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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5370 it is the complementary color #60AC8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5370 shade: #A4536B, #B5657E, #C67791, #D789A4 and #E89BB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5370 shade: #9F5370, #8E415D, #7D2F4A, #6C1D37 and #5B0B24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5370 shade: #9D536F, #9D535B and #9D5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5370 shade: #9D536F, #9D5383, #9D5397, #8F539D and #7B539D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5370 shade matches the following richer shades: #9D536F, #B03F6A, #C42C66, #D71961 and #EB055D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5370 shade: #9D536F, #8A6674, #767978, #638D7D and #4FA081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5370 shade: #9D5397, #9D5383, #9D536F, #9D535B and #9D5E53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5370 shade: #673649, #82445C, #9D536F, #B06984 and #BE849A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5370 shade: #9F5370, #9D8F53 and #538D9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5370 shade: #9F5370, #6F9D53 and #536F9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5370 shade: #9F5370, #9D8F53, #539D81 and #53609D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5370 shade: #9F5370, #949D53, #539D81 and #5B539D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 30 / 38

HEX #9F5370

RGB 159 83 112

HSL 337.11, 0.31%, 0.47%

LAB 45.26, 34.91, -2.29

 

Complementary color

CMYK 44 / 0 / 17 / 33

HEX #60AC8F

RGB 96 172 143

HSL 157.11, 0.31%, 0.53%

LAB 64.94, -30.53, 7.63

 

CMYK 0 / 49 / 35 / 36

HEX #A4536B

RGB 164 83 107

HSL 342.22, 0.33%, 0.48%

LAB 45.83, 36.05, 1.67

 

CMYK 0 / 44 / 30 / 29

HEX #B5657E

RGB 181 101 126

HSL 341.25, 0.35%, 0.55%

LAB 52.55, 35.13, 0.35

 

CMYK 0 / 40 / 27 / 22

HEX #C67791

RGB 198 119 145

HSL 340.25, 0.41%, 0.62%

LAB 59.2, 34.24, -0.78

 

CMYK 0 / 36 / 24 / 16

HEX #D789A4

RGB 215 137 164

HSL 339.23, 0.49%, 0.69%

LAB 65.76, 33.39, -1.76

 

CMYK 0 / 33 / 21 / 9

HEX #E89BB7

RGB 232 155 183

HSL 338.18, 0.63%, 0.76%

LAB 72.24, 32.61, -2.65

 

CMYK 0 / 48 / 30 / 38

HEX #9F5370

RGB 159 83 112

HSL 337.11, 0.31%, 0.47%

LAB 45.26, 34.91, -2.29

 

CMYK 0 / 54 / 35 / 44

HEX #8E415D

RGB 142 65 93

HSL 338.18, 0.37%, 0.41%

LAB 38.41, 35.79, -0.88

 

CMYK 0 / 62 / 41 / 51

HEX #7D2F4A

RGB 125 47 74

HSL 339.23, 0.45%, 0.34%

LAB 31.55, 36.55, 0.94

 

CMYK 0 / 73 / 49 / 58

HEX #6C1D37

RGB 108 29 55

HSL 340.25, 0.58%, 0.27%

LAB 24.77, 36.92, 3.44

 

CMYK 0 / 88 / 60 / 64

HEX #5B0B24

RGB 91 11 36

HSL 341.25, 0.78%, 0.2%

LAB 18.32, 36.25, 7.14

 

CMYK 0 / 47 / 29 / 38

HEX #9D536F

RGB 157 83 111

HSL 337.3, 0.31%, 0.47%

LAB 44.94, 34.04, -2.17

 

CMYK 0 / 47 / 42 / 38

HEX #9D535B

RGB 157 83 91

HSL 353.51, 0.31%, 0.47%

LAB 44.39, 31.47, 9.24

 

CMYK 0 / 47 / 47 / 38

HEX #9D5353

RGB 157 83 83

HSL 0, 0.31%, 0.47%

LAB 44.2, 30.58, 13.85

 

CMYK 0 / 47 / 29 / 38

HEX #9D536F

RGB 157 83 111

HSL 337.3, 0.31%, 0.47%

LAB 44.94, 34.04, -2.17

 

CMYK 0 / 47 / 17 / 38

HEX #9D5383

RGB 157 83 131

HSL 321.08, 0.31%, 0.47%

LAB 45.63, 37.1, -13.3

 

CMYK 0 / 47 / 4 / 38

HEX #9D5397

RGB 157 83 151

HSL 304.86, 0.31%, 0.47%

LAB 46.43, 40.59, -24.07

 

CMYK 9 / 47 / 0 / 38

HEX #8F539D

RGB 143 83 157

HSL 288.65, 0.31%, 0.47%

LAB 44.89, 37.45, -30.19

 

CMYK 22 / 47 / 0 / 38

HEX #7B539D

RGB 123 83 157

HSL 272.43, 0.31%, 0.47%

LAB 42.51, 31.43, -34.09

 

CMYK 0 / 47 / 29 / 38

HEX #9D536F

RGB 157 83 111

HSL 337.3, 0.31%, 0.47%

LAB 44.94, 34.04, -2.17

 

CMYK 0 / 64 / 40 / 31

HEX #B03F6A

RGB 176 63 106

HSL 337.17, 0.47%, 0.47%

LAB 43.98, 49.77, -0.17

 

CMYK 0 / 78 / 48 / 23

HEX #C42C66

RGB 196 44 102

HSL 337.11, 0.63%, 0.47%

LAB 44.94, 62.18, 4.13

 

CMYK 0 / 88 / 55 / 16

HEX #D71961

RGB 215 25 97

HSL 337.26, 0.79%, 0.47%

LAB 46.98, 70.95, 10.64

 

CMYK 0 / 98 / 60 / 8

HEX #EB055D

RGB 235 5 93

HSL 337.04, 0.96%, 0.47%

LAB 50.17, 77.52, 18.13

 

CMYK 0 / 47 / 29 / 38

HEX #9D536F

RGB 157 83 111

HSL 337.3, 0.31%, 0.47%

LAB 44.94, 34.04, -2.17

 

CMYK 0 / 26 / 16 / 46

HEX #8A6674

RGB 138 102 116

HSL 336.67, 0.15%, 0.47%

LAB 47.19, 16.78, -2.17

 

CMYK 2 / 0 / 1 / 53

HEX #767978

RGB 118 121 120

HSL 160, 0.01%, 0.47%

LAB 50.55, -1.33, 0.15

 

CMYK 30 / 0 / 11 / 45

HEX #638D7D

RGB 99 141 125

HSL 157.14, 0.18%, 0.47%

LAB 55.26, -18.06, 3.91

 

CMYK 51 / 0 / 19 / 37

HEX #4FA081

RGB 79 160 129

HSL 157.04, 0.34%, 0.47%

LAB 60.24, -32.42, 8.64

 

CMYK 0 / 47 / 4 / 38

HEX #9D5397

RGB 157 83 151

HSL 304.86, 0.31%, 0.47%

LAB 46.43, 40.59, -24.07

 

CMYK 0 / 47 / 17 / 38

HEX #9D5383

RGB 157 83 131

HSL 321.08, 0.31%, 0.47%

LAB 45.63, 37.1, -13.3

 

CMYK 0 / 47 / 29 / 38

HEX #9D536F

RGB 157 83 111

HSL 337.3, 0.31%, 0.47%

LAB 44.94, 34.04, -2.17

 

CMYK 0 / 47 / 42 / 38

HEX #9D535B

RGB 157 83 91

HSL 353.51, 0.31%, 0.47%

LAB 44.39, 31.47, 9.24

 

CMYK 0 / 40 / 47 / 38

HEX #9D5E53

RGB 157 94 83

HSL 8.92, 0.31%, 0.47%

LAB 46.71, 24.44, 17.26

 

CMYK 0 / 48 / 29 / 60

HEX #673649

RGB 103 54 73

HSL 336.73, 0.31%, 0.31%

LAB 29.42, 24.39, -1.94

 

CMYK 0 / 48 / 29 / 49

HEX #82445C

RGB 130 68 92

HSL 336.77, 0.31%, 0.39%

LAB 37.21, 29.6, -2.22

 

CMYK 0 / 47 / 29 / 38

HEX #9D536F

RGB 157 83 111

HSL 337.3, 0.31%, 0.47%

LAB 44.94, 34.04, -2.17

 

CMYK 0 / 40 / 25 / 31

HEX #B06984

RGB 176 105 132

HSL 337.18, 0.31%, 0.55%

LAB 52.95, 31.98, -2.69

 

CMYK 0 / 31 / 19 / 25

HEX #BE849A

RGB 190 132 154

HSL 337.24, 0.31%, 0.63%

LAB 61.47, 25.56, -2.73

 

CMYK 0 / 48 / 30 / 38

HEX #9F5370

RGB 159 83 112

HSL 337.11, 0.31%, 0.47%

LAB 45.26, 34.91, -2.29

 

CMYK 0 / 9 / 47 / 38

HEX #9D8F53

RGB 157 143 83

HSL 48.65, 0.31%, 0.47%

LAB 59.38, -3.32, 33.68

 

CMYK 47 / 10 / 0 / 38

HEX #538D9D

RGB 83 141 157

HSL 192.97, 0.31%, 0.47%

LAB 55.4, -14.51, -14.4

 

CMYK 0 / 48 / 30 / 38

HEX #9F5370

RGB 159 83 112

HSL 337.11, 0.31%, 0.47%

LAB 45.26, 34.91, -2.29

 

CMYK 29 / 0 / 47 / 38

HEX #6F9D53

RGB 111 157 83

HSL 97.3, 0.31%, 0.47%

LAB 60, -29.31, 33.7

 

CMYK 47 / 29 / 0 / 38

HEX #536F9D

RGB 83 111 157

HSL 217.3, 0.31%, 0.47%

LAB 46.5, 2.81, -28.07

 

CMYK 0 / 48 / 30 / 38

HEX #9F5370

RGB 159 83 112

HSL 337.11, 0.31%, 0.47%

LAB 45.26, 34.91, -2.29

 

CMYK 0 / 9 / 47 / 38

HEX #9D8F53

RGB 157 143 83

HSL 48.65, 0.31%, 0.47%

LAB 59.38, -3.32, 33.68

 

CMYK 47 / 0 / 18 / 38

HEX #539D81

RGB 83 157 129

HSL 157.3, 0.31%, 0.47%

LAB 59.47, -29.96, 7.57

 

CMYK 47 / 39 / 0 / 38

HEX #53609D

RGB 83 96 157

HSL 229.46, 0.31%, 0.47%

LAB 42.21, 12.1, -34.79

 

CMYK 0 / 48 / 30 / 38

HEX #9F5370

RGB 159 83 112

HSL 337.11, 0.31%, 0.47%

LAB 45.26, 34.91, -2.29

 

CMYK 6 / 0 / 47 / 38

HEX #949D53

RGB 148 157 83

HSL 67.3, 0.31%, 0.47%

LAB 62.54, -14.65, 37.4

 

CMYK 47 / 0 / 18 / 38

HEX #539D81

RGB 83 157 129

HSL 157.3, 0.31%, 0.47%

LAB 59.47, -29.96, 7.57

 

CMYK 42 / 47 / 0 / 38

HEX #5B539D

RGB 91 83 157

HSL 246.49, 0.31%, 0.47%

LAB 39.32, 22.39, -39.35

 

Description

Color code: HEX #9F5370 | qconv.com Color code: HEX #9F5370 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 83 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 83 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 30 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 30% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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