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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F73C4 it is the complementary color #608C3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F73C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F73C4 shade: #A473BF, #B585D2, #C697E5, #D7A9F8 and #E8BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F73C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F73C4 shade: #9F73C4, #8E61B1, #7D4F9E, #6C3D8B and #5B2B78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F73C4 shade: #9F73C4, #B573C4, #C473BE, #C473A8 and #C47392

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F73C4 shade: #9F73C4, #8973C4 and #7373C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F73C4 shade matches the following richer shades: #9F73C4, #A063D4, #A253E5 and #A343F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F73C4 shade: #9F73C4, #9E83B4, #9C93A4, #9BA394 and #9AB384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F73C4 shade: #7373C4, #8973C4, #9E73C4, #B473C4 and #C473BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F73C4 shade: #7643A1, #8B56B8, #9F73C4, #B390D0 and #C7ADDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F73C4 shade: #9F73C4, #C47389 and #73C47E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F73C4 shade: #9F73C4, #C49E73 and #73C49E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F73C4 shade: #9F73C4, #C47389, #99C473 and #73C4AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F73C4 shade: #9F73C4, #C47573, #99C473 and #73C2C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

Complementary color

CMYK 31 / 0 / 58 / 45

HEX #608C3B

RGB 96 140 59

HSL 92.59, 0.41%, 0.39%

LAB 53.56, -29.66, 37.91

 

CMYK 14 / 40 / 0 / 25

HEX #A473BF

RGB 164 115 191

HSL 278.68, 0.37%, 0.6%

LAB 56, 33.24, -32.47

 

CMYK 14 / 37 / 0 / 18

HEX #B585D2

RGB 181 133 210

HSL 277.4, 0.46%, 0.67%

LAB 62.72, 32.48, -32.63

 

CMYK 14 / 34 / 0 / 10

HEX #C697E5

RGB 198 151 229

HSL 276.15, 0.6%, 0.75%

LAB 69.32, 31.77, -32.8

 

CMYK 13 / 32 / 0 / 3

HEX #D7A9F8

RGB 215 169 248

HSL 274.94, 0.85%, 0.82%

LAB 75.82, 31.11, -32.97

 

CMYK 9 / 27 / 0 / 0

HEX #E8BBFF

RGB 232 187 255

HSL 279.71, 1%, 0.87%

LAB 81.79, 28.07, -27.42

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 20 / 45 / 0 / 31

HEX #8E61B1

RGB 142 97 177

HSL 273.75, 0.34%, 0.54%

LAB 48.85, 33.68, -35.75

 

CMYK 21 / 50 / 0 / 38

HEX #7D4F9E

RGB 125 79 158

HSL 274.94, 0.33%, 0.46%

LAB 41.88, 34.57, -35.67

 

CMYK 22 / 56 / 0 / 45

HEX #6C3D8B

RGB 108 61 139

HSL 276.15, 0.39%, 0.39%

LAB 34.78, 35.47, -35.54

 

CMYK 24 / 64 / 0 / 53

HEX #5B2B78

RGB 91 43 120

HSL 277.4, 0.47%, 0.32%

LAB 27.59, 36.29, -35.29

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 8 / 41 / 0 / 23

HEX #B573C4

RGB 181 115 196

HSL 288.89, 0.41%, 0.61%

LAB 58.1, 39.48, -31.9

 

CMYK 0 / 41 / 3 / 23

HEX #C473BE

RGB 196 115 190

HSL 304.44, 0.41%, 0.61%

LAB 59.63, 42.96, -25.99

 

CMYK 0 / 41 / 14 / 23

HEX #C473A8

RGB 196 115 168

HSL 320.74, 0.41%, 0.61%

LAB 58.81, 39.18, -14.64

 

CMYK 0 / 41 / 26 / 23

HEX #C47392

RGB 196 115 146

HSL 337.04, 0.41%, 0.61%

LAB 58.11, 35.81, -2.99

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 30 / 41 / 0 / 23

HEX #8973C4

RGB 137 115 196

HSL 256.3, 0.41%, 0.61%

LAB 53.56, 26.44, -39.34

 

CMYK 41 / 41 / 0 / 23

HEX #7373C4

RGB 115 115 196

HSL 240, 0.41%, 0.61%

LAB 51.71, 20.45, -42.38

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 25 / 53 / 0 / 17

HEX #A063D4

RGB 160 99 212

HSL 272.39, 0.57%, 0.61%

LAB 53.11, 45.69, -49.02

 

CMYK 29 / 64 / 0 / 10

HEX #A253E5

RGB 162 83 229

HSL 272.47, 0.74%, 0.61%

LAB 51.3, 58.26, -61.54

 

CMYK 33 / 73 / 0 / 4

HEX #A343F5

RGB 163 67 245

HSL 272.36, 0.9%, 0.61%

LAB 49.97, 69.16, -72.67

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 12 / 27 / 0 / 29

HEX #9E83B4

RGB 158 131 180

HSL 273.06, 0.25%, 0.61%

LAB 58.79, 19.79, -21.94

 

CMYK 5 / 10 / 0 / 36

HEX #9C93A4

RGB 156 147 164

HSL 271.76, 0.09%, 0.61%

LAB 62.18, 6.61, -7.73

 

CMYK 5 / 0 / 9 / 36

HEX #9BA394

RGB 155 163 148

HSL 92, 0.08%, 0.61%

LAB 65.98, -5.68, 6.81

 

CMYK 14 / 0 / 26 / 30

HEX #9AB384

RGB 154 179 132

HSL 91.91, 0.24%, 0.61%

LAB 70.02, -17.19, 21.23

 

CMYK 41 / 41 / 0 / 23

HEX #7373C4

RGB 115 115 196

HSL 240, 0.41%, 0.61%

LAB 51.71, 20.45, -42.38

 

CMYK 30 / 41 / 0 / 23

HEX #8973C4

RGB 137 115 196

HSL 256.3, 0.41%, 0.61%

LAB 53.56, 26.44, -39.34

 

CMYK 19 / 41 / 0 / 23

HEX #9E73C4

RGB 158 115 196

HSL 271.85, 0.41%, 0.61%

LAB 55.6, 32.55, -36

 

CMYK 8 / 41 / 0 / 23

HEX #B473C4

RGB 180 115 196

HSL 288.15, 0.41%, 0.61%

LAB 57.99, 39.18, -32.09

 

CMYK 0 / 41 / 3 / 23

HEX #C473BF

RGB 196 115 191

HSL 303.7, 0.41%, 0.61%

LAB 59.67, 43.14, -26.49

 

CMYK 27 / 58 / 0 / 37

HEX #7643A1

RGB 118 67 161

HSL 272.55, 0.41%, 0.45%

LAB 38.62, 40.14, -42.7

 

CMYK 24 / 53 / 0 / 28

HEX #8B56B8

RGB 139 86 184

HSL 272.45, 0.41%, 0.53%

LAB 46.45, 40.69, -43.65

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

CMYK 10 / 22 / 0 / 13

HEX #C7ADDD

RGB 199 173 221

HSL 272.5, 0.41%, 0.77%

LAB 74.35, 18.31, -20.71

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 0 / 41 / 30 / 23

HEX #C47389

RGB 196 115 137

HSL 343.7, 0.41%, 0.61%

LAB 57.85, 34.56, 1.85

 

CMYK 41 / 0 / 36 / 23

HEX #73C47E

RGB 115 196 126

HSL 128.15, 0.41%, 0.61%

LAB 72.65, -39.51, 27.59

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 0 / 19 / 41 / 23

HEX #C49E73

RGB 196 158 115

HSL 31.85, 0.41%, 0.61%

LAB 67.6, 8.29, 27.78

 

CMYK 41 / 0 / 19 / 23

HEX #73C49E

RGB 115 196 158

HSL 151.85, 0.41%, 0.61%

LAB 73.28, -33.47, 11.4

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 0 / 41 / 30 / 23

HEX #C47389

RGB 196 115 137

HSL 343.7, 0.41%, 0.61%

LAB 57.85, 34.56, 1.85

 

CMYK 22 / 0 / 41 / 23

HEX #99C473

RGB 153 196 115

HSL 91.85, 0.41%, 0.61%

LAB 74.5, -28.43, 36.09

 

CMYK 41 / 0 / 11 / 23

HEX #73C4AF

RGB 115 196 175

HSL 164.44, 0.41%, 0.61%

LAB 73.69, -29.75, 2.78

 

CMYK 19 / 41 / 0 / 23

HEX #9F73C4

RGB 159 115 196

HSL 272.59, 0.41%, 0.61%

LAB 55.7, 32.85, -35.83

 

CMYK 0 / 40 / 41 / 23

HEX #C47573

RGB 196 117 115

HSL 1.48, 0.41%, 0.61%

LAB 57.75, 30.76, 14.45

 

CMYK 22 / 0 / 41 / 23

HEX #99C473

RGB 153 196 115

HSL 91.85, 0.41%, 0.61%

LAB 74.5, -28.43, 36.09

 

CMYK 41 / 1 / 0 / 23

HEX #73C2C4

RGB 115 194 196

HSL 181.48, 0.41%, 0.61%

LAB 73.68, -23.72, -8.64

 

Description

Color code: HEX #9F73C4 | qconv.com Color code: HEX #9F73C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 115 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 115 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 41 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 41% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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