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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5E40 it is the complementary color #60A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5E40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5E40 shade: #A45E3B, #B5704E, #C68261, #D79474 and #E8A687

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5E40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5E40 shade: #9F5E40, #8E4C2D, #7D3A1A, #6C2807 and #5B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5E40 shade: #A05E3F, #A0443F and #A03F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5E40 shade: #A05E3F, #A0783F, #A0923F, #94A03F and #7AA03F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5E40 shade matches the following richer shades: #A05E3F, #B2572D, #C4511B and #D64A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5E40 shade: #A05E3F, #8E6552, #7C6B64, #697276 and #577988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5E40 shade: #A03F56, #A0433F, #A05C3F, #A0763F and #A0903F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5E40 shade: #653B28, #824D34, #A05E3F, #B97150 and #C5896D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5E40 shade: #9F5E40, #70A03F and #3F49A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5E40 shade: #9F5E40, #3FA05C and #5C3FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5E40 shade: #9F5E40, #70A03F, #3F83A0 and #703FA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5E40 shade: #9F5E40, #53A03F, #3F83A0 and #8D3FA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 60 / 38

HEX #9F5E40

RGB 159 94 64

HSL 18.95, 0.43%, 0.44%

LAB 46.64, 23.51, 28.35

 

Complementary color

CMYK 50 / 16 / 0 / 25

HEX #60A1BF

RGB 96 161 191

HSL 198.95, 0.43%, 0.56%

LAB 63.13, -12.49, -21.88

 

CMYK 0 / 43 / 64 / 36

HEX #A45E3B

RGB 164 94 59

HSL 20, 0.47%, 0.44%

LAB 47.25, 25.25, 32.08

 

CMYK 0 / 38 / 57 / 29

HEX #B5704E

RGB 181 112 78

HSL 19.81, 0.41%, 0.51%

LAB 53.99, 23.84, 30.24

 

CMYK 0 / 34 / 51 / 22

HEX #C68261

RGB 198 130 97

HSL 19.6, 0.47%, 0.58%

LAB 60.63, 22.61, 28.58

 

CMYK 0 / 31 / 46 / 16

HEX #D79474

RGB 215 148 116

HSL 19.39, 0.55%, 0.65%

LAB 67.19, 21.54, 27.08

 

CMYK 0 / 28 / 42 / 9

HEX #E8A687

RGB 232 166 135

HSL 19.18, 0.68%, 0.72%

LAB 73.66, 20.6, 25.71

 

CMYK 0 / 41 / 60 / 38

HEX #9F5E40

RGB 159 94 64

HSL 18.95, 0.43%, 0.44%

LAB 46.64, 23.51, 28.35

 

CMYK 0 / 46 / 68 / 44

HEX #8E4C2D

RGB 142 76 45

HSL 19.18, 0.52%, 0.37%

LAB 39.76, 25.03, 30.34

 

CMYK 0 / 54 / 79 / 51

HEX #7D3A1A

RGB 125 58 26

HSL 19.39, 0.66%, 0.3%

LAB 32.83, 26.78, 32.48

 

CMYK 0 / 63 / 94 / 58

HEX #6C2807

RGB 108 40 7

HSL 19.6, 0.88%, 0.23%

LAB 25.92, 28.69, 34.05

 

CMYK 0 / 76 / 100 / 64

HEX #5B1600

RGB 91 22 0

HSL 14.51, 1%, 0.18%

LAB 19.22, 30.44, 28.87

 

CMYK 0 / 41 / 61 / 37

HEX #A05E3F

RGB 160 94 63

HSL 19.18, 0.43%, 0.44%

LAB 46.76, 23.85, 29.1

 

CMYK 0 / 58 / 61 / 37

HEX #A0443F

RGB 160 68 63

HSL 3.09, 0.43%, 0.44%

LAB 41.16, 37.85, 22.06

 

CMYK 0 / 61 / 61 / 37

HEX #A03F3F

RGB 160 63 63

HSL 0, 0.43%, 0.44%

LAB 40.23, 40.31, 20.85

 

CMYK 0 / 41 / 61 / 37

HEX #A05E3F

RGB 160 94 63

HSL 19.18, 0.43%, 0.44%

LAB 46.76, 23.85, 29.1

 

CMYK 0 / 25 / 61 / 37

HEX #A0783F

RGB 160 120 63

HSL 35.26, 0.43%, 0.44%

LAB 53.24, 9.07, 36.88

 

CMYK 0 / 9 / 61 / 37

HEX #A0923F

RGB 160 146 63

HSL 51.34, 0.43%, 0.44%

LAB 60.24, -5.41, 44.88

 

CMYK 7 / 0 / 61 / 37

HEX #94A03F

RGB 148 160 63

HSL 67.42, 0.43%, 0.44%

LAB 63.17, -18.03, 47.84

 

CMYK 24 / 0 / 61 / 37

HEX #7AA03F

RGB 122 160 63

HSL 83.51, 0.43%, 0.44%

LAB 61.34, -28.74, 45.3

 

CMYK 0 / 41 / 61 / 37

HEX #A05E3F

RGB 160 94 63

HSL 19.18, 0.43%, 0.44%

LAB 46.76, 23.85, 29.1

 

CMYK 0 / 51 / 75 / 30

HEX #B2572D

RGB 178 87 45

HSL 18.95, 0.6%, 0.44%

LAB 47.59, 34.04, 40.54

 

CMYK 0 / 59 / 86 / 23

HEX #C4511B

RGB 196 81 27

HSL 19.17, 0.76%, 0.44%

LAB 49.13, 43.45, 51.3

 

CMYK 0 / 65 / 96 / 16

HEX #D64A09

RGB 214 74 9

HSL 19.02, 0.92%, 0.44%

LAB 50.94, 52.78, 59.54

 

CMYK 0 / 41 / 61 / 37

HEX #A05E3F

RGB 160 94 63

HSL 19.18, 0.43%, 0.44%

LAB 46.76, 23.85, 29.1

 

CMYK 0 / 29 / 42 / 44

HEX #8E6552

RGB 142 101 82

HSL 19, 0.27%, 0.44%

LAB 46.53, 13.99, 17.3

 

CMYK 0 / 14 / 19 / 51

HEX #7C6B64

RGB 124 107 100

HSL 17.5, 0.11%, 0.44%

LAB 46.61, 5.48, 6.39

 

CMYK 11 / 3 / 0 / 54

HEX #697276

RGB 105 114 118

HSL 198.46, 0.06%, 0.44%

LAB 47.43, -2.51, -3.38

 

CMYK 36 / 11 / 0 / 47

HEX #577988

RGB 87 121 136

HSL 198.37, 0.22%, 0.44%

LAB 48.86, -8.09, -12.04

 

CMYK 0 / 61 / 46 / 37

HEX #A03F56

RGB 160 63 86

HSL 345.77, 0.43%, 0.44%

LAB 40.74, 42.34, 7.24

 

CMYK 0 / 58 / 61 / 37

HEX #A0433F

RGB 160 67 63

HSL 2.47, 0.43%, 0.44%

LAB 40.97, 38.35, 21.82

 

CMYK 0 / 43 / 61 / 37

HEX #A05C3F

RGB 160 92 63

HSL 17.94, 0.43%, 0.44%

LAB 46.29, 24.98, 28.53

 

CMYK 0 / 26 / 61 / 37

HEX #A0763F

RGB 160 118 63

HSL 34.02, 0.43%, 0.44%

LAB 52.72, 10.2, 36.27

 

CMYK 0 / 10 / 61 / 37

HEX #A0903F

RGB 160 144 63

HSL 50.1, 0.43%, 0.44%

LAB 59.69, -4.32, 44.26

 

CMYK 0 / 42 / 60 / 60

HEX #653B28

RGB 101 59 40

HSL 18.69, 0.43%, 0.28%

LAB 29.53, 16.41, 19.55

 

CMYK 0 / 41 / 60 / 49

HEX #824D34

RGB 130 77 52

HSL 19.23, 0.43%, 0.36%

LAB 38.38, 19.74, 24.2

 

CMYK 0 / 41 / 61 / 37

HEX #A05E3F

RGB 160 94 63

HSL 19.18, 0.43%, 0.44%

LAB 46.76, 23.85, 29.1

 

CMYK 0 / 39 / 57 / 27

HEX #B97150

RGB 185 113 80

HSL 18.86, 0.43%, 0.52%

LAB 54.77, 25.12, 30.21

 

CMYK 0 / 30 / 45 / 23

HEX #C5896D

RGB 197 137 109

HSL 19.09, 0.43%, 0.6%

LAB 62.39, 19.56, 24.2

 

CMYK 0 / 41 / 60 / 38

HEX #9F5E40

RGB 159 94 64

HSL 18.95, 0.43%, 0.44%

LAB 46.64, 23.51, 28.35

 

CMYK 30 / 0 / 61 / 37

HEX #70A03F

RGB 112 160 63

HSL 89.69, 0.43%, 0.44%

LAB 60.73, -32.61, 44.45

 

CMYK 61 / 54 / 0 / 37

HEX #3F49A0

RGB 63 73 160

HSL 233.81, 0.43%, 0.44%

LAB 34.72, 23.38, -48.64

 

CMYK 0 / 41 / 60 / 38

HEX #9F5E40

RGB 159 94 64

HSL 18.95, 0.43%, 0.44%

LAB 46.64, 23.51, 28.35

 

CMYK 61 / 0 / 43 / 37

HEX #3FA05C

RGB 63 160 92

HSL 137.94, 0.43%, 0.44%

LAB 58.95, -43.83, 27.18

 

CMYK 43 / 61 / 0 / 37

HEX #5C3FA0

RGB 92 63 160

HSL 257.94, 0.43%, 0.44%

LAB 34.74, 35.81, -48.49

 

CMYK 0 / 41 / 60 / 38

HEX #9F5E40

RGB 159 94 64

HSL 18.95, 0.43%, 0.44%

LAB 46.64, 23.51, 28.35

 

CMYK 30 / 0 / 61 / 37

HEX #70A03F

RGB 112 160 63

HSL 89.69, 0.43%, 0.44%

LAB 60.73, -32.61, 44.45

 

CMYK 61 / 18 / 0 / 37

HEX #3F83A0

RGB 63 131 160

HSL 197.94, 0.43%, 0.44%

LAB 51.64, -12.57, -21.95

 

CMYK 30 / 61 / 0 / 37

HEX #703FA0

RGB 112 63 160

HSL 270.31, 0.43%, 0.44%

LAB 37, 40.58, -44.73

 

CMYK 0 / 41 / 60 / 38

HEX #9F5E40

RGB 159 94 64

HSL 18.95, 0.43%, 0.44%

LAB 46.64, 23.51, 28.35

 

CMYK 48 / 0 / 61 / 37

HEX #53A03F

RGB 83 160 63

HSL 107.63, 0.43%, 0.44%

LAB 59.29, -42.61, 42.42

 

CMYK 61 / 18 / 0 / 37

HEX #3F83A0

RGB 63 131 160

HSL 197.94, 0.43%, 0.44%

LAB 51.64, -12.57, -21.95

 

CMYK 12 / 61 / 0 / 37

HEX #8D3FA0

RGB 141 63 160

HSL 288.25, 0.43%, 0.44%

LAB 40.83, 47.97, -38.4

 

Description

Color code: HEX #9F5E40 | qconv.com Color code: HEX #9F5E40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 94 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 94 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 60 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 60% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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