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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7ADB it is the complementary color #608524. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7ADB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7ADB shade: #A47AD6, #B58CE9, #C69EFC, #D7B0FF and #E8C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7ADB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7ADB shade: #9F7ADB, #8E68C8, #7D56B5, #6C44A2 and #5B328F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7ADB shade: #9F7ADA, #B97ADA, #D37ADA, #DA7AC8 and #DA7AAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7ADB shade: #9F7ADA, #857ADA and #7A7ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7ADB shade matches the following richer shades: #9F7ADA, #9C6DE8 and #995FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7ADB shade: #9F7ADA, #A288CD, #A596BF, #A9A3B1 and #ACB1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7ADB shade: #7A8ADA, #847ADA, #9E7ADA, #B77ADA and #D17ADA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7ADB shade: #703AC9, #885AD1, #9F7ADA, #B69BE3 and #CEBBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7ADB shade: #9F7ADB, #DA7AA4 and #7EDA7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7ADB shade: #9F7ADB, #DA9E7A and #7ADA9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7ADB shade: #9F7ADB, #DA7AA4, #B7DA7A and #7ADAB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7ADB shade: #9F7ADB, #DA7A87, #B7DA7A and #7ADACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 44 / 0 / 14

HEX #9F7ADB

RGB 159 122 219

HSL 262.89, 0.57%, 0.67%

LAB 58.42, 34.32, -44.57

 

Complementary color

CMYK 28 / 0 / 73 / 48

HEX #608524

RGB 96 133 36

HSL 82.89, 0.57%, 0.33%

LAB 51.14, -28.33, 45.61

 

CMYK 23 / 43 / 0 / 16

HEX #A47AD6

RGB 164 122 214

HSL 267.39, 0.53%, 0.66%

LAB 58.66, 34.52, -41.34

 

CMYK 22 / 40 / 0 / 9

HEX #B58CE9

RGB 181 140 233

HSL 266.45, 0.68%, 0.73%

LAB 65.33, 33.71, -41.35

 

CMYK 21 / 37 / 0 / 1

HEX #C69EFC

RGB 198 158 252

HSL 265.53, 0.94%, 0.8%

LAB 71.88, 32.95, -41.37

 

CMYK 16 / 31 / 0 / 0

HEX #D7B0FF

RGB 215 176 255

HSL 269.62, 1%, 0.85%

LAB 77.71, 28.78, -33.83

 

CMYK 9 / 24 / 0 / 0

HEX #E8C2FF

RGB 232 194 255

HSL 277.38, 1%, 0.88%

LAB 83.42, 24.32, -24.94

 

CMYK 27 / 44 / 0 / 14

HEX #9F7ADB

RGB 159 122 219

HSL 262.89, 0.57%, 0.67%

LAB 58.42, 34.32, -44.57

 

CMYK 29 / 48 / 0 / 22

HEX #8E68C8

RGB 142 104 200

HSL 263.75, 0.47%, 0.6%

LAB 51.63, 35.24, -44.64

 

CMYK 31 / 52 / 0 / 29

HEX #7D56B5

RGB 125 86 181

HSL 264.63, 0.39%, 0.52%

LAB 44.73, 36.24, -44.73

 

CMYK 33 / 58 / 0 / 36

HEX #6C44A2

RGB 108 68 162

HSL 265.53, 0.41%, 0.45%

LAB 37.72, 37.29, -44.8

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 27 / 44 / 0 / 15

HEX #9F7ADA

RGB 159 122 218

HSL 263.13, 0.56%, 0.67%

LAB 58.37, 34.07, -44.08

 

CMYK 15 / 44 / 0 / 15

HEX #B97ADA

RGB 185 122 218

HSL 279.38, 0.56%, 0.67%

LAB 61.04, 41.44, -39.7

 

CMYK 3 / 44 / 0 / 15

HEX #D37ADA

RGB 211 122 218

HSL 295.63, 0.56%, 0.67%

LAB 64.02, 48.99, -34.82

 

CMYK 0 / 44 / 8 / 15

HEX #DA7AC8

RGB 218 122 200

HSL 311.25, 0.56%, 0.67%

LAB 64.16, 47.91, -24.46

 

CMYK 0 / 44 / 20 / 15

HEX #DA7AAE

RGB 218 122 174

HSL 327.5, 0.56%, 0.67%

LAB 63.24, 43.79, -11.13

 

CMYK 27 / 44 / 0 / 15

HEX #9F7ADA

RGB 159 122 218

HSL 263.13, 0.56%, 0.67%

LAB 58.37, 34.07, -44.08

 

CMYK 39 / 44 / 0 / 15

HEX #857ADA

RGB 133 122 218

HSL 246.88, 0.56%, 0.67%

LAB 56.06, 27.13, -47.9

 

CMYK 44 / 44 / 0 / 15

HEX #7A7ADA

RGB 122 122 218

HSL 240, 0.56%, 0.67%

LAB 55.19, 24.39, -49.32

 

CMYK 27 / 44 / 0 / 15

HEX #9F7ADA

RGB 159 122 218

HSL 263.13, 0.56%, 0.67%

LAB 58.37, 34.07, -44.08

 

CMYK 33 / 53 / 0 / 9

HEX #9C6DE8

RGB 156 109 232

HSL 262.93, 0.73%, 0.67%

LAB 55.92, 44.05, -55.84

 

CMYK 38 / 61 / 0 / 4

HEX #995FF6

RGB 153 95 246

HSL 263.05, 0.89%, 0.67%

LAB 53.61, 54.41, -67.38

 

CMYK 27 / 44 / 0 / 15

HEX #9F7ADA

RGB 159 122 218

HSL 263.13, 0.56%, 0.67%

LAB 58.37, 34.07, -44.08

 

CMYK 21 / 34 / 0 / 20

HEX #A288CD

RGB 162 136 205

HSL 262.61, 0.41%, 0.67%

LAB 61.39, 23.85, -32.03

 

CMYK 14 / 21 / 0 / 25

HEX #A596BF

RGB 165 150 191

HSL 261.95, 0.24%, 0.67%

LAB 64.62, 13.67, -19.19

 

CMYK 5 / 8 / 0 / 31

HEX #A9A3B1

RGB 169 163 177

HSL 265.71, 0.08%, 0.67%

LAB 67.88, 4.84, -6.45

 

CMYK 3 / 0 / 7 / 31

HEX #ACB1A4

RGB 172 177 164

HSL 83.08, 0.08%, 0.67%

LAB 71.48, -4.16, 6.03

 

CMYK 44 / 37 / 0 / 15

HEX #7A8ADA

RGB 122 138 218

HSL 230, 0.56%, 0.67%

LAB 59.32, 14.9, -42.79

 

CMYK 39 / 44 / 0 / 15

HEX #847ADA

RGB 132 122 218

HSL 246.25, 0.56%, 0.67%

LAB 55.97, 26.88, -48.03

 

CMYK 28 / 44 / 0 / 15

HEX #9E7ADA

RGB 158 122 218

HSL 262.5, 0.56%, 0.67%

LAB 58.27, 33.8, -44.24

 

CMYK 16 / 44 / 0 / 15

HEX #B77ADA

RGB 183 122 218

HSL 278.13, 0.56%, 0.67%

LAB 60.82, 40.86, -40.05

 

CMYK 4 / 44 / 0 / 15

HEX #D17ADA

RGB 209 122 218

HSL 294.38, 0.56%, 0.67%

LAB 63.78, 48.41, -35.21

 

CMYK 44 / 71 / 0 / 21

HEX #703AC9

RGB 112 58 201

HSL 262.66, 0.57%, 0.51%

LAB 39.05, 53.72, -65.64

 

CMYK 35 / 57 / 0 / 18

HEX #885AD1

RGB 136 90 209

HSL 263.19, 0.56%, 0.59%

LAB 48.45, 43.92, -54.92

 

CMYK 27 / 44 / 0 / 15

HEX #9F7ADA

RGB 159 122 218

HSL 263.13, 0.56%, 0.67%

LAB 58.37, 34.07, -44.08

 

CMYK 20 / 32 / 0 / 11

HEX #B69BE3

RGB 182 155 227

HSL 262.5, 0.56%, 0.75%

LAB 68.7, 24.24, -32.78

 

CMYK 13 / 21 / 0 / 7

HEX #CEBBEC

RGB 206 187 236

HSL 263.27, 0.56%, 0.83%

LAB 78.88, 16.02, -21.89

 

CMYK 27 / 44 / 0 / 14

HEX #9F7ADB

RGB 159 122 219

HSL 262.89, 0.57%, 0.67%

LAB 58.42, 34.32, -44.57

 

CMYK 0 / 44 / 25 / 15

HEX #DA7AA4

RGB 218 122 164

HSL 333.75, 0.56%, 0.67%

LAB 62.93, 42.34, -5.9

 

CMYK 42 / 0 / 44 / 15

HEX #7EDA7A

RGB 126 218 122

HSL 117.5, 0.56%, 0.67%

LAB 79.6, -46.39, 38.79

 

CMYK 27 / 44 / 0 / 14

HEX #9F7ADB

RGB 159 122 219

HSL 262.89, 0.57%, 0.67%

LAB 58.42, 34.32, -44.57

 

CMYK 0 / 28 / 44 / 15

HEX #DA9E7A

RGB 218 158 122

HSL 22.5, 0.56%, 0.67%

LAB 70.01, 17.96, 27.6

 

CMYK 44 / 0 / 28 / 15

HEX #7ADA9E

RGB 122 218 158

HSL 142.5, 0.56%, 0.67%

LAB 80.04, -41.56, 20.89

 

CMYK 27 / 44 / 0 / 14

HEX #9F7ADB

RGB 159 122 219

HSL 262.89, 0.57%, 0.67%

LAB 58.42, 34.32, -44.57

 

CMYK 0 / 44 / 25 / 15

HEX #DA7AA4

RGB 218 122 164

HSL 333.75, 0.56%, 0.67%

LAB 62.93, 42.34, -5.9

 

CMYK 16 / 0 / 44 / 15

HEX #B7DA7A

RGB 183 218 122

HSL 81.88, 0.56%, 0.67%

LAB 82.71, -26.98, 43.35

 

CMYK 44 / 0 / 19 / 15

HEX #7ADAB1

RGB 122 218 177

HSL 154.38, 0.56%, 0.67%

LAB 80.43, -37.77, 11.43

 

CMYK 27 / 44 / 0 / 14

HEX #9F7ADB

RGB 159 122 219

HSL 262.89, 0.57%, 0.67%

LAB 58.42, 34.32, -44.57

 

CMYK 0 / 44 / 38 / 15

HEX #DA7A87

RGB 218 122 135

HSL 351.88, 0.56%, 0.67%

LAB 62.15, 38.62, 9.55

 

CMYK 16 / 0 / 44 / 15

HEX #B7DA7A

RGB 183 218 122

HSL 81.88, 0.56%, 0.67%

LAB 82.71, -26.98, 43.35

 

CMYK 44 / 0 / 6 / 15

HEX #7ADACE

RGB 122 218 206

HSL 172.5, 0.56%, 0.67%

LAB 81.15, -31.25, -2.95

 

Description

Color code: HEX #9F7ADB | qconv.com Color code: HEX #9F7ADB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 122 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 122 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 44 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 44% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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