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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F6004 it is the complementary color #609FFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F6004. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F6004 shade: #A46000, #B57212, #C68425, #D79638 and #E8A84B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F6004. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F6004 shade: #9F6004, #8E4E00, #7D3C00, #6C2A00 and #5B1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F6004 shade: #9F6004, #9F3604, #9F0C04 and #9F0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F6004 shade: #9F6004, #9F8A04, #8B9F04, #619F04 and #379F04

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F6004 shade matches the following richer shades: #9F6004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F6004 shade: #9F6004, #925E11, #855B1E, #78592C and #6A5639

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F6004 shade: #9F0C04, #9F3504, #9F5F04, #9F8804 and #8D9F04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F6004 shade: #4F3002, #774803, #9F6004, #C77805 and #F09106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F6004 shade: #9F6004, #269F04 and #21049F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F6004 shade: #9F6004, #049F5F and #5F049F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F6004 shade: #9F6004, #269F04, #04459F and #7E049F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F6004 shade: #9F6004, #049F11, #04459F and #9F0492

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

Complementary color

CMYK 62 / 37 / 0 / 2

HEX #609FFB

RGB 96 159 251

HSL 215.61, 0.95%, 0.68%

LAB 65.16, 7.31, -51.88

 

CMYK 0 / 41 / 100 / 36

HEX #A46000

RGB 164 96 0

HSL 35.12, 1%, 0.32%

LAB 47.31, 21.96, 55.43

 

CMYK 0 / 37 / 90 / 29

HEX #B57212

RGB 181 114 18

HSL 35.34, 0.82%, 0.39%

LAB 53.92, 19.75, 57.13

 

CMYK 0 / 33 / 81 / 22

HEX #C68425

RGB 198 132 37

HSL 35.4, 0.69%, 0.46%

LAB 60.46, 17.79, 57.46

 

CMYK 0 / 30 / 74 / 16

HEX #D79638

RGB 215 150 56

HSL 35.47, 0.67%, 0.53%

LAB 66.93, 16.1, 56.83

 

CMYK 0 / 28 / 68 / 9

HEX #E8A84B

RGB 232 168 75

HSL 35.54, 0.77%, 0.6%

LAB 73.33, 14.65, 55.76

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 0 / 45 / 100 / 44

HEX #8E4E00

RGB 142 78 0

HSL 32.96, 1%, 0.28%

LAB 39.91, 22.29, 49.22

 

CMYK 0 / 52 / 100 / 51

HEX #7D3C00

RGB 125 60 0

HSL 28.8, 1%, 0.25%

LAB 33.12, 24.9, 43.73

 

CMYK 0 / 61 / 100 / 58

HEX #6C2A00

RGB 108 42 0

HSL 23.33, 1%, 0.21%

LAB 26.29, 27.44, 37.23

 

CMYK 0 / 74 / 100 / 64

HEX #5B1800

RGB 91 24 0

HSL 15.82, 1%, 0.18%

LAB 19.55, 29.54, 29.25

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 0 / 66 / 97 / 38

HEX #9F3604

RGB 159 54 4

HSL 19.35, 0.95%, 0.32%

LAB 37.87, 41.77, 48.08

 

CMYK 0 / 92 / 97 / 38

HEX #9F0C04

RGB 159 12 4

HSL 3.1, 0.95%, 0.32%

LAB 33.23, 54.68, 45.44

 

CMYK 0 / 97 / 97 / 38

HEX #9F0404

RGB 159 4 4

HSL 0, 0.95%, 0.32%

LAB 32.85, 55.78, 45.2

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 0 / 13 / 97 / 38

HEX #9F8A04

RGB 159 138 4

HSL 51.87, 0.95%, 0.32%

LAB 57.61, -3.89, 61.48

 

CMYK 13 / 0 / 97 / 38

HEX #8B9F04

RGB 139 159 4

HSL 67.74, 0.95%, 0.32%

LAB 61.91, -23.92, 63.93

 

CMYK 39 / 0 / 97 / 38

HEX #619F04

RGB 97 159 4

HSL 84, 0.95%, 0.32%

LAB 59.29, -40.91, 60.78

 

CMYK 65 / 0 / 97 / 38

HEX #379F04

RGB 55 159 4

HSL 100.26, 0.95%, 0.32%

LAB 57.67, -53.52, 58.8

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 0 / 36 / 88 / 43

HEX #925E11

RGB 146 94 17

HSL 35.81, 0.79%, 0.32%

LAB 44.46, 15.24, 47.99

 

CMYK 0 / 32 / 77 / 48

HEX #855B1E

RGB 133 91 30

HSL 35.53, 0.63%, 0.32%

LAB 42.1, 11.41, 40.21

 

CMYK 0 / 26 / 63 / 53

HEX #78592C

RGB 120 89 44

HSL 35.53, 0.46%, 0.32%

LAB 40.11, 7.37, 30.56

 

CMYK 0 / 19 / 46 / 58

HEX #6A5639

RGB 106 86 57

HSL 35.51, 0.3%, 0.32%

LAB 37.87, 3.93, 19.96

 

CMYK 0 / 92 / 97 / 38

HEX #9F0C04

RGB 159 12 4

HSL 3.1, 0.95%, 0.32%

LAB 33.23, 54.68, 45.44

 

CMYK 0 / 67 / 97 / 38

HEX #9F3504

RGB 159 53 4

HSL 18.97, 0.95%, 0.32%

LAB 37.71, 42.21, 47.98

 

CMYK 0 / 40 / 97 / 38

HEX #9F5F04

RGB 159 95 4

HSL 35.23, 0.95%, 0.32%

LAB 46.4, 20.35, 53.54

 

CMYK 0 / 14 / 97 / 38

HEX #9F8804

RGB 159 136 4

HSL 51.1, 0.95%, 0.32%

LAB 57.06, -2.79, 61.08

 

CMYK 11 / 0 / 97 / 38

HEX #8D9F04

RGB 141 159 4

HSL 66.97, 0.95%, 0.32%

LAB 62.06, -23.05, 64.11

 

CMYK 0 / 39 / 97 / 69

HEX #4F3002

RGB 79 48 2

HSL 35.84, 0.95%, 0.16%

LAB 22.93, 10.24, 31.52

 

CMYK 0 / 39 / 97 / 53

HEX #774803

RGB 119 72 3

HSL 35.69, 0.95%, 0.24%

LAB 35.13, 15.2, 43.46

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 0 / 40 / 97 / 22

HEX #C77805

RGB 199 120 5

HSL 35.57, 0.95%, 0.4%

LAB 57.64, 24.13, 63.47

 

CMYK 0 / 40 / 98 / 6

HEX #F09106

RGB 240 145 6

HSL 35.64, 0.95%, 0.48%

LAB 68.6, 28.18, 73.16

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 76 / 0 / 97 / 38

HEX #269F04

RGB 38 159 4

HSL 106.84, 0.95%, 0.32%

LAB 57.29, -56.83, 58.32

 

CMYK 79 / 97 / 0 / 38

HEX #21049F

RGB 33 4 159

HSL 251.23, 0.95%, 0.32%

LAB 19.69, 55.02, -72.8

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 97 / 0 / 40 / 38

HEX #049F5F

RGB 4 159 95

HSL 155.23, 0.95%, 0.32%

LAB 57.7, -50.43, 23.75

 

CMYK 40 / 97 / 0 / 38

HEX #5F049F

RGB 95 4 159

HSL 275.23, 0.95%, 0.32%

LAB 26.8, 59.33, -60.81

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 76 / 0 / 97 / 38

HEX #269F04

RGB 38 159 4

HSL 106.84, 0.95%, 0.32%

LAB 57.29, -56.83, 58.32

 

CMYK 97 / 57 / 0 / 38

HEX #04459F

RGB 4 69 159

HSL 214.84, 0.95%, 0.32%

LAB 31.31, 19.1, -53.67

 

CMYK 21 / 97 / 0 / 38

HEX #7E049F

RGB 126 4 159

HSL 287.23, 0.95%, 0.32%

LAB 31.87, 63.32, -52.32

 

CMYK 0 / 40 / 97 / 38

HEX #9F6004

RGB 159 96 4

HSL 35.61, 0.95%, 0.32%

LAB 46.64, 19.79, 53.7

 

CMYK 97 / 0 / 89 / 38

HEX #049F11

RGB 4 159 17

HSL 125.03, 0.95%, 0.32%

LAB 56.94, -59.8, 55.76

 

CMYK 97 / 57 / 0 / 38

HEX #04459F

RGB 4 69 159

HSL 214.84, 0.95%, 0.32%

LAB 31.31, 19.1, -53.67

 

CMYK 0 / 97 / 8 / 38

HEX #9F0492

RGB 159 4 146

HSL 305.03, 0.95%, 0.32%

LAB 36.99, 66.64, -35.83

 

Description

Color code: HEX #9F6004 | qconv.com Color code: HEX #9F6004 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 96 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 96 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 97 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 97% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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