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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F6FD2 it is the complementary color #60902D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F6FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F6FD2 shade: #A46FCD, #B581E0, #C693F3, #D7A5FF and #E8B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F6FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F6FD2 shade: #9F6FD2, #8E5DBF, #7D4BAC, #6C3999 and #5B2786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F6FD2 shade: #9F70D2, #BA70D2, #D270CF, #D270B5 and #D2709A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F6FD2 shade: #9F70D2, #8570D2 and #7070D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F6FD2 shade matches the following richer shades: #9F70D2, #9F60E1 and #9E51F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F6FD2 shade: #9F70D2, #A07FC2, #A08EB3, #A19DA4 and #A1AD95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F6FD2 shade: #7074D2, #8570D2, #9F70D2, #B970D2 and #D270D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F6FD2 shade: #7639B5, #8A50C8, #9F70D2, #B48FDC and #C9AEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F6FD2 shade: #9F6FD2, #D2708F and #70D278

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F6FD2 shade: #9F6FD2, #D29F70 and #70D29F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F6FD2 shade: #9F6FD2, #D2708F, #A2D270 and #70D2B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F6FD2 shade: #9F6FD2, #D27071, #A2D270 and #70D2D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 47 / 0 / 18

HEX #9F6FD2

RGB 159 111 210

HSL 269.09, 0.52%, 0.63%

LAB 55.47, 38.36, -44.15

 

Complementary color

CMYK 33 / 0 / 69 / 44

HEX #60902D

RGB 96 144 45

HSL 89.09, 0.52%, 0.37%

LAB 54.68, -32.84, 45.57

 

CMYK 20 / 46 / 0 / 20

HEX #A46FCD

RGB 164 111 205

HSL 273.83, 0.48%, 0.62%

LAB 55.76, 38.6, -40.83

 

CMYK 19 / 42 / 0 / 12

HEX #B581E0

RGB 181 129 224

HSL 272.84, 0.61%, 0.69%

LAB 62.43, 37.76, -40.9

 

CMYK 19 / 40 / 0 / 5

HEX #C693F3

RGB 198 147 243

HSL 271.88, 0.8%, 0.76%

LAB 69, 36.98, -40.98

 

CMYK 16 / 35 / 0 / 0

HEX #D7A5FF

RGB 215 165 255

HSL 273.33, 1%, 0.82%

LAB 75.19, 34.74, -37.73

 

CMYK 9 / 28 / 0 / 0

HEX #E8B7FF

RGB 232 183 255

HSL 280.83, 1%, 0.86%

LAB 80.87, 30.21, -28.83

 

CMYK 24 / 47 / 0 / 18

HEX #9F6FD2

RGB 159 111 210

HSL 269.09, 0.52%, 0.63%

LAB 55.47, 38.36, -44.15

 

CMYK 26 / 51 / 0 / 25

HEX #8E5DBF

RGB 142 93 191

HSL 270, 0.43%, 0.56%

LAB 48.69, 39.27, -44.14

 

CMYK 27 / 56 / 0 / 33

HEX #7D4BAC

RGB 125 75 172

HSL 270.93, 0.39%, 0.48%

LAB 41.8, 40.21, -44.12

 

CMYK 29 / 63 / 0 / 40

HEX #6C3999

RGB 108 57 153

HSL 271.88, 0.46%, 0.41%

LAB 34.83, 41.11, -44.01

 

CMYK 32 / 71 / 0 / 47

HEX #5B2786

RGB 91 39 134

HSL 272.84, 0.55%, 0.34%

LAB 27.84, 41.81, -43.71

 

CMYK 24 / 47 / 0 / 18

HEX #9F70D2

RGB 159 112 210

HSL 268.78, 0.52%, 0.63%

LAB 55.7, 37.8, -43.79

 

CMYK 11 / 47 / 0 / 18

HEX #BA70D2

RGB 186 112 210

HSL 285.31, 0.52%, 0.63%

LAB 58.68, 45.41, -38.9

 

CMYK 0 / 47 / 1 / 18

HEX #D270CF

RGB 210 112 207

HSL 301.84, 0.52%, 0.63%

LAB 61.48, 51.76, -32.62

 

CMYK 0 / 47 / 14 / 18

HEX #D270B5

RGB 210 112 181

HSL 317.76, 0.52%, 0.63%

LAB 60.45, 47.38, -19.44

 

CMYK 0 / 47 / 27 / 18

HEX #D2709A

RGB 210 112 154

HSL 334.29, 0.52%, 0.63%

LAB 59.55, 43.37, -5.29

 

CMYK 24 / 47 / 0 / 18

HEX #9F70D2

RGB 159 112 210

HSL 268.78, 0.52%, 0.63%

LAB 55.7, 37.8, -43.79

 

CMYK 37 / 47 / 0 / 18

HEX #8570D2

RGB 133 112 210

HSL 252.86, 0.52%, 0.63%

LAB 53.2, 30.82, -47.91

 

CMYK 47 / 47 / 0 / 18

HEX #7070D2

RGB 112 112 210

HSL 240, 0.52%, 0.63%

LAB 51.48, 25.64, -50.75

 

CMYK 24 / 47 / 0 / 18

HEX #9F70D2

RGB 159 112 210

HSL 268.78, 0.52%, 0.63%

LAB 55.7, 37.8, -43.79

 

CMYK 29 / 57 / 0 / 12

HEX #9F60E1

RGB 159 96 225

HSL 269.3, 0.68%, 0.63%

LAB 53.14, 50.08, -56.34

 

CMYK 34 / 66 / 0 / 6

HEX #9E51F0

RGB 158 81 240

HSL 269.06, 0.84%, 0.63%

LAB 51.2, 60.93, -67.9

 

CMYK 24 / 47 / 0 / 18

HEX #9F70D2

RGB 159 112 210

HSL 268.78, 0.52%, 0.63%

LAB 55.7, 37.8, -43.79

 

CMYK 18 / 35 / 0 / 24

HEX #A07FC2

RGB 160 127 194

HSL 269.55, 0.35%, 0.63%

LAB 58.55, 25.85, -30.24

 

CMYK 11 / 21 / 0 / 30

HEX #A08EB3

RGB 160 142 179

HSL 269.19, 0.2%, 0.63%

LAB 61.72, 13.95, -16.88

 

CMYK 2 / 4 / 0 / 36

HEX #A19DA4

RGB 161 157 164

HSL 274.29, 0.04%, 0.63%

LAB 65.26, 2.79, -3.13

 

CMYK 7 / 0 / 14 / 32

HEX #A1AD95

RGB 161 173 149

HSL 90, 0.13%, 0.63%

LAB 69.21, -8.67, 10.91

 

CMYK 47 / 45 / 0 / 18

HEX #7074D2

RGB 112 116 210

HSL 237.55, 0.52%, 0.63%

LAB 52.5, 23.23, -49.13

 

CMYK 37 / 47 / 0 / 18

HEX #8570D2

RGB 133 112 210

HSL 252.86, 0.52%, 0.63%

LAB 53.2, 30.82, -47.91

 

CMYK 24 / 47 / 0 / 18

HEX #9F70D2

RGB 159 112 210

HSL 268.78, 0.52%, 0.63%

LAB 55.7, 37.8, -43.79

 

CMYK 12 / 47 / 0 / 18

HEX #B970D2

RGB 185 112 210

HSL 284.69, 0.52%, 0.63%

LAB 58.56, 45.12, -39.09

 

CMYK 0 / 47 / 1 / 18

HEX #D270D0

RGB 210 112 208

HSL 301.22, 0.52%, 0.63%

LAB 61.52, 51.94, -33.12

 

CMYK 35 / 69 / 0 / 29

HEX #7639B5

RGB 118 57 181

HSL 269.52, 0.52%, 0.47%

LAB 38.05, 50.26, -55.52

 

CMYK 31 / 60 / 0 / 22

HEX #8A50C8

RGB 138 80 200

HSL 269, 0.52%, 0.55%

LAB 46.06, 47.55, -53.58

 

CMYK 24 / 47 / 0 / 18

HEX #9F70D2

RGB 159 112 210

HSL 268.78, 0.52%, 0.63%

LAB 55.7, 37.8, -43.79

 

CMYK 18 / 35 / 0 / 14

HEX #B48FDC

RGB 180 143 220

HSL 268.83, 0.52%, 0.71%

LAB 65.37, 28.78, -34.1

 

CMYK 13 / 24 / 0 / 10

HEX #C9AEE6

RGB 201 174 230

HSL 268.93, 0.53%, 0.79%

LAB 75.08, 20.27, -24.48

 

CMYK 24 / 47 / 0 / 18

HEX #9F6FD2

RGB 159 111 210

HSL 269.09, 0.52%, 0.63%

LAB 55.47, 38.36, -44.15

 

CMYK 0 / 47 / 32 / 18

HEX #D2708F

RGB 210 112 143

HSL 341.02, 0.52%, 0.63%

LAB 59.23, 41.91, 0.6

 

CMYK 47 / 0 / 43 / 18

HEX #70D278

RGB 112 210 120

HSL 124.9, 0.52%, 0.63%

LAB 76.61, -47.36, 35.84

 

CMYK 24 / 47 / 0 / 18

HEX #9F6FD2

RGB 159 111 210

HSL 269.09, 0.52%, 0.63%

LAB 55.47, 38.36, -44.15

 

CMYK 0 / 24 / 47 / 18

HEX #D29F70

RGB 210 159 112

HSL 28.78, 0.52%, 0.63%

LAB 69.23, 13.16, 31.81

 

CMYK 47 / 0 / 24 / 18

HEX #70D29F

RGB 112 210 159

HSL 148.78, 0.52%, 0.63%

LAB 77.31, -40.46, 16.51

 

CMYK 24 / 47 / 0 / 18

HEX #9F6FD2

RGB 159 111 210

HSL 269.09, 0.52%, 0.63%

LAB 55.47, 38.36, -44.15

 

CMYK 0 / 47 / 32 / 18

HEX #D2708F

RGB 210 112 143

HSL 341.02, 0.52%, 0.63%

LAB 59.23, 41.91, 0.6

 

CMYK 23 / 0 / 47 / 18

HEX #A2D270

RGB 162 210 112

HSL 89.39, 0.52%, 0.63%

LAB 79.01, -32.13, 43.37

 

CMYK 47 / 0 / 15 / 18

HEX #70D2B3

RGB 112 210 179

HSL 161.02, 0.52%, 0.63%

LAB 77.75, -36.2, 6.48

 

CMYK 24 / 47 / 0 / 18

HEX #9F6FD2

RGB 159 111 210

HSL 269.09, 0.52%, 0.63%

LAB 55.47, 38.36, -44.15

 

CMYK 0 / 47 / 46 / 18

HEX #D27071

RGB 210 112 113

HSL 359.39, 0.52%, 0.63%

LAB 58.49, 38.5, 16.93

 

CMYK 23 / 0 / 47 / 18

HEX #A2D270

RGB 162 210 112

HSL 89.39, 0.52%, 0.63%

LAB 79.01, -32.13, 43.37

 

CMYK 47 / 0 / 1 / 18

HEX #70D2D0

RGB 112 210 208

HSL 178.78, 0.52%, 0.63%

LAB 78.52, -29.25, -7.95

 

Description

Color code: HEX #9F6FD2 | qconv.com Color code: HEX #9F6FD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 111 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 111 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 47 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 47% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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