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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F4558 it is the complementary color #60BAA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F4558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F4558 shade: #A44553, #B55766, #C66979, #D77B8C and #E88D9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F4558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F4558 shade: #9F4558, #8E3345, #7D2132, #6C0F1F and #5B000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F4558 shade: #A04659 and #A04646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F4558 shade: #A04659, #A04671, #A04689, #9E46A0 and #8646A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F4558 shade matches the following richer shades: #A04659, #B2334E, #C52143 and #D70E39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F4558 shade: #A04659, #8D5964, #7A6B6E, #687E79 and #559084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F4558 shade: #A04689, #A04671, #A04659, #A04A46 and #A06246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F4558 shade: #662D39, #833949, #A04659, #B6596C and #C37586

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F4558 shade: #9F4558, #A09E46 and #467DA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F4558 shade: #9F4558, #59A046 and #4659A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F4558 shade: #9F4558, #A09E46, #46A08C and #4647A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F4558 shade: #9F4558, #86A046, #46A08C and #5F46A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 45 / 38

HEX #9F4558

RGB 159 69 88

HSL 347.33, 0.39%, 0.45%

LAB 41.74, 39.25, 7.39

 

Complementary color

CMYK 48 / 0 / 10 / 27

HEX #60BAA7

RGB 96 186 167

HSL 167.33, 0.39%, 0.55%

LAB 69.75, -31.62, 1.33

 

CMYK 0 / 58 / 49 / 36

HEX #A44553

RGB 164 69 83

HSL 351.16, 0.41%, 0.46%

LAB 42.42, 40.54, 11.56

 

CMYK 0 / 52 / 44 / 29

HEX #B55766

RGB 181 87 102

HSL 350.43, 0.39%, 0.53%

LAB 49.01, 39.57, 9.58

 

CMYK 0 / 47 / 39 / 22

HEX #C66979

RGB 198 105 121

HSL 349.68, 0.45%, 0.59%

LAB 55.57, 38.57, 7.94

 

CMYK 0 / 43 / 35 / 16

HEX #D77B8C

RGB 215 123 140

HSL 348.91, 0.53%, 0.66%

LAB 62.09, 37.61, 6.55

 

CMYK 0 / 39 / 31 / 9

HEX #E88D9F

RGB 232 141 159

HSL 348.13, 0.66%, 0.73%

LAB 68.54, 36.69, 5.34

 

CMYK 0 / 57 / 45 / 38

HEX #9F4558

RGB 159 69 88

HSL 347.33, 0.39%, 0.45%

LAB 41.74, 39.25, 7.39

 

CMYK 0 / 64 / 51 / 44

HEX #8E3345

RGB 142 51 69

HSL 348.13, 0.47%, 0.38%

LAB 35.1, 40.06, 9.64

 

CMYK 0 / 74 / 60 / 51

HEX #7D2132

RGB 125 33 50

HSL 348.91, 0.58%, 0.31%

LAB 28.59, 40.49, 12.63

 

CMYK 0 / 86 / 71 / 58

HEX #6C0F1F

RGB 108 15 31

HSL 349.68, 0.76%, 0.24%

LAB 22.4, 40, 16.73

 

CMYK 0 / 100 / 87 / 64

HEX #5B000C

RGB 91 0 12

HSL 352.09, 1%, 0.18%

LAB 16.75, 38.1, 21

 

CMYK 0 / 56 / 44 / 37

HEX #A04659

RGB 160 70 89

HSL 347.33, 0.39%, 0.45%

LAB 42.12, 39.22, 7.32

 

CMYK 0 / 56 / 56 / 37

HEX #A04646

RGB 160 70 70

HSL 0, 0.39%, 0.45%

LAB 41.68, 37.39, 18.47

 

CMYK 0 / 56 / 44 / 37

HEX #A04659

RGB 160 70 89

HSL 347.33, 0.39%, 0.45%

LAB 42.12, 39.22, 7.32

 

CMYK 0 / 56 / 29 / 37

HEX #A04671

RGB 160 70 113

HSL 331.33, 0.39%, 0.45%

LAB 42.83, 42.15, -6.48

 

CMYK 0 / 56 / 14 / 37

HEX #A04689

RGB 160 70 137

HSL 315.33, 0.39%, 0.45%

LAB 43.74, 45.73, -19.77

 

CMYK 1 / 56 / 0 / 37

HEX #9E46A0

RGB 158 70 160

HSL 298.67, 0.39%, 0.45%

LAB 44.5, 49.15, -32.44

 

CMYK 16 / 56 / 0 / 37

HEX #8646A0

RGB 134 70 160

HSL 282.67, 0.39%, 0.45%

LAB 41.19, 42.54, -37.87

 

CMYK 0 / 56 / 44 / 37

HEX #A04659

RGB 160 70 89

HSL 347.33, 0.39%, 0.45%

LAB 42.12, 39.22, 7.32

 

CMYK 0 / 71 / 56 / 30

HEX #B2334E

RGB 178 51 78

HSL 347.24, 0.55%, 0.45%

LAB 41.82, 52.67, 14.22

 

CMYK 0 / 83 / 66 / 23

HEX #C52143

RGB 197 33 67

HSL 347.56, 0.71%, 0.45%

LAB 43.31, 62.94, 23.71

 

CMYK 0 / 93 / 73 / 16

HEX #D70E39

RGB 215 14 57

HSL 347.16, 0.88%, 0.45%

LAB 45.71, 70.3, 33.59

 

CMYK 0 / 56 / 44 / 37

HEX #A04659

RGB 160 70 89

HSL 347.33, 0.39%, 0.45%

LAB 42.12, 39.22, 7.32

 

CMYK 0 / 37 / 29 / 45

HEX #8D5964

RGB 141 89 100

HSL 347.31, 0.23%, 0.45%

LAB 43.84, 22.99, 2.67

 

CMYK 0 / 12 / 10 / 52

HEX #7A6B6E

RGB 122 107 110

HSL 348, 0.07%, 0.45%

LAB 46.68, 6.46, 0.49

 

CMYK 17 / 0 / 4 / 51

HEX #687E79

RGB 104 126 121

HSL 166.36, 0.1%, 0.45%

LAB 50.97, -9.07, 0.05

 

CMYK 41 / 0 / 8 / 44

HEX #559084

RGB 85 144 132

HSL 167.8, 0.26%, 0.45%

LAB 55.63, -22.23, 0.33

 

CMYK 0 / 56 / 14 / 37

HEX #A04689

RGB 160 70 137

HSL 315.33, 0.39%, 0.45%

LAB 43.74, 45.73, -19.77

 

CMYK 0 / 56 / 29 / 37

HEX #A04671

RGB 160 70 113

HSL 331.33, 0.39%, 0.45%

LAB 42.83, 42.15, -6.48

 

CMYK 0 / 56 / 44 / 37

HEX #A04659

RGB 160 70 89

HSL 347.33, 0.39%, 0.45%

LAB 42.12, 39.22, 7.32

 

CMYK 0 / 54 / 56 / 37

HEX #A04A46

RGB 160 74 70

HSL 2.67, 0.39%, 0.45%

LAB 42.48, 35.33, 19.52

 

CMYK 0 / 39 / 56 / 37

HEX #A06246

RGB 160 98 70

HSL 18.67, 0.39%, 0.45%

LAB 47.82, 22.17, 26.42

 

CMYK 0 / 56 / 44 / 60

HEX #662D39

RGB 102 45 57

HSL 347.37, 0.39%, 0.29%

LAB 26.73, 26.97, 4.73

 

CMYK 0 / 56 / 44 / 49

HEX #833949

RGB 131 57 73

HSL 347.03, 0.39%, 0.37%

LAB 34.46, 33.5, 5.91

 

CMYK 0 / 56 / 44 / 37

HEX #A04659

RGB 160 70 89

HSL 347.33, 0.39%, 0.45%

LAB 42.12, 39.22, 7.32

 

CMYK 0 / 51 / 41 / 29

HEX #B6596C

RGB 182 89 108

HSL 347.74, 0.39%, 0.53%

LAB 49.7, 39.57, 6.99

 

CMYK 0 / 40 / 31 / 24

HEX #C37586

RGB 195 117 134

HSL 346.92, 0.39%, 0.61%

LAB 58.08, 32.71, 3.91

 

CMYK 0 / 57 / 45 / 38

HEX #9F4558

RGB 159 69 88

HSL 347.33, 0.39%, 0.45%

LAB 41.74, 39.25, 7.39

 

CMYK 0 / 1 / 56 / 37

HEX #A09E46

RGB 160 158 70

HSL 58.67, 0.39%, 0.45%

LAB 63.65, -11.29, 45.39

 

CMYK 56 / 22 / 0 / 37

HEX #467DA0

RGB 70 125 160

HSL 203.33, 0.39%, 0.45%

LAB 50.11, -7.69, -24.29

 

CMYK 0 / 57 / 45 / 38

HEX #9F4558

RGB 159 69 88

HSL 347.33, 0.39%, 0.45%

LAB 41.74, 39.25, 7.39

 

CMYK 44 / 0 / 56 / 37

HEX #59A046

RGB 89 160 70

HSL 107.33, 0.39%, 0.45%

LAB 59.62, -39.92, 39.54

 

CMYK 56 / 44 / 0 / 37

HEX #4659A0

RGB 70 89 160

HSL 227.33, 0.39%, 0.45%

LAB 39.56, 14.42, -40.86

 

CMYK 0 / 57 / 45 / 38

HEX #9F4558

RGB 159 69 88

HSL 347.33, 0.39%, 0.45%

LAB 41.74, 39.25, 7.39

 

CMYK 0 / 1 / 56 / 37

HEX #A09E46

RGB 160 158 70

HSL 58.67, 0.39%, 0.45%

LAB 63.65, -11.29, 45.39

 

CMYK 56 / 0 / 13 / 37

HEX #46A08C

RGB 70 160 140

HSL 166.67, 0.39%, 0.45%

LAB 60.19, -31.86, 2.34

 

CMYK 56 / 56 / 0 / 37

HEX #4647A0

RGB 70 71 160

HSL 239.33, 0.39%, 0.45%

LAB 34.69, 26.06, -48.66

 

CMYK 0 / 57 / 45 / 38

HEX #9F4558

RGB 159 69 88

HSL 347.33, 0.39%, 0.45%

LAB 41.74, 39.25, 7.39

 

CMYK 16 / 0 / 56 / 37

HEX #86A046

RGB 134 160 70

HSL 77.33, 0.39%, 0.45%

LAB 62.21, -23.27, 43.22

 

CMYK 56 / 0 / 13 / 37

HEX #46A08C

RGB 70 160 140

HSL 166.67, 0.39%, 0.45%

LAB 60.19, -31.86, 2.34

 

CMYK 41 / 56 / 0 / 37

HEX #5F46A0

RGB 95 70 160

HSL 256.67, 0.39%, 0.45%

LAB 36.65, 32.34, -45.39

 

Description

Color code: HEX #9F4558 | qconv.com Color code: HEX #9F4558 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 69 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 69 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 45 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 45% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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