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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F643B it is the complementary color #609BC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F643B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F643B shade: #A46436, #B57649, #C6885C, #D79A6F and #E8AC82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F643B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F643B shade: #9F643B, #8E5228, #7D4015, #6C2E02 and #5B1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F643B shade: #A0643B, #A0493B and #A03B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F643B shade: #A0643B, #A07F3B, #A09A3B, #89A03B and #6EA03B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F643B shade matches the following richer shades: #A0643B, #B16129, #C35E17 and #D55A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F643B shade: #A0643B, #8E674C, #7C6A5E, #6A6E70 and #597182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F643B shade: #A03B48, #A0483B, #A0633B, #A07E3B and #A0993B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F643B shade: #633E24, #815130, #A0643B, #BB7748 and #C68E67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F643B shade: #9F643B, #63A03B and #3B3BA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F643B shade: #9F643B, #3BA063 and #633BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F643B shade: #9F643B, #63A03B, #3B77A0 and #773BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F643B shade: #9F643B, #45A03B, #3B77A0 and #963BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 63 / 38

HEX #9F643B

RGB 159 100 59

HSL 24.6, 0.46%, 0.43%

LAB 48.01, 19.73, 32.82

 

Complementary color

CMYK 51 / 21 / 0 / 23

HEX #609BC4

RGB 96 155 196

HSL 204.6, 0.46%, 0.57%

LAB 61.58, -7.72, -27.05

 

CMYK 0 / 39 / 67 / 36

HEX #A46436

RGB 164 100 54

HSL 25.09, 0.5%, 0.43%

LAB 48.6, 21.55, 36.38

 

CMYK 0 / 35 / 60 / 29

HEX #B57649

RGB 181 118 73

HSL 25, 0.43%, 0.5%

LAB 55.34, 20.11, 34.66

 

CMYK 0 / 31 / 54 / 22

HEX #C6885C

RGB 198 136 92

HSL 24.91, 0.48%, 0.57%

LAB 61.99, 18.87, 33.04

 

CMYK 0 / 28 / 48 / 16

HEX #D79A6F

RGB 215 154 111

HSL 24.81, 0.57%, 0.64%

LAB 68.54, 17.8, 31.55

 

CMYK 0 / 26 / 44 / 9

HEX #E8AC82

RGB 232 172 130

HSL 24.71, 0.69%, 0.71%

LAB 75, 16.87, 30.17

 

CMYK 0 / 37 / 63 / 38

HEX #9F643B

RGB 159 100 59

HSL 24.6, 0.46%, 0.43%

LAB 48.01, 19.73, 32.82

 

CMYK 0 / 42 / 72 / 44

HEX #8E5228

RGB 142 82 40

HSL 24.71, 0.56%, 0.36%

LAB 41.12, 21.31, 34.62

 

CMYK 0 / 49 / 83 / 51

HEX #7D4015

RGB 125 64 21

HSL 24.81, 0.71%, 0.29%

LAB 34.15, 23.18, 36.29

 

CMYK 0 / 57 / 98 / 58

HEX #6C2E02

RGB 108 46 2

HSL 24.91, 0.96%, 0.22%

LAB 27.15, 25.31, 37.18

 

CMYK 0 / 69 / 100 / 64

HEX #5B1C00

RGB 91 28 0

HSL 18.46, 1%, 0.18%

LAB 20.26, 27.61, 30.07

 

CMYK 0 / 38 / 63 / 37

HEX #A0643B

RGB 160 100 59

HSL 24.36, 0.46%, 0.43%

LAB 48.14, 20.16, 33.01

 

CMYK 0 / 54 / 63 / 37

HEX #A0493B

RGB 160 73 59

HSL 8.32, 0.46%, 0.43%

LAB 42.08, 35, 25.64

 

CMYK 0 / 63 / 63 / 37

HEX #A03B3B

RGB 160 59 59

HSL 0, 0.46%, 0.43%

LAB 39.44, 41.92, 22.3

 

CMYK 0 / 38 / 63 / 37

HEX #A0643B

RGB 160 100 59

HSL 24.36, 0.46%, 0.43%

LAB 48.14, 20.16, 33.01

 

CMYK 0 / 21 / 63 / 37

HEX #A07F3B

RGB 160 127 59

HSL 40.4, 0.46%, 0.43%

LAB 55.04, 4.81, 40.99

 

CMYK 0 / 4 / 63 / 37

HEX #A09A3B

RGB 160 154 59

HSL 56.44, 0.46%, 0.43%

LAB 62.42, -9.99, 49.11

 

CMYK 14 / 0 / 63 / 37

HEX #89A03B

RGB 137 160 59

HSL 73.66, 0.46%, 0.43%

LAB 62.32, -22.97, 48.46

 

CMYK 31 / 0 / 63 / 37

HEX #6EA03B

RGB 110 160 59

HSL 89.7, 0.46%, 0.43%

LAB 60.58, -33.73, 46.06

 

CMYK 0 / 38 / 63 / 37

HEX #A0643B

RGB 160 100 59

HSL 24.36, 0.46%, 0.43%

LAB 48.14, 20.16, 33.01

 

CMYK 0 / 45 / 77 / 31

HEX #B16129

RGB 177 97 41

HSL 24.71, 0.62%, 0.43%

LAB 49.56, 28.09, 44.51

 

CMYK 0 / 52 / 88 / 24

HEX #C35E17

RGB 195 94 23

HSL 24.77, 0.79%, 0.43%

LAB 51.46, 36.53, 54.58

 

CMYK 0 / 58 / 98 / 16

HEX #D55A05

RGB 213 90 5

HSL 24.52, 0.95%, 0.43%

LAB 53.46, 45.24, 61.82

 

CMYK 0 / 38 / 63 / 37

HEX #A0643B

RGB 160 100 59

HSL 24.36, 0.46%, 0.43%

LAB 48.14, 20.16, 33.01

 

CMYK 0 / 27 / 46 / 44

HEX #8E674C

RGB 142 103 76

HSL 24.55, 0.3%, 0.43%

LAB 46.94, 12.13, 21.37

 

CMYK 0 / 15 / 24 / 51

HEX #7C6A5E

RGB 124 106 94

HSL 24, 0.14%, 0.43%

LAB 46.18, 5.08, 9.37

 

CMYK 5 / 2 / 0 / 56

HEX #6A6E70

RGB 106 110 112

HSL 200, 0.03%, 0.43%

LAB 46.16, -1.1, -1.65

 

CMYK 32 / 13 / 0 / 49

HEX #597182

RGB 89 113 130

HSL 204.88, 0.19%, 0.43%

LAB 46.37, -4.45, -12.22

 

CMYK 0 / 63 / 55 / 37

HEX #A03B48

RGB 160 59 72

HSL 352.28, 0.46%, 0.43%

LAB 39.7, 42.91, 14.56

 

CMYK 0 / 55 / 63 / 37

HEX #A0483B

RGB 160 72 59

HSL 7.72, 0.46%, 0.43%

LAB 41.88, 35.52, 25.38

 

CMYK 0 / 38 / 63 / 37

HEX #A0633B

RGB 160 99 59

HSL 23.76, 0.46%, 0.43%

LAB 47.9, 20.73, 32.72

 

CMYK 0 / 21 / 63 / 37

HEX #A07E3B

RGB 160 126 59

HSL 39.8, 0.46%, 0.43%

LAB 54.77, 5.38, 40.69

 

CMYK 0 / 4 / 63 / 37

HEX #A0993B

RGB 160 153 59

HSL 55.84, 0.46%, 0.43%

LAB 62.14, -9.46, 48.81

 

CMYK 0 / 37 / 64 / 61

HEX #633E24

RGB 99 62 36

HSL 24.76, 0.47%, 0.26%

LAB 29.97, 13.27, 22.48

 

CMYK 0 / 37 / 63 / 49

HEX #815130

RGB 129 81 48

HSL 24.44, 0.46%, 0.35%

LAB 39.18, 16.61, 27.49

 

CMYK 0 / 38 / 63 / 37

HEX #A0643B

RGB 160 100 59

HSL 24.36, 0.46%, 0.43%

LAB 48.14, 20.16, 33.01

 

CMYK 0 / 36 / 61 / 27

HEX #BB7748

RGB 187 119 72

HSL 24.52, 0.46%, 0.51%

LAB 56.31, 22.02, 36.54

HEX #BB7748

CMYK 0 / 28 / 48 / 22

HEX #C68E67

RGB 198 142 103

HSL 24.63, 0.45%, 0.59%

LAB 63.62, 16.61, 29.14

HEX #C68E67

CMYK 0 / 37 / 63 / 38

HEX #9F643B

RGB 159 100 59

HSL 24.6, 0.46%, 0.43%

LAB 48.01, 19.73, 32.82

 

CMYK 38 / 0 / 63 / 37

HEX #63A03B

RGB 99 160 59

HSL 96.24, 0.46%, 0.43%

LAB 59.99, -37.74, 45.24

 

CMYK 63 / 63 / 0 / 37

HEX #3B3BA0

RGB 59 59 160

HSL 240, 0.46%, 0.43%

LAB 30.87, 31.74, -54.9

 

CMYK 0 / 37 / 63 / 38

HEX #9F643B

RGB 159 100 59

HSL 24.6, 0.46%, 0.43%

LAB 48.01, 19.73, 32.82

 

CMYK 63 / 0 / 38 / 37

HEX #3BA063

RGB 59 160 99

HSL 143.76, 0.46%, 0.43%

LAB 58.95, -43.42, 23.39

 

CMYK 38 / 63 / 0 / 37

HEX #633BA0

RGB 99 59 160

HSL 263.76, 0.46%, 0.43%

LAB 34.64, 39.71, -48.61

 

CMYK 0 / 37 / 63 / 38

HEX #9F643B

RGB 159 100 59

HSL 24.6, 0.46%, 0.43%

LAB 48.01, 19.73, 32.82

 

CMYK 38 / 0 / 63 / 37

HEX #63A03B

RGB 99 160 59

HSL 96.24, 0.46%, 0.43%

LAB 59.99, -37.74, 45.24

 

CMYK 63 / 26 / 0 / 37

HEX #3B77A0

RGB 59 119 160

HSL 204.36, 0.46%, 0.43%

LAB 47.83, -6.47, -27.85

 

CMYK 26 / 63 / 0 / 37

HEX #773BA0

RGB 119 59 160

HSL 275.64, 0.46%, 0.43%

LAB 37.09, 44.42, -44.53

 

CMYK 0 / 37 / 63 / 38

HEX #9F643B

RGB 159 100 59

HSL 24.6, 0.46%, 0.43%

LAB 48.01, 19.73, 32.82

 

CMYK 57 / 0 / 63 / 37

HEX #45A03B

RGB 69 160 59

HSL 114.06, 0.46%, 0.43%

LAB 58.72, -47.05, 43.47

 

CMYK 63 / 26 / 0 / 37

HEX #3B77A0

RGB 59 119 160

HSL 204.36, 0.46%, 0.43%

LAB 47.83, -6.47, -27.85

 

CMYK 6 / 63 / 0 / 37

HEX #963BA0

RGB 150 59 160

HSL 294.06, 0.46%, 0.43%

LAB 41.45, 52.14, -37.32

 

Description

Color code: HEX #9F643B | qconv.com Color code: HEX #9F643B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 100 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 100 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 63 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 63% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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