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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7B5A it is the complementary color #6084A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7B5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7B5A shade: #A47B55, #B58D68, #C69F7B, #D7B18E and #E8C3A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7B5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7B5A shade: #9F7B5A, #8E6947, #7D5734, #6C4521 and #5B330E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7B5A shade: #A07B5A, #A0695A and #A05A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7B5A shade: #A07B5A, #A08E5A, #9FA05A, #8CA05A and #79A05A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7B5A shade matches the following richer shades: #A07B5A, #B47B46, #C87A32, #DD791D and #F17809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7B5A shade: #A07B5A, #8C7C6E, #787D82, #637E97 and #4F7FAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7B5A shade: #A05A5F, #A0685A, #A07B5A, #A08D5A and #A0A05A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7B5A shade: #6B533C, #86674B, #A07B5A, #B09073 and #BFA58D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7B5A shade: #9F7B5A, #71A05A and #5F5AA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7B5A shade: #9F7B5A, #5AA07B and #7B5AA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7B5A shade: #9F7B5A, #71A05A, #5A7FA0 and #895AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7B5A shade: #9F7B5A, #5CA05A, #5A7FA0 and #9E5AA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 43 / 38

HEX #9F7B5A

RGB 159 123 90

HSL 28.7, 0.28%, 0.49%

LAB 54.32, 9.5, 23.4

 

Complementary color

CMYK 42 / 20 / 0 / 35

HEX #6084A5

RGB 96 132 165

HSL 208.7, 0.28%, 0.51%

LAB 53.71, -3.76, -21.52

 

CMYK 0 / 25 / 48 / 36

HEX #A47B55

RGB 164 123 85

HSL 28.86, 0.32%, 0.49%

LAB 54.78, 11.1, 26.91

 

CMYK 0 / 22 / 43 / 29

HEX #B58D68

RGB 181 141 104

HSL 28.83, 0.34%, 0.56%

LAB 61.54, 10.22, 25.53

 

CMYK 0 / 20 / 38 / 22

HEX #C69F7B

RGB 198 159 123

HSL 28.8, 0.4%, 0.63%

LAB 68.19, 9.48, 24.26

 

CMYK 0 / 18 / 34 / 16

HEX #D7B18E

RGB 215 177 142

HSL 28.77, 0.48%, 0.7%

LAB 74.73, 8.84, 23.09

 

CMYK 0 / 16 / 31 / 9

HEX #E8C3A1

RGB 232 195 161

HSL 28.73, 0.61%, 0.77%

LAB 81.16, 8.28, 22

 

CMYK 0 / 23 / 43 / 38

HEX #9F7B5A

RGB 159 123 90

HSL 28.7, 0.28%, 0.49%

LAB 54.32, 9.5, 23.4

 

CMYK 0 / 26 / 50 / 44

HEX #8E6947

RGB 142 105 71

HSL 28.73, 0.33%, 0.42%

LAB 47.38, 10.42, 24.83

 

CMYK 0 / 30 / 58 / 51

HEX #7D5734

RGB 125 87 52

HSL 28.77, 0.41%, 0.35%

LAB 40.29, 11.56, 26.41

 

CMYK 0 / 36 / 69 / 58

HEX #6C4521

RGB 108 69 33

HSL 28.8, 0.53%, 0.28%

LAB 33.04, 12.99, 28.13

 

CMYK 0 / 44 / 85 / 64

HEX #5B330E

RGB 91 51 14

HSL 28.83, 0.73%, 0.21%

LAB 25.63, 14.84, 29.71

 

CMYK 0 / 23 / 44 / 37

HEX #A07B5A

RGB 160 123 90

HSL 28.29, 0.28%, 0.49%

LAB 54.43, 9.93, 23.56

 

CMYK 0 / 34 / 44 / 37

HEX #A0695A

RGB 160 105 90

HSL 12.86, 0.28%, 0.49%

LAB 49.88, 20.2, 17.48

 

CMYK 0 / 44 / 44 / 37

HEX #A05A5A

RGB 160 90 90

HSL 0, 0.28%, 0.49%

LAB 46.34, 28.67, 12.64

 

CMYK 0 / 23 / 44 / 37

HEX #A07B5A

RGB 160 123 90

HSL 28.29, 0.28%, 0.49%

LAB 54.43, 9.93, 23.56

 

CMYK 0 / 11 / 44 / 37

HEX #A08E5A

RGB 160 142 90

HSL 44.57, 0.28%, 0.49%

LAB 59.49, -0.74, 30.12

 

CMYK 1 / 0 / 44 / 37

HEX #9FA05A

RGB 159 160 90

HSL 60.86, 0.28%, 0.49%

LAB 64.36, -10.9, 36.24

 

CMYK 13 / 0 / 44 / 37

HEX #8CA05A

RGB 140 160 90

HSL 77.14, 0.28%, 0.49%

LAB 62.89, -18.7, 34.09

 

CMYK 24 / 0 / 44 / 37

HEX #79A05A

RGB 121 160 90

HSL 93.43, 0.28%, 0.49%

LAB 61.61, -26.12, 32.2

 

CMYK 0 / 23 / 44 / 37

HEX #A07B5A

RGB 160 123 90

HSL 28.29, 0.28%, 0.49%

LAB 54.43, 9.93, 23.56

 

CMYK 0 / 32 / 61 / 29

HEX #B47B46

RGB 180 123 70

HSL 28.91, 0.44%, 0.49%

LAB 56.4, 16.67, 37.5

 

CMYK 0 / 39 / 75 / 22

HEX #C87A32

RGB 200 122 50

HSL 28.8, 0.6%, 0.49%

LAB 58.44, 24.61, 50.32

 

CMYK 0 / 45 / 87 / 13

HEX #DD791D

RGB 221 121 29

HSL 28.75, 0.77%, 0.49%

LAB 60.9, 33.21, 61.73

 

CMYK 0 / 50 / 96 / 5

HEX #F17809

RGB 241 120 9

HSL 28.71, 0.93%, 0.49%

LAB 63.47, 41.42, 69.46

 

CMYK 0 / 23 / 44 / 37

HEX #A07B5A

RGB 160 123 90

HSL 28.29, 0.28%, 0.49%

LAB 54.43, 9.93, 23.56

 

CMYK 0 / 11 / 21 / 45

HEX #8C7C6E

RGB 140 124 110

HSL 28, 0.12%, 0.49%

LAB 53.08, 3.74, 9.88

 

CMYK 8 / 4 / 0 / 49

HEX #787D82

RGB 120 125 130

HSL 210, 0.04%, 0.49%

LAB 52.14, -0.81, -3.37

 

CMYK 34 / 17 / 0 / 41

HEX #637E97

RGB 99 126 151

HSL 208.85, 0.21%, 0.49%

LAB 51.62, -3.32, -16.58

 

CMYK 54 / 26 / 0 / 33

HEX #4F7FAB

RGB 79 127 171

HSL 208.7, 0.37%, 0.49%

LAB 51.59, -3.33, -28.35

 

CMYK 0 / 44 / 41 / 37

HEX #A05A5F

RGB 160 90 95

HSL 355.71, 0.28%, 0.49%

LAB 46.46, 29.25, 9.78

 

CMYK 0 / 35 / 44 / 37

HEX #A0685A

RGB 160 104 90

HSL 12, 0.28%, 0.49%

LAB 49.63, 20.77, 17.15

 

CMYK 0 / 23 / 44 / 37

HEX #A07B5A

RGB 160 123 90

HSL 28.29, 0.28%, 0.49%

LAB 54.43, 9.93, 23.56

 

CMYK 0 / 12 / 44 / 37

HEX #A08D5A

RGB 160 141 90

HSL 43.71, 0.28%, 0.49%

LAB 59.22, -0.18, 29.78

 

CMYK 0 / 0 / 44 / 37

HEX #A0A05A

RGB 160 160 90

HSL 60, 0.28%, 0.49%

LAB 64.45, -10.48, 36.36

 

CMYK 0 / 22 / 44 / 58

HEX #6B533C

RGB 107 83 60

HSL 29.36, 0.28%, 0.33%

LAB 37.19, 6.58, 17.28

 

CMYK 0 / 23 / 44 / 47

HEX #86674B

RGB 134 103 75

HSL 28.47, 0.28%, 0.41%

LAB 46.01, 8.51, 20.56

 

CMYK 0 / 23 / 44 / 37

HEX #A07B5A

RGB 160 123 90

HSL 28.29, 0.28%, 0.49%

LAB 54.43, 9.93, 23.56

 

CMYK 0 / 18 / 35 / 31

HEX #B09073

RGB 176 144 115

HSL 28.52, 0.28%, 0.57%

LAB 62.01, 7.82, 19.95

 

CMYK 0 / 14 / 26 / 25

HEX #BFA58D

RGB 191 165 141

HSL 28.8, 0.28%, 0.65%

LAB 69.41, 5.78, 15.95

 

CMYK 0 / 23 / 43 / 38

HEX #9F7B5A

RGB 159 123 90

HSL 28.7, 0.28%, 0.49%

LAB 54.32, 9.5, 23.4

 

CMYK 29 / 0 / 44 / 37

HEX #71A05A

RGB 113 160 90

HSL 100.29, 0.28%, 0.49%

LAB 61.12, -29.08, 31.49

 

CMYK 41 / 44 / 0 / 37

HEX #5F5AA0

RGB 95 90 160

HSL 244.29, 0.28%, 0.49%

LAB 41.66, 19.97, -37.39

 

CMYK 0 / 23 / 43 / 38

HEX #9F7B5A

RGB 159 123 90

HSL 28.7, 0.28%, 0.49%

LAB 54.32, 9.5, 23.4

 

CMYK 44 / 0 / 23 / 37

HEX #5AA07B

RGB 90 160 123

HSL 148.29, 0.28%, 0.49%

LAB 60.56, -30.8, 12.51

 

CMYK 23 / 44 / 0 / 37

HEX #7B5AA0

RGB 123 90 160

HSL 268.29, 0.28%, 0.49%

LAB 44.32, 28.03, -33.02

 

CMYK 0 / 23 / 43 / 38

HEX #9F7B5A

RGB 159 123 90

HSL 28.7, 0.28%, 0.49%

LAB 54.32, 9.5, 23.4

 

CMYK 29 / 0 / 44 / 37

HEX #71A05A

RGB 113 160 90

HSL 100.29, 0.28%, 0.49%

LAB 61.12, -29.08, 31.49

 

CMYK 44 / 21 / 0 / 37

HEX #5A7FA0

RGB 90 127 160

HSL 208.29, 0.28%, 0.49%

LAB 51.71, -3.93, -21.73

 

CMYK 14 / 44 / 0 / 37

HEX #895AA0

RGB 137 90 160

HSL 280.29, 0.28%, 0.49%

LAB 45.86, 32.31, -30.49

 

CMYK 0 / 23 / 43 / 38

HEX #9F7B5A

RGB 159 123 90

HSL 28.7, 0.28%, 0.49%

LAB 54.32, 9.5, 23.4

 

CMYK 43 / 0 / 44 / 37

HEX #5CA05A

RGB 92 160 90

HSL 118.29, 0.28%, 0.49%

LAB 60.03, -36.23, 29.86

 

CMYK 44 / 21 / 0 / 37

HEX #5A7FA0

RGB 90 127 160

HSL 208.29, 0.28%, 0.49%

LAB 51.71, -3.93, -21.73

 

CMYK 1 / 44 / 0 / 37

HEX #9E5AA0

RGB 158 90 160

HSL 298.29, 0.28%, 0.49%

LAB 48.41, 38.85, -26.33

 

Description

Color code: HEX #9F7B5A | qconv.com Color code: HEX #9F7B5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 123 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 123 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 43 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 43% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Чехлы на сиденья | A...
Link: http://dev.autoprofi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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