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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7E5A it is the complementary color #6081A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7E5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7E5A shade: #A47E55, #B59068, #C6A27B, #D7B48E and #E8C6A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7E5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7E5A shade: #9F7E5A, #8E6C47, #7D5A34, #6C4821 and #5B360E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7E5A shade: #A07E5A, #A06C5A and #A05A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7E5A shade: #A07E5A, #A0915A, #9CA05A, #89A05A and #76A05A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7E5A shade matches the following richer shades: #A07E5A, #B47F46, #C88032, #DD811D and #F18209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7E5A shade: #A07E5A, #8C7E6E, #787D82, #637C97 and #4F7BAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7E5A shade: #A05A5B, #A06B5A, #A07E5A, #A0915A and #9CA05A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7E5A shade: #6B553C, #866A4B, #A07E5A, #B09373 and #BFA78D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7E5A shade: #9F7E5A, #6EA05A and #625AA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7E5A shade: #9F7E5A, #5AA07E and #7E5AA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7E5A shade: #9F7E5A, #6EA05A, #5A7CA0 and #8C5AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7E5A shade: #9F7E5A, #5AA05B, #5A7CA0 and #A05A9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 43 / 38

HEX #9F7E5A

RGB 159 126 90

HSL 31.3, 0.28%, 0.49%

LAB 55.1, 7.8, 24.43

 

Complementary color

CMYK 42 / 22 / 0 / 35

HEX #6081A5

RGB 96 129 165

HSL 211.3, 0.28%, 0.51%

LAB 52.84, -2.02, -22.86

 

CMYK 0 / 23 / 48 / 36

HEX #A47E55

RGB 164 126 85

HSL 31.14, 0.32%, 0.49%

LAB 55.55, 9.4, 27.91

 

CMYK 0 / 20 / 43 / 29

HEX #B59068

RGB 181 144 104

HSL 31.17, 0.34%, 0.56%

LAB 62.31, 8.56, 26.54

 

CMYK 0 / 18 / 38 / 22

HEX #C6A27B

RGB 198 162 123

HSL 31.2, 0.4%, 0.63%

LAB 68.95, 7.85, 25.28

 

CMYK 0 / 16 / 34 / 16

HEX #D7B48E

RGB 215 180 142

HSL 31.23, 0.48%, 0.7%

LAB 75.48, 7.24, 24.11

 

CMYK 0 / 15 / 31 / 9

HEX #E8C6A1

RGB 232 198 161

HSL 31.27, 0.61%, 0.77%

LAB 81.9, 6.7, 23.02

 

CMYK 0 / 21 / 43 / 38

HEX #9F7E5A

RGB 159 126 90

HSL 31.3, 0.28%, 0.49%

LAB 55.1, 7.8, 24.43

 

CMYK 0 / 24 / 50 / 44

HEX #8E6C47

RGB 142 108 71

HSL 31.27, 0.33%, 0.42%

LAB 48.17, 8.68, 25.85

 

CMYK 0 / 28 / 58 / 51

HEX #7D5A34

RGB 125 90 52

HSL 31.23, 0.41%, 0.35%

LAB 41.09, 9.77, 27.39

 

CMYK 0 / 33 / 69 / 58

HEX #6C4821

RGB 108 72 33

HSL 31.2, 0.53%, 0.28%

LAB 33.84, 11.15, 29.03

 

CMYK 0 / 41 / 85 / 64

HEX #5B360E

RGB 91 54 14

HSL 31.17, 0.73%, 0.21%

LAB 26.43, 12.96, 30.47

 

CMYK 0 / 21 / 44 / 37

HEX #A07E5A

RGB 160 126 90

HSL 30.86, 0.28%, 0.49%

LAB 55.21, 8.23, 24.59

 

CMYK 0 / 33 / 44 / 37

HEX #A06C5A

RGB 160 108 90

HSL 15.43, 0.28%, 0.49%

LAB 50.61, 18.49, 18.47

 

CMYK 0 / 44 / 44 / 37

HEX #A05A5A

RGB 160 90 90

HSL 0, 0.28%, 0.49%

LAB 46.34, 28.67, 12.64

 

CMYK 0 / 21 / 44 / 37

HEX #A07E5A

RGB 160 126 90

HSL 30.86, 0.28%, 0.49%

LAB 55.21, 8.23, 24.59

 

CMYK 0 / 9 / 44 / 37

HEX #A0915A

RGB 160 145 90

HSL 47.14, 0.28%, 0.49%

LAB 60.3, -2.39, 31.17

 

CMYK 2 / 0 / 44 / 37

HEX #9CA05A

RGB 156 160 90

HSL 63.43, 0.28%, 0.49%

LAB 64.12, -12.15, 35.89

 

CMYK 14 / 0 / 44 / 37

HEX #89A05A

RGB 137 160 90

HSL 79.71, 0.28%, 0.49%

LAB 62.67, -19.9, 33.77

 

CMYK 26 / 0 / 44 / 37

HEX #76A05A

RGB 118 160 90

HSL 96, 0.28%, 0.49%

LAB 61.42, -27.24, 31.92

 

CMYK 0 / 21 / 44 / 37

HEX #A07E5A

RGB 160 126 90

HSL 30.86, 0.28%, 0.49%

LAB 55.21, 8.23, 24.59

 

CMYK 0 / 29 / 61 / 29

HEX #B47F46

RGB 180 127 70

HSL 31.09, 0.44%, 0.49%

LAB 57.39, 14.43, 38.67

 

CMYK 0 / 36 / 75 / 22

HEX #C88032

RGB 200 128 50

HSL 31.2, 0.6%, 0.49%

LAB 59.84, 21.35, 51.73

 

CMYK 0 / 42 / 87 / 13

HEX #DD811D

RGB 221 129 29

HSL 31.25, 0.77%, 0.49%

LAB 62.64, 29.01, 63.12

 

CMYK 0 / 46 / 96 / 5

HEX #F18209

RGB 241 130 9

HSL 31.29, 0.93%, 0.49%

LAB 65.5, 36.38, 70.77

 

CMYK 0 / 21 / 44 / 37

HEX #A07E5A

RGB 160 126 90

HSL 30.86, 0.28%, 0.49%

LAB 55.21, 8.23, 24.59

 

CMYK 0 / 10 / 21 / 45

HEX #8C7E6E

RGB 140 126 110

HSL 32, 0.12%, 0.49%

LAB 53.62, 2.6, 10.66

 

CMYK 8 / 4 / 0 / 49

HEX #787D82

RGB 120 125 130

HSL 210, 0.04%, 0.49%

LAB 52.14, -0.81, -3.37

 

CMYK 34 / 18 / 0 / 41

HEX #637C97

RGB 99 124 151

HSL 211.15, 0.21%, 0.49%

LAB 51.04, -2.15, -17.47

 

CMYK 54 / 28 / 0 / 33

HEX #4F7BAB

RGB 79 123 171

HSL 211.3, 0.37%, 0.49%

LAB 50.42, -0.97, -30.17

 

CMYK 0 / 44 / 43 / 37

HEX #A05A5B

RGB 160 90 91

HSL 359.14, 0.28%, 0.49%

LAB 46.37, 28.78, 12.07

 

CMYK 0 / 33 / 44 / 37

HEX #A06B5A

RGB 160 107 90

HSL 14.57, 0.28%, 0.49%

LAB 50.37, 19.06, 18.14

 

CMYK 0 / 21 / 44 / 37

HEX #A07E5A

RGB 160 126 90

HSL 30.86, 0.28%, 0.49%

LAB 55.21, 8.23, 24.59

 

CMYK 0 / 9 / 44 / 37

HEX #A0915A

RGB 160 145 90

HSL 47.14, 0.28%, 0.49%

LAB 60.3, -2.39, 31.17

 

CMYK 2 / 0 / 44 / 37

HEX #9CA05A

RGB 156 160 90

HSL 63.43, 0.28%, 0.49%

LAB 64.12, -12.15, 35.89

 

CMYK 0 / 21 / 44 / 58

HEX #6B553C

RGB 107 85 60

HSL 31.91, 0.28%, 0.33%

LAB 37.75, 5.36, 18.03

 

CMYK 0 / 21 / 44 / 47

HEX #866A4B

RGB 134 106 75

HSL 31.53, 0.28%, 0.41%

LAB 46.82, 6.75, 21.63

 

CMYK 0 / 21 / 44 / 37

HEX #A07E5A

RGB 160 126 90

HSL 30.86, 0.28%, 0.49%

LAB 55.21, 8.23, 24.59

 

CMYK 0 / 16 / 35 / 31

HEX #B09373

RGB 176 147 115

HSL 31.48, 0.28%, 0.57%

LAB 62.79, 6.16, 21.01

 

CMYK 0 / 13 / 26 / 25

HEX #BFA78D

RGB 191 167 141

HSL 31.2, 0.28%, 0.65%

LAB 69.92, 4.7, 16.67

 

CMYK 0 / 21 / 43 / 38

HEX #9F7E5A

RGB 159 126 90

HSL 31.3, 0.28%, 0.49%

LAB 55.1, 7.8, 24.43

 

CMYK 31 / 0 / 44 / 37

HEX #6EA05A

RGB 110 160 90

HSL 102.86, 0.28%, 0.49%

LAB 60.95, -30.16, 31.23

 

CMYK 39 / 44 / 0 / 37

HEX #625AA0

RGB 98 90 160

HSL 246.86, 0.28%, 0.49%

LAB 41.92, 20.78, -36.97

 

CMYK 0 / 21 / 43 / 38

HEX #9F7E5A

RGB 159 126 90

HSL 31.3, 0.28%, 0.49%

LAB 55.1, 7.8, 24.43

 

CMYK 44 / 0 / 21 / 37

HEX #5AA07E

RGB 90 160 126

HSL 150.86, 0.28%, 0.49%

LAB 60.62, -30.16, 10.93

 

CMYK 21 / 44 / 0 / 37

HEX #7E5AA0

RGB 126 90 160

HSL 270.86, 0.28%, 0.49%

LAB 44.64, 28.94, -32.5

 

CMYK 0 / 21 / 43 / 38

HEX #9F7E5A

RGB 159 126 90

HSL 31.3, 0.28%, 0.49%

LAB 55.1, 7.8, 24.43

 

CMYK 31 / 0 / 44 / 37

HEX #6EA05A

RGB 110 160 90

HSL 102.86, 0.28%, 0.49%

LAB 60.95, -30.16, 31.23

 

CMYK 44 / 23 / 0 / 37

HEX #5A7CA0

RGB 90 124 160

HSL 210.86, 0.28%, 0.49%

LAB 50.84, -2.18, -23.08

 

CMYK 13 / 44 / 0 / 37

HEX #8C5AA0

RGB 140 90 160

HSL 282.86, 0.28%, 0.49%

LAB 46.21, 33.23, -29.92

 

CMYK 0 / 21 / 43 / 38

HEX #9F7E5A

RGB 159 126 90

HSL 31.3, 0.28%, 0.49%

LAB 55.1, 7.8, 24.43

 

CMYK 44 / 0 / 43 / 37

HEX #5AA05B

RGB 90 160 91

HSL 120.86, 0.28%, 0.49%

LAB 59.95, -36.7, 29.22

 

CMYK 44 / 23 / 0 / 37

HEX #5A7CA0

RGB 90 124 160

HSL 210.86, 0.28%, 0.49%

LAB 50.84, -2.18, -23.08

 

CMYK 0 / 44 / 1 / 37

HEX #A05A9F

RGB 160 90 159

HSL 300.86, 0.28%, 0.49%

LAB 48.62, 39.28, -25.39

 

Description

Color code: HEX #9F7E5A | qconv.com Color code: HEX #9F7E5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 126 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 126 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 43 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 43% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Brayden Varr | Artis...
Link: http://braydenvarr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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