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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F78DC it is the complementary color #608723. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F78DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F78DC shade: #A478D7, #B58AEA, #C69CFD, #D7AEFF and #E8C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F78DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F78DC shade: #9F78DC, #8E66C9, #7D54B6, #6C42A3 and #5B3090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F78DC shade: #A079DC, #BB79DC, #D579DC, #DC79C9 and #DC79AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F78DC shade: #A079DC, #8579DC and #7979DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F78DC shade matches the following richer shades: #A079DC, #9D6CEA and #9A5EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F78DC shade: #A079DC, #A387CF, #A694C1, #A9A2B4 and #ACB0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F78DC shade: #7988DC, #8579DC, #9F79DC, #BA79DC and #D479DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F78DC shade: #7138CC, #8958D4, #A079DC, #B79AE5 and #CFBBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F78DC shade: #9F78DC, #DC79A3 and #7BDC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F78DC shade: #9F78DC, #DC9F79 and #79DC9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F78DC shade: #9F78DC, #DC79A3, #B6DC79 and #79DCB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F78DC shade: #9F78DC, #DC7985, #B6DC79 and #79DCD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 45 / 0 / 14

HEX #9F78DC

RGB 159 120 220

HSL 263.4, 0.59%, 0.67%

LAB 58.01, 35.69, -45.78

 

Complementary color

CMYK 29 / 0 / 74 / 47

HEX #608723

RGB 96 135 35

HSL 83.4, 0.59%, 0.33%

LAB 51.76, -29.35, 46.62

 

CMYK 24 / 44 / 0 / 16

HEX #A478D7

RGB 164 120 215

HSL 267.79, 0.54%, 0.66%

LAB 58.26, 35.88, -42.54

 

CMYK 23 / 41 / 0 / 8

HEX #B58AEA

RGB 181 138 234

HSL 266.88, 0.7%, 0.73%

LAB 64.92, 35.05, -42.55

 

CMYK 22 / 38 / 0 / 1

HEX #C69CFD

RGB 198 156 253

HSL 265.98, 0.96%, 0.8%

LAB 71.47, 34.28, -42.56

 

CMYK 16 / 32 / 0 / 0

HEX #D7AEFF

RGB 215 174 255

HSL 270.37, 1%, 0.84%

LAB 77.24, 29.87, -34.55

 

CMYK 9 / 25 / 0 / 0

HEX #E8C0FF

RGB 232 192 255

HSL 278.1, 1%, 0.88%

LAB 82.95, 25.39, -25.65

 

CMYK 28 / 45 / 0 / 14

HEX #9F78DC

RGB 159 120 220

HSL 263.4, 0.59%, 0.67%

LAB 58.01, 35.69, -45.78

 

CMYK 29 / 49 / 0 / 21

HEX #8E66C9

RGB 142 102 201

HSL 264.24, 0.48%, 0.59%

LAB 51.23, 36.64, -45.85

 

CMYK 31 / 54 / 0 / 29

HEX #7D54B6

RGB 125 84 182

HSL 265.1, 0.4%, 0.52%

LAB 44.34, 37.64, -45.94

 

CMYK 34 / 60 / 0 / 36

HEX #6C42A3

RGB 108 66 163

HSL 265.98, 0.42%, 0.45%

LAB 37.35, 38.69, -45.99

 

CMYK 37 / 67 / 0 / 44

HEX #5B3090

RGB 91 48 144

HSL 266.88, 0.5%, 0.38%

LAB 30.28, 39.69, -45.95

 

CMYK 27 / 45 / 0 / 14

HEX #A079DC

RGB 160 121 220

HSL 263.64, 0.59%, 0.67%

LAB 58.34, 35.4, -45.25

 

CMYK 15 / 45 / 0 / 14

HEX #BB79DC

RGB 187 121 220

HSL 280, 0.59%, 0.67%

LAB 61.14, 42.97, -40.65

 

CMYK 3 / 45 / 0 / 14

HEX #D579DC

RGB 213 121 220

HSL 295.76, 0.59%, 0.67%

LAB 64.15, 50.46, -35.72

 

CMYK 0 / 45 / 9 / 14

HEX #DC79C9

RGB 220 121 201

HSL 311.52, 0.59%, 0.67%

LAB 64.25, 49.2, -24.86

 

CMYK 0 / 45 / 21 / 14

HEX #DC79AE

RGB 220 121 174

HSL 327.88, 0.59%, 0.67%

LAB 63.3, 44.96, -11.02

 

CMYK 27 / 45 / 0 / 14

HEX #A079DC

RGB 160 121 220

HSL 263.64, 0.59%, 0.67%

LAB 58.34, 35.4, -45.25

 

CMYK 40 / 45 / 0 / 14

HEX #8579DC

RGB 133 121 220

HSL 247.27, 0.59%, 0.67%

LAB 55.92, 28.28, -49.24

 

CMYK 45 / 45 / 0 / 14

HEX #7979DC

RGB 121 121 220

HSL 240, 0.59%, 0.67%

LAB 54.98, 25.33, -50.79

 

CMYK 27 / 45 / 0 / 14

HEX #A079DC

RGB 160 121 220

HSL 263.64, 0.59%, 0.67%

LAB 58.34, 35.4, -45.25

 

CMYK 33 / 54 / 0 / 8

HEX #9D6CEA

RGB 157 108 234

HSL 263.33, 0.75%, 0.67%

LAB 55.92, 45.34, -56.95

 

CMYK 38 / 62 / 0 / 3

HEX #9A5EF8

RGB 154 94 248

HSL 263.38, 0.92%, 0.67%

LAB 53.66, 55.64, -68.42

 

CMYK 27 / 45 / 0 / 14

HEX #A079DC

RGB 160 121 220

HSL 263.64, 0.59%, 0.67%

LAB 58.34, 35.4, -45.25

 

CMYK 21 / 35 / 0 / 19

HEX #A387CF

RGB 163 135 207

HSL 263.33, 0.43%, 0.67%

LAB 61.32, 25.19, -33.25

 

CMYK 14 / 23 / 0 / 24

HEX #A694C1

RGB 166 148 193

HSL 264, 0.27%, 0.67%

LAB 64.27, 15.57, -20.84

 

CMYK 6 / 10 / 0 / 29

HEX #A9A2B4

RGB 169 162 180

HSL 263.33, 0.11%, 0.67%

LAB 67.7, 6, -8.38

 

CMYK 2 / 0 / 6 / 31

HEX #ACB0A6

RGB 172 176 166

HSL 84, 0.06%, 0.67%

LAB 71.27, -3.26, 4.62

 

CMYK 45 / 38 / 0 / 14

HEX #7988DC

RGB 121 136 220

HSL 230.91, 0.59%, 0.67%

LAB 58.83, 16.41, -44.69

 

CMYK 40 / 45 / 0 / 14

HEX #8579DC

RGB 133 121 220

HSL 247.27, 0.59%, 0.67%

LAB 55.92, 28.28, -49.24

 

CMYK 28 / 45 / 0 / 14

HEX #9F79DC

RGB 159 121 220

HSL 263.03, 0.59%, 0.67%

LAB 58.24, 35.13, -45.41

 

CMYK 15 / 45 / 0 / 14

HEX #BA79DC

RGB 186 121 220

HSL 279.39, 0.59%, 0.67%

LAB 61.03, 42.69, -40.83

 

CMYK 4 / 45 / 0 / 14

HEX #D479DC

RGB 212 121 220

HSL 295.15, 0.59%, 0.67%

LAB 64.03, 50.17, -35.92

 

CMYK 45 / 73 / 0 / 20

HEX #7138CC

RGB 113 56 204

HSL 263.11, 0.59%, 0.51%

LAB 39.07, 55.62, -67.35

 

CMYK 35 / 58 / 0 / 17

HEX #8958D4

RGB 137 88 212

HSL 263.71, 0.59%, 0.59%

LAB 48.32, 46.02, -56.83

 

CMYK 27 / 45 / 0 / 14

HEX #A079DC

RGB 160 121 220

HSL 263.64, 0.59%, 0.67%

LAB 58.34, 35.4, -45.25

 

CMYK 20 / 33 / 0 / 10

HEX #B79AE5

RGB 183 154 229

HSL 263.2, 0.59%, 0.75%

LAB 68.63, 25.56, -33.98

 

CMYK 13 / 21 / 0 / 7

HEX #CFBBED

RGB 207 187 237

HSL 264, 0.58%, 0.83%

LAB 79, 16.55, -22.24

 

CMYK 28 / 45 / 0 / 14

HEX #9F78DC

RGB 159 120 220

HSL 263.4, 0.59%, 0.67%

LAB 58.01, 35.69, -45.78

 

CMYK 0 / 45 / 26 / 14

HEX #DC79A3

RGB 220 121 163

HSL 334.55, 0.59%, 0.67%

LAB 62.96, 43.4, -5.26

 

CMYK 44 / 0 / 45 / 14

HEX #7BDC79

RGB 123 220 121

HSL 118.79, 0.59%, 0.67%

LAB 80.05, -48.25, 39.83

 

CMYK 28 / 45 / 0 / 14

HEX #9F78DC

RGB 159 120 220

HSL 263.4, 0.59%, 0.67%

LAB 58.01, 35.69, -45.78

 

CMYK 0 / 28 / 45 / 14

HEX #DC9F79

RGB 220 159 121

HSL 23.03, 0.59%, 0.67%

LAB 70.45, 18.12, 28.76

 

CMYK 45 / 0 / 28 / 14

HEX #79DC9F

RGB 121 220 159

HSL 143.03, 0.59%, 0.67%

LAB 80.6, -42.52, 21.14

 

CMYK 28 / 45 / 0 / 14

HEX #9F78DC

RGB 159 120 220

HSL 263.4, 0.59%, 0.67%

LAB 58.01, 35.69, -45.78

 

CMYK 0 / 45 / 26 / 14

HEX #DC79A3

RGB 220 121 163

HSL 334.55, 0.59%, 0.67%

LAB 62.96, 43.4, -5.26

 

CMYK 17 / 0 / 45 / 14

HEX #B6DC79

RGB 182 220 121

HSL 83.03, 0.59%, 0.67%

LAB 83.18, -28.42, 44.42

 

CMYK 45 / 0 / 19 / 14

HEX #79DCB3

RGB 121 220 179

HSL 155.15, 0.59%, 0.67%

LAB 81.02, -38.52, 11.2

 

CMYK 28 / 45 / 0 / 14

HEX #9F78DC

RGB 159 120 220

HSL 263.4, 0.59%, 0.67%

LAB 58.01, 35.69, -45.78

 

CMYK 0 / 45 / 40 / 14

HEX #DC7985

RGB 220 121 133

HSL 352.73, 0.59%, 0.67%

LAB 62.15, 39.64, 10.74

 

CMYK 17 / 0 / 45 / 14

HEX #B6DC79

RGB 182 220 121

HSL 83.03, 0.59%, 0.67%

LAB 83.18, -28.42, 44.42

 

CMYK 45 / 0 / 5 / 14

HEX #79DCD1

RGB 121 220 209

HSL 173.33, 0.59%, 0.67%

LAB 81.76, -31.72, -3.65

 

Description

Color code: HEX #9F78DC | qconv.com Color code: HEX #9F78DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 120 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 120 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 45 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 45% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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