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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7E3B it is the complementary color #6081C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7E3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7E3B shade: #A47E36, #B59049, #C6A25C, #D7B46F and #E8C682

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7E3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7E3B shade: #9F7E3B, #8E6C28, #7D5A15, #6C4802 and #5B3600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7E3B shade: #A07F3B, #A0643B, #A0483B and #A03B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7E3B shade: #A07F3B, #A09A3B, #8BA03B, #70A03B and #55A03B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7E3B shade matches the following richer shades: #A07F3B, #B28529, #C48B18 and #D59106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7E3B shade: #A07F3B, #8E794D, #7D735F, #6B6D70 and #596782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7E3B shade: #A0493B, #A0643B, #A07E3B, #A0993B and #8CA03B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7E3B shade: #644F25, #826730, #A07F3B, #BC9649 and #C7A767

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7E3B shade: #9F7E3B, #49A03B and #563BA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7E3B shade: #9F7E3B, #3BA07E and #7E3BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7E3B shade: #9F7E3B, #49A03B, #3B5DA0 and #933BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7E3B shade: #9F7E3B, #3BA04C, #3B5DA0 and #A03B8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 63 / 38

HEX #9F7E3B

RGB 159 126 59

HSL 40.2, 0.46%, 0.43%

LAB 54.67, 4.93, 40.54

 

Complementary color

CMYK 51 / 34 / 0 / 23

HEX #6081C4

RGB 96 129 196

HSL 220.2, 0.46%, 0.57%

LAB 54.21, 7.31, -38.53

 

CMYK 0 / 23 / 67 / 36

HEX #A47E36

RGB 164 126 54

HSL 39.27, 0.5%, 0.43%

LAB 55.16, 6.83, 43.68

 

CMYK 0 / 20 / 60 / 29

HEX #B59049

RGB 181 144 73

HSL 39.44, 0.43%, 0.5%

LAB 61.87, 5.66, 42.4

 

CMYK 0 / 18 / 54 / 22

HEX #C6A25C

RGB 198 162 92

HSL 39.62, 0.48%, 0.57%

LAB 68.47, 4.68, 41.06

 

CMYK 0 / 16 / 48 / 16

HEX #D7B46F

RGB 215 180 111

HSL 39.81, 0.57%, 0.64%

LAB 74.97, 3.86, 39.74

 

CMYK 0 / 15 / 44 / 9

HEX #E8C682

RGB 232 198 130

HSL 40, 0.69%, 0.71%

LAB 81.38, 3.15, 38.47

 

CMYK 0 / 21 / 63 / 38

HEX #9F7E3B

RGB 159 126 59

HSL 40.2, 0.46%, 0.43%

LAB 54.67, 4.93, 40.54

 

CMYK 0 / 24 / 72 / 44

HEX #8E6C28

RGB 142 108 40

HSL 40, 0.56%, 0.36%

LAB 47.79, 6.21, 41.73

 

CMYK 0 / 28 / 83 / 51

HEX #7D5A15

RGB 125 90 21

HSL 39.81, 0.71%, 0.29%

LAB 40.78, 7.82, 42.39

 

CMYK 0 / 33 / 98 / 58

HEX #6C4802

RGB 108 72 2

HSL 39.62, 0.96%, 0.22%

LAB 33.62, 9.83, 42.06

 

CMYK 0 / 41 / 100 / 64

HEX #5B3600

RGB 91 54 0

HSL 35.6, 1%, 0.18%

LAB 26.34, 12.45, 36.24

 

CMYK 0 / 21 / 63 / 37

HEX #A07F3B

RGB 160 127 59

HSL 40.4, 0.46%, 0.43%

LAB 55.04, 4.81, 40.99

 

CMYK 0 / 38 / 63 / 37

HEX #A0643B

RGB 160 100 59

HSL 24.36, 0.46%, 0.43%

LAB 48.14, 20.16, 33.01

 

CMYK 0 / 55 / 63 / 37

HEX #A0483B

RGB 160 72 59

HSL 7.72, 0.46%, 0.43%

LAB 41.88, 35.52, 25.38

 

CMYK 0 / 63 / 63 / 37

HEX #A03B3B

RGB 160 59 59

HSL 0, 0.46%, 0.43%

LAB 39.44, 41.92, 22.3

 

CMYK 0 / 21 / 63 / 37

HEX #A07F3B

RGB 160 127 59

HSL 40.4, 0.46%, 0.43%

LAB 55.04, 4.81, 40.99

 

CMYK 0 / 4 / 63 / 37

HEX #A09A3B

RGB 160 154 59

HSL 56.44, 0.46%, 0.43%

LAB 62.42, -9.99, 49.11

 

CMYK 13 / 0 / 63 / 37

HEX #8BA03B

RGB 139 160 59

HSL 72.48, 0.46%, 0.43%

LAB 62.46, -22.14, 48.66

 

CMYK 30 / 0 / 63 / 37

HEX #70A03B

RGB 112 160 59

HSL 88.51, 0.46%, 0.43%

LAB 60.7, -32.98, 46.22

 

CMYK 47 / 0 / 63 / 37

HEX #55A03B

RGB 85 160 59

HSL 104.55, 0.46%, 0.43%

LAB 59.33, -42.41, 44.33

 

CMYK 0 / 21 / 63 / 37

HEX #A07F3B

RGB 160 127 59

HSL 40.4, 0.46%, 0.43%

LAB 55.04, 4.81, 40.99

 

CMYK 0 / 25 / 77 / 30

HEX #B28529

RGB 178 133 41

HSL 40.29, 0.63%, 0.43%

LAB 58.41, 8.53, 53.21

 

CMYK 0 / 29 / 88 / 23

HEX #C48B18

RGB 196 139 24

HSL 40.12, 0.78%, 0.43%

LAB 61.88, 12.72, 62.61

 

CMYK 0 / 32 / 97 / 16

HEX #D59106

RGB 213 145 6

HSL 40.29, 0.95%, 0.43%

LAB 65.29, 16.67, 69.34

 

CMYK 0 / 21 / 63 / 37

HEX #A07F3B

RGB 160 127 59

HSL 40.4, 0.46%, 0.43%

LAB 55.04, 4.81, 40.99

 

CMYK 0 / 15 / 46 / 44

HEX #8E794D

RGB 142 121 77

HSL 40.62, 0.3%, 0.43%

LAB 51.79, 1.83, 27.09

 

CMYK 0 / 8 / 24 / 51

HEX #7D735F

RGB 125 115 95

HSL 40, 0.14%, 0.43%

LAB 48.82, 0.39, 12.48

 

CMYK 4 / 3 / 0 / 56

HEX #6B6D70

RGB 107 109 112

HSL 216, 0.02%, 0.43%

LAB 45.95, -0.13, -1.94

 

CMYK 32 / 21 / 0 / 49

HEX #596782

RGB 89 103 130

HSL 219.51, 0.19%, 0.43%

LAB 43.41, 1.52, -16.72

 

CMYK 0 / 54 / 63 / 37

HEX #A0493B

RGB 160 73 59

HSL 8.32, 0.46%, 0.43%

LAB 42.08, 35, 25.64

 

CMYK 0 / 38 / 63 / 37

HEX #A0643B

RGB 160 100 59

HSL 24.36, 0.46%, 0.43%

LAB 48.14, 20.16, 33.01

 

CMYK 0 / 21 / 63 / 37

HEX #A07E3B

RGB 160 126 59

HSL 39.8, 0.46%, 0.43%

LAB 54.77, 5.38, 40.69

 

CMYK 0 / 4 / 63 / 37

HEX #A0993B

RGB 160 153 59

HSL 55.84, 0.46%, 0.43%

LAB 62.14, -9.46, 48.81

 

CMYK 13 / 0 / 63 / 37

HEX #8CA03B

RGB 140 160 59

HSL 71.88, 0.46%, 0.43%

LAB 62.54, -21.72, 48.76

 

CMYK 0 / 21 / 63 / 61

HEX #644F25

RGB 100 79 37

HSL 40, 0.46%, 0.27%

LAB 34.87, 3.31, 27.73

 

CMYK 0 / 21 / 63 / 49

HEX #826730

RGB 130 103 48

HSL 40.24, 0.46%, 0.35%

LAB 45.16, 4.07, 34.53

 

CMYK 0 / 21 / 63 / 37

HEX #A07F3B

RGB 160 127 59

HSL 40.4, 0.46%, 0.43%

LAB 55.04, 4.81, 40.99

 

CMYK 0 / 20 / 61 / 26

HEX #BC9649

RGB 188 150 73

HSL 40.17, 0.46%, 0.51%

LAB 64.15, 5.41, 45.21

 

CMYK 0 / 16 / 48 / 22

HEX #C7A767

RGB 199 167 103

HSL 40, 0.46%, 0.59%

LAB 70.01, 3.41, 37.31

 

CMYK 0 / 21 / 63 / 38

HEX #9F7E3B

RGB 159 126 59

HSL 40.2, 0.46%, 0.43%

LAB 54.67, 4.93, 40.54

 

CMYK 54 / 0 / 63 / 37

HEX #49A03B

RGB 73 160 59

HSL 111.68, 0.46%, 0.43%

LAB 58.86, -45.96, 43.67

 

CMYK 46 / 63 / 0 / 37

HEX #563BA0

RGB 86 59 160

HSL 256.04, 0.46%, 0.43%

LAB 33.23, 36.85, -50.96

 

CMYK 0 / 21 / 63 / 38

HEX #9F7E3B

RGB 159 126 59

HSL 40.2, 0.46%, 0.43%

LAB 54.67, 4.93, 40.54

 

CMYK 63 / 0 / 21 / 37

HEX #3BA07E

RGB 59 160 126

HSL 159.8, 0.46%, 0.43%

LAB 59.51, -37.58, 9.19

 

CMYK 21 / 63 / 0 / 37

HEX #7E3BA0

RGB 126 59 160

HSL 279.8, 0.46%, 0.43%

LAB 38.02, 46.14, -42.99

 

CMYK 0 / 21 / 63 / 38

HEX #9F7E3B

RGB 159 126 59

HSL 40.2, 0.46%, 0.43%

LAB 54.67, 4.93, 40.54

 

CMYK 54 / 0 / 63 / 37

HEX #49A03B

RGB 73 160 59

HSL 111.68, 0.46%, 0.43%

LAB 58.86, -45.96, 43.67

 

CMYK 63 / 42 / 0 / 37

HEX #3B5DA0

RGB 59 93 160

HSL 219.8, 0.46%, 0.43%

LAB 40.08, 9.57, -40.06

 

CMYK 8 / 63 / 0 / 37

HEX #933BA0

RGB 147 59 160

HSL 292.28, 0.46%, 0.43%

LAB 41.01, 51.39, -38.06

 

CMYK 0 / 21 / 63 / 38

HEX #9F7E3B

RGB 159 126 59

HSL 40.2, 0.46%, 0.43%

LAB 54.67, 4.93, 40.54

 

CMYK 63 / 0 / 53 / 37

HEX #3BA04C

RGB 59 160 76

HSL 130.1, 0.46%, 0.43%

LAB 58.6, -47.32, 35.06

 

CMYK 63 / 42 / 0 / 37

HEX #3B5DA0

RGB 59 93 160

HSL 219.8, 0.46%, 0.43%

LAB 40.08, 9.57, -40.06

 

CMYK 0 / 63 / 11 / 37

HEX #A03B8F

RGB 160 59 143

HSL 310.1, 0.46%, 0.43%

LAB 42.13, 51.8, -25.9

 

Description

Color code: HEX #9F7E3B | qconv.com Color code: HEX #9F7E3B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 126 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 126 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 63 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 63% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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