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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F6F22 it is the complementary color #6090DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F6F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F6F22 shade: #A46F1D, #B58130, #C69343, #D7A556 and #E8B769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F6F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F6F22 shade: #9F6F22, #8E5D0F, #7D4B00, #6C3900 and #5B2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F6F22 shade: #A07022, #A04E22, #A02C22 and #A02222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F6F22 shade: #A07022, #A09122, #8CA022, #6AA022 and #48A022

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F6F22 shade matches the following richer shades: #A07022, #B07312 and #BF7703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F6F22 shade: #A07022, #906C32, #816841, #716551 and #616161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F6F22 shade: #A02A22, #A04C22, #A06D22, #A08F22 and #8FA022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F6F22 shade: #5C4013, #7E581B, #A07022, #C28729 and #D69C3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F6F22 shade: #9F6F22, #3BA022 and #3B22A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F6F22 shade: #9F6F22, #22A06D and #6D22A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F6F22 shade: #9F6F22, #3BA022, #2254A0 and #8722A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F6F22 shade: #9F6F22, #22A02F, #2254A0 and #A02293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 79 / 38

HEX #9F6F22

RGB 159 111 34

HSL 36.96, 0.65%, 0.38%

LAB 50.52, 12.02, 47.73

 

Complementary color

CMYK 57 / 35 / 0 / 13

HEX #6090DD

RGB 96 144 221

HSL 216.96, 0.65%, 0.62%

LAB 59.57, 6.34, -44.16

 

CMYK 0 / 32 / 82 / 36

HEX #A46F1D

RGB 164 111 29

HSL 36.44, 0.7%, 0.38%

LAB 51.09, 14.1, 50.44

 

CMYK 0 / 29 / 73 / 29

HEX #B58130

RGB 181 129 48

HSL 36.54, 0.58%, 0.45%

LAB 57.79, 12.41, 49.79

 

CMYK 0 / 26 / 66 / 22

HEX #C69343

RGB 198 147 67

HSL 36.64, 0.53%, 0.52%

LAB 64.39, 10.99, 48.65

 

CMYK 0 / 23 / 60 / 16

HEX #D7A556

RGB 215 165 86

HSL 36.74, 0.62%, 0.59%

LAB 70.89, 9.78, 47.35

 

CMYK 0 / 21 / 55 / 9

HEX #E8B769

RGB 232 183 105

HSL 36.85, 0.73%, 0.66%

LAB 77.31, 8.74, 46

 

CMYK 0 / 30 / 79 / 38

HEX #9F6F22

RGB 159 111 34

HSL 36.96, 0.65%, 0.38%

LAB 50.52, 12.02, 47.73

 

CMYK 0 / 35 / 89 / 44

HEX #8E5D0F

RGB 142 93 15

HSL 36.85, 0.81%, 0.31%

LAB 43.67, 13.92, 47.75

 

CMYK 0 / 40 / 100 / 51

HEX #7D4B00

RGB 125 75 0

HSL 36, 1%, 0.25%

LAB 36.73, 16.19, 45.98

 

CMYK 0 / 47 / 100 / 58

HEX #6C3900

RGB 108 57 0

HSL 31.67, 1%, 0.21%

LAB 29.7, 18.88, 40.09

 

CMYK 0 / 57 / 100 / 64

HEX #5B2700

RGB 91 39 0

HSL 25.71, 1%, 0.18%

LAB 22.57, 21.61, 32.56

 

CMYK 0 / 30 / 79 / 37

HEX #A07022

RGB 160 112 34

HSL 37.14, 0.65%, 0.38%

LAB 50.89, 11.91, 48.13

 

CMYK 0 / 51 / 79 / 37

HEX #A04E22

RGB 160 78 34

HSL 20.95, 0.65%, 0.38%

LAB 42.82, 30.97, 40.3

 

CMYK 0 / 73 / 79 / 37

HEX #A02C22

RGB 160 44 34

HSL 4.76, 0.65%, 0.38%

LAB 36.73, 47, 34.07

 

CMYK 0 / 79 / 79 / 37

HEX #A02222

RGB 160 34 34

HSL 0, 0.65%, 0.38%

LAB 35.47, 50.5, 32.74

 

CMYK 0 / 30 / 79 / 37

HEX #A07022

RGB 160 112 34

HSL 37.14, 0.65%, 0.38%

LAB 50.89, 11.91, 48.13

 

CMYK 0 / 9 / 79 / 37

HEX #A09122

RGB 160 145 34

HSL 52.86, 0.65%, 0.38%

LAB 59.74, -6.5, 56.33

 

CMYK 13 / 0 / 79 / 37

HEX #8CA022

RGB 140 160 34

HSL 69.52, 0.65%, 0.38%

LAB 62.37, -23.19, 58.1

 

CMYK 34 / 0 / 79 / 37

HEX #6AA022

RGB 106 160 34

HSL 85.71, 0.65%, 0.38%

LAB 60.18, -37.01, 55.28

 

CMYK 55 / 0 / 79 / 37

HEX #48A022

RGB 72 160 34

HSL 101.9, 0.65%, 0.38%

LAB 58.63, -48.34, 53.27

 

CMYK 0 / 30 / 79 / 37

HEX #A07022

RGB 160 112 34

HSL 37.14, 0.65%, 0.38%

LAB 50.89, 11.91, 48.13

 

CMYK 0 / 35 / 90 / 31

HEX #B07312

RGB 176 115 18

HSL 36.84, 0.81%, 0.38%

LAB 53.53, 16.96, 56.55

 

CMYK 0 / 38 / 98 / 25

HEX #BF7703

RGB 191 119 3

HSL 37.02, 0.97%, 0.38%

LAB 56.36, 21.17, 62.47

 

CMYK 0 / 30 / 79 / 37

HEX #A07022

RGB 160 112 34

HSL 37.14, 0.65%, 0.38%

LAB 50.89, 11.91, 48.13

 

CMYK 0 / 25 / 65 / 44

HEX #906C32

RGB 144 108 50

HSL 37.02, 0.48%, 0.38%

LAB 48.11, 7.77, 37.25

 

CMYK 0 / 19 / 50 / 49

HEX #816841

RGB 129 104 65

HSL 36.56, 0.33%, 0.38%

LAB 45.56, 4.58, 25.65

 

CMYK 0 / 11 / 28 / 56

HEX #716551

RGB 113 101 81

HSL 37.5, 0.16%, 0.38%

LAB 43.38, 1.34, 13.08

 

CMYK 0 / 0 / 0 / 62

HEX #616161

RGB 97 97 97

HSL 0, 0%, 0.38%

LAB 41.14, 0, -0.01

 

CMYK 0 / 74 / 79 / 37

HEX #A02A22

RGB 160 42 34

HSL 3.81, 0.65%, 0.38%

LAB 36.45, 47.75, 33.78

 

CMYK 0 / 53 / 79 / 37

HEX #A04C22

RGB 160 76 34

HSL 20, 0.65%, 0.38%

LAB 42.4, 32.04, 39.87

 

CMYK 0 / 32 / 79 / 37

HEX #A06D22

RGB 160 109 34

HSL 35.71, 0.65%, 0.38%

LAB 50.13, 13.62, 47.41

 

CMYK 0 / 11 / 79 / 37

HEX #A08F22

RGB 160 143 34

HSL 51.9, 0.65%, 0.38%

LAB 59.19, -5.42, 55.83

 

CMYK 11 / 0 / 79 / 37

HEX #8FA022

RGB 143 160 34

HSL 68.1, 0.65%, 0.38%

LAB 62.59, -21.9, 58.39

 

CMYK 0 / 30 / 79 / 64

HEX #5C4013

RGB 92 64 19

HSL 36.99, 0.66%, 0.22%

LAB 29.38, 7.41, 30.99

 

CMYK 0 / 30 / 79 / 51

HEX #7E581B

RGB 126 88 27

HSL 36.97, 0.65%, 0.3%

LAB 40.4, 9.74, 39.59

 

CMYK 0 / 30 / 79 / 37

HEX #A07022

RGB 160 112 34

HSL 37.14, 0.65%, 0.38%

LAB 50.89, 11.91, 48.13

 

CMYK 0 / 30 / 79 / 24

HEX #C28729

RGB 194 135 41

HSL 36.86, 0.65%, 0.46%

LAB 60.74, 14.53, 56.05

 

CMYK 0 / 27 / 71 / 16

HEX #D69C3E

RGB 214 156 62

HSL 37.11, 0.65%, 0.54%

LAB 68.33, 12.73, 55.65

 

CMYK 0 / 30 / 79 / 38

HEX #9F6F22

RGB 159 111 34

HSL 36.96, 0.65%, 0.38%

LAB 50.52, 12.02, 47.73

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 63 / 79 / 0 / 37

HEX #3B22A0

RGB 59 34 160

HSL 251.9, 0.65%, 0.38%

LAB 25.6, 46.21, -63.55

 

CMYK 0 / 30 / 79 / 38

HEX #9F6F22

RGB 159 111 34

HSL 36.96, 0.65%, 0.38%

LAB 50.52, 12.02, 47.73

 

CMYK 79 / 0 / 32 / 37

HEX #22A06D

RGB 34 160 109

HSL 155.71, 0.65%, 0.38%

LAB 58.59, -45.48, 17.32

 

CMYK 32 / 79 / 0 / 37

HEX #6D22A0

RGB 109 34 160

HSL 275.71, 0.65%, 0.38%

LAB 31.65, 53.68, -53.39

 

CMYK 0 / 30 / 79 / 38

HEX #9F6F22

RGB 159 111 34

HSL 36.96, 0.65%, 0.38%

LAB 50.52, 12.02, 47.73

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 79 / 48 / 0 / 37

HEX #2254A0

RGB 34 84 160

HSL 216.19, 0.65%, 0.38%

LAB 36.4, 11.54, -46

 

CMYK 16 / 79 / 0 / 37

HEX #8722A0

RGB 135 34 160

HSL 288.1, 0.65%, 0.38%

LAB 35.66, 58.53, -46.71

 

CMYK 0 / 30 / 79 / 38

HEX #9F6F22

RGB 159 111 34

HSL 36.96, 0.65%, 0.38%

LAB 50.52, 12.02, 47.73

 

CMYK 79 / 0 / 71 / 37

HEX #22A02F

RGB 34 160 47

HSL 126.19, 0.65%, 0.38%

LAB 57.74, -55.4, 47.31

 

CMYK 79 / 48 / 0 / 37

HEX #2254A0

RGB 34 84 160

HSL 216.19, 0.65%, 0.38%

LAB 36.4, 11.54, -46

 

CMYK 0 / 79 / 8 / 37

HEX #A02293

RGB 160 34 147

HSL 306.19, 0.65%, 0.38%

LAB 39.11, 61.5, -33.07

 

Description

Color code: HEX #9F6F22 | qconv.com Color code: HEX #9F6F22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 111 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 111 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 79 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 79% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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