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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5E3B it is the complementary color #60A1C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5E3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5E3B shade: #A45E36, #B57049, #C6825C, #D7946F and #E8A682

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5E3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5E3B shade: #9F5E3B, #8E4C28, #7D3A15, #6C2802 and #5B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5E3B shade: #A05E3B, #A0433B and #A03B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5E3B shade: #A05E3B, #A0793B, #A0943B, #90A03B and #74A03B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5E3B shade matches the following richer shades: #A05E3B, #B15929, #C35317 and #D54E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5E3B shade: #A05E3B, #8E634C, #7C695E, #6A6E70 and #597382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5E3B shade: #A03B4D, #A0433B, #A05E3B, #A0793B and #A0943B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5E3B shade: #633A24, #814C30, #A05E3B, #BB7148 and #C68867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5E3B shade: #9F5E3B, #68A03B and #3B40A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5E3B shade: #9F5E3B, #3BA05E and #5E3BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5E3B shade: #9F5E3B, #68A03B, #3B7CA0 and #723BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5E3B shade: #9F5E3B, #4AA03B, #3B7CA0 and #903BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 63 / 38

HEX #9F5E3B

RGB 159 94 59

HSL 21, 0.46%, 0.43%

LAB 46.57, 23.13, 31.1

 

Complementary color

CMYK 51 / 18 / 0 / 23

HEX #60A1C4

RGB 96 161 196

HSL 201, 0.46%, 0.57%

LAB 63.31, -11.03, -24.39

 

CMYK 0 / 43 / 67 / 36

HEX #A45E36

RGB 164 94 54

HSL 21.82, 0.5%, 0.43%

LAB 47.19, 24.92, 34.76

 

CMYK 0 / 38 / 60 / 29

HEX #B57049

RGB 181 112 73

HSL 21.67, 0.43%, 0.5%

LAB 53.91, 23.44, 32.92

 

CMYK 0 / 34 / 54 / 22

HEX #C6825C

RGB 198 130 92

HSL 21.51, 0.48%, 0.57%

LAB 60.55, 22.16, 31.23

 

CMYK 0 / 31 / 48 / 16

HEX #D7946F

RGB 215 148 111

HSL 21.35, 0.57%, 0.64%

LAB 67.11, 21.05, 29.69

 

CMYK 0 / 28 / 44 / 9

HEX #E8A682

RGB 232 166 130

HSL 21.18, 0.69%, 0.71%

LAB 73.57, 20.07, 28.29

 

CMYK 0 / 41 / 63 / 38

HEX #9F5E3B

RGB 159 94 59

HSL 21, 0.46%, 0.43%

LAB 46.57, 23.13, 31.1

 

CMYK 0 / 46 / 72 / 44

HEX #8E4C28

RGB 142 76 40

HSL 21.18, 0.56%, 0.36%

LAB 39.7, 24.73, 33.06

 

CMYK 0 / 54 / 83 / 51

HEX #7D3A15

RGB 125 58 21

HSL 21.35, 0.71%, 0.29%

LAB 32.79, 26.58, 35

 

CMYK 0 / 63 / 98 / 58

HEX #6C2802

RGB 108 40 2

HSL 21.51, 0.96%, 0.22%

LAB 25.89, 28.55, 36.06

 

CMYK 0 / 76 / 100 / 64

HEX #5B1600

RGB 91 22 0

HSL 14.51, 1%, 0.18%

LAB 19.22, 30.44, 28.87

 

CMYK 0 / 41 / 63 / 37

HEX #A05E3B

RGB 160 94 59

HSL 20.79, 0.46%, 0.43%

LAB 46.7, 23.55, 31.29

 

CMYK 0 / 58 / 63 / 37

HEX #A0433B

RGB 160 67 59

HSL 4.75, 0.46%, 0.43%

LAB 40.9, 38.06, 24.16

 

CMYK 0 / 63 / 63 / 37

HEX #A03B3B

RGB 160 59 59

HSL 0, 0.46%, 0.43%

LAB 39.44, 41.92, 22.3

 

CMYK 0 / 41 / 63 / 37

HEX #A05E3B

RGB 160 94 59

HSL 20.79, 0.46%, 0.43%

LAB 46.7, 23.55, 31.29

 

CMYK 0 / 24 / 63 / 37

HEX #A0793B

RGB 160 121 59

HSL 36.83, 0.46%, 0.43%

LAB 53.45, 8.2, 39.19

 

CMYK 0 / 7 / 63 / 37

HEX #A0943B

RGB 160 148 59

HSL 52.87, 0.46%, 0.43%

LAB 60.75, -6.78, 47.31

 

CMYK 10 / 0 / 63 / 37

HEX #90A03B

RGB 144 160 59

HSL 69.5, 0.46%, 0.43%

LAB 62.83, -20.03, 49.17

 

CMYK 28 / 0 / 63 / 37

HEX #74A03B

RGB 116 160 59

HSL 86.14, 0.46%, 0.43%

LAB 60.93, -31.44, 46.55

 

CMYK 0 / 41 / 63 / 37

HEX #A05E3B

RGB 160 94 59

HSL 20.79, 0.46%, 0.43%

LAB 46.7, 23.55, 31.29

 

CMYK 0 / 50 / 77 / 31

HEX #B15929

RGB 177 89 41

HSL 21.18, 0.62%, 0.43%

LAB 47.82, 32.4, 42.74

 

CMYK 0 / 57 / 88 / 24

HEX #C35317

RGB 195 83 23

HSL 20.93, 0.79%, 0.43%

LAB 49.31, 42.02, 52.89

 

CMYK 0 / 63 / 98 / 16

HEX #D54E05

RGB 213 78 5

HSL 21.06, 0.95%, 0.43%

LAB 51.39, 50.69, 60.61

 

CMYK 0 / 41 / 63 / 37

HEX #A05E3B

RGB 160 94 59

HSL 20.79, 0.46%, 0.43%

LAB 46.7, 23.55, 31.29

 

CMYK 0 / 30 / 46 / 44

HEX #8E634C

RGB 142 99 76

HSL 20.91, 0.3%, 0.43%

LAB 45.9, 14.46, 20

 

CMYK 0 / 15 / 24 / 51

HEX #7C695E

RGB 124 105 94

HSL 22, 0.14%, 0.43%

LAB 45.9, 5.67, 8.98

 

CMYK 5 / 2 / 0 / 56

HEX #6A6E70

RGB 106 110 112

HSL 200, 0.03%, 0.43%

LAB 46.16, -1.1, -1.65

 

CMYK 32 / 12 / 0 / 49

HEX #597382

RGB 89 115 130

HSL 201.95, 0.19%, 0.43%

LAB 46.97, -5.62, -11.32

 

CMYK 0 / 63 / 52 / 37

HEX #A03B4D

RGB 160 59 77

HSL 349.31, 0.46%, 0.43%

LAB 39.81, 43.35, 11.58

 

CMYK 0 / 58 / 63 / 37

HEX #A0433B

RGB 160 67 59

HSL 4.75, 0.46%, 0.43%

LAB 40.9, 38.06, 24.16

 

CMYK 0 / 41 / 63 / 37

HEX #A05E3B

RGB 160 94 59

HSL 20.79, 0.46%, 0.43%

LAB 46.7, 23.55, 31.29

 

CMYK 0 / 24 / 63 / 37

HEX #A0793B

RGB 160 121 59

HSL 36.83, 0.46%, 0.43%

LAB 53.45, 8.2, 39.19

 

CMYK 0 / 7 / 63 / 37

HEX #A0943B

RGB 160 148 59

HSL 52.87, 0.46%, 0.43%

LAB 60.75, -6.78, 47.31

 

CMYK 0 / 41 / 64 / 61

HEX #633A24

RGB 99 58 36

HSL 20.95, 0.47%, 0.26%

LAB 28.92, 15.74, 21.2

 

CMYK 0 / 41 / 63 / 49

HEX #814C30

RGB 129 76 48

HSL 20.74, 0.46%, 0.35%

LAB 37.93, 19.56, 25.98

 

CMYK 0 / 41 / 63 / 37

HEX #A05E3B

RGB 160 94 59

HSL 20.79, 0.46%, 0.43%

LAB 46.7, 23.55, 31.29

 

CMYK 0 / 40 / 61 / 27

HEX #BB7148

RGB 187 113 72

HSL 21.39, 0.46%, 0.51%

LAB 54.91, 25.33, 34.86

 

CMYK 0 / 31 / 48 / 22

HEX #C68867

RGB 198 136 103

HSL 20.84, 0.45%, 0.59%

LAB 62.16, 19.9, 27.25

 

CMYK 0 / 41 / 63 / 38

HEX #9F5E3B

RGB 159 94 59

HSL 21, 0.46%, 0.43%

LAB 46.57, 23.13, 31.1

 

CMYK 35 / 0 / 63 / 37

HEX #68A03B

RGB 104 160 59

HSL 93.27, 0.46%, 0.43%

LAB 60.25, -35.95, 45.6

 

CMYK 63 / 60 / 0 / 37

HEX #3B40A0

RGB 59 64 160

HSL 237.03, 0.46%, 0.43%

LAB 32.11, 28.53, -52.88

 

CMYK 0 / 41 / 63 / 38

HEX #9F5E3B

RGB 159 94 59

HSL 21, 0.46%, 0.43%

LAB 46.57, 23.13, 31.1

 

CMYK 63 / 0 / 41 / 37

HEX #3BA05E

RGB 59 160 94

HSL 140.79, 0.46%, 0.43%

LAB 58.86, -44.35, 25.98

 

CMYK 41 / 63 / 0 / 37

HEX #5E3BA0

RGB 94 59 160

HSL 260.79, 0.46%, 0.43%

LAB 34.08, 38.59, -49.55

 

CMYK 0 / 41 / 63 / 38

HEX #9F5E3B

RGB 159 94 59

HSL 21, 0.46%, 0.43%

LAB 46.57, 23.13, 31.1

 

CMYK 35 / 0 / 63 / 37

HEX #68A03B

RGB 104 160 59

HSL 93.27, 0.46%, 0.43%

LAB 60.25, -35.95, 45.6

 

CMYK 63 / 23 / 0 / 37

HEX #3B7CA0

RGB 59 124 160

HSL 201.39, 0.46%, 0.43%

LAB 49.35, -9.37, -25.49

 

CMYK 29 / 63 / 0 / 37

HEX #723BA0

RGB 114 59 160

HSL 272.67, 0.46%, 0.43%

LAB 36.45, 43.22, -45.6

 

CMYK 0 / 41 / 63 / 38

HEX #9F5E3B

RGB 159 94 59

HSL 21, 0.46%, 0.43%

LAB 46.57, 23.13, 31.1

 

CMYK 54 / 0 / 63 / 37

HEX #4AA03B

RGB 74 160 59

HSL 111.09, 0.46%, 0.43%

LAB 58.89, -45.69, 43.72

 

CMYK 63 / 23 / 0 / 37

HEX #3B7CA0

RGB 59 124 160

HSL 201.39, 0.46%, 0.43%

LAB 49.35, -9.37, -25.49

 

CMYK 10 / 63 / 0 / 37

HEX #903BA0

RGB 144 59 160

HSL 290.5, 0.46%, 0.43%

LAB 40.57, 50.63, -38.79

 

Description

Color code: HEX #9F5E3B | qconv.com Color code: HEX #9F5E3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 94 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 94 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 63 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 63% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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