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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F44CE it is the complementary color #60BB31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F44CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F44CE shade: #A444C9, #B556DC, #C668EF, #D77AFF and #E88CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F44CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F44CE shade: #9F44CE, #8E32BB, #7D20A8, #6C0E95 and #5B0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F44CE shade: #9F46CE, #C446CE, #CE46B3, #CE468E and #CE4669

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F44CE shade: #9F46CE, #7B46CE, #5646CE and #4646CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F44CE shade matches the following richer shades: #9F46CE, #A533E1 and #AC20F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F44CE shade: #9F46CE, #9959BB, #936CA8, #8D7F95 and #879282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F44CE shade: #5646CE, #7A46CE, #9E46CE, #C246CE and #CE46B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F44CE shade: #722998, #8B31B9, #9F46CE, #B066D6 and #C187DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F44CE shade: #9F44CE, #CE465A and #46CE68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F44CE shade: #9F44CE, #CE9E46 and #46CE9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F44CE shade: #9F44CE, #CE465A, #75CE46 and #46CEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F44CE shade: #9F44CE, #CE5A46, #75CE46 and #46B9CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 67 / 0 / 19

HEX #9F44CE

RGB 159 68 206

HSL 279.57, 0.58%, 0.54%

LAB 46.92, 59.5, -55.5

 

Complementary color

CMYK 49 / 0 / 74 / 27

HEX #60BB31

RGB 96 187 49

HSL 99.57, 0.58%, 0.46%

LAB 68.2, -50.7, 57.84

 

CMYK 18 / 66 / 0 / 21

HEX #A444C9

RGB 164 68 201

HSL 283.31, 0.55%, 0.53%

LAB 47.29, 59.56, -51.99

 

CMYK 18 / 61 / 0 / 14

HEX #B556DC

RGB 181 86 220

HSL 282.54, 0.66%, 0.6%

LAB 53.65, 59.19, -52.55

 

CMYK 17 / 56 / 0 / 6

HEX #C668EF

RGB 198 104 239

HSL 281.78, 0.81%, 0.67%

LAB 60.01, 58.61, -52.94

 

CMYK 16 / 52 / 0 / 0

HEX #D77AFF

RGB 215 122 255

HSL 281.95, 1%, 0.74%

LAB 66.2, 57.31, -51.82

 

CMYK 9 / 45 / 0 / 0

HEX #E88CFF

RGB 232 140 255

HSL 288, 1%, 0.77%

LAB 71.64, 52.82, -43.12

 

CMYK 23 / 67 / 0 / 19

HEX #9F44CE

RGB 159 68 206

HSL 279.57, 0.58%, 0.54%

LAB 46.92, 59.5, -55.5

 

CMYK 24 / 73 / 0 / 27

HEX #8E32BB

RGB 142 50 187

HSL 280.29, 0.58%, 0.46%

LAB 40.61, 59.55, -54.76

 

CMYK 26 / 81 / 0 / 34

HEX #7D20A8

RGB 125 32 168

HSL 281.03, 0.68%, 0.39%

LAB 34.44, 58.92, -53.59

 

CMYK 28 / 91 / 0 / 42

HEX #6C0E95

RGB 108 14 149

HSL 281.78, 0.83%, 0.32%

LAB 28.57, 57.08, -51.7

 

CMYK 30 / 100 / 0 / 49

HEX #5B0082

RGB 91 0 130

HSL 282, 1%, 0.25%

LAB 23.12, 53.59, -48.87

 

CMYK 23 / 66 / 0 / 19

HEX #9F46CE

RGB 159 70 206

HSL 279.26, 0.58%, 0.54%

LAB 47.25, 58.61, -54.98

 

CMYK 5 / 66 / 0 / 19

HEX #C446CE

RGB 196 70 206

HSL 295.59, 0.58%, 0.54%

LAB 52.48, 66.92, -46.32

 

CMYK 0 / 66 / 13 / 19

HEX #CE46B3

RGB 206 70 179

HSL 311.91, 0.58%, 0.54%

LAB 52.68, 64.98, -30.3

 

CMYK 0 / 66 / 31 / 19

HEX #CE468E

RGB 206 70 142

HSL 328.24, 0.58%, 0.54%

LAB 51.22, 60.01, -10.73

 

CMYK 0 / 66 / 49 / 19

HEX #CE4669

RGB 206 70 105

HSL 344.56, 0.58%, 0.54%

LAB 50.12, 56.15, 9.92

 

CMYK 23 / 66 / 0 / 19

HEX #9F46CE

RGB 159 70 206

HSL 279.26, 0.58%, 0.54%

LAB 47.25, 58.61, -54.98

 

CMYK 40 / 66 / 0 / 19

HEX #7B46CE

RGB 123 70 206

HSL 263.38, 0.58%, 0.54%

LAB 42.83, 51.05, -62.33

 

CMYK 58 / 66 / 0 / 19

HEX #5646CE

RGB 86 70 206

HSL 247.06, 0.58%, 0.54%

LAB 39.27, 44.42, -68.29

 

CMYK 66 / 66 / 0 / 19

HEX #4646CE

RGB 70 70 206

HSL 240, 0.58%, 0.54%

LAB 38.09, 42.1, -70.27

 

CMYK 23 / 66 / 0 / 19

HEX #9F46CE

RGB 159 70 206

HSL 279.26, 0.58%, 0.54%

LAB 47.25, 58.61, -54.98

 

CMYK 27 / 77 / 0 / 12

HEX #A533E1

RGB 165 51 225

HSL 279.31, 0.74%, 0.54%

LAB 46.72, 71.21, -66.67

 

CMYK 30 / 87 / 0 / 4

HEX #AC20F4

RGB 172 32 244

HSL 279.62, 0.91%, 0.54%

LAB 47.41, 81.12, -76.23

 

CMYK 23 / 66 / 0 / 19

HEX #9F46CE

RGB 159 70 206

HSL 279.26, 0.58%, 0.54%

LAB 47.25, 58.61, -54.98

 

CMYK 18 / 52 / 0 / 27

HEX #9959BB

RGB 153 89 187

HSL 279.18, 0.42%, 0.54%

LAB 48.89, 43.53, -41.43

 

CMYK 13 / 36 / 0 / 34

HEX #936CA8

RGB 147 108 168

HSL 279, 0.26%, 0.54%

LAB 51.56, 26.84, -26.24

 

CMYK 5 / 15 / 0 / 42

HEX #8D7F95

RGB 141 127 149

HSL 278.18, 0.09%, 0.54%

LAB 55.08, 9.63, -9.87

 

CMYK 8 / 0 / 11 / 43

HEX #879282

RGB 135 146 130

HSL 101.25, 0.07%, 0.54%

LAB 59.27, -7.1, 7.13

 

CMYK 58 / 66 / 0 / 19

HEX #5646CE

RGB 86 70 206

HSL 247.06, 0.58%, 0.54%

LAB 39.27, 44.42, -68.29

 

CMYK 41 / 66 / 0 / 19

HEX #7A46CE

RGB 122 70 206

HSL 262.94, 0.58%, 0.54%

LAB 42.72, 50.85, -62.51

 

CMYK 23 / 66 / 0 / 19

HEX #9E46CE

RGB 158 70 206

HSL 278.82, 0.58%, 0.54%

LAB 47.11, 58.39, -55.2

 

CMYK 6 / 66 / 0 / 19

HEX #C246CE

RGB 194 70 206

HSL 294.71, 0.58%, 0.54%

LAB 52.18, 66.46, -46.81

 

CMYK 0 / 66 / 12 / 19

HEX #CE46B5

RGB 206 70 181

HSL 311.03, 0.58%, 0.54%

LAB 52.77, 65.28, -31.33

 

CMYK 25 / 73 / 0 / 40

HEX #722998

RGB 114 41 152

HSL 279.46, 0.58%, 0.38%

LAB 32.77, 50.03, -46.68

 

CMYK 25 / 74 / 0 / 27

HEX #8B31B9

RGB 139 49 185

HSL 279.71, 0.58%, 0.46%

LAB 39.9, 58.94, -54.75

 

CMYK 23 / 66 / 0 / 19

HEX #9F46CE

RGB 159 70 206

HSL 279.26, 0.58%, 0.54%

LAB 47.25, 58.61, -54.98

 

CMYK 18 / 52 / 0 / 16

HEX #B066D6

RGB 176 102 214

HSL 279.64, 0.58%, 0.62%

LAB 55.67, 48.74, -45.98

 

CMYK 13 / 39 / 0 / 13

HEX #C187DF

RGB 193 135 223

HSL 279.55, 0.58%, 0.7%

LAB 64.96, 37.76, -36.3

 

CMYK 23 / 67 / 0 / 19

HEX #9F44CE

RGB 159 68 206

HSL 279.57, 0.58%, 0.54%

LAB 46.92, 59.5, -55.5

 

CMYK 0 / 66 / 56 / 19

HEX #CE465A

RGB 206 70 90

HSL 351.18, 0.58%, 0.54%

LAB 49.79, 54.93, 18.51

 

CMYK 66 / 0 / 50 / 19

HEX #46CE68

RGB 70 206 104

HSL 135, 0.58%, 0.54%

LAB 73.83, -58.14, 40.01

 

CMYK 23 / 67 / 0 / 19

HEX #9F44CE

RGB 159 68 206

HSL 279.57, 0.58%, 0.54%

LAB 46.92, 59.5, -55.5

 

CMYK 0 / 23 / 66 / 19

HEX #CE9E46

RGB 206 158 70

HSL 38.82, 0.58%, 0.54%

LAB 68.03, 8.65, 51.49

 

CMYK 66 / 0 / 23 / 19

HEX #46CE9E

RGB 70 206 158

HSL 158.82, 0.58%, 0.54%

LAB 74.77, -47.94, 13.29

 

CMYK 23 / 67 / 0 / 19

HEX #9F44CE

RGB 159 68 206

HSL 279.57, 0.58%, 0.54%

LAB 46.92, 59.5, -55.5

 

CMYK 0 / 66 / 56 / 19

HEX #CE465A

RGB 206 70 90

HSL 351.18, 0.58%, 0.54%

LAB 49.79, 54.93, 18.51

 

CMYK 43 / 0 / 66 / 19

HEX #75CE46

RGB 117 206 70

HSL 99.26, 0.58%, 0.54%

LAB 75.06, -50.12, 57.21

 

CMYK 66 / 0 / 10 / 19

HEX #46CEB9

RGB 70 206 185

HSL 170.74, 0.58%, 0.54%

LAB 75.42, -41.37, -0.29

 

CMYK 23 / 67 / 0 / 19

HEX #9F44CE

RGB 159 68 206

HSL 279.57, 0.58%, 0.54%

LAB 46.92, 59.5, -55.5

 

CMYK 0 / 56 / 66 / 19

HEX #CE5A46

RGB 206 90 70

HSL 8.82, 0.58%, 0.54%

LAB 52.81, 44.63, 34.08

 

CMYK 43 / 0 / 66 / 19

HEX #75CE46

RGB 117 206 70

HSL 99.26, 0.58%, 0.54%

LAB 75.06, -50.12, 57.21

 

CMYK 66 / 10 / 0 / 19

HEX #46B9CE

RGB 70 185 206

HSL 189.26, 0.58%, 0.54%

LAB 69.79, -25.57, -20.11

 

Description

Color code: HEX #9F44CE | qconv.com Color code: HEX #9F44CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 68 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 68 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 67 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 67% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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