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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F46C7 it is the complementary color #60B938. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F46C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F46C7 shade: #A446C2, #B558D5, #C66AE8, #D77CFB and #E88EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F46C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F46C7 shade: #9F46C7, #8E34B4, #7D22A1, #6C108E and #5B007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F46C7 shade: #A046C8, #C346C8, #C846AA, #C84687 and #C84664

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F46C7 shade: #A046C8, #7D46C8, #5A46C8 and #4646C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F46C7 shade matches the following richer shades: #A046C8, #A733DB and #AE20EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F46C7 shade: #A046C8, #985AB4, #916DA1, #8A818E and #82947A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F46C7 shade: #5A46C8, #7C46C8, #9F46C8, #C146C8 and #C846AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F46C7 shade: #712B91, #8A35B0, #A046C8, #B066D1 and #C186DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F46C7 shade: #9F46C7, #C84656 and #46C86B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F46C7 shade: #9F46C7, #C89F46 and #46C89F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F46C7 shade: #9F46C7, #C84656, #6FC846 and #46C8B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F46C7 shade: #9F46C7, #C85E46, #6FC846 and #46B0C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 65 / 0 / 22

HEX #9F46C7

RGB 159 70 199

HSL 281.4, 0.54%, 0.53%

LAB 46.81, 57.13, -51.65

 

Complementary color

CMYK 48 / 0 / 70 / 27

HEX #60B938

RGB 96 185 56

HSL 101.4, 0.54%, 0.47%

LAB 67.63, -49.4, 54.66

 

CMYK 15 / 64 / 0 / 24

HEX #A446C2

RGB 164 70 194

HSL 285.48, 0.5%, 0.52%

LAB 47.19, 57.26, -48.1

 

CMYK 15 / 59 / 0 / 16

HEX #B558D5

RGB 181 88 213

HSL 284.64, 0.6%, 0.59%

LAB 53.61, 56.83, -48.65

 

CMYK 15 / 54 / 0 / 9

HEX #C66AE8

RGB 198 106 232

HSL 283.81, 0.73%, 0.66%

LAB 60.02, 56.21, -49.04

 

CMYK 14 / 51 / 0 / 2

HEX #D77CFB

RGB 215 124 251

HSL 282.99, 0.94%, 0.74%

LAB 66.39, 55.5, -49.34

 

CMYK 9 / 44 / 0 / 0

HEX #E88EFF

RGB 232 142 255

HSL 287.79, 1%, 0.78%

LAB 72.04, 51.8, -42.5

 

CMYK 20 / 65 / 0 / 22

HEX #9F46C7

RGB 159 70 199

HSL 281.4, 0.54%, 0.53%

LAB 46.81, 57.13, -51.65

 

CMYK 21 / 71 / 0 / 29

HEX #8E34B4

RGB 142 52 180

HSL 282.19, 0.55%, 0.45%

LAB 40.41, 57.28, -50.95

 

CMYK 22 / 79 / 0 / 37

HEX #7D22A1

RGB 125 34 161

HSL 282.99, 0.65%, 0.38%

LAB 34.14, 56.82, -49.84

 

CMYK 24 / 89 / 0 / 44

HEX #6C108E

RGB 108 16 142

HSL 283.81, 0.8%, 0.31%

LAB 28.15, 55.23, -48.07

 

CMYK 26 / 100 / 0 / 52

HEX #5B007B

RGB 91 0 123

HSL 284.39, 1%, 0.24%

LAB 22.49, 52.19, -45.45

 

CMYK 20 / 65 / 0 / 22

HEX #A046C8

RGB 160 70 200

HSL 281.54, 0.54%, 0.53%

LAB 47.01, 57.56, -51.9

 

CMYK 3 / 65 / 0 / 22

HEX #C346C8

RGB 195 70 200

HSL 297.69, 0.54%, 0.53%

LAB 52.01, 65.65, -43.63

 

CMYK 0 / 65 / 15 / 22

HEX #C846AA

RGB 200 70 170

HSL 313.85, 0.54%, 0.53%

LAB 51.34, 62.11, -27.2

 

CMYK 0 / 65 / 33 / 22

HEX #C84687

RGB 200 70 135

HSL 330, 0.54%, 0.53%

LAB 49.99, 57.44, -8.49

 

CMYK 0 / 65 / 50 / 22

HEX #C84664

RGB 200 70 100

HSL 346.15, 0.54%, 0.53%

LAB 48.98, 53.82, 11.2

 

CMYK 20 / 65 / 0 / 22

HEX #A046C8

RGB 160 70 200

HSL 281.54, 0.54%, 0.53%

LAB 47.01, 57.56, -51.9

 

CMYK 38 / 65 / 0 / 22

HEX #7D46C8

RGB 125 70 200

HSL 265.38, 0.54%, 0.53%

LAB 42.63, 49.91, -59.18

 

CMYK 55 / 65 / 0 / 22

HEX #5A46C8

RGB 90 70 200

HSL 249.23, 0.54%, 0.53%

LAB 39.11, 43.23, -65.05

 

CMYK 65 / 65 / 0 / 22

HEX #4646C8

RGB 70 70 200

HSL 240, 0.54%, 0.53%

LAB 37.58, 40.11, -67.63

 

CMYK 20 / 65 / 0 / 22

HEX #A046C8

RGB 160 70 200

HSL 281.54, 0.54%, 0.53%

LAB 47.01, 57.56, -51.9

 

CMYK 24 / 77 / 0 / 14

HEX #A733DB

RGB 167 51 219

HSL 281.43, 0.7%, 0.53%

LAB 46.58, 70.36, -63.46

 

CMYK 27 / 87 / 0 / 6

HEX #AE20EF

RGB 174 32 239

HSL 281.16, 0.87%, 0.53%

LAB 47.32, 80.45, -73.55

 

CMYK 20 / 65 / 0 / 22

HEX #A046C8

RGB 160 70 200

HSL 281.54, 0.54%, 0.53%

LAB 47.01, 57.56, -51.9

 

CMYK 16 / 50 / 0 / 29

HEX #985AB4

RGB 152 90 180

HSL 281.33, 0.38%, 0.53%

LAB 48.61, 41.18, -37.8

 

CMYK 10 / 32 / 0 / 37

HEX #916DA1

RGB 145 109 161

HSL 281.54, 0.22%, 0.53%

LAB 51.3, 24.08, -22.57

 

CMYK 3 / 9 / 0 / 44

HEX #8A818E

RGB 138 129 142

HSL 281.54, 0.05%, 0.53%

LAB 55.13, 5.94, -5.77

 

CMYK 12 / 0 / 18 / 42

HEX #82947A

RGB 130 148 122

HSL 101.54, 0.11%, 0.53%

LAB 59.28, -11.51, 11.62

 

CMYK 55 / 65 / 0 / 22

HEX #5A46C8

RGB 90 70 200

HSL 249.23, 0.54%, 0.53%

LAB 39.11, 43.23, -65.05

 

CMYK 38 / 65 / 0 / 22

HEX #7C46C8

RGB 124 70 200

HSL 264.92, 0.54%, 0.53%

LAB 42.51, 49.71, -59.37

 

CMYK 21 / 65 / 0 / 22

HEX #9F46C8

RGB 159 70 200

HSL 281.08, 0.54%, 0.53%

LAB 46.87, 57.34, -52.13

 

CMYK 4 / 65 / 0 / 22

HEX #C146C8

RGB 193 70 200

HSL 296.77, 0.54%, 0.53%

LAB 51.71, 65.18, -44.12

 

CMYK 0 / 65 / 14 / 22

HEX #C846AC

RGB 200 70 172

HSL 312.92, 0.54%, 0.53%

LAB 51.43, 62.4, -28.24

 

CMYK 22 / 70 / 0 / 43

HEX #712B91

RGB 113 43 145

HSL 281.18, 0.54%, 0.37%

LAB 32.44, 47.38, -42.93

 

CMYK 22 / 70 / 0 / 31

HEX #8A35B0

RGB 138 53 176

HSL 281.46, 0.54%, 0.45%

LAB 39.72, 55.17, -49.73

 

CMYK 20 / 65 / 0 / 22

HEX #A046C8

RGB 160 70 200

HSL 281.54, 0.54%, 0.53%

LAB 47.01, 57.56, -51.9

 

CMYK 16 / 51 / 0 / 18

HEX #B066D1

RGB 176 102 209

HSL 281.5, 0.54%, 0.61%

LAB 55.42, 47.68, -43.55

 

CMYK 12 / 39 / 0 / 14

HEX #C186DB

RGB 193 134 219

HSL 281.65, 0.54%, 0.69%

LAB 64.57, 37.47, -34.69

 

CMYK 20 / 65 / 0 / 22

HEX #9F46C7

RGB 159 70 199

HSL 281.4, 0.54%, 0.53%

LAB 46.81, 57.13, -51.65

 

CMYK 0 / 65 / 57 / 22

HEX #C84656

RGB 200 70 86

HSL 352.62, 0.54%, 0.53%

LAB 48.68, 52.69, 19.24

 

CMYK 65 / 0 / 47 / 22

HEX #46C86B

RGB 70 200 107

HSL 137.08, 0.54%, 0.53%

LAB 72.01, -55.47, 36.23

 

CMYK 20 / 65 / 0 / 22

HEX #9F46C7

RGB 159 70 199

HSL 281.4, 0.54%, 0.53%

LAB 46.81, 57.13, -51.65

 

CMYK 0 / 21 / 65 / 22

HEX #C89F46

RGB 200 159 70

HSL 41.08, 0.54%, 0.53%

LAB 67.66, 5.52, 50.91

 

CMYK 65 / 0 / 21 / 22

HEX #46C89F

RGB 70 200 159

HSL 161.08, 0.54%, 0.53%

LAB 72.97, -45.18, 10.2

 

CMYK 20 / 65 / 0 / 22

HEX #9F46C7

RGB 159 70 199

HSL 281.4, 0.54%, 0.53%

LAB 46.81, 57.13, -51.65

 

CMYK 0 / 65 / 57 / 22

HEX #C84656

RGB 200 70 86

HSL 352.62, 0.54%, 0.53%

LAB 48.68, 52.69, 19.24

 

CMYK 45 / 0 / 65 / 22

HEX #6FC846

RGB 111 200 70

HSL 101.08, 0.54%, 0.53%

LAB 72.98, -49.59, 54.89

 

CMYK 65 / 0 / 8 / 22

HEX #46C8B9

RGB 70 200 185

HSL 173.08, 0.54%, 0.53%

LAB 73.62, -38.68, -2.93

 

CMYK 20 / 65 / 0 / 22

HEX #9F46C7

RGB 159 70 199

HSL 281.4, 0.54%, 0.53%

LAB 46.81, 57.13, -51.65

 

CMYK 0 / 53 / 65 / 22

HEX #C85E46

RGB 200 94 70

HSL 11.08, 0.54%, 0.53%

LAB 52.65, 40.42, 33.66

 

CMYK 45 / 0 / 65 / 22

HEX #6FC846

RGB 111 200 70

HSL 101.08, 0.54%, 0.53%

LAB 72.98, -49.59, 54.89

 

CMYK 65 / 12 / 0 / 22

HEX #46B0C8

RGB 70 176 200

HSL 191.08, 0.54%, 0.53%

LAB 66.92, -22.83, -21.18

 

Description

Color code: HEX #9F46C7 | qconv.com Color code: HEX #9F46C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 70 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 70 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 65 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 65% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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