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Color name
HEX #9F6A24

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F6A24 it is the complementary color #6095DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F6A24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F6A24 shade: #A46A1F, #B57C32, #C68E45, #D7A058 and #E8B26B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F6A24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F6A24 shade: #9F6A24, #8E5811, #7D4600, #6C3400 and #5B2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F6A24 shade: #9E6924, #9E4824, #9E2724 and #9E2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F6A24 shade: #9E6924, #9E8A24, #919E24, #709E24 and #4F9E24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F6A24 shade matches the following richer shades: #9E6924, #AE6C14 and #BD6E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F6A24 shade: #9E6924, #8E6734, #7F6543, #6F6353 and #5F6163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F6A24 shade: #9E2824, #9E4824, #9E6924, #9E8A24 and #929E24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F6A24 shade: #5B3C15, #7C531C, #9E6924, #C0802B and #D49441

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F6A24 shade: #9F6A24, #409E24 and #38249E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F6A24 shade: #9F6A24, #249E69 and #69249E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F6A24 shade: #9F6A24, #409E24, #24599E and #81249E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F6A24 shade: #9F6A24, #249E2C, #24599E and #9E2496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 77 / 38

HEX #9F6A24

RGB 159 106 36

HSL 34.15, 0.63%, 0.38%

LAB 49.26, 14.96, 45.68

 

Complementary color

CMYK 56 / 32 / 0 / 14

HEX #6095DB

RGB 96 149 219

HSL 214.15, 0.63%, 0.62%

LAB 60.87, 2.78, -41.02

 

CMYK 0 / 35 / 81 / 36

HEX #A46A1F

RGB 164 106 31

HSL 33.83, 0.68%, 0.38%

LAB 49.86, 17.01, 48.55

 

CMYK 0 / 31 / 72 / 29

HEX #B57C32

RGB 181 124 50

HSL 33.89, 0.57%, 0.45%

LAB 56.55, 15.3, 47.63

 

CMYK 0 / 28 / 65 / 22

HEX #C68E45

RGB 198 142 69

HSL 33.95, 0.53%, 0.52%

LAB 63.16, 13.85, 46.34

 

CMYK 0 / 26 / 59 / 16

HEX #D7A058

RGB 215 160 88

HSL 34.02, 0.61%, 0.59%

LAB 69.68, 12.61, 44.94

 

CMYK 0 / 23 / 54 / 9

HEX #E8B26B

RGB 232 178 107

HSL 34.08, 0.73%, 0.66%

LAB 76.1, 11.55, 43.54

 

CMYK 0 / 33 / 77 / 38

HEX #9F6A24

RGB 159 106 36

HSL 34.15, 0.63%, 0.38%

LAB 49.26, 14.96, 45.68

 

CMYK 0 / 38 / 88 / 44

HEX #8E5811

RGB 142 88 17

HSL 34.08, 0.79%, 0.31%

LAB 42.42, 16.88, 46.09

 

CMYK 0 / 44 / 100 / 51

HEX #7D4600

RGB 125 70 0

HSL 33.6, 1%, 0.25%

LAB 35.48, 19.14, 45.19

 

CMYK 0 / 52 / 100 / 58

HEX #6C3400

RGB 108 52 0

HSL 28.89, 1%, 0.21%

LAB 28.5, 21.83, 39.14

 

CMYK 0 / 63 / 100 / 64

HEX #5B2200

RGB 91 34 0

HSL 22.42, 1%, 0.18%

LAB 21.46, 24.44, 31.39

 

CMYK 0 / 34 / 77 / 38

HEX #9E6924

RGB 158 105 36

HSL 33.93, 0.63%, 0.38%

LAB 48.88, 15.08, 45.27

 

CMYK 0 / 54 / 77 / 38

HEX #9E4824

RGB 158 72 36

HSL 17.7, 0.63%, 0.38%

LAB 41.27, 33.41, 37.6

 

CMYK 0 / 75 / 77 / 38

HEX #9E2724

RGB 158 39 36

HSL 1.48, 0.63%, 0.38%

LAB 35.69, 48.27, 31.68

 

CMYK 0 / 77 / 77 / 38

HEX #9E2424

RGB 158 36 36

HSL 0, 0.63%, 0.38%

LAB 35.32, 49.3, 31.28

 

CMYK 0 / 34 / 77 / 38

HEX #9E6924

RGB 158 105 36

HSL 33.93, 0.63%, 0.38%

LAB 48.88, 15.08, 45.27

 

CMYK 0 / 13 / 77 / 38

HEX #9E8A24

RGB 158 138 36

HSL 50.16, 0.63%, 0.38%

LAB 57.63, -3.52, 53.62

 

CMYK 8 / 0 / 77 / 38

HEX #919E24

RGB 145 158 36

HSL 66.39, 0.63%, 0.38%

LAB 62.17, -19.93, 57.42

 

CMYK 29 / 0 / 77 / 38

HEX #709E24

RGB 112 158 36

HSL 82.62, 0.63%, 0.38%

LAB 59.91, -33.69, 54.5

 

CMYK 50 / 0 / 77 / 38

HEX #4F9E24

RGB 79 158 36

HSL 98.85, 0.63%, 0.38%

LAB 58.27, -45.37, 52.35

 

CMYK 0 / 34 / 77 / 38

HEX #9E6924

RGB 158 105 36

HSL 33.93, 0.63%, 0.38%

LAB 48.88, 15.08, 45.27

 

CMYK 0 / 38 / 89 / 32

HEX #AE6C14

RGB 174 108 20

HSL 34.29, 0.79%, 0.38%

LAB 51.58, 20.03, 54.36

 

CMYK 0 / 42 / 98 / 26

HEX #BD6E04

RGB 189 110 4

HSL 34.38, 0.96%, 0.38%

LAB 54.01, 25.24, 60.59

 

CMYK 0 / 34 / 77 / 38

HEX #9E6924

RGB 158 105 36

HSL 33.93, 0.63%, 0.38%

LAB 48.88, 15.08, 45.27

 

CMYK 0 / 27 / 63 / 44

HEX #8E6734

RGB 142 103 52

HSL 34, 0.46%, 0.38%

LAB 46.58, 9.9, 34.4

 

CMYK 0 / 20 / 47 / 50

HEX #7F6543

RGB 127 101 67

HSL 34, 0.31%, 0.38%

LAB 44.55, 5.66, 23.17

 

CMYK 0 / 11 / 25 / 56

HEX #6F6353

RGB 111 99 83

HSL 34.29, 0.14%, 0.38%

LAB 42.65, 1.98, 10.84

 

CMYK 4 / 2 / 0 / 61

HEX #5F6163

RGB 95 97 99

HSL 210, 0.02%, 0.38%

LAB 41.03, -0.35, -1.41

 

CMYK 0 / 75 / 77 / 38

HEX #9E2824

RGB 158 40 36

HSL 1.97, 0.63%, 0.38%

LAB 35.82, 47.91, 31.83

 

CMYK 0 / 54 / 77 / 38

HEX #9E4824

RGB 158 72 36

HSL 17.7, 0.63%, 0.38%

LAB 41.27, 33.41, 37.6

 

CMYK 0 / 34 / 77 / 38

HEX #9E6924

RGB 158 105 36

HSL 33.93, 0.63%, 0.38%

LAB 48.88, 15.08, 45.27

 

CMYK 0 / 13 / 77 / 38

HEX #9E8A24

RGB 158 138 36

HSL 50.16, 0.63%, 0.38%

LAB 57.63, -3.52, 53.62

 

CMYK 8 / 0 / 77 / 38

HEX #929E24

RGB 146 158 36

HSL 65.9, 0.63%, 0.38%

LAB 62.25, -19.5, 57.52

 

CMYK 0 / 34 / 77 / 64

HEX #5B3C15

RGB 91 60 21

HSL 33.43, 0.63%, 0.22%

LAB 28.14, 9.55, 28.66

 

CMYK 0 / 33 / 77 / 51

HEX #7C531C

RGB 124 83 28

HSL 34.38, 0.63%, 0.3%

LAB 38.82, 11.82, 37.49

 

CMYK 0 / 34 / 77 / 38

HEX #9E6924

RGB 158 105 36

HSL 33.93, 0.63%, 0.38%

LAB 48.88, 15.08, 45.27

 

CMYK 0 / 33 / 78 / 25

HEX #C0802B

RGB 192 128 43

HSL 34.23, 0.63%, 0.46%

LAB 58.81, 17.59, 53.35

 

CMYK 0 / 30 / 69 / 17

HEX #D49441

RGB 212 148 65

HSL 33.88, 0.63%, 0.54%

LAB 66.18, 16.35, 51.99

 

CMYK 0 / 33 / 77 / 38

HEX #9F6A24

RGB 159 106 36

HSL 34.15, 0.63%, 0.38%

LAB 49.26, 14.96, 45.68

 

CMYK 59 / 0 / 77 / 38

HEX #409E24

RGB 64 158 36

HSL 106.23, 0.63%, 0.38%

LAB 57.72, -49.63, 51.64

 

CMYK 65 / 77 / 0 / 38

HEX #38249E

RGB 56 36 158

HSL 249.84, 0.63%, 0.38%

LAB 25.48, 44.23, -62.54

 

CMYK 0 / 33 / 77 / 38

HEX #9F6A24

RGB 159 106 36

HSL 34.15, 0.63%, 0.38%

LAB 49.26, 14.96, 45.68

 

CMYK 77 / 0 / 34 / 38

HEX #249E69

RGB 36 158 105

HSL 153.93, 0.63%, 0.38%

LAB 57.89, -45.31, 18.59

 

CMYK 34 / 77 / 0 / 38

HEX #69249E

RGB 105 36 158

HSL 273.93, 0.63%, 0.38%

LAB 31.19, 51.72, -52.95

 

CMYK 0 / 33 / 77 / 38

HEX #9F6A24

RGB 159 106 36

HSL 34.15, 0.63%, 0.38%

LAB 49.26, 14.96, 45.68

 

CMYK 59 / 0 / 77 / 38

HEX #409E24

RGB 64 158 36

HSL 106.23, 0.63%, 0.38%

LAB 57.72, -49.63, 51.64

 

CMYK 77 / 44 / 0 / 38

HEX #24599E

RGB 36 89 158

HSL 213.93, 0.63%, 0.38%

LAB 37.82, 7.71, -42.52

 

CMYK 18 / 77 / 0 / 38

HEX #81249E

RGB 129 36 158

HSL 285.74, 0.63%, 0.38%

LAB 34.8, 56.29, -46.94

 

CMYK 0 / 33 / 77 / 38

HEX #9F6A24

RGB 159 106 36

HSL 34.15, 0.63%, 0.38%

LAB 49.26, 14.96, 45.68

 

CMYK 77 / 0 / 72 / 38

HEX #249E2C

RGB 36 158 44

HSL 123.93, 0.63%, 0.38%

LAB 57.09, -54.74, 47.83

 

CMYK 77 / 44 / 0 / 38

HEX #24599E

RGB 36 89 158

HSL 213.93, 0.63%, 0.38%

LAB 37.82, 7.71, -42.52

 

CMYK 0 / 77 / 5 / 38

HEX #9E2496

RGB 158 36 150

HSL 303.93, 0.63%, 0.38%

LAB 39.13, 60.95, -34.89

 

Description

Color code: HEX #9F6A24 | qconv.com Color code: HEX #9F6A24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 106 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 106 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 77 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 77% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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