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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7BDE it is the complementary color #608421. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7BDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7BDE shade: #A47BD9, #B58DEC, #C69FFF, #D7B1FF and #E8C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7BDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7BDE shade: #9F7BDE, #8E69CB, #7D57B8, #6C45A5 and #5B3392

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7BDE shade: #A07CDE, #BA7CDE, #D57CDE, #DE7CCD and #DE7CB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7BDE shade: #A07CDE, #867CDE and #7C7CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7BDE shade matches the following richer shades: #A07CDE, #9C6FEC and #9962F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7BDE shade: #A07CDE, #A48AD1, #A797C4, #ABA4B7 and #AEB1AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7BDE shade: #7C8EDE, #857CDE, #9F7CDE, #B97CDE and #D37CDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7BDE shade: #703ACE, #885BD6, #A07CDE, #B89DE7 and #D0BEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7BDE shade: #9F7BDE, #DE7CA9 and #81DE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7BDE shade: #9F7BDE, #DE9F7C and #7CDE9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7BDE shade: #9F7BDE, #DE7CA9, #BCDE7C and #7CDEB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7BDE shade: #9F7BDE, #DE7C8B, #BCDE7C and #7CDED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 45 / 0 / 13

HEX #9F7BDE

RGB 159 123 222

HSL 261.82, 0.6%, 0.68%

LAB 58.8, 34.49, -45.65

 

Complementary color

CMYK 27 / 0 / 75 / 48

HEX #608421

RGB 96 132 33

HSL 81.82, 0.6%, 0.32%

LAB 50.8, -28.04, 46.43

 

CMYK 24 / 43 / 0 / 15

HEX #A47BD9

RGB 164 123 217

HSL 266.17, 0.55%, 0.67%

LAB 59.04, 34.66, -42.44

 

CMYK 23 / 40 / 0 / 7

HEX #B58DEC

RGB 181 141 236

HSL 265.26, 0.71%, 0.74%

LAB 65.69, 33.84, -42.43

 

CMYK 22 / 38 / 0 / 0

HEX #C69FFF

RGB 198 159 255

HSL 264.38, 1%, 0.81%

LAB 72.24, 33.08, -42.44

 

CMYK 16 / 31 / 0 / 0

HEX #D7B1FF

RGB 215 177 255

HSL 269.23, 1%, 0.85%

LAB 77.94, 28.24, -33.47

 

CMYK 9 / 24 / 0 / 0

HEX #E8C3FF

RGB 232 195 255

HSL 277, 1%, 0.88%

LAB 83.66, 23.79, -24.58

 

CMYK 28 / 45 / 0 / 13

HEX #9F7BDE

RGB 159 123 222

HSL 261.82, 0.6%, 0.68%

LAB 58.8, 34.49, -45.65

 

CMYK 30 / 48 / 0 / 20

HEX #8E69CB

RGB 142 105 203

HSL 262.65, 0.49%, 0.6%

LAB 52.02, 35.42, -45.74

 

CMYK 32 / 53 / 0 / 28

HEX #7D57B8

RGB 125 87 184

HSL 263.51, 0.41%, 0.53%

LAB 45.13, 36.43, -45.85

 

CMYK 35 / 58 / 0 / 35

HEX #6C45A5

RGB 108 69 165

HSL 264.38, 0.41%, 0.46%

LAB 38.13, 37.51, -45.94

 

CMYK 38 / 65 / 0 / 43

HEX #5B3392

RGB 91 51 146

HSL 265.26, 0.48%, 0.39%

LAB 31.04, 38.58, -45.96

 

CMYK 28 / 44 / 0 / 13

HEX #A07CDE

RGB 160 124 222

HSL 262.04, 0.6%, 0.68%

LAB 59.12, 34.19, -45.13

 

CMYK 16 / 44 / 0 / 13

HEX #BA7CDE

RGB 186 124 222

HSL 277.96, 0.6%, 0.68%

LAB 61.76, 41.5, -40.79

 

CMYK 4 / 44 / 0 / 13

HEX #D57CDE

RGB 213 124 222

HSL 294.49, 0.6%, 0.68%

LAB 64.83, 49.3, -35.77

 

CMYK 0 / 44 / 8 / 13

HEX #DE7CCD

RGB 222 124 205

HSL 310.41, 0.6%, 0.68%

LAB 65.24, 48.96, -25.56

 

CMYK 0 / 44 / 19 / 13

HEX #DE7CB3

RGB 222 124 179

HSL 326.33, 0.6%, 0.68%

LAB 64.32, 44.83, -12.3

 

CMYK 28 / 44 / 0 / 13

HEX #A07CDE

RGB 160 124 222

HSL 262.04, 0.6%, 0.68%

LAB 59.12, 34.19, -45.13

 

CMYK 40 / 44 / 0 / 13

HEX #867CDE

RGB 134 124 222

HSL 246.12, 0.6%, 0.68%

LAB 56.84, 27.32, -48.9

 

CMYK 44 / 44 / 0 / 13

HEX #7C7CDE

RGB 124 124 222

HSL 240, 0.6%, 0.68%

LAB 56.06, 24.85, -50.18

 

CMYK 28 / 44 / 0 / 13

HEX #A07CDE

RGB 160 124 222

HSL 262.04, 0.6%, 0.68%

LAB 59.12, 34.19, -45.13

 

CMYK 34 / 53 / 0 / 7

HEX #9C6FEC

RGB 156 111 236

HSL 261.6, 0.77%, 0.68%

LAB 56.58, 43.95, -57.02

 

CMYK 39 / 61 / 0 / 2

HEX #9962F9

RGB 153 98 249

HSL 261.85, 0.93%, 0.68%

LAB 54.39, 53.6, -67.79

 

CMYK 28 / 44 / 0 / 13

HEX #A07CDE

RGB 160 124 222

HSL 262.04, 0.6%, 0.68%

LAB 59.12, 34.19, -45.13

 

CMYK 22 / 34 / 0 / 18

HEX #A48AD1

RGB 164 138 209

HSL 261.97, 0.44%, 0.68%

LAB 62.23, 24.25, -32.96

 

CMYK 15 / 23 / 0 / 23

HEX #A797C4

RGB 167 151 196

HSL 261.33, 0.28%, 0.68%

LAB 65.23, 14.86, -21.05

 

CMYK 7 / 10 / 0 / 28

HEX #ABA4B7

RGB 171 164 183

HSL 262.11, 0.12%, 0.68%

LAB 68.48, 6.19, -8.87

 

CMYK 2 / 0 / 4 / 31

HEX #AEB1AA

RGB 174 177 170

HSL 85.71, 0.04%, 0.68%

LAB 71.79, -2.36, 3.2

 

CMYK 44 / 36 / 0 / 13

HEX #7C8EDE

RGB 124 142 222

HSL 228.98, 0.6%, 0.68%

LAB 60.7, 14.21, -42.84

 

CMYK 40 / 44 / 0 / 13

HEX #857CDE

RGB 133 124 222

HSL 245.51, 0.6%, 0.68%

LAB 56.76, 27.07, -49.03

 

CMYK 28 / 44 / 0 / 13

HEX #9F7CDE

RGB 159 124 222

HSL 261.43, 0.6%, 0.68%

LAB 59.03, 33.92, -45.28

 

CMYK 17 / 44 / 0 / 13

HEX #B97CDE

RGB 185 124 222

HSL 277.35, 0.6%, 0.68%

LAB 61.66, 41.21, -40.97

 

CMYK 5 / 44 / 0 / 13

HEX #D37CDE

RGB 211 124 222

HSL 293.27, 0.6%, 0.68%

LAB 64.59, 48.72, -36.16

 

CMYK 46 / 72 / 0 / 19

HEX #703ACE

RGB 112 58 206

HSL 261.89, 0.6%, 0.52%

LAB 39.46, 55.02, -67.88

 

CMYK 36 / 57 / 0 / 16

HEX #885BD6

RGB 136 91 214

HSL 261.95, 0.6%, 0.6%

LAB 48.97, 44.66, -56.93

 

CMYK 28 / 44 / 0 / 13

HEX #A07CDE

RGB 160 124 222

HSL 262.04, 0.6%, 0.68%

LAB 59.12, 34.19, -45.13

 

CMYK 20 / 32 / 0 / 9

HEX #B89DE7

RGB 184 157 231

HSL 261.89, 0.61%, 0.76%

LAB 69.52, 24.64, -33.69

 

CMYK 13 / 21 / 0 / 6

HEX #D0BEEF

RGB 208 190 239

HSL 262.04, 0.6%, 0.84%

LAB 79.88, 15.66, -21.97

 

CMYK 28 / 45 / 0 / 13

HEX #9F7BDE

RGB 159 123 222

HSL 261.82, 0.6%, 0.68%

LAB 58.8, 34.49, -45.65

 

CMYK 0 / 44 / 24 / 13

HEX #DE7CA9

RGB 222 124 169

HSL 332.45, 0.6%, 0.68%

LAB 64.01, 43.37, -7.09

 

CMYK 42 / 0 / 44 / 13

HEX #81DE7C

RGB 129 222 124

HSL 116.94, 0.6%, 0.68%

LAB 80.94, -46.9, 39.52

 

CMYK 28 / 45 / 0 / 13

HEX #9F7BDE

RGB 159 123 222

HSL 261.82, 0.6%, 0.68%

LAB 58.8, 34.49, -45.65

 

CMYK 0 / 28 / 44 / 13

HEX #DE9F7C

RGB 222 159 124

HSL 21.43, 0.6%, 0.68%

LAB 70.72, 19.23, 27.54

 

CMYK 44 / 0 / 28 / 13

HEX #7CDE9F

RGB 124 222 159

HSL 141.43, 0.6%, 0.68%

LAB 81.31, -42.59, 22.13

 

CMYK 28 / 45 / 0 / 13

HEX #9F7BDE

RGB 159 123 222

HSL 261.82, 0.6%, 0.68%

LAB 58.8, 34.49, -45.65

 

CMYK 0 / 44 / 24 / 13

HEX #DE7CA9

RGB 222 124 169

HSL 332.45, 0.6%, 0.68%

LAB 64.01, 43.37, -7.09

 

CMYK 15 / 0 / 44 / 13

HEX #BCDE7C

RGB 188 222 124

HSL 80.82, 0.6%, 0.68%

LAB 84.17, -26.79, 44.27

 

CMYK 44 / 0 / 20 / 13

HEX #7CDEB2

RGB 124 222 178

HSL 153.06, 0.6%, 0.68%

LAB 81.7, -38.86, 12.7

 

CMYK 28 / 45 / 0 / 13

HEX #9F7BDE

RGB 159 123 222

HSL 261.82, 0.6%, 0.68%

LAB 58.8, 34.49, -45.65

 

CMYK 0 / 44 / 37 / 13

HEX #DE7C8B

RGB 222 124 139

HSL 350.82, 0.6%, 0.68%

LAB 63.18, 39.5, 8.81

 

CMYK 15 / 0 / 44 / 13

HEX #BCDE7C

RGB 188 222 124

HSL 80.82, 0.6%, 0.68%

LAB 84.17, -26.79, 44.27

 

CMYK 44 / 0 / 6 / 13

HEX #7CDED0

RGB 124 222 208

HSL 171.43, 0.6%, 0.68%

LAB 82.42, -32.19, -2.13

 

Description

Color code: HEX #9F7BDE | qconv.com Color code: HEX #9F7BDE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 123 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 123 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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