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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7740 it is the complementary color #6088BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7740 shade: #A4773B, #B5894E, #C69B61, #D7AD74 and #E8BF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7740 shade: #9F7740, #8E652D, #7D531A, #6C4107 and #5B2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7740 shade: #A07840, #A05E40, #A04440 and #A04040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7740 shade: #A07840, #A09240, #95A040, #7BA040 and #61A040

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7740 shade matches the following richer shades: #A07840, #B37B2E, #C57E1C and #D78009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7740 shade: #A07840, #8E7552, #7C7264, #6A6F76 and #586C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7740 shade: #A04340, #A05D40, #A07740, #A09040 and #97A040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7740 shade: #654C28, #836234, #A07840, #B98D50 and #C5A06E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7740 shade: #9F7740, #56A040 and #5040A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7740 shade: #9F7740, #40A077 and #7740A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7740 shade: #9F7740, #56A040, #406AA0 and #8A40A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7740 shade: #9F7740, #40A046, #406AA0 and #A0409A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 60 / 38

HEX #9F7740

RGB 159 119 64

HSL 34.74, 0.43%, 0.44%

LAB 52.88, 9.27, 35.9

 

Complementary color

CMYK 50 / 29 / 0 / 25

HEX #6088BF

RGB 96 136 191

HSL 214.74, 0.43%, 0.56%

LAB 55.94, 1.62, -32.97

 

CMYK 0 / 27 / 64 / 36

HEX #A4773B

RGB 164 119 59

HSL 34.29, 0.47%, 0.44%

LAB 53.39, 11.12, 39.24

 

CMYK 0 / 24 / 57 / 29

HEX #B5894E

RGB 181 137 78

HSL 34.37, 0.41%, 0.51%

LAB 60.13, 9.92, 37.78

 

CMYK 0 / 22 / 51 / 22

HEX #C69B61

RGB 198 155 97

HSL 34.46, 0.47%, 0.58%

LAB 66.76, 8.92, 36.36

 

CMYK 0 / 20 / 46 / 16

HEX #D7AD74

RGB 215 173 116

HSL 34.55, 0.55%, 0.65%

LAB 73.28, 8.07, 35.01

 

CMYK 0 / 18 / 42 / 9

HEX #E8BF87

RGB 232 191 135

HSL 34.64, 0.68%, 0.72%

LAB 79.71, 7.33, 33.73

 

CMYK 0 / 25 / 60 / 38

HEX #9F7740

RGB 159 119 64

HSL 34.74, 0.43%, 0.44%

LAB 52.88, 9.27, 35.9

 

CMYK 0 / 29 / 68 / 44

HEX #8E652D

RGB 142 101 45

HSL 34.64, 0.52%, 0.37%

LAB 45.97, 10.58, 37.36

 

CMYK 0 / 34 / 79 / 51

HEX #7D531A

RGB 125 83 26

HSL 34.55, 0.66%, 0.3%

LAB 38.93, 12.2, 38.57

 

CMYK 0 / 40 / 94 / 58

HEX #6C4107

RGB 108 65 7

HSL 34.46, 0.88%, 0.23%

LAB 31.77, 14.24, 38.85

 

CMYK 0 / 48 / 100 / 64

HEX #5B2F00

RGB 91 47 0

HSL 30.99, 1%, 0.18%

LAB 24.5, 16.81, 34.51

 

CMYK 0 / 25 / 60 / 37

HEX #A07840

RGB 160 120 64

HSL 35, 0.43%, 0.44%

LAB 53.25, 9.15, 36.37

 

CMYK 0 / 41 / 60 / 37

HEX #A05E40

RGB 160 94 64

HSL 18.75, 0.43%, 0.44%

LAB 46.78, 23.93, 28.55

 

CMYK 0 / 58 / 60 / 37

HEX #A04440

RGB 160 68 64

HSL 2.5, 0.43%, 0.44%

LAB 41.18, 37.92, 21.48

 

CMYK 0 / 60 / 60 / 37

HEX #A04040

RGB 160 64 64

HSL 0, 0.43%, 0.44%

LAB 40.43, 39.9, 20.5

 

CMYK 0 / 25 / 60 / 37

HEX #A07840

RGB 160 120 64

HSL 35, 0.43%, 0.44%

LAB 53.25, 9.15, 36.37

 

CMYK 0 / 9 / 60 / 37

HEX #A09240

RGB 160 146 64

HSL 51.25, 0.43%, 0.44%

LAB 60.25, -5.33, 44.42

 

CMYK 7 / 0 / 60 / 37

HEX #95A040

RGB 149 160 64

HSL 66.88, 0.43%, 0.44%

LAB 63.26, -17.52, 47.51

 

CMYK 23 / 0 / 60 / 37

HEX #7BA040

RGB 123 160 64

HSL 83.13, 0.43%, 0.44%

LAB 61.41, -28.26, 44.94

 

CMYK 39 / 0 / 60 / 37

HEX #61A040

RGB 97 160 64

HSL 99.38, 0.43%, 0.44%

LAB 59.94, -37.93, 42.87

 

CMYK 0 / 25 / 60 / 37

HEX #A07840

RGB 160 120 64

HSL 35, 0.43%, 0.44%

LAB 53.25, 9.15, 36.37

 

CMYK 0 / 31 / 74 / 30

HEX #B37B2E

RGB 179 123 46

HSL 34.74, 0.59%, 0.44%

LAB 56.03, 14.77, 48.83

 

CMYK 0 / 36 / 86 / 23

HEX #C57E1C

RGB 197 126 28

HSL 34.79, 0.75%, 0.44%

LAB 58.86, 20.38, 59.07

 

CMYK 0 / 40 / 96 / 16

HEX #D78009

RGB 215 128 9

HSL 34.66, 0.92%, 0.44%

LAB 61.57, 26.7, 66.47

 

CMYK 0 / 25 / 60 / 37

HEX #A07840

RGB 160 120 64

HSL 35, 0.43%, 0.44%

LAB 53.25, 9.15, 36.37

 

CMYK 0 / 18 / 42 / 44

HEX #8E7552

RGB 142 117 82

HSL 35, 0.27%, 0.44%

LAB 50.78, 4.7, 22.96

 

CMYK 0 / 8 / 19 / 51

HEX #7C7264

RGB 124 114 100

HSL 35, 0.11%, 0.44%

LAB 48.56, 1.37, 9.16

 

CMYK 10 / 6 / 0 / 54

HEX #6A6F76

RGB 106 111 118

HSL 215, 0.05%, 0.44%

LAB 46.63, -0.38, -4.54

 

CMYK 36 / 21 / 0 / 46

HEX #586C89

RGB 88 108 137

HSL 215.51, 0.22%, 0.44%

LAB 45.09, 0.13, -18.36

 

CMYK 0 / 58 / 60 / 37

HEX #A04340

RGB 160 67 64

HSL 1.88, 0.43%, 0.44%

LAB 40.99, 38.42, 21.23

 

CMYK 0 / 42 / 60 / 37

HEX #A05D40

RGB 160 93 64

HSL 18.13, 0.43%, 0.44%

LAB 46.54, 24.5, 28.26

 

CMYK 0 / 26 / 60 / 37

HEX #A07740

RGB 160 119 64

HSL 34.38, 0.43%, 0.44%

LAB 52.99, 9.71, 36.06

 

CMYK 0 / 10 / 60 / 37

HEX #A09040

RGB 160 144 64

HSL 50, 0.43%, 0.44%

LAB 59.7, -4.25, 43.8

 

CMYK 6 / 0 / 60 / 37

HEX #97A040

RGB 151 160 64

HSL 65.63, 0.43%, 0.44%

LAB 63.42, -16.67, 47.72

 

CMYK 0 / 25 / 60 / 60

HEX #654C28

RGB 101 76 40

HSL 35.41, 0.43%, 0.28%

LAB 34.17, 5.9, 25.23

 

CMYK 0 / 25 / 60 / 49

HEX #836234

RGB 131 98 52

HSL 34.94, 0.43%, 0.36%

LAB 43.96, 7.79, 31.01

 

CMYK 0 / 25 / 60 / 37

HEX #A07840

RGB 160 120 64

HSL 35, 0.43%, 0.44%

LAB 53.25, 9.15, 36.37

 

CMYK 0 / 24 / 57 / 27

HEX #B98D50

RGB 185 141 80

HSL 34.86, 0.43%, 0.52%

LAB 61.61, 9.6, 38.62

 

CMYK 0 / 19 / 44 / 23

HEX #C5A06E

RGB 197 160 110

HSL 34.48, 0.43%, 0.6%

LAB 68.12, 7.07, 31.18

 

CMYK 0 / 25 / 60 / 38

HEX #9F7740

RGB 159 119 64

HSL 34.74, 0.43%, 0.44%

LAB 52.88, 9.27, 35.9

 

CMYK 46 / 0 / 60 / 37

HEX #56A040

RGB 86 160 64

HSL 106.25, 0.43%, 0.44%

LAB 59.43, -41.56, 42.15

 

CMYK 50 / 60 / 0 / 37

HEX #5040A0

RGB 80 64 160

HSL 250, 0.43%, 0.44%

LAB 33.8, 32.57, -50.07

 

CMYK 0 / 25 / 60 / 38

HEX #9F7740

RGB 159 119 64

HSL 34.74, 0.43%, 0.44%

LAB 52.88, 9.27, 35.9

 

CMYK 60 / 0 / 26 / 37

HEX #40A077

RGB 64 160 119

HSL 154.38, 0.43%, 0.44%

LAB 59.49, -38.19, 13.11

 

CMYK 26 / 60 / 0 / 37

HEX #7740A0

RGB 119 64 160

HSL 274.38, 0.43%, 0.44%

LAB 38.07, 41.79, -42.97

 

CMYK 0 / 25 / 60 / 38

HEX #9F7740

RGB 159 119 64

HSL 34.74, 0.43%, 0.44%

LAB 52.88, 9.27, 35.9

 

CMYK 46 / 0 / 60 / 37

HEX #56A040

RGB 86 160 64

HSL 106.25, 0.43%, 0.44%

LAB 59.43, -41.56, 42.15

 

CMYK 60 / 34 / 0 / 37

HEX #406AA0

RGB 64 106 160

HSL 213.75, 0.43%, 0.44%

LAB 44.14, 2.38, -33.61

 

CMYK 14 / 60 / 0 / 37

HEX #8A40A0

RGB 138 64 160

HSL 286.25, 0.43%, 0.44%

LAB 40.59, 46.69, -38.81

 

CMYK 0 / 25 / 60 / 38

HEX #9F7740

RGB 159 119 64

HSL 34.74, 0.43%, 0.44%

LAB 52.88, 9.27, 35.9

 

CMYK 60 / 0 / 56 / 37

HEX #40A046

RGB 64 160 70

HSL 123.75, 0.43%, 0.44%

LAB 58.67, -46.99, 38.18

 

CMYK 60 / 34 / 0 / 37

HEX #406AA0

RGB 64 106 160

HSL 213.75, 0.43%, 0.44%

LAB 44.14, 2.38, -33.61

 

CMYK 0 / 60 / 4 / 37

HEX #A0409A

RGB 160 64 154

HSL 303.75, 0.43%, 0.44%

LAB 43.47, 51.42, -30.45

 

Description

Color code: HEX #9F7740 | qconv.com Color code: HEX #9F7740 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 119 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 119 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 60 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 60% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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