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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7EC2 it is the complementary color #60813D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7EC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7EC2 shade: #A47EBD, #B590D0, #C6A2E3, #D7B4F6 and #E8C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7EC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7EC2 shade: #9F7EC2, #8E6CAF, #7D5A9C, #6C4889 and #5B3676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7EC2 shade: #9F7EC2, #B17EC2, #C27EC0, #C27EAE and #C27E9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7EC2 shade: #9F7EC2, #8D7EC2 and #7E7EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7EC2 shade matches the following richer shades: #9F7EC2, #9F6FD1, #9E60E1 and #9E50F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7EC2 shade: #9F7EC2, #A08DB3, #A09DA4, #A0AC94 and #A1BB85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7EC2 shade: #7E82C2, #8D7EC2, #9F7EC2, #B17EC2 and #C27EC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7EC2 shade: #764CA2, #8A62B5, #9F7EC2, #B49ACF and #C9B6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7EC2 shade: #9F7EC2, #C27E94 and #7EC284

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7EC2 shade: #9F7EC2, #C29F7E and #7EC29F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7EC2 shade: #9F7EC2, #C27E94, #A1C27E and #7EC2AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7EC2 shade: #9F7EC2, #C27E7F, #A1C27E and #7EC2C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

Complementary color

CMYK 26 / 0 / 53 / 49

HEX #60813D

RGB 96 129 61

HSL 89.12, 0.36%, 0.37%

LAB 50.13, -24.04, 32.84

 

CMYK 13 / 33 / 0 / 26

HEX #A47EBD

RGB 164 126 189

HSL 276.19, 0.32%, 0.62%

LAB 58.5, 26.57, -27.46

 

CMYK 13 / 31 / 0 / 18

HEX #B590D0

RGB 181 144 208

HSL 274.69, 0.41%, 0.69%

LAB 65.22, 25.9, -27.65

 

CMYK 13 / 29 / 0 / 11

HEX #C6A2E3

RGB 198 162 227

HSL 273.23, 0.54%, 0.76%

LAB 71.82, 25.29, -27.85

 

CMYK 13 / 27 / 0 / 4

HEX #D7B4F6

RGB 215 180 246

HSL 271.82, 0.79%, 0.84%

LAB 78.31, 24.72, -28.07

 

CMYK 9 / 22 / 0 / 0

HEX #E8C6FF

RGB 232 198 255

HSL 275.79, 1%, 0.89%

LAB 84.36, 22.19, -23.51

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 19 / 38 / 0 / 31

HEX #8E6CAF

RGB 142 108 175

HSL 270.45, 0.3%, 0.55%

LAB 51.35, 26.85, -30.68

 

CMYK 20 / 42 / 0 / 39

HEX #7D5A9C

RGB 125 90 156

HSL 271.82, 0.27%, 0.48%

LAB 44.34, 27.67, -30.6

 

CMYK 21 / 47 / 0 / 46

HEX #6C4889

RGB 108 72 137

HSL 273.23, 0.31%, 0.41%

LAB 37.17, 28.55, -30.54

 

CMYK 23 / 54 / 0 / 54

HEX #5B3676

RGB 91 54 118

HSL 274.69, 0.37%, 0.34%

LAB 29.84, 29.5, -30.45

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 9 / 35 / 0 / 24

HEX #B17EC2

RGB 177 126 194

HSL 285, 0.36%, 0.63%

LAB 60.04, 31.76, -27.81

 

CMYK 0 / 35 / 1 / 24

HEX #C27EC0

RGB 194 126 192

HSL 301.76, 0.36%, 0.63%

LAB 61.82, 36.81, -23.77

 

CMYK 0 / 35 / 10 / 24

HEX #C27EAE

RGB 194 126 174

HSL 317.65, 0.36%, 0.63%

LAB 61.17, 33.58, -14.53

 

CMYK 0 / 35 / 20 / 24

HEX #C27E9C

RGB 194 126 156

HSL 333.53, 0.36%, 0.63%

LAB 60.6, 30.63, -5.11

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 27 / 35 / 0 / 24

HEX #8D7EC2

RGB 141 126 194

HSL 253.24, 0.36%, 0.63%

LAB 56.56, 20.64, -33.47

 

CMYK 35 / 35 / 0 / 24

HEX #7E7EC2

RGB 126 126 194

HSL 240, 0.36%, 0.63%

LAB 55.33, 16.29, -35.49

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 24 / 47 / 0 / 18

HEX #9F6FD1

RGB 159 111 209

HSL 269.39, 0.52%, 0.63%

LAB 55.42, 38.12, -43.66

 

CMYK 30 / 57 / 0 / 12

HEX #9E60E1

RGB 158 96 225

HSL 268.84, 0.68%, 0.63%

LAB 53.03, 49.85, -56.53

 

CMYK 34 / 67 / 0 / 6

HEX #9E50F0

RGB 158 80 240

HSL 269.25, 0.84%, 0.63%

LAB 51.03, 61.41, -68.17

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 11 / 21 / 0 / 30

HEX #A08DB3

RGB 160 141 179

HSL 270, 0.2%, 0.63%

LAB 61.46, 14.52, -17.27

 

CMYK 2 / 4 / 0 / 36

HEX #A09DA4

RGB 160 157 164

HSL 265.71, 0.04%, 0.63%

LAB 65.17, 2.43, -3.26

 

CMYK 7 / 0 / 14 / 33

HEX #A0AC94

RGB 160 172 148

HSL 90, 0.13%, 0.63%

LAB 68.84, -8.68, 10.92

 

CMYK 14 / 0 / 29 / 27

HEX #A1BB85

RGB 161 187 133

HSL 88.89, 0.28%, 0.63%

LAB 72.77, -18.52, 24.51

 

CMYK 35 / 33 / 0 / 24

HEX #7E82C2

RGB 126 130 194

HSL 236.47, 0.36%, 0.63%

LAB 56.38, 13.92, -33.84

 

CMYK 27 / 35 / 0 / 24

HEX #8D7EC2

RGB 141 126 194

HSL 253.24, 0.36%, 0.63%

LAB 56.56, 20.64, -33.47

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 9 / 35 / 0 / 24

HEX #B17EC2

RGB 177 126 194

HSL 285, 0.36%, 0.63%

LAB 60.04, 31.76, -27.81

 

CMYK 0 / 35 / 1 / 24

HEX #C27EC1

RGB 194 126 193

HSL 300.88, 0.36%, 0.63%

LAB 61.86, 36.99, -24.28

 

CMYK 27 / 53 / 0 / 36

HEX #764CA2

RGB 118 76 162

HSL 269.3, 0.36%, 0.47%

LAB 40.62, 35.3, -40.1

 

CMYK 24 / 46 / 0 / 29

HEX #8A62B5

RGB 138 98 181

HSL 268.92, 0.36%, 0.55%

LAB 48.85, 32.89, -38.11

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 13 / 26 / 0 / 19

HEX #B49ACF

RGB 180 154 207

HSL 269.43, 0.36%, 0.71%

LAB 67.52, 19.77, -23.58

 

CMYK 9 / 18 / 0 / 13

HEX #C9B6DD

RGB 201 182 221

HSL 269.23, 0.36%, 0.79%

LAB 76.74, 14.05, -17.08

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 0 / 35 / 24 / 24

HEX #C27E94

RGB 194 126 148

HSL 340.59, 0.36%, 0.63%

LAB 60.36, 29.41, -0.86

 

CMYK 35 / 0 / 32 / 24

HEX #7EC284

RGB 126 194 132

HSL 125.29, 0.36%, 0.63%

LAB 72.68, -34.2, 24.57

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 0 / 18 / 35 / 24

HEX #C29F7E

RGB 194 159 126

HSL 29.12, 0.36%, 0.63%

LAB 67.85, 8.24, 22.1

 

CMYK 35 / 0 / 18 / 24

HEX #7EC29F

RGB 126 194 159

HSL 149.12, 0.36%, 0.63%

LAB 73.23, -29.16, 10.87

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 0 / 35 / 24 / 24

HEX #C27E94

RGB 194 126 148

HSL 340.59, 0.36%, 0.63%

LAB 60.36, 29.41, -0.86

 

CMYK 17 / 0 / 35 / 24

HEX #A1C27E

RGB 161 194 126

HSL 89.12, 0.36%, 0.63%

LAB 74.61, -23.03, 30.66

 

CMYK 35 / 0 / 11 / 24

HEX #7EC2AD

RGB 126 194 173

HSL 161.47, 0.36%, 0.63%

LAB 73.57, -26.2, 3.76

 

CMYK 18 / 35 / 0 / 24

HEX #9F7EC2

RGB 159 126 194

HSL 269.12, 0.36%, 0.63%

LAB 58.21, 26.11, -30.78

 

CMYK 0 / 35 / 35 / 24

HEX #C27E7F

RGB 194 126 127

HSL 359.12, 0.36%, 0.63%

LAB 59.82, 26.52, 10.41

 

CMYK 17 / 0 / 35 / 24

HEX #A1C27E

RGB 161 194 126

HSL 89.12, 0.36%, 0.63%

LAB 74.61, -23.03, 30.66

 

CMYK 35 / 0 / 1 / 24

HEX #7EC2C1

RGB 126 194 193

HSL 179.12, 0.36%, 0.63%

LAB 74.11, -21.6, -6.32

 

Description

Color code: HEX #9F7EC2 | qconv.com Color code: HEX #9F7EC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 126 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 126 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 35 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 35% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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