 

CMYK 0 / 17 / 31 / 38

HEX #9F846E

RGB 159 132 110

HSL 26.94, 0.2%, 0.53%

LAB 57.07, 6.93, 15.74

 

CMYK 0 / 20 / 36 / 44

HEX #8E725B

RGB 142 114 91

HSL 27.06, 0.22%, 0.46%

LAB 50.15, 7.56, 16.91

 

CMYK 0 / 23 / 42 / 51

HEX #7D6048

RGB 125 96 72

HSL 27.17, 0.27%, 0.39%

LAB 43.05, 8.32, 18.23

 

CMYK 0 / 28 / 51 / 58

HEX #6C4E35

RGB 108 78 53

HSL 27.27, 0.34%, 0.32%

LAB 35.78, 9.27, 19.71

 

CMYK 0 / 34 / 63 / 64

HEX #5B3C22

RGB 91 60 34

HSL 27.37, 0.46%, 0.25%

LAB 28.3, 10.51, 21.41

 

CMYK 0 / 17 / 30 / 38

HEX #9F846F

RGB 159 132 111

HSL 26.25, 0.2%, 0.53%

LAB 57.1, 7.07, 15.2

 

CMYK 0 / 25 / 30 / 38

HEX #9F776F

RGB 159 119 111

HSL 10, 0.2%, 0.53%

LAB 53.72, 14.47, 10.49

 

CMYK 0 / 30 / 30 / 38

HEX #9F6F6F

RGB 159 111 111

HSL 0, 0.2%, 0.53%

LAB 51.71, 19.05, 7.64

 

CMYK 0 / 17 / 30 / 38

HEX #9F846F

RGB 159 132 111

HSL 26.25, 0.2%, 0.53%

LAB 57.1, 7.07, 15.2

 

CMYK 0 / 9 / 30 / 38

HEX #9F916F

RGB 159 145 111

HSL 42.5, 0.2%, 0.53%

LAB 60.58, -0.21, 19.97

 

CMYK 0 / 1 / 30 / 38

HEX #9F9E6F

RGB 159 158 111

HSL 58.75, 0.2%, 0.53%

LAB 64.14, -7.3, 24.76

 

CMYK 8 / 0 / 30 / 38

HEX #929F6F

RGB 146 159 111

HSL 76.25, 0.2%, 0.53%

LAB 63.39, -13.01, 23.57

 

CMYK 16 / 0 / 30 / 38

HEX #859F6F

RGB 133 159 111

HSL 92.5, 0.2%, 0.53%

LAB 62.45, -18.04, 22.15

 

CMYK 0 / 17 / 30 / 38

HEX #9F846F

RGB 159 132 111

HSL 26.25, 0.2%, 0.53%

LAB 57.1, 7.07, 15.2

 

CMYK 0 / 27 / 49 / 30

HEX #B2825B

RGB 178 130 91

HSL 26.9, 0.36%, 0.53%

LAB 58.21, 13.72, 28.31

 

CMYK 0 / 35 / 63 / 23

HEX #C58048

RGB 197 128 72

HSL 26.88, 0.52%, 0.53%

LAB 59.69, 21.29, 40.83

 

CMYK 0 / 42 / 76 / 15

HEX #D97E35

RGB 217 126 53

HSL 26.71, 0.68%, 0.53%

LAB 61.59, 29.7, 52.87

 

CMYK 0 / 47 / 86 / 7

HEX #EC7C21

RGB 236 124 33

HSL 26.9, 0.84%, 0.53%

LAB 63.64, 37.8, 63.52

 

CMYK 0 / 17 / 30 / 38

HEX #9F846F

RGB 159 132 111

HSL 26.25, 0.2%, 0.53%

LAB 57.1, 7.07, 15.2

 

CMYK 0 / 4 / 6 / 45

HEX #8B8682

RGB 139 134 130

HSL 26.67, 0.04%, 0.53%

LAB 56.24, 1.11, 2.81

 

CMYK 19 / 9 / 0 / 42

HEX #788895

RGB 120 136 149

HSL 206.9, 0.12%, 0.53%

LAB 55.86, -2.86, -8.89

 

CMYK 41 / 18 / 0 / 34

HEX #648AA9

RGB 100 138 169

HSL 206.96, 0.29%, 0.53%

LAB 55.84, -4.97, -20.55

 

CMYK 57 / 26 / 0 / 26

HEX #518CBC

RGB 81 140 188

HSL 206.92, 0.44%, 0.53%

LAB 56.22, -5.02, -30.88

 

CMYK 0 / 30 / 28 / 38

HEX #9F6F73

RGB 159 111 115

HSL 355, 0.2%, 0.53%

LAB 51.81, 19.63, 5.43

 

CMYK 0 / 25 / 30 / 38

HEX #9F776F

RGB 159 119 111

HSL 10, 0.2%, 0.53%

LAB 53.72, 14.47, 10.49

 

CMYK 0 / 18 / 30 / 38

HEX #9F836F

RGB 159 131 111

HSL 25, 0.2%, 0.53%

LAB 56.83, 7.63, 14.83

 

CMYK 0 / 9 / 30 / 38

HEX #9F906F

RGB 159 144 111

HSL 41.25, 0.2%, 0.53%

LAB 60.31, 0.35, 19.6

 

CMYK 0 / 1 / 30 / 38

HEX #9F9D6F

RGB 159 157 111

HSL 57.5, 0.2%, 0.53%

LAB 63.86, -6.76, 24.39

 

CMYK 0 / 19 / 33 / 56

HEX #705B4B

RGB 112 91 75

HSL 25.95, 0.2%, 0.37%

LAB 40.3, 5.99, 12.45

 

CMYK 0 / 18 / 34 / 46

HEX #89705B

RGB 137 112 91

HSL 27.39, 0.2%, 0.45%

LAB 49.08, 6.59, 15.38

 

CMYK 0 / 17 / 30 / 38

HEX #9F846F

RGB 159 132 111

HSL 26.25, 0.2%, 0.53%

LAB 57.1, 7.07, 15.2

 

CMYK 0 / 13 / 23 / 31

HEX #AF9987

RGB 175 153 135

HSL 27, 0.2%, 0.61%

LAB 64.68, 5.23, 12.45

 

CMYK 0 / 9 / 17 / 25

HEX #C0AEA0

RGB 192 174 160

HSL 26.25, 0.2%, 0.69%

LAB 72.24, 4.15, 9.53

 

CMYK 0 / 17 / 31 / 38

HEX #9F846E

RGB 159 132 110

HSL 26.94, 0.2%, 0.53%

LAB 57.07, 6.93, 15.74

 

CMYK 19 / 0 / 30 / 38

HEX #809F6F

RGB 128 159 111

HSL 98.75, 0.2%, 0.53%

LAB 62.11, -19.92, 21.64

 

CMYK 30 / 30 / 0 / 38

HEX #706F9F

RGB 112 111 159

HSL 241.25, 0.2%, 0.53%

LAB 48.66, 11.72, -25.74

 

CMYK 0 / 17 / 31 / 38

HEX #9F846E

RGB 159 132 110

HSL 26.94, 0.2%, 0.53%

LAB 57.07, 6.93, 15.74

 

CMYK 30 / 0 / 18 / 38

HEX #6F9F83

RGB 111 159 131

HSL 145, 0.2%, 0.53%

LAB 61.49, -22.22, 9.51

 

CMYK 18 / 30 / 0 / 38

HEX #836F9F

RGB 131 111 159

HSL 265, 0.2%, 0.53%

LAB 50.33, 17.81, -23.01

 

CMYK 0 / 17 / 31 / 38

HEX #9F846E

RGB 159 132 110

HSL 26.94, 0.2%, 0.53%

LAB 57.07, 6.93, 15.74

 

CMYK 19 / 0 / 30 / 38

HEX #809F6F

RGB 128 159 111

HSL 98.75, 0.2%, 0.53%

LAB 62.11, -19.92, 21.64

 

CMYK 30 / 13 / 0 / 38

HEX #6F8A9F

RGB 111 138 159

HSL 206.25, 0.2%, 0.53%

LAB 56.15, -4.44, -14.28

 

CMYK 11 / 30 / 0 / 38

HEX #8D6F9F

RGB 141 111 159

HSL 277.5, 0.2%, 0.53%

LAB 51.31, 21.13, -21.43

 

CMYK 0 / 17 / 31 / 38

HEX #9F846E

RGB 159 132 110

HSL 26.94, 0.2%, 0.53%

LAB 57.07, 6.93, 15.74

 

CMYK 28 / 0 / 30 / 38

HEX #729F6F

RGB 114 159 111

HSL 116.25, 0.2%, 0.53%

LAB 61.24, -24.97, 20.31

 

CMYK 30 / 13 / 0 / 38

HEX #6F8A9F

RGB 111 138 159

HSL 206.25, 0.2%, 0.53%

LAB 56.15, -4.44, -14.28

 

CMYK 3 / 30 / 0 / 38

HEX #9B6F9F

RGB 155 111 159

HSL 295, 0.2%, 0.53%

LAB 52.77, 25.87, -19.05

 

Description

Color code: HEX #9F846E | qconv.com Color code: HEX #9F846E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 132 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 132 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 31 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 31% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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