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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5E4A it is the complementary color #60A1B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5E4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5E4A shade: #A45E45, #B57058, #C6826B, #D7947E and #E8A691

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5E4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5E4A shade: #9F5E4A, #8E4C37, #7D3A24, #6C2811 and #5B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5E4A shade: #A05F4B and #A04B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5E4A shade: #A05F4B, #A0764B, #A08C4B, #9CA04B and #85A04B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5E4A shade matches the following richer shades: #A05F4B, #B35538, #C54B25 and #D84112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5E4A shade: #A05F4B, #8D695E, #7A7371, #677D84 and #548797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5E4A shade: #A04B64, #A04B4E, #A05F4B, #A0754B and #A08C4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5E4A shade: #673E31, #834E3E, #A05F4B, #B47460 and #C18C7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5E4A shade: #9F5E4A, #7BA04B and #4B59A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5E4A shade: #9F5E4A, #4BA05F and #5F4BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5E4A shade: #9F5E4A, #7BA04B, #4B8CA0 and #704BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5E4A shade: #9F5E4A, #62A04B, #4B8CA0 and #894BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 53 / 38

HEX #9F5E4A

RGB 159 94 74

HSL 14.12, 0.36%, 0.46%

LAB 46.8, 24.37, 22.77

 

Complementary color

CMYK 47 / 11 / 0 / 29

HEX #60A1B5

RGB 96 161 181

HSL 194.12, 0.36%, 0.54%

LAB 62.77, -15.33, -16.82

 

CMYK 0 / 43 / 58 / 36

HEX #A45E45

RGB 164 94 69

HSL 15.79, 0.41%, 0.46%

LAB 47.4, 26.02, 26.58

 

CMYK 0 / 38 / 51 / 29

HEX #B57058

RGB 181 112 88

HSL 15.48, 0.39%, 0.53%

LAB 54.15, 24.73, 24.8

 

CMYK 0 / 34 / 46 / 22

HEX #C6826B

RGB 198 130 107

HSL 15.16, 0.44%, 0.6%

LAB 60.81, 23.6, 23.23

 

CMYK 0 / 31 / 41 / 16

HEX #D7947E

RGB 215 148 126

HSL 14.83, 0.53%, 0.67%

LAB 67.38, 22.6, 21.82

 

CMYK 0 / 28 / 38 / 9

HEX #E8A691

RGB 232 166 145

HSL 14.48, 0.65%, 0.74%

LAB 73.85, 21.72, 20.55

 

CMYK 0 / 41 / 53 / 38

HEX #9F5E4A

RGB 159 94 74

HSL 14.12, 0.36%, 0.46%

LAB 46.8, 24.37, 22.77

 

CMYK 0 / 46 / 61 / 44

HEX #8E4C37

RGB 142 76 55

HSL 14.48, 0.44%, 0.39%

LAB 39.91, 25.75, 24.7

 

CMYK 0 / 54 / 71 / 51

HEX #7D3A24

RGB 125 58 36

HSL 14.83, 0.55%, 0.32%

LAB 32.95, 27.31, 26.97

 

CMYK 0 / 63 / 84 / 58

HEX #6C2811

RGB 108 40 17

HSL 15.16, 0.73%, 0.25%

LAB 26, 28.99, 29.5

 

CMYK 0 / 76 / 100 / 64

HEX #5B1600

RGB 91 22 0

HSL 14.51, 1%, 0.18%

LAB 19.22, 30.44, 28.87

 

CMYK 0 / 41 / 53 / 37

HEX #A05F4B

RGB 160 95 75

HSL 14.12, 0.36%, 0.46%

LAB 47.19, 24.32, 22.71

 

CMYK 0 / 53 / 53 / 37

HEX #A04B4B

RGB 160 75 75

HSL 0, 0.36%, 0.46%

LAB 42.78, 35.25, 16.88

 

CMYK 0 / 41 / 53 / 37

HEX #A05F4B

RGB 160 95 75

HSL 14.12, 0.36%, 0.46%

LAB 47.19, 24.32, 22.71

 

CMYK 0 / 26 / 53 / 37

HEX #A0764B

RGB 160 118 75

HSL 30.35, 0.36%, 0.46%

LAB 52.88, 11.23, 29.98

 

CMYK 0 / 13 / 53 / 37

HEX #A08C4B

RGB 160 140 75

HSL 45.88, 0.36%, 0.46%

LAB 58.73, -1.14, 37.15

 

CMYK 2 / 0 / 53 / 37

HEX #9CA04B

RGB 156 160 75

HSL 62.82, 0.36%, 0.46%

LAB 63.93, -13.63, 43.22

 

CMYK 17 / 0 / 53 / 37

HEX #85A04B

RGB 133 160 75

HSL 79.06, 0.36%, 0.46%

LAB 62.2, -23.19, 40.75

 

CMYK 0 / 41 / 53 / 37

HEX #A05F4B

RGB 160 95 75

HSL 14.12, 0.36%, 0.46%

LAB 47.19, 24.32, 22.71

 

CMYK 0 / 53 / 69 / 30

HEX #B35538

RGB 179 85 56

HSL 14.15, 0.52%, 0.46%

LAB 47.45, 36.05, 34.53

 

CMYK 0 / 62 / 81 / 23

HEX #C54B25

RGB 197 75 37

HSL 14.25, 0.68%, 0.46%

LAB 48.31, 46.88, 46.24

 

CMYK 0 / 70 / 92 / 15

HEX #D84112

RGB 216 65 18

HSL 14.24, 0.85%, 0.46%

LAB 50.01, 57.13, 56.73

 

CMYK 0 / 41 / 53 / 37

HEX #A05F4B

RGB 160 95 75

HSL 14.12, 0.36%, 0.46%

LAB 47.19, 24.32, 22.71

 

CMYK 0 / 26 / 33 / 45

HEX #8D695E

RGB 141 105 94

HSL 14.04, 0.2%, 0.46%

LAB 47.72, 12.78, 11.79

 

CMYK 0 / 6 / 7 / 52

HEX #7A7371

RGB 122 115 113

HSL 13.33, 0.04%, 0.46%

LAB 49, 2.31, 2.06

 

CMYK 22 / 5 / 0 / 48

HEX #677D84

RGB 103 125 132

HSL 194.48, 0.12%, 0.46%

LAB 50.94, -6.31, -6.46

 

CMYK 44 / 11 / 0 / 41

HEX #548797

RGB 84 135 151

HSL 194.33, 0.29%, 0.46%

LAB 53.44, -12.66, -13.91

 

CMYK 0 / 53 / 38 / 37

HEX #A04B64

RGB 160 75 100

HSL 342.35, 0.36%, 0.46%

LAB 43.4, 37.93, 2.36

 

CMYK 0 / 53 / 51 / 37

HEX #A04B4E

RGB 160 75 78

HSL 357.88, 0.36%, 0.46%

LAB 42.85, 35.53, 15.13

 

CMYK 0 / 41 / 53 / 37

HEX #A05F4B

RGB 160 95 75

HSL 14.12, 0.36%, 0.46%

LAB 47.19, 24.32, 22.71

 

CMYK 0 / 27 / 53 / 37

HEX #A0754B

RGB 160 117 75

HSL 29.65, 0.36%, 0.46%

LAB 52.62, 11.8, 29.65

 

CMYK 0 / 13 / 53 / 37

HEX #A08C4B

RGB 160 140 75

HSL 45.88, 0.36%, 0.46%

LAB 58.73, -1.14, 37.15

 

CMYK 0 / 40 / 52 / 60

HEX #673E31

RGB 103 62 49

HSL 14.44, 0.36%, 0.3%

LAB 30.76, 16.38, 15.52

 

CMYK 0 / 40 / 53 / 49

HEX #834E3E

RGB 131 78 62

HSL 13.91, 0.36%, 0.38%

LAB 38.94, 20.52, 18.93

 

CMYK 0 / 41 / 53 / 37

HEX #A05F4B

RGB 160 95 75

HSL 14.12, 0.36%, 0.46%

LAB 47.19, 24.32, 22.71

 

CMYK 0 / 36 / 47 / 29

HEX #B47460

RGB 180 116 96

HSL 14.29, 0.36%, 0.54%

LAB 55.11, 22.89, 21.47

 

CMYK 0 / 27 / 36 / 24

HEX #C18C7C

RGB 193 140 124

HSL 13.91, 0.36%, 0.62%

LAB 62.97, 18.03, 16.5

 

CMYK 0 / 41 / 53 / 38

HEX #9F5E4A

RGB 159 94 74

HSL 14.12, 0.36%, 0.46%

LAB 46.8, 24.37, 22.77

 

CMYK 23 / 0 / 53 / 37

HEX #7BA04B

RGB 123 160 75

HSL 86.12, 0.36%, 0.46%

LAB 61.53, -27.16, 39.8

 

CMYK 53 / 44 / 0 / 37

HEX #4B59A0

RGB 75 89 160

HSL 230.12, 0.36%, 0.46%

LAB 39.88, 15.55, -40.32

 

CMYK 0 / 41 / 53 / 38

HEX #9F5E4A

RGB 159 94 74

HSL 14.12, 0.36%, 0.46%

LAB 46.8, 24.37, 22.77

 

CMYK 53 / 0 / 41 / 37

HEX #4BA05F

RGB 75 160 95

HSL 134.12, 0.36%, 0.46%

LAB 59.4, -40.35, 26.24

 

CMYK 41 / 53 / 0 / 37

HEX #5F4BA0

RGB 95 75 160

HSL 254.12, 0.36%, 0.46%

LAB 37.85, 29.29, -43.47

 

CMYK 0 / 41 / 53 / 38

HEX #9F5E4A

RGB 159 94 74

HSL 14.12, 0.36%, 0.46%

LAB 46.8, 24.37, 22.77

 

CMYK 23 / 0 / 53 / 37

HEX #7BA04B

RGB 123 160 75

HSL 86.12, 0.36%, 0.46%

LAB 61.53, -27.16, 39.8

 

CMYK 53 / 13 / 0 / 37

HEX #4B8CA0

RGB 75 140 160

HSL 194.12, 0.36%, 0.46%

LAB 54.86, -14.99, -16.99

 

CMYK 30 / 53 / 0 / 37

HEX #704BA0

RGB 112 75 160

HSL 266.12, 0.36%, 0.46%

LAB 39.61, 33.75, -40.56

 

CMYK 0 / 41 / 53 / 38

HEX #9F5E4A

RGB 159 94 74

HSL 14.12, 0.36%, 0.46%

LAB 46.8, 24.37, 22.77

 

CMYK 39 / 0 / 53 / 37

HEX #62A04B

RGB 98 160 75

HSL 103.76, 0.36%, 0.46%

LAB 60.11, -36.34, 37.76

 

CMYK 53 / 13 / 0 / 37

HEX #4B8CA0

RGB 75 140 160

HSL 194.12, 0.36%, 0.46%

LAB 54.86, -14.99, -16.99

 

CMYK 14 / 53 / 0 / 37

HEX #894BA0

RGB 137 75 160

HSL 283.76, 0.36%, 0.46%

LAB 42.59, 40.7, -35.63

 

Description

Color code: HEX #9F5E4A | qconv.com Color code: HEX #9F5E4A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 94 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 94 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 53 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 53% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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